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SPENSERIAN

SONNET
INTRODUCTION
 These sonnet is different from Petrarchan and
Shakesperean sonnets ;
 Spenser's sonnets offer a variant of the Shakespearen
sonnet;different in rhyme scheme but similarly features
three quatrains and a couplet.
 Definition, Origin, Structure, and Examples.
SPENSERIAN SONNET
A fourteen lines written in iambic pentameter, which
is devided into three quatrains and a couplet;
Rhyme scheme : ABAB, BCBC, CDCD, EE;
This sonnet is
STRUCTURE OF THE SPENSERIAN
SONNET
 14 LINES First Quatrain
Rhyme scheme
( ABAB )

Second Quatrain
Rhyme scheme
Third Quatrain ( BCBC )
An ending Couplet Rhyme scheme
Rhyme scheme ( CDCD )
( EE )
ABAB + BCBC + CDCD + EE = 14 LINES
SONNET 75
BY Edmund Spenser

}
One day I wrote her name upon the strand A
But came the waves and washed it away; B
Again I wrote it with a second hand, A
But came the tide, and made my pains his prey.
B

}
“Vain man,” said she, “that doest in vain assay, B
A mortal thing so to immortalize, C
For I myself shall like to this decay,
B
And eke my name be wiped out likewise.”
C

}
“Not so,” quod I, “let baser things devise C
To die in dust, but you shall live by fame: D
My verse your virtues rare shall eternize, C
And in the heavens write your glorious name.
D

}
Where whenas death shall all the world subdue, E
Our love shall live, and later life renew.” E
FOR MORE KNOWLEDGE
QUATRAIN - is a 4 line stanza
COUPLET - is a 2 line stanza
INTERLOCKED/INTERCONNECTED QUATRAIN
- (chain verse)...ABAB, BCBC, CDCD
 RHYME SCHEME - the formal arrangement of
rhymes in a stanza or a poem
SPENSERIAN SONNET’S ORIGIN

 The Spenserian sonnet was created by Edmund


Spenser (1552-1599). Edmund Spenser was an
English poet who was most famous for his
work, 'The Faerie Queene' (1590) as well as
his poetry collection Amoretti (1595).
 Spenserian sonnets were created during the
same time period as the Shakespearean
sonnet, and so there are similarities in the
features of both forms.The Spenserian
sonnet was also influenced by the
Petrarchan sonnet (named after the Italian
poet Petrarch), which is seen in their shared
use of the volta.

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