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4
5
Brief Contents
1 Composing Literacy
PART 1 Writing Activities
2 Remembering an Event
3 Writing Profiles
4 Explaining a Concept
5 Analyzing and Synthesizing Opposing Arguments
6 Arguing a Position
7 Proposing a Solution
8 Justifying an Evaluation
9 Arguing for Causes or Effects
10 Analyzing Stories
PART 2 Critical Thinking Strategies
11 A Catalog of Invention and Inquiry Strategies
12 A Catalog of Reading Strategies
PART 3 Writing Strategies
13 Cueing the Reader
14 Narrating and Describing
15 Defining, Classifying, and Comparing
16 Arguing
PART 4 Research Strategies
17 Planning and Conducting Research
18 Selecting and Evaluating Sources
19 Using Sources to Support Your Ideas
20 Citing and Documenting Sources in MLA Style
21 Citing and Documenting Sources in APA Style
PART 5 Composing Strategies for College and Beyond
22 Analyzing and Composing Multimodal Texts
23 Taking Essay Examinations
24 Creating a Portfolio
25 Writing in Business and Scientific Genres
26 Writing for and about Your Community
27 Writing Collaboratively
6
7
The St. Martin’s Guide to Writing
8
The St. Martin’s Guide to Writing
SHORT TWELFTH EDITION
Rise B. Axelrod
Charles R. Cooper
9
For Bedford/St. Martin’s
Vice President, Editorial, Macmillan Learning Humanities: Edwin Hill
Executive Program Director for English: Leasa Burton
Senior Program Manager: Laura Arcari
Marketing Manager: Vivian Garcia
Director of Content Development, Humanities: Jane Knetzger
Executive Developmental Editor: Jane Carter
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Associate Media Editor: Julia Domenicucci
Editorial Services: Lumina Datamatics, Inc.
Composition: Lumina Datamatics, Inc.
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Permissions Editor: Angela Boehler
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Director of Design, Content Management: Diana Blume
Text Design: Jerilyn Bockorick, Cenveo Publisher Services
Cover Design: William Boardman, Marine Miller
ISBN: 978-1-319-22808-8(mobi)
Acknowledgments
Text acknowledgments and copyrights appear at the back of the book on pages A-1–A-2, which constitute an
extension of the copyright page. Art acknowledgments and copyrights appear on the same page as the art
selections they cover.
10
CONTENTS
Preface
1 Composing Literacy
Understanding the Rhetorical Situation
Reflecting on Your Own Literacy
Composing Your Own Literacy Narrative
Apply the rhetorical framework: who? what? when? where? how? and why?
Devise a topic
Readings
Katherine Kachnowski, Beyond the Microwave, or How I Learned to Cook with a French Accent
David Sedaris, Me Talk Pretty One Day
GUIDE TO WRITING
The Writing Assignment
STARTING POINTS: Remembering an Event
11
Write the opening sentences
Draft your story
Evaluating the Draft: Using Peer Review
A PEER REVIEW GUIDE
Improving the Draft: Revising, Editing, and Proofreading
Revise your draft
A TROUBLESHOOTING GUIDE
Edit and proofread your final draft
A WRITER AT WORK
Developing Significance in Jean Brandt’s Remembered Event Essay
REFLECTION
Reflecting on Reading and Writing about Remembered Events
Reflecting on Your Composing Process
3 Writing Profiles
PRACTICING THE GENRE: Conducting an Interview
GUIDE TO READING
Analyzing Profiles
Determine the writer’s purpose and audience
Assess the genre’s basic features
Readings
Brian Cable, The Last Stop
Victoria C. Moré, Dumpster Dinners: An Ethnography of Freeganism
Amanda Coyne, The Long Good-Bye: Mother’s Day in Federal Prison
Gabriel Thompson, A Gringo in the Lettuce Fields
GUIDE TO WRITING
The Writing Assignment
STARTING POINTS: Writing a Profile
12
Clarify the dominant impression
Write the opening sentences
Draft your profile
A WRITER AT WORK
Brian Cable’s Interview Notes and Write-Up
The Interview Notes
The Interview Write-Up
REFLECTION
Reflecting on Reading and Writing a Profile
Reflecting on Your Composing Process
4 Explaining a Concept
PRACTICING THE GENRE: Explaining an Academic Concept
GUIDE TO READING
Analyzing Concept Explanations
Determine the writer’s purpose and audience
Assess the genre’s basic features
Readings
Rosa Alexander, The Meme-ing of Trigger Warnings
Anastasia Toufexis, Love: The Right Chemistry
Lindsay Grace, Persuasive Play: Designing Games That Change Players
Susan Cain, Shyness: Evolutionary Tactic?
GUIDE TO WRITING
The Writing Assignment
STARTING POINTS: Explaining a Concept
Writing a Draft: Invention, Research, Planning, and Composing
Choose a concept to write about
TEST YOUR CHOICE: Considering Your Purpose and Audience
Conduct initial research on the concept
Focus your explanation of the concept
TEST YOUR CHOICE: Evaluating Your Focus
13
Conduct further research on your focused concept
Draft your working thesis
Create an outline that will organize your concept explanation effectively for your readers
Design your writing project
Consider the explanatory strategies you should use
Use summaries, paraphrases, and quotations from sources to support your points
Use visuals or multimedia illustrations
Use appositives to integrate sources
Use descriptive verbs in signal phrases to introduce information from sources
Write the opening sentences
Draft your explanation
Evaluating the Draft: Using Peer Review
A PEER REVIEW GUIDE
Improving the Draft: Revising, Editing, and Proofreading
Revise your draft
A TROUBLESHOOTING GUIDE
Edit and proofread your final draft
A WRITER AT WORK
Rosa Alexander Focuses Her Concept Explanation
REFLECTION
Reflecting on Reading and Writing a Concept Analysis
Reflecting on Your Composing Process
Readings
Max King, Freedom of or from Speech
Maya Gomez, Should Kidney Donors Be Compensated?
