DCM Hymn Tunes

from TEH, NEH & REH

   
COE FEN q = 100 Music: Kenneth Nicholson Naylor (1931-1991)

        
 
              
 

             
           
               

      
11

           
         

               
        
               

 
      
20
    
                  

              
           
                 


  
First Mode Melody Music: Thomas Tallis (1510-1585) harmony slightly adapted
30

            
 
      

 
                 
   

     
37

  
       
            


 
          
         
    

         
44
 
          


   
   
              
     
2

           
51

       
     
   
 
 
   
 
 
       


        
 

           

Forest Green Music: English Traditional Melody

  
  
                 
   
                         
  
    
 
66

        
          
 
           

       


 
70

       
       

            
  
      

   
        
Holy Well Music: English Traditional Melody. Harm. by Erik Routley (1917-1982)

 
    
           
       

                          
   
  

       
79

                   
      

 
 
          
              
        

 
       
84

 
           
   
 
                 
      
 3

  
Hucklebridge Music: Richard Shepherd (1949-2021)

                     
              

  
                        
         

             
96

           

      
                
           
        

 
101

       
            
  

                     
       

 
Kingsfold Music: Melody from English County Songs, 1893. Harm. by RVW (1872-1958)

                              
    
 

                    
    
         
       

  
113


    
         
           
 

                       

         


 
118

                    
  
  

                  
   
     

   
Ladywell Music: William Harold Ferguson (1874-1950)

               

             

      
      
                 
         
4

    
129
             
     
               
      
                        
         

    
135

                   

  

                          
  
           

 
Noel Music: English Trad Melody. Adapted by A. S. Sullivan (1842-1900)

                  
           

                  
         
       

   
147

    
         
         
  

                 
 
   
    


 

  
153

                   

                  
             

 
Old 22nd Music: Melody from Este's Psalter, 1592.

    
158

       
           
   
 

                        
            

 
166
       
      
               

                    
            
 5

  
173

                 


                   
         

   
Old 44th Music: Melody from Este's Psalter, 1592.
     
          

       

     
    
                 
       
 
      

   
194

       
                 


                     
      

   
206

                    
   

                 
         

  
Old 81st (Old 77th) Music: Melody from Este's Psalter, 1592.
218

                      
    

                      
       

 
228

           
         
   
                     
           

 
238

         
     
 
 


   
  
            
         
6

 
Old 107th Music: Scottish Psalter, 1635

               
      
    

                        
 
    
     

  
253
          
             
  


 
   
                    
       
  

 
260

  
 
            
       
       
        

 
264

    
        
 


         
   
     

 
Old 137th
Music: Day's Psalter, 1563



267

                      
           
 
 

                          
                  


  
 

274

      
 

         
    
        
        

     
  

       
279

              
  
          
         
 

       
 7

  
St Matthew Music: William Croft (1678-1727)
         
                     

                       
       
    

     
293

                 
           

        
                    
           

 
303

        
        

             
         

     
309
  

      
 

 
   
   

 
     
 

 
Second Mode Melody (version 1) Music: Thomas Tallis (1515-1585)

         
 
 
                   

                            
      
  

 

321

       
  
   

  
  


                 
       

 
326

               

                
        
8

 
Second Mode Melody (version 2, Tallis' original version) Music: Thomas Tallis (1515-1585)

                         
                        

             
             
         

 
337

                   
      
  

                      
       

 
343

            
         
      

                

 

   
Soll's Sein
348 Music: Melody in 'Drei schone neue geistliche Lieder,' Munchen, 1637.

                          
 

                        
 
            
  

 
358
        
                

        
                  
        

 
  
368

               
  
 


  
                  
         
     

                 

Stettin (Nun Seht) Music: Later form of melody from the Song Book of the Bohemian Brethren, 1566.
  
    
          
     
      
  
                          
      
 
   
                

 9

   
 

385

          
    
 

 



                   
        

    
 
390

             
 
   
   

          
        
            

 

 
                  
Third Mode Melody (Version 1) Music: Thomas Tallis (1505-1585) in Matthew Parker's Psalter, 1567. adapted by RVW (1872-1958)

               
 
              
          
 
    

             
     
402

       
      

                     


        
    

    
409

               
    

                    
         
    

 
Third Mode Melody (Version 2, Tallis' Original) Music: Thomas Tallis (1505-1585) in Matthew Parker's Psalter, 1567.

     
                          
  

                        
 
       


             

422

    

     
 

    
        
       

       
    
10

           
429

  
               
         
          
 
  
         