Eno review – exhilarating Brian Eno documentary that’s different at every screening
Gary Huswit’s suitably innovative profile of the mercurial British musician, activist and artist uses specially developed software to create endless iterations of the same film
Global album of the month
Bizhiki: Unbound review – commanding Native American songcraft
Powwow singing from Joe Rainey and Dylan Bizhikiins Jennings blends with electronic production on a spirited album that reframes a rich cultural tradition
How we made
‘We knew a banjo house record would annoy the techno bores’: how the Grid made Swamp Thing
One to watch
One to watch: Berlioz
Kiasmos: II review – will have you crying tears of joy on the dancefloor
June 2024
Why Bronski Beat’s anthem of gay culture resonates 40 years on
‘We were the bridge between indie and dance’: Glastonbury icons Orbital on 30 years of breaking barriers
‘Women have always been sidelined. So we’re radical’: the Zawose Queens go from Tanzania to Glastonbury
From Coldplay to KMRU: who to see at Glastonbury 2024
‘The body was the drums, the brain was the synthesiser’: darkwave, the gothic genre lighting up pop
Club culture
From topping the 90s charts to ‘very controlled and predictable’ today: is the remix dead?