GUIDE TO WRITING
The Writing Assignment
STARTING POINTS: Analyzing and Synthesizing Opposing Arguments
14
TEST YOUR CHOICE: Selecting a Topic
Conduct research
Create an annotated working bibliography
Analyze your audience
Choose opposing arguments to analyze
Analyze and synthesize the opposing arguments
TEST YOUR CHOICE: Evaluating Your Analysis
Draft a working thesis
Create an outline to plan or assess your organization
Develop your analysis
Draft the opening sentences
Draft your comparative analysis
Evaluating the Draft: Using Peer Review
A PEER REVIEW GUIDE
Improving the Draft: Revising, Editing, and Proofreading
Revise your draft
A TROUBLESHOOTING GUIDE
Edit and proofread your final draft
A WRITER AT WORK
Max King’s Analysis
REFLECTION
Reflecting on Reading and Writing a Comparative Analysis Essay
Reflecting on Your Composing Process
6 Arguing a Position
PRACTICING THE GENRE: Debating a Position
GUIDE TO READING
Analyzing Position Arguments
Determine the writer’s purpose and audience
Assess the genre’s basic features
Readings
Jessica Statsky, Children Need to Play, Not Compete
Laura Beth Nielsen, The Case for Restricting Hate Speech
Amitai Etzioni, Working at McDonald’s
Daniel J. Solove, Why Privacy Matters Even if You Have “Nothing to Hide”
GUIDE TO WRITING
The Writing Assignment
15
STARTING POINTS: Arguing a Position
Writing a Draft: Invention, Research, Planning, and Composing
Choose a controversial issue on which to take a position
TEST YOUR CHOICE: Choosing an Issue
Frame the issue for your readers
TEST YOUR CHOICE: Frame Your Issue
Formulate a working thesis stating your position
Develop the reasons supporting your position
Research your position
Use sources to reinforce your credibility
Identify and respond to your readers’ likely reasons and objections
Create an outline that will organize your argument effectively for your readers
Consider document design
Write the opening sentences
Draft your position argument
Evaluating the Draft: Using Peer Review
A PEER REVIEW GUIDE
Improving the Draft: Revising, Editing, and Proofreading
Revise your draft
A TROUBLESHOOTING GUIDE
Edit and proofread your final draft
A WRITER AT WORK
Jessica Statsky’s Response to Opposing Positions
Listing Reasons for the Opposing Position
Conceding a Plausible Reason
Refuting an Implausible Reason
REFLECTION
Reflecting on Reading and Writing a Position Argument
Reflecting on Your Composing Process
7 Proposing a Solution
PRACTICING THE GENRE: Arguing That a Solution Is Feasible
GUIDE TO READING
Analyzing Proposals
Determine the writer’s purpose and audience
Assess the genre’s basic features
Readings
16
Patrick O’Malley, More Testing, More Learning
David Figlio, Starting High School Later
David J. Smith, Getting to “E Pluribus Unum”
Kelly D. Brownell and Thomas R. Frieden, Ounces of Prevention: The Public Policy Case
for Taxes on Sugared Beverages
GUIDE TO WRITING
The Writing Assignment
STARTING POINTS: Proposing a Solution
Writing a Draft: Invention, Research, Planning, and Composing
Choose a problem for which you can propose a solution
Frame the problem for your readers
TEST YOUR CHOICE: Defining the Problem
Assess how the problem has been framed, and reframe it for your readers
Develop a possible solution
Explain your solution
Research your proposal
Develop a response to objections or alternative solutions
Create an outline that will organize your proposal effectively for your readers
Write the opening sentences
Draft your proposal
Evaluating the Draft: Using Peer Review
PEER REVIEW GUIDE
Improving the Draft: Revising, Editing, and Proofreading
Revise your draft
A TROUBLESHOOTING GUIDE
Edit and proofread your final draft
A WRITER AT WORK
Patrick O’Malley’s Revision Process
REFLECTION
Reflecting on Reading and Writing Proposals
Reflecting on Your Composing Process
8 Justifying an Evaluation
PRACTICING THE GENRE: Choosing Appropriate Criteria
GUIDE TO READING
Analyzing Evaluations
Determine the writer’s purpose and audience
17
Assess the genre’s basic features
Readings
William Akana, Scott Pilgrim vs. the World: A Hell of a Ride
Tasha Robinson, Moana: The Perfect Disney Movie
Katherine Isbister, Why Pokémon Go Became an Instant Phenomenon
Malcolm Gladwell, What College Rankings Really Tell Us
GUIDE TO WRITING
The Writing Assignment
STARTING POINTS: Justifying an Evaluation
A WRITER AT WORK
William Akana’s Thesis and Response to Objections
REFLECTION
Reflecting on Reading and Writing an Evaluation
Reflecting on Your Composing Process
18
Determine the writer’s purpose and audience
Assess the genre’s basic features
Readings
Clayton Pangelinan, #socialnetworking: Why It’s Really So Popular
Stephen King, Why We Crave Horror Movies
Jean M. Twenge, Have Smartphones Destroyed a Generation?
Shankar Vedantam, The Telescope Effect
GUIDE TO WRITING
The Writing Assignment
STARTING POINTS: Arguing for Causes or Effects
A WRITER AT WORK
Clayton Pangelinan’s Analysis of Possible Causes
REFLECTION
Reflecting on Reading and Writing a Cause-Effect Analysis
Reflecting on Your Composing Process
10 Analyzing Stories
19
PRACTICING THE GENRE: Analyzing a Story Collaboratively
GUIDE TO READING
Analyzing Essays That Analyze Stories
Determine the writer’s purpose and audience
Assess the genre’s basic features
Readings
Iris Lee, Performing a Doctor’s Duty
Isabella Wright, “For Heaven’s Sake!”
