Inside Ari Emanuel and Sarah Staudinger’s St. Tropez Wedding

For this event, Staud looked to Alaïa to make a statement. She went to Paris to meet with the brand, where they brought out a roll of lace fabric in the perfect shade of ivory. They ultimately used it to make a two-piece ensemble. She had two fittings, and the second time the team happened to mention that they were preparing to launch swim as a new category. “They brought out all of these robes that Mr. Alaïa had created along with swim pieces, so I ended up wearing one for our beach day,” Staud says. “I think I might have forced them to launch their swim collection earlier than they wanted to!”

Later that day, Staud wanted to change into something a bit more retro, so the Staud team made a mollusk shell skirt and a tie top to round out the roster of looks.

On the morning of the wedding, the bride began the day in a Chanel tuxedo dress and shorts paired with Havianas, then changed into a cream La Perla slip and robe to get ready, before putting on her wedding dress. Renato Campora oversaw hair, while Romy Soleimani was on makeup. Her dress was, of course, a custom Staud creation. “I knew exactly what I wanted the lines of my wedding dress to be,” the bride says. “So we took masking tape and taped my body. It was really all about where it hit me, so we taped the bustline, we taped this drop waist which I really wanted. I wanted a dramatic dropped V waist, and I wanted a low-ish back, but I wanted it very fitted through the center and a minimal, simple neckline—feminine, nothing harsh, and I wanted the thinnest straps possible.”

Landing on the wedding venue was the biggest struggle for the bride. “We didn’t want to do it at a chateau,” she says. “We didn’t want to be so wedding-y.” They eventually found their location—a private residence at L’Estagnet—through people they knew on the ground. “It’s really just this little house on this big field,” Staud says. “My dad’s first house was on the exact same street and Brigitte Bardot’s house was across the street.”

When it was finally time to walk down the aisle, Staud was calm, cool, and collected. “I was surprised I wasn’t more nervous,” she says. “Right before, I went into the bathroom with my friends and read my vows, so I got a lot of tears out beforehand. They all started crying too. My makeup artist Romy wasn’t happy!”

Larry David served as the officiant, and of course roasted both the bride and the groom during his remarks. Then the couple shared vows they’d written themselves. And finally, the moment of truth: Larry asked if anyone knew of a reason why the couple shouldn’t be joined in marriage. “Does anyone here? Please object,” he begged. Tyler Perry stepped up to the plate and faked an objection to the laughter of the crowd. “It was really funny,” Staud says. “[Otherwise] we cried, of course. Ari gave me a stick of gum, which was an inside joke and emblematic of our relationship early on. We didn’t explain it, but I knew exactly what it was. It was just really funny and happy and joyous.” At the end, the newlyweds processed out together and then made their way to a gazebo where they greeted guests post-ceremony.

A total of five little gazebos were built, as well as a larger glass house where the dinner took place and an after-party space that was part of the existing structure of the villa on the property. “You have this house and then a huge lawn, and we had to kind of fill it up, and I wanted it to feel like it had been there forever,” Staud says. “It was all about creating those chill, classic beach elements and then the dinner tent, which kind of told this colorful pastel story, had this romantic vibe.”

Dinner was kept short with only a few speeches. “We wanted it to feel upbeat, and not long,” Staud says. “We wanted it to serve as this transitional moment into the party.” For the post-dinner celebration, the bride changed into a beaded dress that said “Staud Hearts Ari.” “It was a completely beaded mini dress with a matching bag,” she explains. “I wanted to do something that wasn’t necessarily kitschy, but had a nod to all of the graphics that had been used on the paper materials throughout the weekend, something personal that tied it all together.”

Staud is lucky to call some of the best DJs in the world her close friends, so the dance floor stayed full until the morning. “Ross, who is one of my best friend [Harley Viera-Newton]’s husband started, and then Diplo, Sam French, Hank, and Trevor all followed. Diplo was leading, and everyone was taking a song and then another song [throughout the night].” Later in the evening Staud decided she wanted to throw her bouquet out on the dance floor, and DJ Hank Korsan’s girlfriend Sara Nataf caught it.

There was a birthday moment in the mix for a friend turning 40 as well as Ari’s son, who was celebrating his 20th. “We sang happy birthday and gave them cakes, which were definitely thrown in each other’s faces at some point,” she says.

Eventually, Staud changed into a 1967 Paco Rabanne dress that she bought from Lily et Cie in Beverly Hills. “It weighed about 30 pounds,” she notes. “It’s a true vintage Paco. I tried it on and was like ‘I must have this!’” Underneath, she was wearing a bodysuit that ultimately served as a swimsuit when she jumped in the pool—which had a giant disco ball suspended over it—at the end of the night. “Everyone was dancing and having the best time,” she says. “I literally wanted people to have happiness for the sake of happiness. This was about love for love’s sake and everyone having a blast. I think that final day you really felt it especially.”