Stolen Beauty: A Novel
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About this ebook
“Albanese artfully weaves Adele’s story with Maria’s harrowing life under the Nazis, but it’s hard to read Stolen Beauty without seeing ugly echoes in today’s headlines. Seven decades after World War II, have we learned nothing?” —USA TODAY
From the dawn of the twentieth century to the devastation of World War II, this exhilarating novel of love, war, art, and family gives voice to two extraordinary women and brings to life the true story behind the creation and near destruction of Gustav Klimt’s most remarkable paintings.
In the dazzling glitter of 1903 Vienna, Adele Bloch-Bauer—young, beautiful, brilliant, and Jewish—meets painter Gustav Klimt. Wealthy in everything but freedom, Adele embraces Klimt’s renegade genius as the two awaken to the erotic possibilities on the canvas and beyond. Though they enjoy a life where sex and art are just beginning to break through the façade of conventional society, the city is also troubled by a disturbing increase in anti-Semitism as political hatred simmers in the shadows of Adele’s coffeehouse afternoons and cultural salons.
Nearly forty years later, Adele’s niece Maria Altmann is a newlywed when the Nazis invade Austria—and overnight, her beloved Vienna becomes a war zone. When her husband is arrested and her family is forced out of their stately home, Maria must summon the courage and resilience that is her aunt’s legacy if she is to survive and keep her loved ones—and their history—alive.
Will Maria and her family escape the grip of Nazi rule? And what will become of the paintings for which her aunt sacrificed nearly everything?
Impeccably researched and a “must-read for fans of Kristin Hannah’s The Nightingale and Paula McLain’s Circling the Sun” (Christina Baker Kline, #1 New York Times bestselling author), Stolen Beauty juxtaposes passion and discovery against hatred and despair, and shines a light on our ability to love, to destroy, and above all, to endure.
Laurie Lico Albanese
Laurie Lico Albanese has published fiction, poetry, journalism, travel writing, creative nonfiction, and memoir. Her books include Stolen Beauty, Blue Suburbia: Almost a Memoir, Lynelle by the Sea, and The Miracles of Prato, co-written with art historian Laura Morowitz. Laurie is married to a publishing executive and is the mother of two children.
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Reviews for Stolen Beauty
35 ratings6 reviews
- Rating: 4 out of 5 stars4/5Love, war, and art.STOLEN BEAUTY moves from 1900 to 1938 as we follow the lives of Adele and Maria. In 1900, Adele's story was about her life and how she became fascinated with the painter Gustav Klimt and that era of art. In 1938, the story is told of Maria, Adele's niece, newly married and taken from her home and taken from her husband at the beginning of WWII when Hitler invaded Austria.STOLEN BEAUTY was interesting, but since I am not an art aficionado, I was a bit confused. Despite my lack of knowledge in the art area, though, I did learn a lot about Gustav Klimt.The WWII sections were heartbreaking as usual.I do have to say I enjoyed the story of Maria more than Adele, but most likely because I don't know too much about art. Maria also seemed to be a warmer character than Adele.It took me halfway through the book to warm up to the characters, and even though it wasn't a favorite, I enjoyed the book.Ms. Lico Albanese did a marvelous job of researching, and she has wonderful, descriptive writing.ENJOY if you read STOLEN BEAUTY. 4/5This book was given to me free of charge and without compensation by the publisher in return for an honest review.
