Tower: A Novel
By Ken Bruen and Reed Farrel Coleman
4/5
()
About this ebook
Nick’s Irish-American father, a Brooklyn rent-a-cop working security in the World Trade Center’s North Tower, named him after a Hemingway hero. The old man must have been expecting a different kind of kid. Because, like the R&B song says, Nick was born under a bad sign. As aimless as a stray bullet, his only constants are ’Nam movies, pulp novels, and an unquestioning devotion to his childhood friend, Todd, a Jewish New York con artist with connections to the Boston mob.
When Todd inducts Nick into his world of petty crime, it starts with reckless fun—scoring weed, low-level stings, and burglary. But the deeper they sink into the world of the syndicate, the more they realize how unknowable a friend can be, and how unprepared they are to rescue themselves, and their souls, from the gutter.
Alternately telling this “brutally poetic” story from the perspectives of Nick and Todd, award-winning “noir masters” Ken Bruen and Reed Farrel Colemen “shine, dropping in-jokes, experimenting and displaying all the literary chops that have made their novels such cult favorites among mystery fans” (Publishers Weekly).
Ken Bruen
Ken Bruen (b. 1951) is one of the most prominent Irish crime writers of the last two decades. Born in Galway, he spent twenty-five years traveling the world before he began writing in the mid 1990s. As an English teacher, Bruen worked in South Africa, Japan, and South America, where he once spent a short time in a Brazilian jail. He has two long-running series: one starring a disgraced former policeman named Jack Taylor, the other a London police detective named Inspector Brant. Praised for their sharp insight into the darker side of today’s prosperous Ireland, Bruen’s novels are marked by grim atmosphere and clipped prose. Among the best known are his White Trilogy (1998–2000) and The Guards (2001), the Shamus award-winning first novel in the Jack Taylor series. Bruen continues to live and work in Galway.
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Reviews for Tower
29 ratings5 reviews
- Rating: 5 out of 5 stars5/5This is the first-- and so far only-- collaboration between noir masters Ken Bruen and Reed Farrel Coleman. Their styles blend together perfectly with not one wasted word. The story of Nick and Todd is both brutal and tender, raw and poetic. I don't read many noir novels, but I have learned that Ken Bruen, that mad Celt, uses language like no other. He was the one that drew me to this book. In reading Tower I learned that Reed Farrel Coleman can match Bruen stride for stride. There's something quite visceral about their writing; it's like being stabbed with a knife, and as such, you never quite forget it. There's not much that can be said about this collaboration. It's powerful. It's memorable. And it certainly makes me want these two to join forces again.
- Rating: 3 out of 5 stars3/5A cops and robbers tale, mainly robbers, told twice by the two main characters with some interesting contrasts, A collaboration with Reed Coleman. Well written. Interesting.
- Rating: 5 out of 5 stars5/5"Tower," the gritty crime fiction collaboration of authors Ken Bruen and Reed Farrel Coleman, is a special little book. Seldom has so much violence, irony, black humor, and sheer atmosphere been packed into only 172 pages. As a longtime fan of Ken Bruen's Jack Taylor novels, I would expect no less from his half of the book, but I was happy to discover that Reed Farrel Coleman's portion of the novel is the perfect compliment to Bruen's segment.This is the tale of two boyhood friends with everything in common, including distant fathers, weak mothers, and a willingness to do the dirty work for some of Brooklyn's lowest-level wiseguys. Nick is the son of a failed Irish cop now relegated to rent-a-cop duties at the World Trade Center's north tower. Todd, impressed with the fearless rage Nick can summon up when he has to, admits to having had somewhat of a boy-crush on Nick when they were kids. He knows that Nick hates his physically abusive father but, as he sees it, at least Nick's father cares enough about him to hit him.As young adults, the two manage to get some work from Boyle, a small-timer with a fake Irish brogue who considers himself to be more Irish than the hard-cases who still live in the old country. What makes Boyle particularly dangerous (and successful) is Griffin, the psychopathic