Cloud Chamber est à la recherche d’un.e Artiste sénior.e de personnages talentueux.euse pour rejoindre notre formidable équipe et créer des personnages magnifiques et stylisés qui habiteront le monde de BioShock 4. Tu travailleras avec d’autres membres de l’équipe de personnages pour peupler un monde nouveau et fantastique ! 📌 https://lnkd.in/e9W_BnX5 ~~~ Cloud Chamber is looking for a talented Senior Character Artist to join our amazing team in creating stunning and stylized characters that will inhabit the world of BioShock 4. You will work alongside other members of the character team to populate a new and fantastical world! 📌 https://lnkd.in/eHrwMGPG #gamedevjobs #gamedevelopment #bioshock #montrealjobs #CloudChamber
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I recently shared my thoughts with Guillaume L. at millefeuille.ai. We talked about the use of AI in art, Animaj innovative tools for 3D character animation and the future developments we have in store. You can read the full interview here (available in French): https://lnkd.in/es9_aRqW #3DAnimation #AI
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Creative activity should not be conceived as subjective, not even the relationships established by creativity itself have a purely subjective value. Creativity follows universal laws. #nftgallery #nftnews #contemporaryart #nftgiveaway #rarible #btc #raredigitalart #cryptonews #digitalartist #nftsstories #defi #modernart #digitalcollectibles #nftmarketplace #nftdrops #artgallery #animation #polygon #design #abstractart #dart #pixelart #nftmagazine #cryptotrading #nonfungibletokens #illustrazionedigitale #investire #meta #cryptopunks #nfthesearch
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Creative activity should not be conceived as subjective, not even the relationships established by creativity itself have a purely subjective value. #nftgallery #nftnews #contemporaryart #nftgiveaway #rarible #btc #raredigitalart #cryptonews #digitalartist #nftsstories #defi #modernart #digitalcollectibles #nftmarketplace #nftdrops #artgallery #animation #polygon #design #abstractart #dart #pixelart #nftmagazine #cryptotrading #nonfungibletokens #illustrazionedigitale #investire #meta #cryptopunks #nfthesearch
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Our new characters in Fortnite 😍 , Let's go play. 🙃 Bad Decisions Studio Concept Artist: Javad Yazdi Hard Surface Artist: Solmaz Hadavand Dorsa Azizelahi Texture Artist: Sahar Afshari #digitalart #characterdesign #3d #conceptart #robot #game #entertainment #art #characterar #fortnite #zbrush #zbrushsculpt #zbrushart #gameart #gamedevelopment #3dmodeling #3dart #characterdesign #characterart #3dcharacter #3dcharactermodeling #gamecharacter
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Dive into the world of hyper-realistic #3DAnimation! We present to you a mechanical creature with spider legs that combines technical skill and creative vision. #3DModeling #Blender3D #CyclesRenderer #RobotDesign #Visualization #MechanicalEngineering #Research #VR #AR #Gaming By combining Modeling, Shading, Lighting, Rigging, and Camera Animation - inspired by the tutorial "Making a Mechanical Walking Creature in Blender" by Polyfjord - we have achieved a photo-realistic representation that blurs the boundaries between reality and fantasy. #MechanicalCreature #PolyfjordTutorial #RoboticEngineering #Animation With #StableDiffusion, we expanded our creativity and used a series of generated images as design inspiration. See for yourself! #StableDiffusion #DesignInspiration #3DArtist #3DGeneralist #VisualizationDresden
Tauchen Sie ein in die Welt der hyperrealistischen #3DAnimation! Wir präsentieren Ihnen eine mechanische Kreatur mit Spinnenbeinen, die technisches Können und kreative Vision vereint. #3DModeling #Blender3D #CyclesRenderer #RoboterDesign #Visualisierung #Maschinenbau #Forschung #VR #AR #Gaming Durch die Kombination von Modeling, Shading, Lighting, Rigging und Camera Animation - inspiriert vom Tutorial "Making a Mechanical Walking Creature in Blender" von Polyfjord - haben wir eine fotorealistische Darstellung erreicht, die die Grenzen der Realität und Phantasie verwischt. #MechanicalCreature #PolyfjordTutorial #RoboticEngineering #Animation Mit #StableDiffusion haben wir unsere Kreativität erweitert und eine Reihe generierter Bilder als Design-Inspiration genutzt. Sehen Sie selbst! #StableDiffusion #DesignInspiration #3DArtist #3DGeneralist #VisualisierungDresden
