Music
Music
The start of the 20th century saw the rise of distinct musical styles that reflected a
move away from the conventions of earlier classical music. These new styles were:
impressionism, expressionism, neo-classicism, avant garde music, and modern
nationalism.
The distinct musical styles of the 20th century would not have developed
if not for the musical genius of individual composers such as Claude
Debussy, Maurice Ravel, Arnold Schoenberg, Bela Bartok, Igor
Stravinsky, Sergei Prokofieff, and George Gershwin stand out as the
moving forces behind the innovative and experimental styles mentioned
above.
Coming from different nations—France,Austria, Hungary,Russia, and the
United States—these composers clearly reflected the growing
globalization of musical styles in the 20th century.
IMPRESSIONISM
One of the earlier but concrete forms declaring the entry of 20th century music
was known as impressionism. It is a French movement in the late 19th and early
20th century. The sentimental melodies and dramatic emotionalism of the preceding
Romantic Period (their themes and melody are easy to recognize and enjoy) were
being replaced in favor of moods and impressions. There is an extensive use of
colors and effects, vague melodies, and innovative chords and progressions leading
to mild dissonances.
Impressionism was an attempt not to depict reality, but merely to
suggest it. It was meant to create an emotional mood rather than
a specific picture. In terms of imagery, impressionistic forms
were translucent and hazy, as if trying to see through a rain-
drenched window.
CLAUDE DEBUSSY (1862–1918)
One of the most important and
influential of the 20th century
composers was Claude Debussy. He
was the primary exponent of the
impressionist movement and the focal
point for other impressionist
composers. He changed the course of
musical development by dissolving
traditional rules and conventions into a
new language of possibilities in
harmony, rhythm, form, texture, and
color.
Debussy was born in St. Germain-en-Laye in France on August 22, 1862.
His early musical talents were channeled into piano lessons. He entered
the Paris Conservatory in 1873. He gained a reputation as an erratic
pianist and a rebel in theory and harmony. He added other systems of
musical composition because of his musical training.
In 1884, he won the top prize at the Prix de Rome competition with his
composition L’Enfant Prodigue (The Prodigal Son). This enabled him to
study for two years in Rome, where he got exposed to the music of
Richard Wagner, specifically his opera Tristan und Isolde, although he
did not share the latter’s grandiose style.
Debussy’s mature creative period was represented by the following works:
Ariettes Oubliees
Prelude to the Afternoon of a Faun
String Quartet