enforcer Doyle keeps at his side to make sure the money keeps flowing in his direction.When things go bad for the boys, one of them gets an offer from the NYC cops and the Feds he can't refuse: save himself, and maybe his buddy, by informing on his crime connections while working undercover as a NYC police detective. Things get interesting when that buddy is ordered to assassinate the new cop in order to prove his worth and loyalty to Boyle and Griffin."Tower" is filled with the raw violence of beatings, shootings, torture and rape. But, believe it or not, this is a love story. Both Nick and Todd manage to find the loves of their lives while simply trying to stay alive long enough to see their next birthdays. And perhaps the most impressive aspect of "Tower" is how, amidst all the blood and violence, Bruen and Coleman make the reader care about those relationships and how they might end. Despite its over-the-top characters, male and female alike, those who enjoy noir fiction are going to remember "Tower" for a long time to come. My only complaint with the book (and you knew I had to have one) is with its rather unsurprising and unsatisfying ending. It's not that I saw the book headed to this particular ending before I reached its final few pages but, when I did see where it was headed, I found myself really hoping that I was wrong. Unfortunately, I was not.Rated at: 4.5 (half a point off for the ending)
- Rating: 4 out of 5 stars4/5Tower is a very good collaboration between two of the best crime writers being published today. The protagonists, one of Irish descent, the other a Jewish young man, are lifelong friends who get caught up in the violent life of crime in New York City. One becomes an undercover cop, the other remains a criminal, but both in the end go after the crime boss and his cohorts. Not for the faint of heart, Tower is dark, gritty, fast-paced and a fine addition to both Bruen’s and Coleman bibliographies.
- Rating: 5 out of 5 stars5/5TOWER, written by Ken Bruen and Reed Farrel Coleman, tells (through dual narratives) the story of Nick and Todd, best friends and 'thugs on the rise'. This book is brilliant in its concept and execution. It's smart, violent, funny, and deals with issues of loyalty and friendship in a compelling way. The ending actually made me shed a few tears. Powerful stuff!
Book preview
Tower - Ken Bruen
Tower
A Novel
Ken Bruen and Reed Farrel Coleman
Tower is dedicated to the memory of Anthony Fusaro.
Contents
Prologue
Nick
10 Months Earlier.
Todd
Epilogue
Leeza
Acknowledgments
About the Author
PROLOGUE
Always be near to them, but make sure they’re far away from you.
—Jake Arnott, The Long Firm
GRIFFIN COUGHED BLOOD INTO my face when I made to slip the chains under his shoulders.
The chop on the water slapped the wrecked pilings with the backs of both hands and the thick layer of mist that hung over the West Side of Manhattan rendered the lights of Jersey a blur. They might well have been cleaning up the Hudson, but you couldn’t tell by the stink coming off the river. Or maybe that was just the stink of Griffin’s rotten soul.
I forgive ya, boyo,
he said through red, clenched teeth.
Stuck my fist against one of the two holes in his gut and pushed. Made his whole body twitch. Making Griffin twitch, now that was something to take pride in.
Your forgiving me is pretty fucking funny. Like the devil threatening to send me to the principal’s office. Besides, it wasn’t me that killed you.
I know that, but yer forgiven just the same.
Sure he didn’t shoot you in the head? You’re talkin’ kinda crazy.
Do me a favor, Todd, don’t finish me before ya put me back in the river.
That’s the one favor I’m inclined to grant. Why?
Penance. I’ve a long list of debts.
You’re a sick fuck, Griffin, and nuts if you think a few seconds of terror—
It’s a start.
For a guy had nothing to say while he was alive, you’ve become a talkative cocksucker as a corpse.
Near corpse.
I stand corrected.
Look at me, boyo. Look close.
What am I supposed to see?
Yer own self.
All I see is a dead man.
Then yer blind. Are ya sure yer looking close?
I began threading the chains through the centers of my old weights. Pulled the chains tight and his whole body shuddered. Didn’t like that, Griffin. Gave me the cold stare. The Griffin I knew.
Fuck that, Griffin. I’m shitting my pants I’m so scared.
Ya should be. Ya’ll be here soon enough.
Never.
Look at me.
Not this shit again. I’m nothing like you.