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VES member/CREATURE Supervisor/Assett supervisor/Lead 3d animator/Creature Animal Consultant/WIA mentor
I see people on LinkedIn, even professionals with experience in the industry, talking about Sora and panicking without reason, without analyzing and breaking down that AI. In 4 years, the same errors persist, and they always have. Because that's how AI works. It's just copy-paste without intelligence behind it. Just stupid algorithms. Yeah, because the algorithms don't have synapses, experience, empathy, or hard work. They're just algorithms. The same ones that ban you from Facebook for 30 days because they misunderstood a word. As I explained in a previous post, this crap is useless for any kind of production (overall NDA). It's good to show to friends if you're not in the industry. "Wow, look at what we have here in 2024!" But if you're a professional, instead of whining about some apocalyptic future where we'll all be replaced and spreading negativity and anxiety, take the time to break down all the videos of Sora and give feedback on them. This kind of post could create a better status for yourself and others, instead of posting mediocrity and saying "omg we are fucked!!" To put it more trivially, "Put your shit together and give yourself a better attitude." I'll be posting some feedback videos in the next few days.
La raison pour laquelle je n'ai pas (encore) peur des vidéos de Sora en tant que professionnel est que l'animation est un processus itératif, surtout lorsqu'on travaille pour un client. Peut-être que l'animation par l'IA peut remplacer les millions de vidéos merdiques sur YouTube, mais l'IA n'est tout simplement pas capable de fournir à un client avec un budget et des attentes, la énième version retravaillée des allers-retours client qui peuvent changer le projet dans son ensemble. Bien sûr les vidéos de Sora sont prometteuses, mais quel client voudrait cela ? ------------------------------------------------------------------------------------ The reason I'm not (yet) afraid of Sora videos as a professional is that animation is an iterative process, especially when working for a client. Maybe AI animation can replace the millions of crappy videos on YouTube, but AI simply isn't capable of providing a client with a budget and expectations, the umpteenth reworked version of client back-and-forth that can change the whole project. Sure, Sora's videos look promising, but what customer would want that? #AI #sora #animation #video #openai
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Let’s just start with this. I am wholly unimpressed with Sora. And I have to agree with the post below, having done video editing and game cinematics, the notion that an AI tool is affecting any professional work, at this stage or in the next few years is patently ridiculous. The people saying this are people who don’t know how to make videos at all. To them it’s a dark art. And anything that makes anything is exciting to them. Largely non-iterative, clumsy amateur work in video form will mostly be useful for the lowest common denominator of online advertisers in social media, and to some extent amateur content creators. Internet marketers that do the lowest common denominator of animation need to be worried about Sora. Nobody else does. It’s not going to make a feature film. It’s not going to make anything that will draw money. It’s not going to be used in games, animation, film, or TV, anywhere, professionally, except by amateurs that are trying to vaguely look like professionals. No one is going to buy a ticket to contribute to box office sales using anything from these tools. But it will appear in spam. It will appear in cheap online advertisements. Everywhere. It will be used by marketing from brands that have no budgets. It will be used by amateurs everywhere to create a deluge of video crap that you will wish you didn’t have to see. That’s the place for AI video. Cheap entries into social media content and advertising. Generally a space with low standards or no standards. Places with no budgets. Great. Like we really need more of that. AI tools will contribute to a flood of cheap crap and shitty that you will be trying to avoid. Let’s step back and look at this. People who do not do creative endeavors are impressed with anything that looks vaguely creative. The thing is that creative work should have iteration behind it. And that iteration is necessary to get it into the right final state for a client or audience. Iteration is intentional. There is no iteration on that level with AI tools.
