Twenty-One is a 1991 British-American drama film directed by Don Boyd from a script co-written with Zoë Heller. Patsy Kensit stars as the 21-year-old protagonist. It premiered at the Sundance Film Festival in February 1991.[2] It was released theatrically later that year in the United States on 4 October, followed by a British release on 1 November.
Twenty-One | |
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![]() Promotional poster | |
Directed by | Don Boyd |
Written by | Don Boyd Zoë Heller |
Produced by | John Hardy Morgan Mason |
Starring | |
Cinematography | Keith Goddard |
Edited by | David Spiers |
Music by | Michael Berkeley |
Release dates | February 1991 (Sundance)
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Running time | 92 minutes |
Countries | United Kingdom United States |
Language | English |
Budget | £810,000[1] |
Premise
editKatie is a Londoner about to turn 21. She confides directly to the camera about her life, which includes her drug-addicted boyfriend Bobby, an affair with a married barrister, and the dissolution of her parents’ marriage. Katie's father Kenneth is a naïve car salesman who believes he can still patch things up with his philandering wife. When Bobby dies of an overdose, Katie reflects on her life and decides to move to Manhattan.
Cast
edit- Patsy Kensit as Katie
- Jack Shepherd as Kenneth
- Patrick Ryecart as Jack
- Maynard Eziashi as Baldie
- Rufus Sewell as Bobby
- Sophie Thompson as Francesca
- Susan Wooldridge as Janet
- Robert Bathurst as Mr. Metcalfe
Reception
editThe film received a rapturous response upon its premiere at Sundance, with Kensit being lauded for a star-making performance by some critics.[3][4][5] Some festival goers likened Kensit's role to Julie Christie’s in the film Darling.[6][7]
Reception in France was also enthusiastic but the film had a mixed reaction in the UK and US.[2][3] TV Guide wrote, "Formally, Twenty-One resembles such 'swinging 60s' British films as Alfie and Georgy Girl, in which the slickness of the film's style is undercut by the pain of its characters, accented by anti-illusionist devices like having the characters speak directly into the camera, as Katie does here, prattling on ad nauseam while belaboring the obvious. The possible intent may have been to make an ironic commentary by processing the depleted 90s through a 60s prism."[8] Michael Wilmington of the Los Angeles Times wrote "almost all the writing seems unrealized: intelligent but a little hollow, daring but a little dry, all the points slightly telegraphed, all the dialogue slightly unspontaneous. And though Boyd is probably trying for a more intellectual frame, he’s not witty enough to sustain it".[9]
Nominations
edit- Grand Jury Prize - Don Boyd
Deauville American Film Festival[11]
- Critics Award - Don Boyd
References
edit- ^ "Back to the Future: The Fall and Rise of the British Film Industry in the 1980s - An Information Briefing" (PDF). British Film Institute. 2005. p. 30.
- ^ a b Dougherty, Margot (October 25, 1991). "British beauty Patsy Kensit". EW.com. Retrieved 2023-01-04.
- ^ a b Arar, Yardena (November 5, 1991). "Kensit comes of age as an actress". Deseret News. Retrieved 2023-01-04.
- ^ "Twenty-One". sundance.org.
- ^ "Kensit's Career Matures with "Twenty-One"". Tampa Bay Times. November 15, 1991. Retrieved 2023-01-04.
- ^ a b Benson, Sheila (January 24, 1991). "PARK CITY REPORT : The Standouts at Sundance--Kensit, Vasquez : Movies: The actress's performance in 'Twenty-One' is the town's unqualified hit". Los Angeles Times. Archived from the original on 2023-01-04. Retrieved 2023-01-04.
- ^ Hartl, John (October 1, 1991). "Kensit Makes Most Of Big, Juicy Role In Racy 'Twenty-One'". Seattle Times. Retrieved 2023-01-05.
- ^ "Twenty-One review". TVGuide.com. Retrieved 4 January 2023.
- ^ Wilmington, Michael (October 4, 1991). "MOVIE REVIEWS : Psychological Striptease in 'Twenty-One'". Los Angeles Times. Archived from the original on January 4, 2023. Retrieved 4 January 2023.
- ^ "36 Years of Nominees and Winners" (PDF). Film Independent. p. 49. Retrieved 2023-01-05.
- ^ "Twenty-One". Turner Classic Movies Database. Retrieved 2023-01-05.