- Rating: 4 out of 5 stars4/5On the wall directly across the foot of my bed, I have hanging a large framed print of Klimt's, The Kiss. I love it, see something new in it all the time. Love his work, so naturally I was drawn to this book about Vienna in 1903, featuring Klimt and Adele Block-Bauer. I had also started another book, the subject matter about lost art and the Nazis, a theme in both books, and when I came across Adele's name, thought I had better read this one first. Coincidences abound.The life of Adele, the salons, the glittering scene that was Austria, but also the beginning undercurrents of anti-Semitism that would be fully played out forty years later in the life her niece Maria. So a dual story line, though the first shined brighter for me, I did find them both compelling. Adele had a short life, but lives on in the many pieces of art that feature her likeness, though for a time her identity was unknown. Many of course requisitioned by the Nazis and later fought for by the rightful heirs.The atmosphere in both stories was wonderfully rendered, the characters fully drawn. Called factual fiction, well researched fiction, and I love reading books that combine these two elements. The author does explain in her note what was true and what she changed form the sake of her story. Now I can go back and finish the other book, contrast and compare. An endlessly interesting albeit horrific time period, so many books feature this time but love how this one centered on Klimt, Adele, his paintings and the fight to reclaim what was taken.ARC from Netgalley.
- Rating: 4 out of 5 stars4/5An excellent story about art and World War II, told from the perspective of two Viennese women living in the early 20th century. Gustav Klimt (famous for The Kiss) looms large in this novel and the tale of his portrait of Adele Boch-Bauer is the foundation of Stolen Beauty's plot. Fascinating reading, and upon finishing this book, I had to immediately find out more about this painting and its story.
- Rating: 2 out of 5 stars2/5This picture is one of my favorites so I had to read this book. Suffice to say, I was a bit underwhelmed and often disquieted by the sexual antics. Two strong women: The fin de siecle Adele Bloch-Bauer, who modelled for Klimt's portrait of her and for his portrait of the Biblical Judith; and her niece, Maria Altmann and her flight from Nazi Austria to the U.S. and eventual success in wresting the portrait from Austria to its present home.
- Rating: 5 out of 5 stars5/5I’m a longtime fan of Gustav Klimt’s works, so I knew I had to give STOLEN BEAUTY a listen when it came across my audiobook radar. The title refers to Portrait of Adele Bloch-Bauer I, one of Klimt’s most famous paintings during his “Golden Phase.” (Take a look at the painting HERE.) At the heart of STOLEN BEAUTY are two remarkable women: Adele Bloch-Bauer and Maria Altmann.At the turn of the last century, Adele Bloch-Bauer was a wealthy Austrian woman, a patron of the arts, and Gustav Klimt’s muse. In her adulthood, she studied and hosted salons on philosophy, science, and art, all the subjects that were forbidden to her as a girl. She was a strong, intelligent, and passionate woman who fought to break through the limitations that society placed on her.Decades later, Adele’s niece, Maria, is living in Vienna when the Nazis invade Austria, and her strength is put to the test. She must find a way to save herself, her family, and ultimately Adele’s legacy.I enjoyed STOLEN BEAUTY very much. It was compelling, heartbreaking, and completely absorbing. It was also a well-researched account of the Viennese art world during Klimt’s time. This book would appeal to art lovers as well as historical fiction buffs.Books about Nazis and their atrocities are not easy to read, especially since there are things going on today that mirror what happened during Hitler’s rise, like blaming immigrants or a religious group for society’s problems. But, it’s important to keep reading these books and stay in the know. Stay angry and aware.(Side note: I wasn’t aware of this before, but there’s a movie called WOMAN IN GOLD (2015) starring Helen Mirren as Maria Altmann. I requested it from the library. Looking forward to viewing!)Audiobook • 9 hrs, 25 mins • Narrators: Gabra Zackman , Madeleine Maby , Gibson FrazierListening to the audiobook of STOLEN BEAUTY was wonderful. Gabra Zackman performed the part of Adele, while Madeleine Maby was the voice of Maria. Gibson Frazier took more of a narrator’s role with short snippets between the women’s characters’ parts. Zackman and Maby, in particular, had to tackle several characters and different accents, and both handled it beautifully.Disclosure: I received a copy of this audiobook from the publisher in exchange for an honest review.