GUIDE TO WRITING
The Writing Assignment
STARTING POINTS: Analyzing Stories
Writing a Draft: Invention, Research, Planning, and Composing
Find a story to write about
Analyze the story
Generate ideas by moving from specific to general or the reverse
TEST YOUR CHOICE: Choosing a Topic
Formulate a working thesis
Provide support for your argument
To build on your support, consider doing outside research
Create an outline that will organize your argument effectively
Write the opening sentences
Draft your analysis
Evaluating the Draft: Using Peer Review
A PEER REVIEW GUIDE
A WRITER AT WORK
Isabella Wright’s Invention Work
Annotating
Examining Patterns in the Story
Listing Ideas
REFLECTION
Reflecting on Reading and Writing a Literary Analysis
Reflecting on Your Composing Process
20
AN ANTHOLOGY OF SHORT STORIES
Kate Chopin, The Story of an Hour
James Joyce, Araby
William Carlos Williams, The Use of Force
Jamaica Kincaid, Girl
21
Judging the Writer’s Credibility
Test for knowledge
Test for common ground
Test for fairness
Paragraphing
Paragraph indents signal related ideas
Topic sentences announce the paragraph’s focus
Cohesive Devices
Pronouns connect phrases or sentences
Word repetition aids cohesion
Synonyms connect ideas
Repetition of sentence structure emphasizes connections
Collocation creates networks of meaning
Transitions
Transitions emphasize logical relationships
Transitions can indicate a sequence in time
Transitions can indicate relationships in space
Headings and Subheadings
Headings indicate sections and levels
Headings are not common in all genres
At least two headings are needed at each level
Describing
Use naming to give an overall impression
Use detailing to add specifics and convey thoughts, feelings, and judgments
Use comparisons to make a description vivid and convey emotion
Use sensory description to convey what you saw, heard, smelled, felt, and tasted
Use description to create a dominant impression
22
15 Defining, Classifying, and Comparing
Defining
Use sentence definitions to explain terms and concepts briefly
Use extended definitions to convey the meaning of complex concepts
Use historical definitions to explain how a meaning has changed over time or across cultures
Use stipulative definitions to reach an agreement on the meaning of a term or concept
Classifying
Use topics and subtopics to organize classifications
Use graphics to depict a classification scheme
Use cues to maintain clarity and coherence in a classification
16 Arguing
Asserting a Thesis
Make arguable assertions
Use clear and precise wording
Qualify the thesis appropriately
Giving Reasons and Support
Use representative examples for support
Use up-to-date, relevant, and accurate statistics
Cite reputable authorities on relevant topics
Use vivid, relevant anecdotes
Use relevant textual evidence
23
Create a working bibliography
Annotating Your Working Bibliography
Taking Notes on Your Sources
Finding Sources
Search library catalogs and databases
Find books (and other sources)
Find articles in periodicals
Find government documents and statistical information
Find Web sites and interactive sources
Conducting Field Research
Conduct observational studies
Conduct interviews
Conduct surveys
24
Citing Sources in the Text
DIRECTORY TO IN-TEXT-CITATION MODELS
24 Creating a Portfolio
Purposes of a Writing Portfolio
Assembling a Portfolio for Your Composition Course
25
Select your work
Reflect on your work and what you have learned
Organize your portfolio
27 Writing Collaboratively
Working with Others on Your Individual Writing Projects
Collaborating on Joint Writing Projects
Index
26
Student Essays
1 Composing Literacy
Katherine Kachnowski, Beyond the Microwave, or How I Learned to Cook with a French Accent
Jonathan Escobar, Lost in Translation*
Gabriel Zamora, The Game*
2 Remembering an Event
Jean Brandt, Calling Home
Nicole Ball, Sticks and Stones*
Stephanie Legge, In a Ditch*
Samantha Wright, Starving for Control*
Julia Barojas, Almost Quitting*
James Ziech, Worse Than a Lump of Coal*
3 Writing Profiles
Brian Cable, The Last Stop
Isaiah Williams, To Protect and Serve*
Linda Fine, Bringing Ingenuity Back*
Bonnie Lapwood, Modernizing a Remnant of the Mid-Twentieth Century*
Natasha Farhoodi, Mad World Records*
4 Explaining a Concept
Rosa Alexander, The Meme-ing of Trigger Warnings
Katie Angeles, The Forgotten Personality*
Sheila McClain, Proxemics: A Study of Space and Relationships*
Jonathan Potthast, Supervolcanoes: A Catastrophe of Ice and Fire*
Etoria Spears, Therapeutic Cloning and Embryonic Research*
Max Wu, The Disorder That Hides Within*
William Tucker, The Art and Creativity of Stop-Motion*
5 Analyzing and Synthesizing Opposing Arguments
Max King, Freedom of or from Speech
Maya Gomez, Should Kidney Donors Be Compensated?
Luke Serrano, Gambling and Government Restriction*
Chris Sexton, Virtual Reality?*
Matthew Chrisler, Are Laissez-Faire Policies to Blame?*
Brittany Koehler, Criminal DNA Databases: Enhancing Police Investigations or Violating Civil Rights?*
Adam Hood, Online Piracy: A David and Goliath Debate*
6 Arguing a Position
Jessica Statsky, Children Need to Play, Not Compete
27
Liam Hwang, Animal Rights*
Heather Nickell, Fracking: Drilling Toward Disaster*
Tan-Li Hsu, Energy Drinks*
Mary Hake, With Each Seed a Farmer Plants*
7 Proposing a Solution
Patrick O’Malley, More Testing, More Learning
Max Moore, The Social Security Problem*
Monica Perez, Cracking Down on Lighting Up*
James Benge, Adapting to the Disappearance of Honeybees*
Kati Huff, Unhealthy Lunchrooms: Toxic for Schoolchildren and the Environment*
8 Justifying an Evaluation
William Akana, Scott Pilgrim vs. the World: A Hell of a Ride
Matthew Fontilla, Watchmen*
Jane Kim, Evaluation of Nickel and Dimed*
Julie Plucinski, Satellite Radio*
9 Arguing for Causes or Effects
Clayton Pangelinan, #socialnetworking: Why It’s Really So Popular
Michele Cox, The Truth about Lying*
Victoria Radford, Mayday! Mayday!*
Virginia Gagliardi, Left Out*
Stephanie Cox, Hispanic Pride vs. American Assimilation*
10 Analyzing Stories
Iris Lee, Performing a Doctor’s Duty
Isabella Wright,“For Heaven’s Sake!”
Sarah Hawkins, “In Love”*
Margaret Tate, Irony and Intuition in “A Jury of Her Peers”*
Justine Appel, The Short, Happy Life of Louise Mallard*
20 Citing and Documenting Sources in MLA Style
Cristina Dinh, Educating Kids at Home
*Available in LaunchPad for The St. Martin’s Guide to Writing and Sticks and Stones and Other Student Essays.
28
Preface
Our goal for The St. Martin’s Guide to Writing has always been to provide the clear guidance and practical
strategies students need to harness their potential as writers, both in college and in the wider world. We also
strive to provide both experienced and novice instructors with the time-tested tools they need to coach their
students as they develop skills for writing successfully in college and beyond. In the twelfth edition, we
continue in our mission to serve a diverse audience of schools and students with new support for
metacognition, which encourages the transfer of writing skills; an accessible design; and a new Student’s
Companion for students taking co-requisite or ALP courses. Envisioned as a complete first-year composition
course in a single book—with a full rhetoric, engaging readings, and a research manual—the new edition
prepares students to read analytically and write successfully, and transfer these skills from first-year
composition to courses across campus.
29
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parties, and for a long while terror and absolute desolation had
reigned supreme. At length, however, the plague abated, after
committing the most awful ravages, during which the rotting dead lay
piled in unburied heaps, alike in the streets of the city and the interior
of the several camps. But before it had abated nearly all the
Carthaginian land forces were dead, and both the generals, Himilco
and Hippocrates, were among those who had been carried off.
