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Katie Mitchell

June 2024

  • Denise Gough (Emma) and Sinéad Cuack (Doctor/ Therapist/Mum) in People, Places And Things by Duncan Macmillan @ Trafalgar Theatre.

    The week in theatre: Bluets; People, Places & Things – review

    Katie Mitchell directs and Ben Whishaw stars, while David Byrne’s new reign at the Royal Court gets off to a cool start. And Denise Gough is unmissable in a blazing revival of Duncan Macmillan’s addiction drama

May 2024

  • Ben Whishaw in glasses, black beanie hat and black shirt looking to camera surrounded by film studio props

    Bluets review – Maggie Nelson’s blue riffs become left-field cine-theatre

    Emma D’Arcy, Ben Whishaw and Kayla Meikle narrate and act out Nelson’s dark meditations from their own film-making booths in Katie Mitchell’s intriguing experiment

April 2024

  • Lucia di Lammermoor directed by Katie Mitchell, staring Nadine Sierra

    Lucia di Lammermoor review – a vocally breathtaking, disturbing to witness descent into madness

    Nadine Sierra is sensationally good as Lucia in this revival of Katie Mitchell’s production of Donizetti’s romantic tragedy – a dark, thoughtful and sometimes shocking interpretation for the post-#MeToo era

November 2023

  • Michael Billington

    Who comes first – playwright or director? It depends which country you’re in

    Michael Billington
  • Lesley Manville (Helene Alving) and Jack Lowden (Oswald Alving) in Ghosts at Almeida Theatre in 2013.

    Ibsen’s Ghosts: a resounding flop that still returns to haunt us

April 2023

  • Sustainable theatre … A Play for the Living in a Time of Extinction

    A Play for the Living in a Time of Extinction review – Lydia West takes command

    The star narrates an innovative, pedal-powered production that muses on the climate crisis but the wide range of topics limits the storytelling

February 2023

  • Lydia West will play Naomi in the Barbican’s staging of A Play for the Living in a Time of Extinction.

    Boldly not going: zero-travel ‘touring’ play paves the way for eco theatre

    Using local creatives and actors, director Katie Mitchell’s A Play for the Living in a Time of Extinction is a narrative response to the climate crisis and an experiment in sustainability

November 2022

  • The Cherry Orchard.

    The Cherry Orchard review – Katie Mitchell presents the view from the trees

    The director’s latest eco-theatre production gives us fragments of Chekhov’s dialogue and a searing reading of our relationship with nature

July 2022

  • Find your own associations … The Blue Woman.

    The Blue Woman review – tensely atmospheric opera of violence on women

    Four singers, four cellists and an actor walking Sarah Everard’s final route combine in Katie Mitchell’s not-quite-hopeful production

February 2022

  • Julia Bullock in the title role, with Joyce DiDonato as Irene, in the Royal Opera’s Theodora.

    The week in classical: Theodora; OAE: Bach, the Universe and Everything – review

  • Theodora, Royal Opera House, January 2022 (Irene) Joyce DiDonato, (Theodora) Julia Bullock

    Theodora review – bombs, a brothel and a brilliant cast

November 2021

  • Eve Ponsonby, Eleanor Henderson, Morónkẹ́ Akinọlá and Ragevan Vasan.

    Little Scratch review – superb staging of Rebecca Watson’s novel

    This adaptation of the day-in-a-life book, directed by Katie Mitchell, achieves the same lingering power using a quartet of actors

September 2021

  • Verbal exchanges are rewound and replayed … Kein Weltuntergang.

    (Not) the End of the World review – a terrifying, daring look at climate hypocrisies

    The multiverse in Chris Bush’s Kein Weltuntergang, directed by Katie Mitchell, lays bare our contradictions and complicity in the climate crisis

October 2020

  • Peter Brathwaite in The Knife of Dawn by Hannah Kendall from New Dark Age at the Royal Opera House.

    The week in classical: New Dark Age; Quartet for the End of Time – review

    Hannah Kendall, Anna Meredith, Missy Mazzoli and Anna Thorvaldsdottir share the ROH limelight. Elsewhere, memorably reverberant Messiaen

July 2020

  • ‘Love at first listen’ ... the Beethoven monument in Bonn, Germany, given a timely face mask.

    'The nearest to God we get': stars pick the Beethoven work they cherish

    Ali Smith does an opus a month, Tony Hall saw Fidelio on Robben Island, and Lady Brenda Hale used to march to his Grosse Fuge. As the Proms celebrate Beethoven’s 250th anniversary, stars reveal a favourite work

October 2019

  • Julia Bullock.

    Zauberland review – after horrors, a feeling of 'so what' remains

    Crimp, Foccroulle, Mitchell and Schumann combine their considerable forces to tell a shocking story, inspired by the Syrian conflict, that fails to have the impact it should

September 2019

  • Orlando, Schaubuhne Berlin, Sept 2019
Jenny König

    Orlando review – Katie Mitchell's gleeful celebration of gender fluidity

    Virginia Woolf’s promiscuous poet flits between the past and the present in this rousing and spectacularly elaborate show

March 2019

  • Follies

    From Sondheim to Dr Seuss: the jaw-dropping designs of Vicki Mortimer – in pictures

    The ghostly showgirls of Follies, Wayne McGregor’s spellbinding Raven Girl and the madcap world of The Cat in the Hat have all been realised by the designer, who looks back at five of her key shows

January 2019

  • Cate Blanchett in When We Have Sufficiently Tortured Each Other

    When We Have Sufficiently Tortured Each Other review – it's explicit but hardly shocking

  • Cate Blanchett, about to open in When We Have Sufficiently Tortured Each Other.

    Cate Blanchett on her S&M-themed play: 'I see theatre as a provocation'

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