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Dance music
August 2024
‘Identifying as underrated isn’t healthy’: Tinashe on staging the pop comeback of the year
Matt McBriar of Bicep treated for ‘large and pretty rare’ brain tumour
Techno godfather Juan Atkins: ‘There were 5,000 white kids going crazy to my music’
Hit em: how a dream about raves, graves and slime led Matmos’s Drew Daniel to a new music genre
July 2024
Womad festival review – wildly entertaining treasure trove for adventurous music fans
Mercury prize 2024: Charli xcx, the Last Dinner Party and Beth Gibbons among nominees
Watch me work it, I’m perfect! The return of electro-house, pop’s trashiest, brattiest sound
VR show takes ravers old and new back to early UK acid house scene
Low’s Alan Sparhawk on the death of his wife and bandmate Mimi Parker: ‘If you fall in love, you know this could happen’
‘If the world explodes, the only survivors will be cockroaches and Cubans!’: the Guantánamo musicians defying the island’s crisis
How we made
‘We knew a banjo house record would annoy the techno bores’: how the Grid made Swamp Thing
Kiasmos: II review – will have you crying tears of joy on the dancefloor
South Asians have been insultingly ignored by most music festivals – so thank you Glastonbury
Nikhita Chulani
June 2024
Why Bronski Beat’s anthem of gay culture resonates 40 years on
‘We were the bridge between indie and dance’: Glastonbury icons Orbital on 30 years of breaking barriers
The reader interview
The Streets’ Mike Skinner: ‘My mid-20s were utterly traumatic. Everything was upside down’
‘Women have always been sidelined. So we’re radical’: the Zawose Queens go from Tanzania to Glastonbury
‘I’m getting 500 DMs a day’: Fish56Octagon, the dressing gown-wearing viral DJ sensation
Post your questions for Orbital at Glastonbury
From Coldplay to KMRU: who to see at Glastonbury 2024
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Glastonbury 2024