The document discusses different contexts that affect the production and reception of artworks. It identifies five main contexts: (1) the artist's background, including their age, gender, culture and experiences; (2) nature as a source of inspiration and materials; (3) everyday life as integral to traditional Philippine art; (4) society, politics, economics and history influencing artists and their works; and (5) the mode of reception, such as in museums, affecting public understanding. Specific artworks are discussed as examples that illustrate how context shapes form and meaning.
The document discusses different contexts that affect the production and reception of artworks. It identifies five main contexts: (1) the artist's background, including their age, gender, culture and experiences; (2) nature as a source of inspiration and materials; (3) everyday life as integral to traditional Philippine art; (4) society, politics, economics and history influencing artists and their works; and (5) the mode of reception, such as in museums, affecting public understanding. Specific artworks are discussed as examples that illustrate how context shapes form and meaning.
The document discusses different contexts that affect the production and reception of artworks. It identifies five main contexts: (1) the artist's background, including their age, gender, culture and experiences; (2) nature as a source of inspiration and materials; (3) everyday life as integral to traditional Philippine art; (4) society, politics, economics and history influencing artists and their works; and (5) the mode of reception, such as in museums, affecting public understanding. Specific artworks are discussed as examples that illustrate how context shapes form and meaning.
The document discusses different contexts that affect the production and reception of artworks. It identifies five main contexts: (1) the artist's background, including their age, gender, culture and experiences; (2) nature as a source of inspiration and materials; (3) everyday life as integral to traditional Philippine art; (4) society, politics, economics and history influencing artists and their works; and (5) the mode of reception, such as in museums, affecting public understanding. Specific artworks are discussed as examples that illustrate how context shapes form and meaning.
circumstances, and occurences, affecting production and reception or audience response to an artwork. - It is a set of background information that enables us to formulate meanings about works of ART and note how context affects form. DIFFERENT CONTEXTS OF ART
a) ARTIST BACKGROUND
The artist’s age, gender, culture, economic
conditions, social environment, and disposition affect art production. CUTTING ONIONS ALWAYS MAKES ME CRY by: Julie Lluch
This painting would often
emphasize her female identity and personal experiences. b) NATURE Nature can be seen as a source of inspiration and wellspring of materials for art production. T’NALAK It uses abaca fibers stripped from the trunk of the banana tree, and colored with red and black dyes naturally extracted from roots and leaves of plants.
ANGUD, A FOREST ONCE
Was posed as contemporary on the abuse of nature. It involved 10,000 pieces of gathered tree stumps to recreate a deforested landscape.
TOILERS OF THE SEA by Ricarte Purugganan
It depicts nature as an uncontrollable force. c) EVERYDAY LIFE
Philippine traditional art has always
been an integral part of daily life. PABALAT
The crisp Ilocano bed cover
with dainty Ubas designs. PASTILLAS Delicate pastillas wrappers from Bulacan with elaborate cutout designs, enveloping and equally delicate milk-based dessert. SANDATA NI SHIVA -Lirio Salvador d)SOCIETY, POLITICS and ECONOMY, and HISTORY
-the changes in the society, politics and economy affect
artists, the work they do, and the structures that support their production.
DALAGANG BUKID (1919)
-The first film ever to be directed by a Filipino. BROTHER’S BURDEN (ca. 1970) By Benedicto Cabrera
-it presents an aspect of colonial history
from the gaze of the colonized. APPROPRIATION
-A technique in transforming existing materials
through the juxtaposition of elements taken from one context and placing these in another to present alternative meanings, structure, and composition. e)MODE OF RECEPTION -art is encountered via the museum; arranged and categorized before a public for the purpose of education and leisure. BULUL -an indigenous, pre- colonial ritual object and motif in the everyday life of the people of the Cordillera region.
-makes us rethink how
cultural representations and methods of display shape our consciousness. THANK YOU FOR LISTENING :) What does the jeepney mean to you today?