- Rating: 5 out of 5 stars5/5Albanese detailed prose transports you between the 1900 Vienna art world where everything is beautiful, dazzling and forty years later when Maria (Adele's niece) and her family are forced from their Austrian home by the Nazis.
One of the best and will researched historical fiction reads I've read in a long time this family story of love, survival and sacrifice will have transfixed from the first chapter.
Book preview
Stolen Beauty - Laurie Lico Albanese
MARIA
1938
I was a love-struck newlywed when Hitler came to Austria.
Outside, the Ringstrasse was streaming with cars, trams, and pedestrians in belted trench coats. Inside, we were waltzing and drinking French champagne. My dear friend Lily had just become engaged to a Catholic man, and the glittering ballroom was in full swing. Music was playing—it was Schubert—and men in bow ties were circulating with trays of crab cakes and miniature mushroom tortes. Someone toasted the happy couple. There was crystal, and dresses the colors of hyacinths and tulips. The dance floor was a blur of pastels.
It was a long time ago, but I can still see everything clearly.
I was wearing violet perfume, and dusk was approaching. Fritz moved like a panther in his tuxedo as he crossed the room toward me. My mother was wearing a shimmering gray dress, and my father was holding his bow over the cello strings when someone shouted, The chancellor is making a speech.
Aunt Adele was long in her grave, but I saw my uncle Ferdinand put out a hand to steady himself near the cocktail bar.
Schuschnigg is on the radio,
the man shouted again in an angry voice. Silence, everyone.
The violinists ripped their bows from the strings, and our host turned up the volume on the radio. The chancellor’s voice rang across the room just as Fritz reached my side. Every bit of my husband’s childhood in the Jewish ghetto had been polished away by then, replaced by elegant manners, a starched white shirt, and a clear, operatic baritone. He put his arm around my shoulder and his ruby cuff link brushed my cheek, a cool spot in the warm room.
Men and women of Austria: this day has placed before us a serious and decisive situation,
Chancellor von Schuschnigg said.
He took a choked breath that we could hear through the radio waves. Men I’d known since I was a girl turned pale. They lowered their champagne flutes and balled up their cocktail napkins. Lily wilted against her father’s thin frame. Someone tipped over a glass, and it shattered.
The chancellor said that Hitler’s army was at our borders, and for one more second I believed our small country was about to go to war. I thought we would fight the Germans, and that we could win.
We have decided to order the troops to offer no resistance,
the chancellor said. So I take leave of the Austrian people with a German word of farewell uttered from the depth of my heart—God protect Austria.
A strange sound came from my husband’s throat. I saw my mother mouth my father’s name—Gustav—and my father mouth hers—Thedy—in a single moment that seared itself into my mind like a photograph. A woman fainted, and sirens began to wail in the streets outside. I saw Uncle Ferdinand waving in my direction, but my parents circled around us saying Secure your money. Secure your jewels. Go home. Lock your doors. Get your passports. Get out and then Fritz and I were pouring outside into the fading evening with everyone else.
Church bells were ringing, and hundreds of people were crowding into the streets waving Nazi flags. I had no idea there were so many Austrians just waiting for the Führer. But there they were, hordes of ordinary Gentiles who thought Hitler was right and the Jews were to blame for their problems—poverty, sadness, cold, whatever it was they were angry about, Hitler wanted them to blame us. And they did. They were smiling and laughing and waving their swastikas. They were shouting, Germany is united—long live Hitler.
We all knew what had been happening to the Jews in Germany, but until that moment it had seemed a world away. If that makes us willfully ignorant or foolish and naive, then that’s what we were. There’s no other way to say it.
Behind the wheel of our new black sedan, Fritz stared straight ahead. Men in brown uniforms marched arm in arm through the street as if they’d stepped right from the thick walls of the Ringstrasse buildings. Soldiers stood like hard marionettes with their chins thrust into the air. I wanted to ask Fritz where they’d been hiding with their pressed uniforms and shining swastika pins, but when I saw tears on my husband’s face I bit the inside of my cheek and swallowed my words.