Archimedes and Epicydes were untouched, nor did either Elissa or
Cleandra suffer from the contagion. The husband of the latter,
Ascanius, however, was among those who had succumbed, and
thus was the fair Cleandra once again a widow.
Before long the old man, Archimedes, was left in sole command at
Syracuse, for Epicydes, having embarked on board a ship, and
joined the fleet with Bomilcar, the Carthaginian admiral, endeavoured
to induce him to attack the Romans. But Bomilcar, instead of fighting,
fled upon the first approach of the Romans, under Marcellus, off
Cape Pachynum, without striking a single blow.
Hereupon Epicydes, being ashamed to return to Syracuse, took
refuge in the town of Agrigentum, all his mighty hopes being foiled in
a moment. And now some of those within the walls wished to deliver
the town over to Marcellus. But Elissa stirred up the remaining
Carthaginians in the garrison, and the Roman deserters and the
mercenaries, so that they would not hear of surrender, and old
Archimedes himself declared that he would destroy with infinite
torture, by some newly-invented device of his own, any such as he
should discover in treating with the enemy. No terms could be
therefore made by the malcontents.
As the ships under Claudius were just preparing to attack,
Archimedes took Elissa with him round the walls, showing her all the
ingenious devices which his brain had imagined and contrived. The
walls were crowded with trained men ready to obey his behest. And
as the old man showed her all his inventions, she groaned aloud.
“Why dost thou groan thus, oh Lady Elissa?” inquired Archimedes,
smiling. “Thinkest thou that I have not here got together sufficient
engines of defence wherewith to smash up and repel all such
engines of offence as the Romans can bring wherewith to batter
down these walls? Forgive me if I differ from thee, for I think that
should not treachery from within show them the way to the kernel,
they will find Syracuse the hardest nut that ever they had to crack.”
And he smiled again, as he tried the working of a lever to one of
his machines, and turning, casually ordered a workman to give it a
little oil.
“Nay, my lord Archimedes! it was no such thought as that, but the
contrary, that made me groan,” replied Elissa. “I groaned because I
had thee not with me when Scipio attacked my city of New Carthage,
for hadst thou but been there the town could never have fallen.”
“Maybe, maybe,” said the old man, looking pleased; “but come, let
me show thee the working of the engines. These thou seest are a
series of catapults constructed to suit every range. Let us try them to
see if they go well.”
An infinite number of missiles of every size had been carefully
constructed for years past, and these were all lying ready to hand.
The Roman fleet were anchored in the port at a distance from the
walls which they thought perfectly safe, but the old man with his
keen eye detected a ship that was a little closer than the others.
“Ha, ha!” he said, rubbing his hands, “they think themselves safe,
but my No. 1 catapult here is suited to that range exactly.”
Causing a huge mass of metal to be placed on the propeller of the
catapult, and personally adjusting the weapon, Archimedes caused
the spring to be released. Instantly the ten talents of lead flew
hurtling through the air, and alighting on the deck of the ship, not
only crushed two men in its fall, but knocked a hole clean through its
further side, through which the water commenced to rush in. In a few
moments, hardly allowing time to permit the terror-stricken crew to
take to the boats, the ship sunk.
“Excellent!” quoth the old man. “What dost think of that for
accuracy, lady Elissa? Now let us try some of the smaller catapults.
Those boats are rowing in nearer to us, thinking in error that my
engines are only contrived for long distances. We will try, therefore, a
No. 2 and a No. 3 catapult with smaller missiles made to suit the
range.”
Again two weapons were discharged, and now two boats were
sent to the bottom, the sailors after struggling for a few minutes
sinking also.
“They will do, they will do!” cried the old man, in glee; “but
catapults are, after all, but an old device. Now will I show thee
something new, for as thou dost perceive, all the ships of the enemy,
being irritated by me, now are rowing towards the walls to assault,
and some of them bear at their bow long and wide ladders, with
pent-houses at their ends, which they can rear, by pulleys from the
mast-head, against our walls. Others, again, have battering-rams
with which to charge the foundations. We can leave those with the
long ladders, which the Romans call sambucæ or harps, and pay our
attention first to yonder vessel in front with the battering-ram. See, it
approaches us. Now, my men, ready with the crane. Swing round!”
As the ship, propelled by the rowers, came quite close to the wall,
a huge crane swung easily round on a pivot. A heavy chain hung
from its end, to which was attached a huge pair of open hands
formed of iron. These hands descended above the prow of the
doomed vessel.
“Press!” cried Archimedes.
Instantly the iron hands seized the prow of the vessel in an iron
grip.
“Raise!” cried Archimedes.
At once, by the mechanism of the machine, the prow of the vessel
was raised clean up into the air, all the sailors on deck tumbling off
the stern into the sea.
“Fasten!” cried the old man.
The ship remained fastened thus in a bolt upright position, the
sailors meanwhile drowning all around its stern.
“Let go!” cried the old mechanician.
A spring was pressed, the iron hands relaxed their grip, and the
bow of the ship fell back into the sea with a terrible splash. The ship
at once filled with water and sunk, all of the rowers between decks
being drowned.
“Two ships already! not bad for a beginning! Now let us pay
attention to the sambucæ or harps. Thou seest, lady Elissa, that the
wide ladders are reared from the outer bulwarks of two ships lashed
close to each other, the oars on the inner sides being removed.
There are already four men standing protected, with removable
shields, in the pent-house, while many more are waiting to rush up
as soon as those four men step forth upon our battlements. We will
let them approach, and then they shall see that ’tis not so easy to
storm Syracuse.”
In another minute two ships bearing a sambuca came quite close
to the battlements, at a point where there seemed to be no engines
of defence to resist the attack. For none were indeed visible.
No sooner had the pent-house been placed against the wall than a
hundred men commenced swarming up the wide ladder, while the
four men in the pent-house at the top removed the shields in front of
their platform preparatory to springing on to the battlements.
“Raise and discharge!” cried Archimedes.
In a second an engine, hitherto concealed, reared itself from
behind the walls, swung over the top of the pent-house, and
released an enormous stone some half-ton in weight.
This stone smashed through the roof of the pent-house, carried
those within it and all the armed men on the ladder down with it in a
mangled and bleeding mass, and then, falling upon the fore-part of
one of the vessels, inflicted serious damage to the ship.
Instantly, in the greatest consternation, the two ships backed their
oars and retreated, being pursued by discharges from catapults at
successive ranges, and fired at also by numberless scorpions
concealed behind the walls, through which small holes had been
constructed at the height of the decks of the ships to enable the
scorpion-bearers to fire, without themselves being seen or liable to
injury.