The same.
Nah, Griffin, I’ve never killed for pleasure, never detonated a car bomb and blown up toddlers and old ladies. Boyle liked telling people about that, scared the hell out of ’em.
Yer missing the point.
And you’re pissing me off, Dead Man.
Brought together two end links, slipped an old lock through, and clicked it shut. Remember Jacob Marley, Griffin? ‘These are the chains I forged in life…’
You’ll be wearing ’em someday. They’re God’s commandments, boyo, not his suggestions. If ya think ya’ll escape the chains, yer a fool. It’s a tower of cards ya’ve built for yerself. Recognize the joker in the deck?
Yanked hard on the chains to make sure they were secure. Griffin’s body convulsed with such fury that he near rolled over. Few more episodes like that and he’d drop into the river without a push. The spasms calmed.
Heard what you did to Rudi. Least I won’t end up in a pile of lion shite.
What, fish shit is more dignified?
S’pose we all turn up as worm shite one way or the other. Doesn’t matter if a bullet finds ya or if a plane falls on yer head, you’ll come out the ass end of something. That shield in yer pocket is no protection. Beneath the skin—
The convulsions began anew, struggle for breath. Beneath the—
Tapped my watch crystal. Tick… Tick… Tick.
Said something to me, but it was barely a whisper. The blood bubbled and foamed on his lips. I put my ear close to his lips. Felt his faint breath. Kept my ear there. Waited. His breath grew fainter still. Turned to face him, my nose near touching his. His eyes were glassy, fixed.
Nothing to say? That’s the Griffin I knew in life.
His head jerked up, lips pressing against mine. Flailed to push him away, but his head fell dead to the pier before my hands touched him. Mouth painted red in his blood, I rolled him into the river, this time for a longer stay.
NICK
HE BEATS ME.
One line, one simple sentence and I’m off.
Well, almost.
I’m sitting at the counter, peeling the label off a longneck, and the rage is filling my mouth, the bitterness rising like the old bile and I bite down, take a deep breath and try to ease a notch.
The deep breath helps?
Like fuck.
Debbie is the woman who works the bar, not bad looking, a bit of mileage on the odometer but who’s counting? I can see the bruise under her left eye and it’s going to blacken more in a day. I know, I’ve had my share and given them too. But not to women, never hit a woman in my goddamned life. Hurt them?
Yeah.
But that’s a whole other trip and we’ll get to that, like later.
I miss New York, every freaking moment and never more so than now. If this were Brooklyn or even downtown Manhattan, I’d be going to my car, opening the trunk, getting the bat out, taking care of business.
I guess I could say to her
Suck it up.
It’s what I’ve been doing for the past ten months and I’m sick of it. This one-horse shithole, this constant rain and the people, as miserable a bunch as you’d ever come across. So, the rain doesn’t help their disposition, like I tell you now, that’s a crock. You put this bunch down in Florida, you know what? They’d be bitching, it’s what they do.
Whine City.
I say to Debbie
Give me another brew?
And she gives me the look.
Like, I’m not going to say anything about the shiner or what she just told me. Not today honey.
She sighs, plunks the bottle on the counter, and the way she does it, she’s mad as hell. Disappointed too.
Fuck her.
Disappointment, honey, I wrote the book.
Ask my old man.
I look out the window, the grime-stained panes and I can see the arc of the mill. It’s throwing a shadow, for all the world like the tower, the North Tower, where my old man worked.
That shadow has been with me all my life.
What, you think I can’t find a fucking supermarket? I’ve been living in Brooklyn seventy-five years. I know this city better than anybody.
—Jason Starr, Tough Luck
10 MONTHS EARLIER.
MY OLD MAN WAS as Irish as they come, Micksville in extremis. See that in extremis, so you know I’m not just some thug, I got me some learning. Not that I wanted it but my old man, he was a whore for books, always trotting out some shit, a book in his hand every goddamn minute. My Mom, she’d go
Your father and books, don’t get me started.
As if she needed an excuse. She was Jewish, she was born started. To say they were a poor match? Man, they were the worst marriage on the block and we had some beauties there. See the street on a Saturday night, after a ballgame and the brews had been sunk? Buckets of blood and recriminations.
