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Anathem Anathem by Neal Stephenson
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“Our opponent is an alien starship packed with atomic bombs," I said. "We have a protractor.”
Neal Stephenson, Anathem
“Nothing is more important than that you see and love the beauty that is right in front of you, or else you will have no defense against the ugliness that will hem you in and come at you in so many ways.”
Neal Stephenson, Anathem
“Boredom is a mask frustration wears.”
Neal Stephenson, Anathem
“I always tend to assume there's an infinite amount of money out there."
There might as well be, "Arsibalt said, "but most of it gets spent on pornography, sugar water and bombs. There is only so much that can be scraped together for particle accelerators.”
Neal Stephenson, Anathem
“The full cosmos consists of the physical stuff and consciousness. Take away consciousness and it's only dust; add consciousness and you get things, ideas, and time.”
Neal Stephenson, Anathem
“It is what you don't expect... that most needs looking for.”
Neal Stephenson, Anathem
“That's funny because if anyone actually did prove the existence of God we'd just tell him 'nice proof, Fraa Bly' and start believing in God.”
Neal Stephenson, Anathem
“And it happened all the time that the compromise between two perfectly rational alternatives was something that made no sense at all.”
Neal Stephenson, Anathem
“They knew many things but had no idea why. And strangely this made them more, rather than less, certain that they were right.”
Neal Stephenson, Anathem
“Our opponent is an alien starship packed with atomic bomc,' I said. 'We have a protractor.'
Okay, I'll go home and see if I can scrounge up a ruler and a piece of string.”
Neal Stephenson, Anathem
“Technically, of course, he was right. Socially, he was annoying us.”
Neal Stephenson, Anathem
“the difference between poets and mystics . . . The mystic nails a symbol to one meaning that was true for a moment but soon becomes false. The poet, on the other hand, sees that truth while it's true but understands that symbols are always in flux and that their meanings are fleeting.”
Neal Stephenson, Anathem
“... when I saw any of those kinds of beauty I knew I was alive, and not just in the sense that when I hit my thumb with a hammer I knew I was alive, but rather in the sense that I was partaking of something--something was passing through me that it was in my nature to be a part of.”
Neal Stephenson, Anathem
“An old market had stood there until I'd been about six years old, when the authorities had renamed it the Olde Market, destroyed it, and built a new market devoted to selling T-shirts and other objects with pictures of the old market. Meanwhile, the people who had operated the little stalls in the old market had gone elsewhere and set up a thing on the edge of town that was now called the New Market even though it was actually the old market.”
Neal Stephenson, Anathem
“Jad said, "The leakage was forcing choices, the making of which in no way improved matters."

Okay. So we were, in effect, locked in a room with a madman sorcerer. That clarified things a little.”
Neal Stephenson, Anathem
“... you should not believe a thing only because you like to believe it. We call that 'Diax's Rake' ...”
Neal Stephenson, Anathem
“So I looked with fascination at those people in their mobes, and tried to fathom what it would be like. Thousands of years ago, the work that people did had been broken down into jobs that were the same every day, in organizations where people were interchangeable parts. All of the story had been bled out of their lives. That was how it had to be; it was how you got a productive economy. But it would be easy to see a will at work behind this: not exactly an evil will, but a selfish will. The people who'd made the system thus were jealous, not of money and not of power but of story. If their employees came home at day's end with interesting stories to tell, it meant that something had gone wrong: a blackout, a strike, a spree killing. The Powers That Be would not suffer others to be in stories of their own unless they were fake stories that had been made up to motivate them. People who couldn't live without story had been driven into the concents or into jobs like Yul's. All others had to look somewhere outside of work for a feeling that they were part of a story, which I guessed was why Sæculars were so concerned with sports, and with religion. How else could you see yourself as part of an adventure? Something with a beginning, middle, and end in which you played a significant part? We avout had it ready-made because we were a part of this project of learning new things. Even if it didn't always move fast enough for people like Jesry, it did move. You could tell where you were and what you were doing in that story. Yul got all of this for free by living his stories from day to day, and the only drawback was that the world held his stories to be of small account. Perhaps that was why he felt such a compulsion to tell them, not just about his own exploits in the wilderness, but those of his mentors.”
Neal Stephenson, Anathem
“The people who'd made the system thus were jealous, not of money and not of power but of story. If their employees came home at day's end with interesting stories to tell, it meant that something had gone wrong: a blackout, a strike, a spree killing. The Powers That Be would not suffer others to be in stories of their own unless they were fake stories that had been made up to motivate them.”
Neal Stephenson, Anathem
tags: story
“But your way isn't just that set of rules,” Cord said. “It's who you are — you follow that way for bigger reasons. And as long as you stay true to that, the confusion you’re talking about will sort itself out eventually.”
Neal Stephenson, Anathem
“So, you're worried that a pink dragon will fly over the concent and fart nerve gas on us?”
Neal Stephenson, Anathem
“As soon as you're sure you're right, there's no point in your being here.”
Neal Stephenson, Anathem
“Topology is destiny,' he said, and put the drawers on. One leg at a time.”
Neal Stephenson, Anathem
“Just aiming a speely input device, or a Farspark chambre, or whatever you call it... a speelycaptor... at something doesn't collect what is meaningful to me. I need someone to gather it in with all their senses, mix it round in their head, and make it over into words.”
Neal Stephenson, Anathem
“If you sincerely believed in God, how could you form one thought, speak one sentence, without mentioning Him?”
Neal Stephenson, Anathem
“The biggest machines, in those days, were already pushing the limits of what could be constructed on Arbre with reasonable amounts of money."

"I hadn't known that," I said. "I always tend to assume there's an infinite amount of money out there."

"There might as well be," Arsibalt said, "but most of it gets spent on pornography, sugar water, and bombs. There is only so much that can be scraped together for particle accelerators.”
Neal Stephenson, Anathem
“But what little I’d heard had left me amazed by how clever people were at finding ways to make each other crazy and miserable.”
Neal Stephenson, Anathem
“If you can't test it, it's not theorics -- it's metatheorics. A branch of philosophy. So, if you want to think of it this way, our test equipment is what defines the boundary separating theorics from philosophy.”
Neal Stephenson, Anathem
“Consciousness amplifies the weak signals that, like cobwebs spun between trees, web Narratives together. Moreover, it amplifies them selectively and in that way creates feedback loops that steer the Narratives.”
Neal Stephenson, Anathem
“The same thrust, pushing against a greatly reduced burden, would then yield acceleration that Lio had cheerfully described as 'near-fatal.' 'But it's okay,' he'd said, 'you'll black out before anything really bad happens to you.”
Neal Stephenson, Anathem
“There’s no way to get from the point in Hemn space where we are now, to one that includes pink nerve-gas-farting dragons, following any plausible action principle. Which is really just a technical term for there being a coherent story joining one moment to the next. If you simply throw action principles out the window, you’re granting the world the freedom to wander anywhere in Hemn space, to any outcome, without constraint. It becomes pretty meaningless. The mind—even the sline mind—knows that there is an action principle that governs how the world evolves from one moment to the next—that restricts our world’s path to points that tell an internally consistent story. So it focuses its worrying on outcomes that are more plausible, such as you leaving.”
Neal Stephenson, Anathem

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