Mikhail Baryshnikov on Leaving Everything Behind
Fifty years ago, Baryshnikov defected from the Soviet Union. He discusses that day, the war in Ukraine and the challenges facing Russian artists today.
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![“It was the start of a new life,” Mikhail Baryshnikov says of the night in 1974 that he dodged K.G.B. agents in Toronto as he rushed to meet Canadian and American friends in a getaway car.](https://static01.nyt.com/images/2024/06/29/multimedia/28BARYSHNIKOV-01-fgtv/28BARYSHNIKOV-01-fgtv-thumbLarge.jpg?auto=webp)
![“It was the start of a new life,” Mikhail Baryshnikov says of the night in 1974 that he dodged K.G.B. agents in Toronto as he rushed to meet Canadian and American friends in a getaway car.](https://static01.nyt.com/images/2024/06/29/multimedia/28BARYSHNIKOV-01-fgtv/28BARYSHNIKOV-01-fgtv-threeByTwoMediumAt2X.jpg?auto=webp)
Fifty years ago, Baryshnikov defected from the Soviet Union. He discusses that day, the war in Ukraine and the challenges facing Russian artists today.
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Wayne McGregor’s 2015 work, making its New York debut with American Ballet Theater, fails to make dance poetry of Virginia Woolf’s novels.
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Jawole Willa Jo Zollar, who founded Urban Bush Women four decades ago, says goodbye to it with a final work.
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The festival, the final one for its longtime director, started with a bravura work by Wayne McGregor that was at once otherworldly and deeply human.
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Watch a Sisterhood of Budding Ballerinas
Five students from the School of American Ballet perform an excerpt from George Balanchine’s classic “Serenade.”
Watch a Tap Dance That Transcends Time
For her improvised solo to Max Roach and Cecil Taylor, Ayodele Casel said “the way in is to honor what you’re hearing.”
Click through as Joseph Gordon performs a section from Alexei Ratmansky’s new dance for New York City Ballet, a reaction to the horrors of the war in Ukraine.
By Gia Kourlas and
Watch Martha Graham’s Dance of Empowerment
In 1936, Graham choreographed this scorching response to the rise of fascism.
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Rugged, Physical Work With Durability
In Abby Zbikowski’s “Radioactive Practice,” a dancer says, “You’re seeing survival and community in real time.”
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For Pride Month, we asked people ranging in age from 34 to 93 to share an indelible memory. Together, they offer a personal history of queer life as we know it today.
By Nicole Acheampong, Max Berlinger, Jason Chen, Kate Guadagnino, Colleen Hamilton, Mark Harris, Juan A. Ramírez, Coco Romack, Michael Snyder and John Wogan
American Ballet Theater brings Wayne McGregor’s “Woolf Works,” which evokes elements of three novels and the writer’s biography, to New York.
By Joshua Barone
Many remarkable performances fueled the Royal’s mini-festival of ballets by Frederick Ashton, the company’s founding choreographer.
By Roslyn Sulcas
BAM, which has faced cutbacks in recent years, unveiled a reorganization as it announced its Next Wave Festival for the fall.
By Annie Aguiar
Mayfield Brooks explores grief and decomposition in the hull of a 19th-century cargo ship.
By Gia Kourlas and Simbarashe Cha
Samar Haddad King’s premiere at the Shed tells a layered story of trauma, dislocation and resilience.
By Candice Thompson
As part of a wave of reimagined Andrew Lloyd Webber musicals, a new revival of “Cats” unfolds as a ballroom competition.
By Joshua Barone
It was a sign of her generosity that her program this weekend was almost all work by her associates.
By Brian Seibert
New York City Ballet wrapped up its 75th anniversary celebration at Lincoln Center this spring with a look to the future. But it didn’t always speak to it.
By Gia Kourlas
Ashley R.T. Yergens’s “Surrogate,” premiering at New York Live Arts this week, explores how trans men experience pregnancy and I.V.F.
By Lauren Wingenroth
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