Culture | House of horrors

One of the smallest museums in Africa might be its most important

A curator’s battle to commemorate Germany’s forgotten genocide in Namibia

Historic photos from the genocide era hang on the wall of Herero activist Laidlaw Peringanda’s Genocide Museum of Swakopmund in Namibia.
Peringanda, pointing at history’s dark partsPhotograph: Melanie Stetson Freeman/The Christian Science Monitor
|SWAKOPMUND

There are plenty of reminders of the colonial past in Swakopmund, a town on Namibia’s coast, if you know where to look. Mechanics work beneath battered Mercedes; doughy cooks prepare doughy strudel; a guesthouse is named after a Bavarian prince. In the centre of town the privately run Swakopmund Museum is a mix of taxidermy and Germany. Near a stuffed seal is a cabinet of pilsner glasses used by those who left the Second Reich for German South-West Africa, as Namibia was known between 1884 to 1915. The museum’s curator concedes that it “does not tell the whole story” and cites a lack of funds.

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This article appeared in the Culture section of the print edition under the headline “House of horrors”

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