Skinny Legs and All Quotes

“Don't trust anybody who'd rather be grammatically correct than have a good time.”
― Tom Robbins, Skinny Legs and All

“Ellen Cherry was from the south and had good manners. She didn´t have any panties on, but she had good manners.”
― Tom Robbins, Skinny Legs and All

“When humans were young, they were pushed around in strollers. When they were old, they were pushed around in wheelchairs. In between, they were just pushed around.”
― Tom Robbins, Skinny Legs and All

“As long as a population can be induced to believe in a supernatural hereafter, it can be oppressed and controlled. People will put up with all sorts of tyranny, poverty, and painful treatment if they're convinced that they'll eventually escape to some resort in the sky where lifeguards are superfluous and the pool never closes. Moreover, the faithful are usually willing to risk their skins in whatever military adventure their government may currently be promoting.”
― Tom Robbins, Skinny Legs and All

“Religion is nothing but institutionalized mysticism. The catch is, mysticism does not lend itself to institutionalization. The moment we attempt to organize mysticism, we destroy its essence. Religion, then, is mysticism in which the mystical has been killed. Or, at least diminished.”
― Tom Robbins, Skinny Legs and All

“Mockingbirds are the true artists of the bird kingdom. Which is to say, although they're born with a song of their own, an innate riff that happens to be one of the most versatile of all ornithological expressions, mocking birds aren't content to merely play the hand that is dealt them. Like all artists, they are out to rearrange reality. Innovative, willful, daring, not bound by the rules to which others may blindly adhere, the mockingbird collects snatches of birdsong from this tree and that field, appropriates them, places them in new and unexpected contexts, recreates the world from the world. For example, a mockingbird in South Carolina was heard to blend the songs of thirty-two different kinds of birds into a ten-minute performance, a virtuoso display that serve no practical purpose, falling, therefore, into the realm of pure art.”
― Tom Robbins, Skinny Legs and All

“Conservatives understand Halloween, liberals only understand Christmas. If you want to control a population, don't give it social services, give it a scary adversary.”
― Tom Robbins, Skinny Legs and All

“Dip a slice of bread in batter. That's September: yellow, gold, soft and sticky. Fry the bread. Now you have October: chewier, drier, streaked with browns. The day in question fell somewhere in the middle of the french toast process.”
― Tom Robbins, Skinny Legs and All

“The trouble with you is that the only way you can communicate is through art. You’ve never learned to communicate your feelings to a man. You don’t even want to communicate in a relationship. You think that if you open up to love, you’ll lose your independence or your self-expression or creativity or whatever you call all that passionate, wonderful stuff that makes you feel alive inside.”
― Tom Robbins, Skinny Legs and All

“Reality whistles a different tune underwater.”
― Tom Robbins, Skinny Legs and All

“The Divine was expansive, but religion was reductive. Religion attempted to reduce the Divine to a knowable quantity with which mortals might efficiently deal, to pigeonhole it once and for all so that we never had to reevaluate it. With hammers of cant and spikes of dogma, we crucified and crucified again, trying to nail to our stationary altars the migratory light of the world.”
― Tom Robbins, Skinny Legs and All

“Of the Seven Dwarfs, the only one who shaved was Dopey. That should tell us something about the wisdom of shaving.”
― Tom Robbins, Skinny Legs and All

“Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.'

Huh?'

Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.'

The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.”
― Tom Robbins, Skinny Legs and All

“Well, Daddy, I used to believe that artists went crazy in the process of creating the beautiful works of art that kept society sane. Nowadays, though, artists make intentionally ugly art that’s only supposed to reflect society rather than inspire it. So I guess we’re all loony together now, loony rats in the shithouse of commercialism.”
― Tom Robbins, Skinny Legs and All

“Every day is Judgement Day. Always has been. Always will be.”
― Tom Robbins, Skinny Legs and All

“The Conch Shell´s tint was that of a vagina blowing bubble gum.”
― Tom Robbins, Skinny Legs and All

“Whenever a state or an individual cited 'insufficient funds' as an excuse for neglecting this important thing or that, it was indicative of the extent to which reality had been distorted by the abstract lens of wealth. During periods of so-called economic depression, for example, societies suffered for want of all manner of essential goods, yet investigation almost invariably disclosed that there were plenty of goods available. Plenty of coal in the ground, corn in the fields, wool on the sheep. What was missing was not materials but an abstract unit of measurement called 'money.' It was akin to a starving woman with a sweet tooth lamenting that she couldn't bake a cake because she didn't have any ounces. She had butter, flour, eggs, milk, and sugar, she just didn't have any ounces, any pinches, any pints. The loony legacy of money was that the arithmetic by which things were measured had become more valuable than the things themselves.”
― Tom Robbins, Skinny Legs and All

“To concentrate on heaven is to create hell.”
― Tom Robbins, Skinny Legs and All

“The loony legacy of money was that the arithmetic by which things were measured had become more valuable than the things themselves.”
― Tom Robbins, Skinny Legs and All

“The Divine was beyond description, beyond knowing, beyond comprehension. To say that the Divine was Creation divided by Destruction was as close as one could come to definition. But the puny of soul, the dull of wit, weren't content with that. They wanted to hang a face on the Divine. They went so far as to attribute petty human emotions (anger, jealousy, etc) to it, not stopping to realize that if God were a being, even a supreme being, our prayers would have bored him to death long ago.”
― Tom Robbins, Skinny Legs and All

“And who ever said the world was fair, little lady? Maybe death is fair, but certainly not life. We must accept the unfairness as proof of the sublime flux of existence, the capricious music of the universe- and go on about our tasks”
― Tom Robbins, Skinny Legs and All

“You know a trillion times more about art than me. But I’ve learned that it isn’t necessary to know all that much. You just make what you wanna see, right? It’s a game, right? It’s like being paid for dreaming.”
― Tom Robbins, Skinny Legs and All

“This is the room where Jezebel frescoed her eyelids with history's tragic glitter”
― Tom Robbins, Skinny Legs and All

“The illusion of the seventh veil was the illusion that you could get somebody else to do it for you. To think for you. To hang on your cross. The priest, the rabbi, the imam, the swami, the philosophical novelist were traffic cops, at best. They might direct you through a busy intersection, but they wouldn't follow you home and park your car.”
― Tom Robbins, Skinny Legs and All

“This is the room of the wolfmother wallpaper.”
― Tom Robbins, Skinny Legs and All

“Summer had come to sit on New York's face.”
― Tom Robbins, Skinny Legs and All

“Not naive,' Conch shell had corrected him. 'He simply has not been taught to fear the things you fear.”
― Tom Robbins, Skinny Legs and All

“…he glanced over his shoulder at her, regarding her, as he often did before they made love, as if she were a lost continent about to be rediscovered.”
― Tom Robbins, Skinny Legs and All

“The first thunderstorm of the season was in the dressing room, donning its black robes and its necklace of hailstones, strapping on its electrical sword.”
― Tom Robbins, Skinny Legs and All

“Early religions were like muddy ponds with lots of foliage. Concealed there, the fish of the soul could splash and feed. Eventually, however, religions became aquariums. Then hatcheries. From farm fingerling to frozen fish stick is a short swim.”
― Tom Robbins, Skinny Legs and All