By the time we reached the Altmann Textiles factory grounds, where we lived in our newlywed apartment, Fritz had composed himself and looked as much like the vice president of the business as he could manage.
Four men were here asking for you,
the gateman said. Otto was a strong man with a clean, square jawline and two lovely children. He secured the padlock behind us, and for the first time in my life it occurred to me that I was locked inside the gates. They wanted to see the man who runs the factory.
What did you tell them?
Fritz asked.
I said Bernhard Altmann is away on business, and Fritz Altmann is here in Austria.
What did they say?
Otto blanched.
They said, ‘There is no Austria anymore.’
Inside the apartment we bolted the door, turned off the lights, and crawled under the blankets. We’d been married only four months; I was twenty-two and Fritz was thirty, but we held each other like frightened children.
You’ll leave right away,
Fritz whispered. Tomorrow, if it’s possible. You go with Uncle Ferdinand, and I’ll join you as soon as I can.
My uncle Ferdinand and Fritz’s brother Bernhard had both tried to warn us about Hitler, but their fears had seemed hazy and improbable and we’d listened the way most of Austria had listened: with one hand on the radio dial, searching for music and entertainment.
I’m not leaving without you,
I said. We’ll wait until your passport is renewed.
I had a valid passport, but Fritz’s had expired after our honeymoon. We’d filled out the paperwork, filed for a renewal, and forgotten about it. That had been a month ago.
I’m not going to get a passport now,
Fritz said. Lights from the factory grounds shone through our bedroom window, illuminating his face in zigzagged shadows. The Nazis aren’t going to give me one. You go first, and I’ll come as soon as I can.
Go where?
I asked. I don’t want to go anywhere without you.
Go with your uncle to Jungfer Brezan,
he said. That’s where he said he would go if Hitler came. Czechoslovakia will be safe.
Only then did I remember my uncle waving to me on the dance floor.
I’ll call Uncle Ferdinand in the morning,
I said. He’ll make sure we can get out together.
I pressed my cheek against Fritz’s, and recalled the faint cinnamon of his aftershave on the night we’d met. There had been music and men in tuxedos that night, too—a cool breeze coming through an open window at the Lawyers’ Ball, and a line of women holding their dance cards and waiting for the second waltz.
Just look at him,
I’d breathed to Lily when Fritz walked by. He’d moved as I thought a lover might move when he wanted a woman, as if there was velvet under his feet. And there was the cinnamon scent, like warm bread and breakfast in bed, lingering in his wake.
That’s Fritz Altmann,
Lily had whispered. He’s an amateur opera singer and a real charmer. I admit he’s a looker, but don’t waste your time on him—he’s crazy about a married woman.
I might have heeded my friend’s warning if Fritz hadn’t climbed onto the music stage just then and silenced the room with Schubert’s aching love song: You are peace, the gentle peace—you are longing, and what stills it. Maybe he was a playboy, but his voice had the warmth of a roaring fire. He sang about longing, pleasure, and pain. He sang as if he wanted a home, and that very night I’d made one for him inside myself.
I wouldn’t leave Austria or Vienna without him. To even think of it was terrifying.
I was swallowing a bite of dry toast the next morning when a delivery boy in a blue hat hammered at the kitchen door. The sky was flat as Fritz gave the boy a silver coin and read the cable from his brother.
Safe in Paris. Secure the books. Come immediately or await my instructions. Stop. Bernhard.
Of course,
Fritz said in a tight voice. I have to secure the ledgers.
The newspaper was unopened on our table, with a photograph of Hitler’s motorcade crossing the Danube River above a boxed notice that read: EFFECTIVE IMMEDIATELY Jews must report all property, holdings, and cash to the Central Offices of the Reich. Those failing to cooperate will be subject to seizure and imprisonment.
