Region One - Ilocos Region
Region One - Ilocos Region
PHILIPPINES
ILOCOS REGION
Ilocos Ilocos
Norte Sur
CLICK CLICK
What are the Major Provinces in Region I?
A B
CLICK CLICK
Who is the president that made the Macalaṅang of
the North?
A B C D
pushed by
successive waves Known for being hardworking,
appreciative, simple and
of Malay/ determined.
Austronesian
immigrants that Also known as stingy or
penetrated the “kuripot”
narrow coasts.
COMPOSED OF
4 Provinces 116 municipalities
Ilocos Norte
Ilocos Sur
La Union
Pangasinan
9 Cities
3,265 barangays
ILOCOS REGION
INDUSTRIES
Agriculture Fishery Cottage In-
Livestock dustries
Rice Tilapia Swine Furniture
Corn and and cattle Ceramics
Garlic assorted Iron works
Legumes fishes Loom weaving
Root crops
Tobacco
Other fruits
and vegetable
TOURIST SPOTS
Cornik Factory
Located in Paoay, Ilocos
Norte.
Patapat Bridge
The 4th longest bridge in the
Philippines with a total length of 1.2
kilometres.
Bangui
Bangui Windmill in Ilocos Norte. One
of the biggest source of electricity in
the whole region of Ilocos
Burgos
Cape Bojedor Lighthouse in Ilocos
Norte
Crisologo Street in
Vigan
Heritage Street in Vigan, Ilocos Sur
Baluarte
Owned by Mr. Chavit Singson:
keeper of the sanctuary in Ilocos sur
LI T E RAT U R E
Known as one of the most
colorful regional Filipino
Literatures.
• GUMIL Filipinas
• PEN International
• Phi Kappa Phi International
Honor Society
• Pi Gamma Mu International
Honor Society in the Social
Sciences
PAUL B. ZAFARALLA
WORKS:
Victoria : scholar, art educator, artist, humanist
by P. B Zafaralla (Book)
CONTRIBUTED TO:
Laguna de Bay: The Living Lake (Water Series
Trilogy, #1) by Reynaldo Gamboa Alejandro, Grace P. Odal-Devora
(Contributor)
“For his admirable essays, and criticism, that enabled him not
only to advance Ilocano art and culture but put forward themes
and subjects that have to do with the nation and the world. His
studies served the recognition of the Filipino artist and the
virtues of his own culture. In giving shape to a Filipino
aesthetic, he has been able to demonstrate the rightful truth
that it is not only art that may show and spread beauty but the
dignity of the Filipino. In using the transformative agency of
criticism, he has opened other paths to elevating the human
condition.”
PAUL B. ZAFARALLA