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The Sum of Our Dreams
Also by Louis P. Masur
Lincoln’s Hundred Days: The Emancipation Proclamation and the War for the Union
The Soiling of Old Glory: The Story of a Photograph that Shocked America
Rites of Execution: Capital Punishment and the Transformation of American Culture, 1776–1865
The Sum
of Our Dreams
A CONCISE HISTORY OF AMERICA
Louis P. Masur
Oxford University Press is a department of the University of Oxford. It furthers
the University’s objective of excellence in research, scholarship, and education
by publishing worldwide. Oxford is a registered trade mark of Oxford University
Press in the UK and certain other countries.
1 3 5 7 9 8 6 4 2
Printed by Sheridan Books, Inc., United States of America
To Jani
B en and R achel
Sophie and Garret t
and my grandson ,
Evan Saul Jaffe
The United States themselves are essentially the greatest
poem.
—Walt Whitman
ix
x Contents
Acknowledgments 307
Notes 309
Index 341
L I S T O F I M AG ES
John White, Watercolor of Indian Man and Woman Eating (1585–1586). British
Museum. 3
Theodore de Bry, “Their Sitting at Meate” (1590). John Carter Brown Library. 4
A View of the Savannah (1734). Library of Congress. 8
The Figure of the Indians’ Fort or Palizado in New England (1638). Library of
Congress. 14
A New Map of North America, Shewing the Advantages Obtained Therein to England by the
Peace (1764). Library of Congress. 26
Paul Revere, The Bloody Massacre (1770). American Antiquarian Society. 31
Congressional Pugilists (1798). Library of Congress. 44
A Boxing Match (1813). Library of Congress. 50
King Andrew the First (ca. 1833). Library of Congress. 62
Camp Meeting (ca. 1829). Library of Congress. 64
Emanuel Leutze, Westward the Course of Empire Takes Its Way (mural study, 1861).
Smithsonian American Art Museum. 81
Effects of the Fugitive Slave Law (1850). Library of Congress. 90
Forcing Slavery Down the Throat of a Free Soiler (1856). Library of Congress. 95
Reynolds Political Map (1856). Library of Congress. 103
Timothy H. O’Sullivan, Harvest of Death (1863). Library of Congress. 117
The Scourged Back (ca. 1863). Library of Congress. 122
xiii
xiv List of Images
Thomas Nast, “This Is a White Man’s Government,” Harper’s Weekly (1868). Library
of Congress. 132
Thomas Nast, “Who Stole the Peoples Money?” Harper’s Weekly (1871). Library of
Congress. 139
Edward Curtis, Chief Joseph (ca. 1903). Library of Congress. 154
“School Begins,” Puck (1899). Library of Congress. 158
Jacob Riis, Home of an Italian Ragpicker (1894). Museum of the City of
New York. 166
A Man Was Lynched Yesterday (ca. 1936). Library of Congress. 175
James Montgomery Flagg, I Want You (1917). Library of Congress. 183
George Bellows, Billy Sunday (1923). National Portrait Gallery. 190
Dorothea Lange, Migrant Mother (1936). Library of Congress. 201
Joe Rosenthal, American Marines Raising American Flag on Mount Suribachi
(1945). Library of Congress. 212
Frank Martin, Family Time (1958). Hulton Archive/Getty Images. 217
Charles Moore, Selma to Montgomery (1965). Briscoe Center for American
History. 234
Nick Ut, Napalm Girl (1972). Nick Ut/Associated Press. 242
First Day of Gasoline Rationing (1979). Bettmann Archive/Getty Images. 251
Silence Equals Death (1987). New York Public Library. 261
Cruise Missiles, Desert Storm (1991). Associated Press. 272
September 11 Terrorist Attack (2001). Associated Press. 275
Hooded Man (2003). Associated Press. 281
Social Media (2019). Associated Press. 292
Electoral Map (2016). Associated Press. 299
PROL O GU E : “ L A N D O F H O P E A ND D R EA MS”
xv
xvi Prologue
Adamses, who used the term repeatedly in his book The Epic of
America, published in 1931 during the Depression. Adams defined it
as “the dream of a better, richer, and happier life for all our citizens
of every rank.” Whether that dream is obtainable, and how access to
it has changed over time, is the central theme of American history.2
Equal opportunity—“for all our citizens”—lies at the core of
the American Dream, and it is linked to other fundamental princi-
ples such as freedom and democracy. These words have also been
fraught and contested across generations. Americans have invoked
them time and again during wrangles over domestic reforms and
foreign involvement and, once, in the Civil War, on actual battlefields.
Celebrated for their “individualism” (a word coined by another
Frenchman, Alexis de Tocqueville), Americans have continuously
debated the place of government in their lives. Whether invoking
Abraham Lincoln’s “Government of the People” or Ronald Reagan’s
“Government Is the Problem,” citizens have fought over what it is
they want their government to do, and not do, over how dreams can
best be achieved and who should achieve them.