I’m calling Uncle Ferdinand,
I said. I hit the telephone receiver once, then twice. The line was dead, and that gave me a new sense of urgency. I’m going over there. He might already have a passport and papers for you.
You can’t go out there,
Fritz said. We have no idea what’s happening in the streets.
I buttoned up my coat and pulled on my scarf and gloves. My resolve was a metronome clacking inside me: I can’t leave without you, I won’t leave without you, I can’t leave without you, I won’t leave without you.
You get the ledgers. I’ll see my uncle, and then I’m going to check on my parents,
I said. I’ll be home in three hours, maybe less.
The Altmann Textiles factory was set on four acres in Vienna’s Margareten District, southwest of the city center. The buildings were yellow and whitewashed brick connected by a maze of smooth pathways. There was a modern cafeteria where everyone ate lunch together, and Fritz and Bernhard knew each of their three hundred employees by name.
Fritz walked me to the front gate, when we found Otto still on duty at the guardhouse.
Where’s the morning man?
Fritz asked.
The workers usually began arriving before eight in the morning, but that day the grounds were still empty.
He didn’t show up,
Otto said with a shrug. He looked at my sturdy shoes. Frau Altmann, the streets are dangerous. I hope you’re not going out there.
Wait,
Fritz said. I’ll go with you later.
I’m going now.
I pressed my face against his. You take care of the books.
Outside the gates, our street was deserted and the houses silent. Shades pulled low across dark drawing room windows seemed to flutter and blink as I walked away from home. I was much more frightened than I’d let on to Fritz. At the tram stop I kept my eyes on the ground and pulled my collar up around my face. I tried not to think of anything. I tried only to breathe and stay calm.
There was no ticket taker on the tram. The seats were full of silent workmen and servants in white starched uniforms. I shoved my ticket into my pocket and held on to a leather strap as the rail rolled beneath me. As we rounded the Mariahilf District, there was an angry red Nazi banner hanging from a tall building. We all turned to look, and the car buzzed with something that seemed to hang between anticipation and terror.
At the stop near the Naschmarkt, a big man in a black uniform stepped onto the streetcar and shouted, Heil Hitler. The entire car saluted back, but I hesitated. The man barked again, Heil Hitler, and stared until I put up my arm and mouthed the words. As I did, I saw the Secession gallery slide by on my left. Soldiers stood in a line across the museum steps, unfurling a red banner that covered the slogan that had been there all my life. I struggled to recall the words, but they slid away as quickly as the golden dome slid from view.
The next stop was Karlsplatz, where the Church of St. Charles anchored the square. I got off without looking back. The church doors were flung open, the bells were ringing, and there was a crowd of people in front of the fountain. I turned the other way, clutched my handbag to my side, and tried not to run through the streets.
My uncle’s house was on Elisabethstrasse, overlooking Schiller Park. As I rounded a stand of naked shrubs, I nearly tripped over a line of old women on their knees. The women were dressed in fur coats and patent leather boots, and they were scrubbing the sidewalks with toothbrushes. I lost my footing and came to a full stop, nearly retching in the street.
If you do a good job, filthy Jew, maybe I’ll let you keep that fat diamond ring,
a soldier barked. He butted a woman with his rifle, and I felt a sharp pain in my jaw, as if he’d struck me, too. The woman cried out, and he struck her again. I scanned the old faces, praying I wouldn’t see anyone I knew.
Join us, fräulein,
a soldier leered at me. Another one laughed, and I thought I might faint. We can use a pretty young one like you.
I fled from the park, hurried up the steps at 18 Elisabethstrasse and banged on the door.
Uncle Ferdinand?
I called first for my uncle, then for his butler. Georg? Are you in there? It’s Maria—it’s me, please open the door.
A gunshot rang out in the park behind me, and my knees went weak.
The door opened and my uncle’s cook was standing in her white uniform, a dish towel over her shoulder. I was prepared to throw myself into her arms, but she looked at me with a cool eye.
