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@freelance-philosopher

Philosophical and literary excerpts
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A genius is the man in whom you are least likely to find the power of attending to anything insipid or distasteful in itself. He breaks his engagements, leaves his letters unanswered, neglects his family duties incorrigibly, because he is powerless to turn his attention down and back from those more interesting trains of imagery with which his genius constantly occupies his mind.

William James, “Talks to Teachers on Psychology and to Students on Some of Life's Ideals

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There is something at the bottom of every new human thought, every thought of genius, or even every earnest thought that springs up in any brain, which can never be communicated to others, even if one were to write volumes about it and were explaining one’s idea for thirty-five years; there’s something left which cannot be induced to emerge from your brain, and remains with you forever; and with it you will die, without communicating to anyone perhaps the most important of your ideas.

Fyodor Dostoevsky, The Idiot

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The timelessness of the genius will not only be manifest in relation to the single moments of his life, but also in his relation to what is known as "his generation," or, in a narrower sense, "his time." As a matter of fact, he has no relations at all with it. The age does not create the genius it requires. The genius is not the product of his age, is not to be explained by it, and we do him no honour if we attempt to account for him by it. The coming of genius remains a mystery, and men reverently abandon their efforts to explain it. And as the causes of its appearance do not lie in any one age, so also the consequences are not limited by time. The achievements of genius live forever, and time cannot change them. By his works a man of genius is granted immortality on the earth, and thus in a threefold manner he has transcended time. His universal comprehension and memory forbid the annihilation of his experiences with the passing of the moment in which each occurred; his birth is independent of his age, and his work never dies.

Otto Weininger, Sex & Character

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Genius and talent are nearly always connected in the popular idea, as if the first were a higher, or the highest, grade of the latter, and as if a man of very high and varied talents might be a sort of intermediate between the two. This view is entirely erroneous. Even if there were different degrees or grades of genius, they would have absolutely nothing to do with so-called “talent.” A talent, for instance the mathematical talent, may be possessed by someone in a very high degree from birth; and he will be able to master the most difficult problems of that science with ease; but for this he will require no genius, which is the same as originality, individuality, and a condition of general productiveness. On the other hand, there are men of great genius who have shown no special talent in any marked degree; for instance, men like Novalis or Jean Paul. Genius is distinctly not the superlative of talent; there is a world-wide difference between the two; they are of absolutely unlike nature; they can neither be measured by one another or compared to each other. Talent is hereditary; it may be the common possession of a whole family (e.g. the Bach family); genius is not transmitted; it is never diffused, but is strictly individual.

Otto Weininger, Sex & Character

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Society expresses its sympathy for the geniuses of the past to distract attention from the fact that it has no intention of being sympathetic to the geniuses of the present.

Celia Green, The Decline and Fall of Science (1976)

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Genius is its own reward; for the best that one is, one must necessarily be for oneself… Further, genius consists in the working of the free intellect, and as a consequence the productions of genius serve no useful purpose. The work of genius may be music, philosophy, painting, or poetry; it is nothing for use or profit. To be useless and unprofitable is one of the characteristics of genius; it is their patent of nobility.

Arthur Schopenhauer

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There is in every madman a misunderstood genius whose idea, shining in his head, frightened people, and for whom delirium was the only solution to the strangulation that life had prepared for him.

Antonin Artaud, of Van Gogh

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It’s the central error of the literary imagination to suppose that others are like us and must feel as we do. Fortunately for humanity, each man is only himself and only the genius is given the ability to be others as well.

Fernando Pessoa, The Book of Disquiet

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