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Hymn to

Intellectual Beauty
P.B SHELLEY
Stanza 5
Explanation:
The fifth stanza continues the atheist and
philosophical critique. Shelley refers to his
youthful experiences with religion, which now
seem like useless prayers or even magic
(denouncing the “poisonous names” of saints
who ignored his prayers).

The “listening chamber” of a church building


is compared with Plato’s “cave” in the Republic,
the place where people learn the names of
things by identifying their shadows, without
ever gazing on the real things themselves.
This stanza has an autobiographical character. Here
Shelley relates a youthful experience which we must
accept as authentic. Having heard as a boy that it was
possible to communicate with ghosts and the spirits of
the dead, Shelley made every possible effort to verify
this belief.

He visited empty halls, caves, ruins, and forests in star-


light in order to find ghosts and spirits, and to hold
communication with them, but it was all in vain. He had
been told that he would find ghosts in such places, and
he visited these places with fear in his heart. He recited
the incantations which were believed to have the power
to summon ghosts. But no ghosts or spirits appeared
before him.
Then comes a thrilling experience! In the course of
his deep meditations on the nature of this life and on
human destiny, he was startled by a visitation. It was
the sweet time of spring when winds blow to wake up
all sleeping things and when birds and blossoms make
their appearance.

Suddenly he became aware of the presence of


Intellectual Beauty. He shrieked and clasped his
hands in ecstasy. His perception of the Spirit of Beauty
was an exquisite and rapturous experience.
Stanza 6
Literary Devices
Explanation:
This is also an autobiographical. On becoming aware
of the existence of Intellectual Beauty, Shelley pledged
himself to its service. He vowed that he would dedicate
himself and his faculties to the worship of Intellectual
Beauty and all it stands for. And he has kept the vow

. To support this claim, he can, with his heart beating


fast and with tears flowing from his eyes, call to
testimony the spirits of a thousand hours during which
in the past he devoted himself to the service of
Intellectual Beauty. He calls upon the spirits of those
hours to emerge from their silent tombs and to appear
as witnesses on his behalf.
Those hours will testify that, whether he was burning
the midnight oil and poring upon books or he was
enjoying the pleasures of love, he never became
forgetful of the existence of Intellectual Beauty.

Those hours would testify that, whenever he felt happy,


it was because he felt the hope that Intellectual Beauty
would liberate this world from the forces of superstition
and tyranny. He always believed that the awful Spirit of
Beauty would confer upon human beings benefits which
cannot be described in words
Stanza 7
Literary Devices
Explanation:
When the hour of noon has passed, the day becomes
more solemn and peaceful. With the coming of
autumn, we become conscious of a harmony which
were not experienced during summer and which belong
only to autumn.

For the poet, too, the hour of his noon has passed, and
the season of his summer is over. He would now like to
experience the solemnity and serenity of the evening,
and the harmony and the lustre of autumn. These he
can experience only with the help of Intellectual Beauty.
Intellectual Beauty revealed itself to him when was still
young and passive.
He would now like Intellectual Beauty to exert its power
upon him and to make the coming years of his life
peaceful. He is worshiper of Intellectual Beauty and
a worshiper of every shape in which Intellectual Beauty
appears. The magic of Intellectual Beauty has a deep
hold on him. It is because of the influence of this
beautiful Spirit that he loves all mankind and that he is
free from arrogance and self-conceit.
Thank You

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