Your uncle isn’t here,
Brigitte said. He left before dawn. He’s probably across the border by now.
Left?
I asked numbly. It had not occurred to me that my uncle might leave without us.
Without a word to anyone.
Brigitte’s mouth twisted. Georg saw him pack his papers and lock up the safe. He’s probably gone to Jungfer Brezan.
Did he leave anything for me?
I asked. A package or an envelope?
She shrugged.
I’d like to check his study.
Even to my ears, it was clear the words were a plea.
Suit yourself,
she said, and stepped aside.
The grand palais was silent. The furniture seemed to cast long shadows across the parlor, and the grandfather clock on the landing kept time like ticking dynamite. Upstairs, my uncle’s desk was impossibly tidy. I tried the desk drawers, but they were locked. I looked under the radio and the ink blotter and ran my hand along the clean bookshelves. There wasn’t even a layer of dust.
I could smell my uncle’s cigars, but very quickly it was clear that he’d left nothing for me. My last chance was Aunt Adele’s sitting room, where her golden portrait hung. The room was a shrine to my aunt, filled with her favorite paintings and books. The curtains were drawn, and the air inside was stale. Her portrait was filled with gold and silver baubles and strange symbols I’d never been able to puzzle out. I’d often had coffee and cake in that room with my uncle, nibbling on sweets while he talked about the wife who’d died when I was only nine.
She was celebrated throughout Europe and the empire. One day that legacy will belong to you, Maria,
my uncle had said. He’d leaned over and brushed my cheek. You’re the daughter we never had. The daughter she longed for.
Outside the palais a woman screamed, and gunshots followed. I pushed aside thick curtains and saw two women lying in pools of blood. My knees buckled, and for a moment my eyes went black. An engine roared, a horn blared, and there was the sound of dogs’ frenzied barking.
I pulled away from the window and grabbed for Adele’s letter opener in a panic. I felt sure there was something hidden in the room for me—perhaps behind the portrait or slipped into a picture frame.
Another shot rang out, and a jeep screeched to a stop outside. I heard heavy boots on the landing, and loud knocking. Men barked my uncle’s name, and blood pounded in my ears like a loud siren.
Ferdinand Bloch-Bauer? We’re here for Herr Bloch-Bauer.
He’s gone,
I heard the cook say calmly. But his niece Maria Altmann is upstairs in the dead wife’s sitting room.
ADELE
1886
I was born on the third floor of our summerhouse just outside of Vienna, and learned to read there the year I turned five. The day was lazy and sunny and smelled of the briny Old Danube in the distance. Everyone else had gone up the hill to ride horses near the monastery, but Karl and I stayed behind with a fat copy of Grimm’s Fairy Tales.
I hate this thing,
my brother said, tugging at the starched collar of his blue-and-white sailor suit. He was fourteen years old and desperate for long pants and a button-up shirt. I’d rather wear a dress and corset than this.
Karl plucked two buttermilk scones from the silver tray and spread them with blackberry jam. I draped myself over a sturdy wicker chair on the shady veranda and kicked off my shoes. When I rolled down the long cotton stockings, my toes looked like ten white, skinny fish. They made me very happy, and I wiggled them in the air. Karl offered me a bite of his scone, and held his hand under my mouth so I wouldn’t drop crumbs on my apron dress. Then he wrote the alphabet on a slate.
I already know my letters,
I said. I swatted at a mosquito that had bitten my foot, and rubbed away a spot of blood. I practiced outside with a stick in the dirt.
Then see if you can write them.
Karl handed me the chalk, and I traced each letter carefully. A was for Adele. B was for Bauer. It was easier than I thought it would be.
See here.
Karl wrote out the letters of his name, and when the kitten mewled against my bare leg, he wrote out the word K-A-T-Z-E. Soon everything fell into place, and I was lost in the swirl of letters and symbols, the possibility of entire words and sentences already forming like a boat on a distant shore, when the others came back and Mother appeared on the porch. My sister, Thedy, stood behind her.