The action had now become general. On every side Roman ships
were advancing, and soon all the engines of every kind upon the
walls facing the harbour were in full play. At length, after a most
terrible loss in both men and ships, the remains of the Roman fleet
retreated in disorder, well out of range.
Thus did Archimedes show Elissa his methods for efficiently
protecting a walled city from assault by sea.
On the land side Marcellus was making a combined attack, and
attempting to storm the walls with scaling ladders. But there also
Archimedes had engines of every description, and his iron hands
struck terror into the stormers by seizing them, all iron-clad as they
were, and, after poising them for awhile in mid-air, letting them fall
again, when they were crushed to pieces. At length, the besiegers
on the land side also fell back utterly disheartened, all their battering-
rams and every other kind of weapon of offence being destroyed,
while quantities of their number lay dead or dying at the foot of the
walls.
After a few more attempts at storming the town, which were
invariably repelled in a similar manner, any further attempt at taking
the city by a coup de main was utterly abandoned by the Roman
generals. After this they only maintained a close blockade. Thus for
several years did Syracuse maintain its freedom; but at length, after
the inhabitants being nearly starved, the city fell by treason from
within. For a certain Mericus, a Spanish governor of one of the forts,
disclosed to the enemy that a three days’ feast in honour of Diana
was ordained, and that Epicydes, who had returned to the city, had
directed that a large quantity of wine should be served out to every
one of the defenders for want of food. Thus, when all the garrison
were drunk, from drinking without eating, the walls of the suburb
were stormed near Hexapylos without resistance, and many of the
garrison were slaughtered in their drunken sleep. Achradina, being
held by deserters and the mercenaries, did not, however yet yield,
and many most terrible and bloody counter-attacks were made upon
the Romans by gallant sallies, headed in person by Elissa. At length,
Epicydes having fled, the principal inhabitants attempted to yield up
the city to Marcellus, whereupon the deserters and mercenaries
attacked the Syracusan prætors, and others who were traitors, and
slew them.
But now Mericus the Spaniard opened by night the gates of his
post in Achradina, which was situated near the fountain of Arethusa,
and let the Romans in. Although the consul Marcellus had given
instructions that the life of Archimedes was to be spared, an ignorant
and brutal soldier slew him as he was leaning over his table intently
studying a problem.
After fighting in the streets at the head of a body of faithful Spanish
mercenaries until half of their number were slain, Elissa made her
way successfully down to the great port, where she embarked with
the remainder upon a quinquereme which she had duly prepared in
advance, and whereon, fearing the worst, she had already some
days past caused Cleandra to embark with all their money and
valuables. And it being still dark, they were able, by rowing very
gently, to pass unperceived through the ships of the Roman fleet and
so to make the open sea. Then, heading eastward, a strong west
wind aiding, they made for Greece. Sailing round the south of the
Peloponnesus, they arrived without mishap at the port of Nauplia.
Learning at that place that King Philip of Macedon had, after first
finishing a campaign against the Ætolians, just returned from the
celebrated Nemean games, and was now at the adjacent town of
Argos, Elissa repaired thither with all her men. Sending forward a
herald several miles in advance, she demanded an audience of the
young king. This, from having long since heard by repute of the great
beauty of Hannibal’s daughter, he was only too glad to grant, and at
once sent back heralds in return with friendly messages and
assurances of good will, informing Elissa that he would himself in an
hour’s time ride forth to meet her.
Now this Philip was one of the most libertine of all the Macedonian
kings, and his allies in war, the people of Argos, were at this very
time only too anxious to be rid of him. But, owing to his power and
the necessity they were then under of protection, they were unable
to ask him to go, but had to make the best of things as they were.
Having decked herself with her most becoming raiment and
adorned her person with many beautiful jewels, Hannibal’s daughter,
with Cleandra and her Spanish soldiers, marched forward towards
the Macedonian camp outside Argos.
Elissa was welcomed with great pomp and ceremony by King
Philip, who, in all his royal robes and insignia, and attended by all his
courtiers, advanced to meet her from his magnificent camp, of which
the tents were made of purple silken fabrics interwoven with gold. He
welcomed Hannibal’s daughter as one herself of royal blood.
Philip was a young man of most god-like beauty, and his strength
of sinew, his perfection of face and form, were almost unrivalled by
any man then living. When he came forth to meet Elissa outside his
camp he was mounted on a splendid and richly-caparisoned war-
horse, and surrounded by his courtiers. Further, in order to do Elissa
still greater honour, he had commanded the attendance of
Polycratia, who, while nominally Philip’s queen by marriage with him,
was in reality the wife of one Aratus, from whom she had been
illegally divorced. Polycratia appeared in a gorgeous and most
commodious litter, of which the frame was of silver, and the cushions
of the softest down covered with rose-coloured silk, all being worked
through with threads of silver.
After most courteously saluting Elissa, the king presented her to
his queen, with whom he requested her to mount in the litter;
Cleandra being placed in another splendid litter with one of the
young queen’s principal attendants named Chloe.
Owing to the Greek tongue having been so commonly known in all
the cities of Southern Iberia, and especially in Gades, whence came
her royal mother Camilla, Elissa was able to enjoy the conversation
of her host without any need for an interpreter. Greek had indeed
been the language which both she and Cleandra had been forced to
employ during the whole of their stay in Syracuse.
Thus they were able to converse freely, and as the cavalcade,
headed by a band of musicians, returned to the Macedonian camp,
the king, leaning over from his beautiful charger, lost no time in
complimenting Elissa, with gracefully turned phrases, upon her
beauty being greater even than it was said to be by common report.
Elissa smiled at the compliment, and felt pleased at her beauty
being thus recognised and applauded by this handsome young king;
but Polycratia did not smile. She, knowing the king’s fickleness,
naturally dreaded a rival in Elissa, for she recognised at once that
such beauty as Elissa’s was exceptional; while, owing to her exalted
rank, she was not a woman of whom the king could merely attempt
to make one of his ordinary playthings. A foreboding of evil for
herself filled Polycratia from the very first minute she saw Philip
endeavouring to charm the new-comer with his honied words.
