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The Eight Biggest Story Lines Heading Into the 2024 Oscars
Is ‘Oppenheimer’ invulnerable? What are the most likely upsets? And why is everyone being so weird about Bradley Cooper?
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Robert De Niro Continues to Evolve, Persevere, and Challenge Himself. He Should Win Another Oscar.
The legendary actor’s turn in ‘Killers of the Flower Moon’ is singular, the result of decades of work across genres and sensibilities, even if the journey at times plunged him into the depths of mediocrity
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The Story of Martin Scorsese’s Most Forgotten Film
Released in between ‘Casino’ and ‘Bringing Out the Dead,’ ‘Kundun’ might seem like a departure for the master of mob movies—but his career wouldn’t be complete without it
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Christopher Nolan, Warner Bros., and the Struggle for the Soul of Movies
The upcoming face-off between ‘Oppenheimer’ and ‘Barbie’ points to a conflict between two radically opposed visions of movies. On the one side: Warner Bros. Discovery CEO David Zaslav. On the other: Christopher Nolan.
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And the Oscar Goes to … Both of Them
Daniel Kwan and Daniel Scheinert could win Best Director(s) for ‘Everything Everywhere All at Once.’ It’s not the first time a duo has been nominated, and history suggests the odds are in Daniels’ favor.
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The Four Biggest Story Lines Heading Into the Oscars
Is there even a Best Picture favorite? And what is Andrea Riseborough doing here?
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‘Triangle of Sadness’ Has the Best Scene of the Year
The vomit-filled sequence that marks the midway point of Ruben Östlund’s latest film builds and builds, then loses steam, then regains it with twice the force
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There’s a Movie at the Center of the ‘Don’t Worry Darling’ Drama. History Suggests It’ll Be a While Before We Can See It Clearly.
As long as Hollywood has been around there have been troubled productions. Sorting through the rubble of one like Olivia Wilde’s upcoming film has traditionally taken a very long time.
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When the Creator of ‘Candid Camera’ Pushed Cringe to X-Rated Extremes
1970’s ‘What Do You Say to a Naked Lady?’ is a time capsule and a precursor to masters like Nathan Fielder and Sacha Baron Cohen—but it also proves that even cringe comedy has boundaries
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Cooper Raiff Is Finding His Sweet Spot in Hollywood
Off the surprising success of his first film, ‘Shithouse,’ the Dallas-born director is back with the winning ‘Cha Cha Real Smooth,’ and trying to figure it all out in the process