Get up at once,
Mother said. Her face was pinched, her hair still tightly wound under her riding cap. Put on your shoes and stockings. And where is your hat?
Mother thought I was too young to be taught to read, but the deed was done, and within a few weeks, I was sounding out long words on my own. I didn’t like making my mother cross, but it happened so often that I’d gotten used to it. I loved the letters that jammed against one another like tsch, the soft c nestled against the tall h making a sound that could chug across the page or whisper softy enough to put a kitten to sleep.
You’re much too clever for a girl,
Thedy said when she found me puzzling out the words to a fairy tale at the end of August.
Thedy was my only sister, and she was very kind. Her eyelashes curled up twice as long as anybody else’s, and when she spoke, she sounded like she was almost singing. She was three years younger than Karl and content to play the piano and dress up as Mother liked. She pleased her tutors but never asked for more books to read or spent extra time on her lessons, as Karl did.
I wasn’t sure if Thedy meant it was good to be clever, or if it was bad. I looked to her for a clue, but her face revealed nothing.
Adele is the smartest girl I know,
Karl said. He was bent over his desk, tracing out small ferns and tiny edelweiss for his botany scrapbook. When he said it, I was positive that being smart was a good thing. Maybe as clever as me.
Yes,
Thedy said with a sigh. I suppose that’s true.
We had no pets in the city, but kept two kittens in the country because Mother said they calmed her nerves. The cats slept on the veranda in the daytime, and under my bed at night. Thedy named the kittens after the emperor and empress: Franz was skittish and playful, not at all like the emperor with his stiff red jacket and big black bucket hat; Little Sisi had beautiful, mottled green eyes and warm brown fur.
In the blanched heat of my seventh summer, I studied a portrait of the empress that hung in Father’s library and decided to try my own hand at art. With two sharp pencils and a single piece of watercolor paper, I sat cross-legged on the veranda and worked for hours drawing my Little Sisi with a ring of white clover looped around her ears just like the flowers the empress wound through her hair.
When I showed the drawing to my sister, she laughed.
It’s darling,
Thedy said, when she saw that her merriment had made me cross. Truly, Adele, it’s a very pretty picture.
When I showed the sketch to Karl, he considered it with the utmost seriousness.
You’ve got the proportions just right,
my brother said. His praise rang in my ears for days.
In Vienna we lived in a white stone house directly across from the university. Because I was the youngest, I had the smallest room, but it had a bright cupola where I kept my green chaise pushed against the windows. From my bedroom, I could see the emperor’s palace and St. Stephen’s Cathedral in the Graben, and beyond it the sweep of green toward the Nineteenth District, where we summered. When I was alone, I climbed often into the windowsill and peered down to watch university students rushing to and from their classes with books tucked under their arms and neckerchiefs flying.
Although I looked very long and hard, I never saw a single woman among the scholars. Even among the best families, few girls continued their education beyond the age of twelve. Girls who sat for the university entrance exam were gossiped about over breakfast tables and afternoon teas, and only a rare few managed the coursework. Still, I dreamt of studying philosophy, anatomy, and biology, attending lectures and talking about them around the supper table with my brothers.
When the first gymnasium for young women opened in Vienna when I was twelve, Mother enrolled me—probably because the school was very exclusive and the talk of all of her friends.
The first day, I was up and dressed in my blue uniform before anyone else. Nanny coiled my hair atop my head instead of wrapping it in two braids, tucked a lavender sachet into my pocket, and pinched my cheeks so they wouldn’t look pale. My stomach was nervous, and I was too excited to eat.
Toast, at least,
Mother insisted. Karl winked at me, and I hurried with my nanny to the school on Hegelgasse, where I entered through glossy brass doors without looking back.