Upon arrival in the camp a magnificent tent, divided into many
apartments, and most luxuriously furnished, which had been already
pitched, was appointed to Elissa and Cleandra. When Elissa would
have posted a guard of her own faithful Spaniards round her
pavilion, Philip would by no means hear of it. Urging that her soldiers
were war-worn and weary, and should now be relieved for a while
from their military duties, he sent them to be distributed among the
troops in different parts of the camp, giving orders for their proper
entertainment. And he posted a guard of honour of his own
spearmen over Elissa’s quarters. By this show of consideration and
kindness Hannibal’s daughter was at first impressed and pleased
accordingly; but the wily Cleandra, who, during the short time she
was in the litter with Chloe, had found out much about the king,
viewed this arrangement with much disfavour. For as she pointed out
to Elissa upon the first opportunity, they were now, from being
deprived of their own trusty followers, reduced to the position of two
weak women entirely at the mercy of the Macedonian. But Elissa
quieted her follower’s fears. She pointed out to Cleandra that if the
king should have any other than honourable designs towards them,
which she doubted, it would not be the presence of some hundred
and fifty Iberians in the middle of a large army of Macedonians which
would prevent him from carrying them out. All that they could do
would be to trust to the king’s honour, and she thanked the gods that
he had received them so honourably and courteously into his camp.
For now, continued Elissa, she had hopes from his kind manner that
she might be able to conclude with him the offensive and defensive
alliance concerning which Hannibal had written to her.
Elissa and Cleandra were entertained at a feast that evening by
the king, and at its conclusion, when Philip was merry with wine, she
proposed the alliance to him. At first, being in a good humour, he
made no objections whatever to such an alliance, and seemed,
indeed, to wish it himself. But, saying that he would talk the matter
over further as they went along, he rose, remarking that he would
escort her with his guards to her tent; nor would he take any refusal.
When he arrived there, Philip, leaving the guards without, entered
with his guest on the pretence of seeing that all his orders had been
complied with. Once within one of the inner apartments of the huge
tent, he threw himself upon a luxurious divan, begged Elissa likewise
to be seated, and suggested to her that she should now send away
her waiting-lady, in order that they might discuss matters of State
together alone.
Cleandra was therefore sent away, and Elissa was left alone with
the king. He had not been alone with her for a minute before Elissa
regretted deeply that she had disembarked at Nauplia or marched to
Argos. For, inflamed as he was with wine, the king dropped his mask
at once, and made love to her violently. When Elissa, surprised,
sought to repel him, he took her in his arms by force, kissed her, and
treated her grossly. Never had Elissa been so insulted since the time
when she had fallen into the hands of the villain Adherbal. But alas!
there was no Maharbal at hand now to protect her.
Furious with rage, Elissa struggled to get free from the king’s
arms, fighting against him with all her strength, for she would have
none of him. At first Philip, being jovial, only laughed good-
humouredly at her struggles, but he became angry as she continued
to resist him.
Suddenly releasing her from his arms, he exclaimed furiously:
“Very well, my lady Elissa! if thou wilt have none of mine
embraces, neither will I have any of thy treaties.” And seizing the
document which she had displayed to him, and which had been sent
to her by Hannibal, he tore it into several pieces. Dashing the pieces
to the floor, he spurned them with his heel, and flung himself out of
the tent in a passion.
Elissa, who had fallen exhausted and panting upon a divan,
looked at her torn-up credentials, and realised what she had done.
She had deeply offended this powerful monarch, by whose aid she
had hoped she might restore the now waning fortunes of Carthage.
What should she do now? The early teachings of her father came to
her mind. Had he not often told her that in nought was she ever to
think of self where the welfare of her country was concerned—that
not even personal shame was to be considered in such a case, but
that absolutely she was bound under all circumstances to think of
her duty to her country alone, of herself not at all. And had not the
time now come when she must make a great sacrifice? Was she
merely for the sake of her own outraged vanity—it might even be
outraged honour—to desert her country’s cause when such a mighty
issue was at stake?
“No!” Elissa cried violently, springing to her feet. “If ever I must
sacrifice myself for my country I must sacrifice myself now, and the
gods will forgive me, for ’twill be for the glory of Carthage.”
Thus her resolve was made as she realised her duty. And then
she covered her eyes with her hands and wept softly. For she was
thinking of Scipio, who loved her so dearly, and whom she knew in
her heart she loved, and of the honour and fidelity which she had,
despite that new love, preserved in vain for Maharbal. And she
vaguely wished that some such terrible crisis as this now staring her
in the face had arisen to make her yield to the prayers and
supplications of a Scipio whom she loved and honoured, rather than
to the brutal threats and menaces of a Philip whom she loathed and
despised. But the die was now cast; so calling Cleandra to her, she
told her all.
CHAPTER III.
A SACRIFICE.
As in the morning the sight of the crimson and gold hangings of the
tent gradually impressed upon Elissa the sense of her surroundings,
a weight like lead fell upon her heart; but with a prayer to the gods
that they might inspire her with strength to carry out her great and
terrible resolve, she rose. A small gong was at hand, she beat upon
it for Cleandra; but instead of Cleandra, there entered a stranger.
“Who art thou?” inquired Elissa haughtily, “and where is
Cleandra?”
“My name is Chloe, oh lady Elissa, and I have been deputed to thy
service by the king. Thine attendant Cleandra was removed hence
last night; she hath, by the king’s orders, taken up mine own duties
as chief lady in attendance upon Queen Polycratia. His Majesty hath
charged me with his royal greetings unto thee, and bids me inform
thee that at such time as thou shalt be prepared to receive him he
will present himself before thy noble presence to inquire for thy
welfare.”
Elissa’s pride and anger rose upon hearing that Cleandra had
been taken from her. She was about to give some furious reply when
her eye fell upon the torn pieces of paper still lying where the king
had spurned them with his foot the previous night, and she refrained.
“I am,” she murmured to herself, “but as a fly in the web of some
poisonous spider, and have, alas! no power to withdraw myself from
the trammels of its horrid folds. But though alone and entangled, yet
will I be strong.”
“Leave me to mine ablutions,” she commanded, “and inform thy
master that I will see him in an hour’s space.”
At the appointed hour the sound of martial music heralded the
king’s approach, while the clanging of arms without denoted the
guards saluting. As he entered the tent, the flood of sunlight
streamed in with him and lighted upon his figure. The bright beams
of morning, shining on his brilliant arms, made him, as he stood
there in all the vigour and beauty of youthful manhood, seem as
’twere the sun-god Apollo himself who had alighted upon earth. But
Elissa groaned inwardly, to think that one so noble in his bearing
could yet be so utterly ignoble in his life.
She remained standing to receive him, looking at him coldly, and
making no sign of any salutation.
“Fair lady Elissa,” said the king, “I well see that thou art displeased
with me, and I own with contrition that I greatly deserve thy
displeasure. For last night the fumes of the rich red wine, combined
with thine own excessive charms, did make me forget for a mad
moment that I was King Philip thy host, and thou the lady Elissa my
guest. Wilt thou not pardon me? for deeply do I grieve if I have
offended.”
