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Sara Veale

November 2019

  • Antoinette Brooks-Daw in The Kingdom Of Back from the Triple Bill, The Kingdom Of Back, Mamela and Shape of Sound by Northern Balle

    Rambert2; Northern Ballet review – muscle, lust and raw edge

    Rambert’s young dancers pulse with pure horsepower while Northern Ballet celebrates Mozart’s overlooked sister

September 2019

  • Stina Quagebeur (Myrtha), Tamara Rojo (Giselle) and James Streeter (Albrecht) in Akram Khan’s Giselle at Sadler’s Wells.(Opening 18-09-19) ©Tristram Kenton 09/19 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    Astana Ballet; Akram Khan’s Giselle review – Steppe to it

    Astana’s springy young Kazakhs make their UK debut, while Tamara Rojo weaves her magic with Akram Khan’s insightful Giselle

July 2019

  • Rocío Molina's Fallen From Heaven

    Rocio Molina: Fallen from Heaven review – flamenco with a subversive twist

    The Spanish star bends tradition to her passionate exploration of womanhood

June 2019

  • Jonathan Goddard and Natalia Osipova in The Mother by Arthur Pita @ Queen Elizabeth Hall.

    10,000 Gestures; The Mother review – disparate measures

  • Sergei Polunin mixed programme at The London Palladium

    Sergei Polunin review – a blatant image recovery effort

April 2019

  • Marie Goudot delivers bracing ricochets to Suite 3 allemande played with Jean-Guihen Queyras on cello.

    Anne Teresa De Keersmaeker, Rosas: Mitten wir im Leben sind – review

    Sadler’s Wells, London
    De Keersmaeker’s interpretation of Bach’s suites, exquisitely played by Jean-Guihen Queyras, soars with sparkle and stamina
  • Francesca Hayward, left, in Night Of 100 Solos: A Centennial Event @ Barbican Theatre. Choreography by Merce Cunningham. (Opening 16-04-19)

    Night of 100 Solos review – Merce Cunningham lives on

    A star-packed tribute honours the choreographer’s ground-breaking approach to technique and staging
  • Alleyne Dance The Other Side of Me

    Alleyne Dance: The Other Side of Me review – brawn and poise

    Kristina and Sadé Alleyne’s taut, elegant double bill explores notions of imprisonment

March 2019

  • Ellen Yilma and Carmine De Amicis in Brahms Hungarian by Richard Alston Dance Company.

    Richard Alston Dance Company: Quartermark; BalletBoyz: Them/Us – review

    Richard Alston captivates in his company’s penultimate season, but there are too many cooks in the BalletBoyz kitchen

February 2019

  • Gecko, The Wedding; Ensemble

    The Wedding; Father (Vader) – review

    Gecko rustle up wedding chaos while Belgium’s Peeping Tom delight with quickfire care home capers
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