The struggles over these American ideals ground this history
of the United States. An earlier example of the genre, Allan Nevins
and Henry Steele Commager’s A Pocket History of the United States, was
first published during World War II. Revised and expanded editions
in the decades that followed sold more than two million copies. One
reader in particular illustrates the potential impact of such a work.
On tour in Europe in 1981, Bruce Springsteen, who had dropped out
of community college to pursue his rock ’n’ roll dream, announced
from a stage in Rotterdam that in reading A Pocket History of the United
States “I found out where I came from and how I ended up where
I was and how easy it is to be a victim of things you don’t even know
exist.”
Thirty years later, Springsteen was promoting an album
featuring a song called “Land of Hope and Dreams.” His life’s work,
he said, had been about “judging the distance between American re-
ality and the American dream.”3
Judging that distance also informs this book. To do so means
narrating the central developments and dramas of American his-
tory. Each chapter covers a distinct period of time and is divided
into five sections that address some of the key events of the times.
For example, the era of the 1920s–1940s is separated into sections
on Prohibition, the Depression, the Dust Bowl, the New Deal, and
World War II. Treating any of these topics in fewer than ten pages
means streamlining them. My objective is not to overwhelm readers
Prologue xvii
1
2 The Sum of Our Dreams
Figure 1.1 John White, Watercolor of Indian Man and Woman Eating (1585–1586). British
Museum.
cut off trade and laid siege. Having chosen a poor location for an
English colonial outpost, only 60 of 300 colonists survived the winter
of 1609–1610. Although the arrival of supply ships saved Jamestown,
still it seemed colonists preferred not to work or plant. “He that will
not work shall not eat,” John Smith had admonished. In May 1611,
a new governor observed that the people were at “their daily and
usuall works, bowling in the streets.”2
The story that Pocahontas, the daughter of Chief Powhatan,
intervened to save John Smith is almost certainly an invention created
by the captain. Colonists kidnapped her in 1613. She converted to
Christianity and in 1614 married John Rolfe, a tobacco planter. The
plant may have saved the settlement from disease, famine, sloth,
and Indian incursions. Rolfe experimented with tobacco seeds and
the settlers soon found a product that smoked “pleasant, sweet and
strong,” and also could compete in English markets with tobacco
from Spain. The cash crop came to dominate the economy and
over the next century spread across Virginia. In need of labor for
4 The Sum of Our Dreams
Figure 1.2 Theodore de Bry, “Their Sitting at Meate” (1590). John Carter Brown Library.
of 1621, more than half the settlers had perished. Bradford’s story,
as told in Of Plymouth Plantation (1651), extolled the courage and
faith of the Pilgrim fathers who crossed a vast ocean and entered
a “hideous and desolate wilderness, full of wild beasts and wild
men” and out of it created a covenanted community. That “deso-
late wilderness” was a result of Plymouth being depopulated by
epidemic disease among the Indians (perhaps leptospirosis, a disease
caused by contamination from rodents that arrived on European
ships). Those “wild men,” the Wampanoag, helped the settlers sur-
vive. With the aid of Squanto, an Indian who spoke some English
because he had been abducted in 1614 by a trader and spent time
in England, the groups agreed to a formal treaty of mutual aid and
defense. Squanto lived among the settlers and taught them how to
grow corn. He proved indispensable to Bradford, who recorded
Squanto’s death in 1622 as a “great loss.”8
While Bradford led Plymouth colony, John Winthrop, an
affluent lawyer, led Massachusetts Bay Colony. The seal of the
Massachusetts Bay Company, which financed the colony, showed an
Indian holding an arrow pointed down and saying, “come over and
help us.” In 1630, Winthrop delivered a lay sermon on the Arbella
to the colonists titled “A Modell of Christian Charity.” Winthrop
appealed to the need for community and selflessness: “We must bear
one another’s burdens. We must not look only on our own things,
but also on the things of our brethren.” The stakes for New England
were high: “we must consider that we shall be as a city upon a hill.
The eyes of all people are upon us. So that if we shall deal falsely with
our God in this work we have undertaken, and so cause Him to with-
draw his present help from us, we shall be made a story and a by-word
through the world.” City on a hill: visible but exposed, exceptional
but isolated. John F. Kennedy, Ronald Reagan, and Barack Obama
would each invoke the phrase to define the American experiment.9
All communities of faith face the dilemma of how to deal with
the unfaithful. Bradford discovered that Reverend John Lyford had
been writing letters back to England that undermined the separatist
movement, those who had broken away completely from the Church
of England, and that the reason Lyford had first come to Plymouth
was because he had “defiled” a congregant before her marriage.
Trembling at the “deceitfulness and desperate wickedness of man’s
heart,” Bradford banished Lyford, who settled in Virginia.10
Lyford was a reprobate. Thomas Morton might as well have
been a heathen. He arrived in 1624, rejected the religious strictures
of Plymouth, and started his own community, called Merrymount.
10 The Sum of Our Dreams