“King Philip,” replied Elissa proudly, “in sooth thy welcome of me
hath not been such as I should have expected from a noble monarch
with a glorious name. How canst thou expect forgiveness so soon
from a woman whom thou hast so deeply insulted—one, moreover,
whose person should be sacred. For she cometh to thee as
ambassador from the mighty Hannibal, before whom the power of
Rome herself hath for years past trembled. Therefore, before I say I
will forgive thee, tell me what wilt thou do to make amends for mine
outraged modesty and dignity. It is a matter for consideration.”
Calmly and fearlessly did Elissa stand before him, never flinching,
but gazing steadily into his eyes, which fell before her own.
Philip hesitated a minute, toying nervously with the hilt of his
sword, ere he replied.
“Full amends will I make, fair lady Elissa, if thou wilt but grant me
thy pardon and my request.”
“What is that request? and what are thy amends, oh Philip?”
“My request is this, that thou wilt join thy life unto mine to be my
companion for good or ill, through fair weather or through foul. My
promised amends are these: if thou wilt but assent to become for me
thus the one woman in the world whose sweet companionship shall
make earth heaven, I will bind myself in turn, by solemn treaties
before the gods, to help Hannibal, thy father, with all my forces by
land and by sea. I will bind myself to attack the Romans wherever I
can find them, to fall upon and destroy their cities and their colonies,
and, moreover, to send a large body of troops to reinforce Hannibal
himself. And thou, sweet lady Elissa, shall draft the terms of the
treaty, which shall, so soon as we are united, be sent by
ambassadors to Hannibal himself to ratify.”
Elissa concealed her rising anger, and answered calmly:
“Good, my lord king; but how can I accept this dishonour, for such
it is, and become thy life companion when thou hast a bride already?
What wilt thou do with the Queen Polycratia, the noble lady who but
yesterday received me so courteously? For know this, oh Philip! that
however she may fall, the daughter of Hannibal will, nevertheless,
take no second place. Nay, should she listen to thine unscrupulous
proposal, she will yet hold the place of queen, and queen alone.
There cannot be two queens; and whate’er may be her ties, any
other woman must give way before Elissa.”
“Polycratia, ’tis true, must be got rid of,” replied the young king
brutally; “but that is easy. Although I made her queen, she is not
really my wife, but the wife of one Aratus, from whom I took her.
Thus ’tis simple enough. I will send her back to her husband Aratus,
and by so doing shall I greatly please this unruly nation of the
Achæans. Thus, fair lady Elissa, thou wilt alone reign queen of my
heart, and there will be no other to dispute thy sway in Macedon.”
“And thinkest thou, oh Philip, that Polycratia will be happy thus?
But, after all, what is she to me? A woman myself, I cannot seek to
rule the fate of other women; yet would I strive to rule the fate of
Carthage and to injure Rome, otherwise I had not listened for a
moment to thine unworthy proposals. Therefore, King Philip,
hearken! If thou wilt send away thy queen, and if thou wilt make a
treaty as I shall dictate, then, when I have actually seen, with mine
own eyes, the departure of the ambassadors to Hannibal, will I, as
my share of the bargain, yield unto thee myself, and become the
minister of thy will. But ere these things be accomplished, seek not
again to intrude upon my privacy; and, above all things, beware of
again taking advantage of my defenceless position to insult me. For
seest thou this dagger which I have concealed about me? Had I
thought on it last night when thou wast brutally ill-treating me, thou
hadst assuredly been slain. But by Melcareth, ruler of the universe! if
thou dost, before the despatch of this treaty of alliance—to obtain
which I must sacrifice mine honour—but so much as lay a hand on
me, I will assuredly slay myself with this weapon. For although I may
consent, solely seeking the welfare of my country, to give myself to
thee, think not that I do love thee, Philip. Nay, far from it! I do scorn
and despise thee, king as thou art!”
Elissa’s nostrils quivered with nervous emotion and angry scorn
as, with the dagger uplifted in her hand, and her head thrown back,
she gazed upon the king with determined glance and flashing eyes.
Philip was cowed by her demeanour, but he would have liked to
have seized her in his arms once more even then had he dared.
“Oh, never mind the love,” he said, smiling; “that will come later.
Other women have said that before thee—ay, even this very
Polycratia herself did speak just so. But thine assent is the important
thing, and that is now settled; it is therefore a bargain between us.
Now what may I do to please thee?”
Elissa turned from the king in utter disgust as she thought of her
long and steadfast faith to Maharbal, of her pure but fruitless love for
Scipio, both now to be sullied and polluted by the surrender of her
person to this satyr of a king. And inwardly a great cry rose up in her
heart. “Oh, Hannibal, my father, thy precepts have cost me dear!”
“This thou canst do to please me, King Philip,” she exclaimed
freezingly. “Remove thyself from my sight until such time as I have to
endure thy presence whether I will or no.”
Turning her back upon Philip she left the apartment. But the king
laughed aloud, utterly careless of her feelings.
A few days later the treaty was completed on terms most
favourable to Hannibal and Carthage. And when Elissa had actually
seen an embassy, headed by one Xenophanes, sail with five ships
for Italy, she completed her great, her terrible act of self-sacrifice in
her country’s cause.
When once the die had been cast, Philip seemed anxious to prove
to Elissa that he had been in earnest in concluding for her sake the
treaty with Hannibal. He took, within a week or two of the departure
of the ambassadors, an irrevocable step, and one which was
calculated to embroil him absolutely with Rome. For, having heard
that a Roman army, accompanied by King Attalus of Rhodes, and
also the Ætolians, had landed on the Peloponnesus to wage war
upon the Achæans, with whom he was then allied, Philip took
advantage of the occasion, and, without waiting to make any
declaration of war, marched out against the Romans in gallant array
with all his army.
Falling upon them unexpectedly, he cut all their forces to pieces,
and indeed almost annihilated them to a man.
Returning to Elissa, laden with Roman spoils, he laid them at her
feet.
Upon seeing this immediate proof of his devotion, Elissa could not
help recognising the fact that her self-sacrifice had not been entirely
in vain, and she thanked the gods that they had given her the
courage to carry it out to the bitter end.
