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MORPHOGENIS

By,
MOHAMMED LABEEB
RA1611201010054
MORPHOGENIS

MANIT AND SONALI RASTOGI


Morphogenesis was founded in 1996 by Manit and Sonali Rastogi with a
shared vision of defining a new emergent Indian architecture. Over the past
2 decades, the firm has evolved into a vibrant cross-disciplinary team
comprised of Architects, Interior Designers, Landscape Architects, Urban
Designers, 3D Visualizers and Researchers, with diverse backgrounds and
specializations from universities the world over. With offices in Delhi and
Bangalore, our work spans across India, SAARC Countries and South
Africa. We aspire to take Brand India global
MORPHOGENIS
CREDITS
Projects across North India, South India, West India, East India,
Central India, Bangladesh, Nepal, Sri Lanka, South Africa and UAE

Ranked amongst the ‘Top 100′ Architectural Design Firms worldwide


by Building Design Magazine UK in WA100 2012, 2013, 2014, 2015,
2016 and 2017

The firm has over 100 professionals in Delhi, Bangalore and


Mumbai. Over 40 of our architects have Master’s Degree from
prestigious National/International Universities
Recipient of over 90 International and National awards
The first Indian Practice to win at the WAF (World Architecture
Festival) Awards (2009) and the Singapore Institute of Architects SIA-
Getz Award (2014) and the Architects Regional Council of Asia
ARCASIA Award (2014) and 5 times winner of the Indian Institute of
Architects Award for Excellence in Architecture
Design principles
MORPHOGENIS
APPROACH
Ever since our inception in 1996, Morphogenesis has had a reputation of being an
innovative practice at the forefront of thought leadership in design. We look at all
aspects of the context and arrive at an innovative response to the physical,
geographical and cultural conditions that address the user brief, and ultimately
aspiration. We have pioneered this approach

PRINCIPLES

S A I L
Four aspects are central to all our design solutions at
Morphogenesis: Sustainability, Affordability, Identity and
Livability. These parameters define the enquiry process
that shapes the architecture of Morphogenesis
ARTISIAN HOUSE

Architects
Morphogenesis
Location
India
Design Team
Sonali Rastogi, Neelu Dhar, Harleen Singh, Aditya Yadav, Anika
Mittal, Elis Mendoza, Prairna Gupta, Silambarasan G
Area
29800.0 ft2
Project Year
2015
Manufacturers
Catalano, Gessi, Lutron, Ipe, Laufen, Admonter
 Through the Artisan House
project, Morphogenesis looks to
revive and re-establish a
patronage for traditional Indian
artisanal skills.
 Through this building it
symbolizes the art and culture.
 Additionally, luxury in this
project is expressed through the
dexterity and beauty of spatial
configurations, lending the space
an experiential quality through
the incorporation of craft,
material, method and design.
in there it experiences the
space like in the spaces of
museum.
The project is
located on a terrain
and create two
different levels that are
instrumental in
segregating functions.
During the family
gettogether, festival
and they uses upper
level and in the lover
level they used as
more public areas.
There is stone craft
in one zone, metal
craft in another,
textiles in the next.
There used stong graphic
language of striation as the
organization principle of the
design and to retain the scale
there used large volumes.
 These bands translate on the
series of vertical surfaces and
each side tells each stories.
In keeping with traditional
Indian schema, the private living
is organized around a central
courtyard which contains a
temple, imparting a spiritual
omnipresence.
The strategy of banding allows
for the use of distinct crafts and
over 50 materials without
impacting the architectural
sensibility or destroying the
cohesive narrative
The house evokes luxury in its
play with materiality and detail.
The striated planes are extended beyond
the edges of the built form and it made into
the landscape and planting.
 on another side with a very stone crafted
zone that extends out into a rock garden
which then leads into another zone with a
sculpture relief on the wall, with further leads
into a water garden.
There are multiple sequential exposures
and so in a way there is also a luxury of
experiences that this project affords.
In this house they accommodated
traditional indian family, traditional living
principles and traditional craft and material
but at the same time they maintained
contemporary structure and modern house.
In this house they represented
 Luxury in hand craft
 Luxury in terms of freedom
 Requirements according to client
 The luxury of different experiances.
SITE PLAN
GROUND FLOOR PLAN
What is unique about this house is that it’s hard to call anything a
room when looking at the planning and philosophy behind the spaces.
FIRST FLOOR PLAN
SECTIONS
PRIVATE AND PUBLIC
SPACES
PVR BANGLORE

LOCATION: BANGLORE, KARNATAKA, INDI


AREA : 90000 Sqft
CLIENT : PVR
PROJECT COMPLETED IN: 2004
PVR BANGLORE
AS THE LARGEST MULTIPLEX IN
INDIA,
 THE PVR BANGLORE COMPRISE
OF ELEVEN SCREENS ,
 THE PVR AT FORUM SHOWCASE A
VERIETY OF CINEMATIC AND
HOSPITALITY SPACE.
THE CHALLENGE WAS TO DESIGN 3
TYPES OF CINEMAS
 Gold class
 Star class
 Europa
ASSOCIATED WITH LOUNGE,
FOYERS, ACCESS FOYERS AND
UTILITIES IN DIFFERENT ENOUGH
WAYS FOR THEM TO STAND APART
FROM EACH OTHER WHILE STILL
MAINTAINING THEM AS PARTS OF A
WHOLE.
PVR BANGLORE
THE THEATERS ARE BACKED
STRONGLY WITH DTS TECHONLOGY
OF SOUND FOR MAX SOUND EFFECT.
CAPCITY : 200
SCREEN SIZE : 10 X 4.3 M
NO. OF ENTRY : 1
NO.OF EXITS : 2
TOTAL AREA OF EACH THEATER :
315 Sqm
TOTAL AREA OF THEATER LOBBY :
300 Sqm
PVR BANGLORE
THE THEATERS ARE
ZONED PROPRLY ON THE
THIRD FLOOR OF THE
FORUM MALL RENDERING
PERFECT ACOUSTICS
EFFICIENCY.
EACH THEATER IS
CAPABLE OF HOLDING
SEVERAL PEOPLE WITH IN
YTHE LOBBY ITSELF.
PROPER REST ROOM
FACILITIES HAVE BEEN
IMPLEMENTED ACCORDING
TO THE STANDARDS.

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