The document provides background information on the terms "kikuyu" and the Mau Mau war in Kenya. It summarizes Derek Walcott's poem "A Far Cry from Africa" in three parts: the first two stanzas refer to the Kenyan conflict while the second two address the internal war within the poet between his African and European heritage. The critical analysis section then provides a detailed stanza-by-stanza analysis of themes around colonialism, violence, and the poet's complex identity.
The document provides background information on the terms "kikuyu" and the Mau Mau war in Kenya. It summarizes Derek Walcott's poem "A Far Cry from Africa" in three parts: the first two stanzas refer to the Kenyan conflict while the second two address the internal war within the poet between his African and European heritage. The critical analysis section then provides a detailed stanza-by-stanza analysis of themes around colonialism, violence, and the poet's complex identity.
The document provides background information on the terms "kikuyu" and the Mau Mau war in Kenya. It summarizes Derek Walcott's poem "A Far Cry from Africa" in three parts: the first two stanzas refer to the Kenyan conflict while the second two address the internal war within the poet between his African and European heritage. The critical analysis section then provides a detailed stanza-by-stanza analysis of themes around colonialism, violence, and the poet's complex identity.
Presented by Falak Noreen & Khadija Tayyaba Presented to Ma’am Huma Saed Background of the poem
The term “kikuyu”
Mau-Mau war Derek Walcott and poem Kikuyu
The “kikuyu land” situated on Central province in
Kenya . The people those who are in Kikuyu is Called “Kikuyu People” Mau-Mau war It was due to unemployment of the ex- soldiers who had been promised jobs after the World War II, but instead were made porters on European-estates. Africans wanted their land especially the Kikuyu
who had been displaced from the fertile Kenya
highlands. Forced labor on white man’s plantations led to Mau
Mau. Derek Walcott and poem
Walcott has both African and European roots,
his grandmothers were both black, and both grandfathers were white. The first two stanzas refer to the Kenyan
conflict, while the second two address the
war within the poet as insider, between his roles as blood insider but geographical outsider to the Mau Mau Uprising. ‘Critical analysis’
Tawny is a color in the African landscape.
The word “Kikuyu” serves as the name of a native
tribe in Kenya. What seems an idyllic portrayal of the
African plain quickly shifts, the Kikuyu are compared to flies who are feeding on blood, which is present in large enough amounts to create streams. Continue.. The image of a paradise that many associate with Africa by describing a landscape littered with corpses. A sickening detail by referring to a worm that reigns
in this setting of decaying human flesh.
The worm’s admonishment to “Waste no compassion
on these separate dead!” is puzzling in that it implies
that the victims somehow got what they deserved. Continue..
When taken in context with the preceding six
lines, speaker seemed to blame the victims, he now blames those who forced the colonial system onto Kenya and polarized the population. They cannot justify their actions, because their
reasons will never matter to the “white child” who
has been murdered merely because of his color in retaliation by Mau Mau fighters or to the “savages,” Walcott’s use of “savage” functions to present a
British colonialist’s racist point of view.
Continue.. Africa’s wildlife, in a reminder that the ibises (long-billed wading birds) and other beasts ruled this land long before African or European civilization existed. Also describes a centuries-old hunting custom of natives walking in a line through the long grass and beating it to flush out prey. Such killing for sustenance is set against the senseless and random death that native Africans and European settlers Continue.. Animals kill merely for food and survival, but humans, having perfected the skill of hunting for food, extend that violent act to other areas, using force to exert control and prove superiority over other people. They seek divinity by deciding who lives and who dies Ironically. Wars between people are described as following the beat of a drum an instrument made of an animal hide stretched over a cylinder. Also points out that for whites, historically, peace has not been the result a compromise with an opponent, but a situation arrived at because the opposition has been crushed and cannot resist. Continue.. These lines are most important part of the poem, they appear to be aimed at those judging the Mau Mau uprising from a distance observers who could somehow accept brutality as necessary and who are aware of a dire situation but wipe their hands, or refuse to become involved, in it. The poet appears to condemn such an attitude by
comparing the Mau Mau Uprising to the Spanish Civil
War. Leaders of France and Great Britain wanted to avoid another war that would engulf all of Europe, so they introduced a nonintervention pact that was signed by twenty-seven nations. Continue.. Nonetheless, Nationalists were aided by and received military aid from Germany and Italy. The Loyalists, or Republicans, had no such backing;
they fought valiantly but were outmanned, lost
territory, and were eventually defeated in March of 1939. Finally presents a cynical view of the Mau Mau
Uprising as just another colonial conflict where
gorillas negatively animalized Africans fight with superman a negative characterization of Europe. Continue..
This stanza is a change of scene from
primarily that of Africa, to that of the poet. Poet, being a product of both African and English heritage, is torn, because he does not know how to feel about the Mau Mau struggle. He certainly is not satisfied with the stock response of those from the outside. Walcott is sickened by the behavior of Mau Mau just as he has been disgusted by the British.