Alas for Elissa! although for long she lived in hope, this first
success was also the last. For a series of adverse circumstances
coming one upon another utterly frustrated the projects of Philip to
assist Hannibal and to combine with the Carthaginians in a war
which, had things gone differently, would, in all probability, have had
the result of wiping out the Roman nation and of making Carthage
supreme on the Mediterranean coasts. The first piece of bad luck
was the falling of Xenophanes and all his embassy into the hands, in
the province of Campania, of a certain praetor named Valerius; but
that first disadvantage was got over by the lying propensities of
Xenophanes. For he, of all the Greeks, was one of the greatest
adepts in the ancient art of using the power of speech as a means to
conceal his thoughts.
Thus, when arrested by Valerius, he readily admitted that he and
his suite were come as ambassadors to Italy, but represented that it
was to the Consul Marcus Marcellus, the conquerer of Syracuse,
who was now in Italy, that he was accredited. Thus, being believed,
he was readily given all the necessary information as to how he
should proceed so as to avoid the Hannibalian forces, and allowed to
continue on his journey unmolested. Owing to the information he had
received, the wily Greek was enabled easily to avoid any other
Roman army, and actually contrived to find Hannibal himself in the
province of Apulia. To the great conqueror he safely communicated
the treaty and all the letters that he carried from Philip and from
Elissa, which he had contrived to conceal about his clothing.
Hannibal, while naturally astonished and greatly annoyed at learning
that his daughter was now at the court of such a dissolute monarch
as Philip, was delighted with the treaty which she had been the
means of bringing about, and which, so favourable were the terms to
Carthage, he lost no time in ratifying.
Upon his sending back the Macedonian ambassadors, however,
accompanied by some Carthaginian envoys to Philip, the whole of
the embassy, after arriving safely on board their ships, were detained
at sea by a Roman fleet, and once again Xenophanes was taken
before Valerius. He, from the Carthaginian envoys, discovered the
whole plot, although by his aptitude for lying, Xenophanes had a
second time almost escaped.
They all were now taken as prisoners to Rome, where they
suffered great tortures and hardships.
Thus, from want of a concerted plan of action, Philip was utterly
unable to render to Hannibal the necessary assistance at the
required time. Nevertheless, hearing of the capture of his
ambassadors, Philip sent fresh envoys to Hannibal, and the treaty
being ratified, he set to sea with a few ships to try to organise a large
fleet of his own vessels, added to some from his Grecian allies and
others lying in various ports, with which to harass the whole Italian
coast. Unfortunately, owing to the sudden unwarranted fears of his
captains, which panic, it is said, even gained upon the king himself,
this enterprise proved utterly fruitless. For upon the false alarm that a
large Roman fleet was advancing, whereas there were at the utmost
only some ten Roman frigates which were lying, themselves fearful
of his approach, in a Sicilian harbour, Philip fled precipitately with his
ships, and returned to Macedon without striking a blow by sea. For,
in sooth, he was no sailor, although a right gallant warrior on land.
And the Romans, being reinforced, captured all the ships he would
have mustered, and remained completely masters of the sea.
Elissa was not long in learning the facts of this expedition, which
Philip had vainly sought to colour to his own advantage, and being
furious with herself for having given way to him without having
gained any commensurate advantages for her country, and furious
also with Philip, she taunted him bitterly, telling him that the only
wars in which he was successful were those that he waged upon
women.
After this, although Philip remained captivated with Elissa’s regal
beauty, life became almost intolerable between them. Hannibal’s
daughter continually stirred the king up with her invectives and
reproaches to fresh enterprises; but for want of a sufficient fleet he
was unable, after his first naval reverse, to invade Italy, and go to
Hannibal’s assistance. He therefore contented himself with warlike
expeditions by land in all parts of Greece, and even Asia Minor,
against all such as were the allies of Rome. But between the
Romans and himself there were no serious conflicts, and, in fact,
only a state of semi-warfare existed, the Romans being too much
employed elsewhere to pay any serious attention to the Macedonian
so long as he left their own actual coasts alone. They, therefore,
contented themselves by constantly sending embassies requesting
him to desist, under threat of serious punishment, at which
embassies Philip merely snapped his fingers. Thus, despite the
prayers of Elissa to either build ships or else march by land to Italy,
as her father had done from Spain before him, the war upon which
Philip had launched, in his ardour to win over Hannibal’s daughter,
proved of no use to Hannibal himself whatever. Nevertheless it
continued for years, and the name of Philip was so dreaded on land
that so long as the Macedonian was unable to effect any junction
with Hannibal, the Romans were quite contented to leave him alone,
other than, as already mentioned, by sending threatening
embassies.
But Elissa’s discontent grew continually more and more, for she
ever regretted bitterly having given over her fate into this man’s
hands. In one of these wars, fearing to leave Elissa behind in case
she might perchance either leave his court in his absence or be
captured by some rival monarch, Philip took her with him, and
Cleandra with her. It was an expedition upon which he had
embarked against the city of Abydos, upon the Hellespont. The city
was obstinately defended, and while King Attalus and all the
Rhodians sailed through the Ægean Sea to the assistance of
Tenedos, the Romans sent the youngest of their ambassadors, one
Marcus Æmilius, to Abydos itself to warn Philip to desist.
Now this Marcus Æmilius had been, as quite a lad, present with
Scipio at the court of Syphax at the time of Elissa’s presence there,
and she knew him well. But when she saw him appear before Philip
she made no sign of ever having seen the man before, for he was
now celebrated as the handsomest man of his time; and having
already quite enough to suffer from the tyranny of Philip, she
determined to give the Macedonian king no opportunity of making
her life more unbearable than usual by becoming jealous also.
Æmilius having, however, been received honourably and
appointed certain tents in the king’s encampments before Abydos,
Cleandra easily obtained access to him before he had had more
than the most formal interview with Philip, one merely, indeed, to
present his credentials, upon which occasion Elissa had seen him,
and longed to speak to him for the sake of old times.
Cleandra soon told Æmilius that her royal Mistress Elissa sent him
warm and friendly greetings, and inquired kindly for himself and for
Scipio, his former chief.
Marcus in return sent greetings to Elissa, and informed her that
not only had he recent tidings of Scipio, but had also a letter from
him to deliver to herself; further, that he awaited the result of his
embassy to the king to see whether he should deliver the letter in
person or send it to her by the hand of Cleandra, for he would like if
possible to make its delivery an opportunity of approaching her
mistress. But Cleandra he retained a long time with him, for she was
still young and beautiful, and had, moreover, travelled greatly. The
young Roman was not enjoying life at all in his present capacity,
among a people with whom he could only talk by means of an
interpreter, and was delighted to meet a handsome young woman
with whom he could converse freely in the Latin tongue. Eventually
Cleandra left him, promising to see him again after he had had
audience of the king.
CHAPTER IV.
A LETTER FROM SCIPIO.