Did the cops come?
Yeah, right.
Most of the participants were cops.
Mick neighborhood, what’d you expect?
I was christened Nick, after some Hemingway story. My old man loved him. His dream was to see a bullfight. I said to him one time
What else do you think the hood is on a Sat night?
And got a clip round my earhole.
He had big hands, the Irish inheritance, and though he was second generation, he was probably more Celtic than Notre Dame—the team, not the Cathedral. He’d been a cop for a while and he flat out loved it, then…
Got hurt in a drive by, pensioned out. That’s when the bitterness set in.
Not that he was a bundle of good nature before. He was always a mean bastard, made him a good cop, but after the shooting, he peaked. Began to soak up the Jameson like a good ’un, and he’d have sat on his ass for the duration ’cept my mom, she rode him till he screamed
Alright already.
The union got him a gig at the World Trade Center, a guard on the North Tower. The day, his first, a wet barren Monday, he donned the uniform, he went
Bollix to this.
My mom, aiming for some peace if not calm, tried
You look swell.
He was enraged, spat
Fucking rent-a-cop.
One of the few times I ever agreed with him.
But he hung in there. A few years went by and he was promoted, still in the North Tower but pulling down more bucks.
And he liked it.
Not the job so much but he loved the building. Got himself a photo of his station, up on the 107th floor, and my mom framed it, put it beside Ariel Sharon and John F. Kennedy, over the fireplace. I said to my buddy, Todd
The three stooges.
The Irish sure have odd ways of looking at things, and the way they talk, full of twisted language. As if they see a perfectly good expression, then mangle it. Why?
Fuck knows.
Maybe because they can.
Me, I figure it’s all the Guinness, rots the brain and gives them that slanted view of the world. My mom, no slouch in the words department, would say
Your father, like his race, they love the sound of their own voice.
Could be right.
What-the fuck-ever.
Like, who gives a rat’s ass?
I can do a rap with the best of ’em but the difference, I try to measure the content. Not just shoot my goddamn mouth off. My teens, I started getting in shit, being rousted for nickel-and-dime stuff. My old man, he’d lose it, go
You’re a thundering disgrace. You’re nothing but a punk.
The cops, cos he’d been on the job, would cut me some slack. Time came when that didn’t work and I got sent to juvie hall. Hell with puke-green walls. I did six months and came out, hard.
The first thing my old man does, does he crack open a cold one, welcome me home?
He gets a hurly, sent from the heart of the old country, made from the ash, and gives me a flaking. I can still hear the swish of that wood as he swung it, the end walloping against my back and it hurt like a son of a bitch. He wanted to hear me cry. Dream on you prick. Finally, spent, sweat coasting down his face, he threw the hurly aside, said
Let that be a lesson to you.
And he opened the Jameson, poured himself a serious one, knocked it back, said
There’s a chance I can get you on the tower, even with the sheet you’ve got. We can get it sealed but you’re going to have to cut the crap.
I was picking myself up off the floor, pain everywhere and I looked him right in the eye, said
Shove it.
Got another hiding. My mom, later, said
Nick, he’s got the bad drop.
She’d learned a few Irish-isms and she certainly got me nailed. I did what I do when I’m hurting, hooked up with Todd and we went to Park Slope, always lots of action there, had us some weed, and Todd had gotten tequila, boosted off a guy who’d hit a warehouse. We drank that, with Bud as back, and I went to that place, the cold zone, an icy territory I knew like the back of my hand, said
Let’s rock ’n’ roll.
We caught a guy in an alley, fooling with some babe, and I used my feet, till Todd pulled me off, saying
Jeez, Nick, enough. You’ll kill the bastard.
I wanted to.
I can still hear the sound of the guy’s teeth cracking, my boot hitting his mouth for the third time. Way I see it, you have to lay it off, get that poison out and maybe teach the guy something, like, stay the fuck out of alleys unless someone’s got your back. Later, coming down, chilling, Todd passed me a smoke, lit me up, said
You’ve got to rein it in, bro.