Peggy Orenstein

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Peggy Orenstein


Born
in Minneapolis, The United States
November 22, 1961

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Peggy Orenstein is a best-selling author and a contributing writer for The New York Times Magazine. Orenstein has also written for such publications as The Los Angeles Times, USA Today, Vogue, Elle, Discover, More, Mother Jones, Salon, O: The Oprah Magazine, and The New Yorker, and has contributed commentaries to NPR’s All Things Considered. Her articles have been anthologized multiple times, including in The Best American Science Writing. She has been a keynote speaker at numerous colleges and conferences and has been featured on, among other programs, "Nightline," "Good Morning America," "Today," NPR’s "Fresh Air" and Morning Edition, and CBC’s "As It Happens."

Orenstein was recognized for her “Outstanding Coverage of Family Diversity,” by
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Peggy Orenstein isn't a Goodreads Author (yet), but they do have a blog, so here are some recent posts imported from their feed.

Why I Wasn’t Excited About the “First Black Disney Princess”

Back in 2009, a lot of people asked me what I thought about Princess and the Frog, the film Disney said trumpeted as featuring its first African American princess. My gut reaction was, I’ll get excited when they release the film with their third black Disney princess. I mean, leaving aside for a moment whether it’s progress to make the princess industrial complex an equal opportunity exploiter, wh

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Published on March 09, 2016 10:34
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“There is only one princess in the Disney tales, one girl who gets to be exalted. Princesses may confide in a sympathetic mouse or teacup, but they do not have girlfriends. God forbid Snow White should give Sleeping Beauty a little support. Let's review: princesses avoid female bonding. Their goals are to be saved by a prince, get married, and be taken care of the rest of their lives.”
Peggy Orenstein, Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture

“But it is Bella, not the supernaturals she falls in with, who is the true horror show here, at least as a female role model.”
Peggy Orenstein, Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture

“The notion is called wabi-sabi life, like the cherry blossom, it is beautiful because of its impermanence, not in spite of it, more exquisite for the inevitability of loss.”
Peggy Orenstein, Waiting for Daisy: A Tale of Two Continents, Three Religions, Five Infertility Doctors, an Oscar, an Atomic Bomb, a Romantic Night, and One Woman's Quest to Become a Mother

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