The building smelled of soap and ink, and the halls were lit with gaslights. The classrooms were set with tables instead of little desks, and I was given an assigned seat next to two girls whom I knew because our fathers were in business together. The headmistress wore a white dress with a black smock over it and took attendance from her desk. My name was first, and I called out, Present.
What are you?
the headmistress asked. She didn’t look up until I begged her pardon. Then her face turned to a prune and she said, impatiently, Come now, Jewess or Catholic, it’s not a difficult question.
Jewess,
I said, although I’d never called myself a Jewess before.
Most of my classmates were Catholic, and straightaway at recess they asked if I’d studied Hebrew or spoke Yiddish—as if I wore a shawl over my head and smelled of cabbage and herring like the poor shtetl Jews in the Second District.
Papa says he hears you Jews wailing your religion songs on Fridays,
one of the girls said. She had bright yellow hair, and when she tossed her head and laughed, a whole gaggle of girls around her did the same. At that moment I resolved that I would never cackle around with a goose parade of silly girls.
Anyway, my family wasn’t the least bit observant. Like all of our friends, my parents had declared themselves konfessionslos—without faith—because it was better for my father’s banking business, and for our standing in society. Emperor Franz Joseph had made it easy for us to leave our religion behind. At Christmastime we had a tall tree in our front parlor and exchanged gifts at the stroke of midnight on Christmas Eve. We didn’t go to church, but we didn’t go to synagogue, either. While my Catholic classmates at gymnasium attended religion class on Mondays and Thursdays the three other Jewish girls and I sat on a hard bench outside the headmistress’s office and waited in silence. I didn’t like that one bit, but there was nothing to be done about it.
Like all of our friends in Vienna, my family had dinner together every afternoon at two o’clock. Mother sat at one end of our table and Father at the head, the maids served meat and potatoes, and my four brothers took up the center of the table with loud debate.
God is dead,
Karl announced one afternoon when I was still in my first year at the gymnasium.
Nobody blinked an eye. My mother passed the potatoes, and the butler ladled gravy onto Karl’s plate.
Darwin certainly agrees with that,
Eugene said, waving his fork in the air. The other boys all joined in. I wanted to participate, and to know what the boys knew, but I was a girl, and no one paid any attention to me.
Karl had begun reading for philosophy and anatomy at university that same year, and soon after he told us that God was dead, I asked if he would let me read one of his philosophy books.
Nietzsche is too much for a girl,
Karl said. Even one as clever as you.
Darwin, then?
He raised both eyebrows and shook his head.
Well then, anatomy.
I popped out my lower lip in a trick that sometimes worked with him. Teach me that. I want to know what you know, and learn what you learn.
Anatomy is worse than philosophy,
Karl said. You know a girl can’t have that kind of education.
Why not?
I asked.
Because it will frighten you,
he said. Your mind isn’t ready. It may never be ready.
My brother had never said such a thing to me before. I was more furious than hurt. I left his room without a word, put on my boots and coat, and asked Nanny to walk with me to the Museum of Art History on the Ringstrasse.
I’d be delighted, Miss Adele,
she said, and found her best hat and gloves for the occasion.
It seemed half the city was at the museum looking up at the colorful murals or marveling at ancient artifacts collected from the tombs of dead Egyptians. I pretended to study the formal portraits that ran up the fresh red walls, while really I peered sideways at a tall oil painting of Adam and Eve standing naked and unashamed beneath an apple tree.
What was dangerous about anatomy? I wanted to know. Why should a girl not learn about the mind and the body, or what lay beneath the skin?
I was never permitted to visit the museum without a chaperone, but at least Mother and Nanny—or Thedy, when I could convince her to go with me—did not insist on standing beside me while I wandered through the cool galleries. Up and down the marble staircase, I searched for large, sweeping paintings of mythical events and stood in awe of pale flesh and naked buttocks. I contemplated Adam and Eve as they covered their bodies in shame,