La raison pour laquelle je n'ai pas (encore) peur des vidéos de Sora en tant que professionnel est que l'animation est un processus itératif, surtout lorsqu'on travaille pour un client. Peut-être que l'animation par l'IA peut remplacer les millions de vidéos merdiques sur YouTube, mais l'IA n'est tout simplement pas capable de fournir à un client avec un budget et des attentes, la énième version retravaillée des allers-retours client qui peuvent changer le projet dans son ensemble. Bien sûr les vidéos de Sora sont prometteuses, mais quel client voudrait cela ? ------------------------------------------------------------------------------------ The reason I'm not (yet) afraid of Sora videos as a professional is that animation is an iterative process, especially when working for a client. Maybe AI animation can replace the millions of crappy videos on YouTube, but AI simply isn't capable of providing a client with a budget and expectations, the umpteenth reworked version of client back-and-forth that can change the whole project. Sure, Sora's videos look promising, but what customer would want that? #AI #sora #animation #video #openai
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AI is a tool, not something to fear. This post thoughtfully highlights some of the current limitations in Sora
La raison pour laquelle je n'ai pas (encore) peur des vidéos de Sora en tant que professionnel est que l'animation est un processus itératif, surtout lorsqu'on travaille pour un client. Peut-être que l'animation par l'IA peut remplacer les millions de vidéos merdiques sur YouTube, mais l'IA n'est tout simplement pas capable de fournir à un client avec un budget et des attentes, la énième version retravaillée des allers-retours client qui peuvent changer le projet dans son ensemble. Bien sûr les vidéos de Sora sont prometteuses, mais quel client voudrait cela ? ------------------------------------------------------------------------------------ The reason I'm not (yet) afraid of Sora videos as a professional is that animation is an iterative process, especially when working for a client. Maybe AI animation can replace the millions of crappy videos on YouTube, but AI simply isn't capable of providing a client with a budget and expectations, the umpteenth reworked version of client back-and-forth that can change the whole project. Sure, Sora's videos look promising, but what customer would want that? #AI #sora #animation #video #openai
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UX designer (Immersive Experiences; MFA, New Media), Director of Post Production at Korean Broadcasting System
Finally, this Meta #SparkAR effect has officially been approved and published for a #genrativeAI guide book written by Oh Ji Hoon, a concept artist, at NCSOFT. 👇You can try this AR effect in person with this link👇 https://lnkd.in/gJp39Wcg // Please Tap the SHIELD to start the animation after your CAMERA successfully detect the Book Cover Image // The character(the 2nd.image) who is kicking jump on the shield is another being created by Ready Player Me. I've done optimization of the file size of the 3D character by adding a Decimate modifier in #Blender because the #SparkAR platform requires max.40MB size of an effect package file including texture, animation, and modeling. And each OS (iOS, Android, and Old Android) version is loaded un0der 4MB size for real-time rendering and interaction with users' #Instagram camera. Enjoy this #ImageTracking #mobileAR effect with the images in the comments below.
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While the reasoning below holds true to a degree for bigger budgets (for now), Sora and whatever follows, will certainly prove very disruptive for people working with smaller clients on lower budget projects. This is a huge sector of the industry that will be turned on its head. This in turn will result in higher competition for the big budget projects, which means that supply will outstrip demand, resulting in worse outcomes for every artist involved, including the ones that currently feel safe working on bigger budget productions. Let's also consider the fact that AI visuals have evolved rapidly in a space of just a few years, with leaps and bounds in visual quality taking place in just a few recent months. The pace is always accelerating. Sure there are issues with the video below, but these problems are highlighted by an artist, someone who has a trained eye for these things and years of experience. Show this to 90% of the rest of the population - they won't care or notice. And what would stop the Sora prompter to spit out another 1000 variations until it fits the vision of the client? Everyone should draw their own conclusions of course, but I think it'd be wise to at least start getting a little bit worried.
La raison pour laquelle je n'ai pas (encore) peur des vidéos de Sora en tant que professionnel est que l'animation est un processus itératif, surtout lorsqu'on travaille pour un client. Peut-être que l'animation par l'IA peut remplacer les millions de vidéos merdiques sur YouTube, mais l'IA n'est tout simplement pas capable de fournir à un client avec un budget et des attentes, la énième version retravaillée des allers-retours client qui peuvent changer le projet dans son ensemble. Bien sûr les vidéos de Sora sont prometteuses, mais quel client voudrait cela ? ------------------------------------------------------------------------------------ The reason I'm not (yet) afraid of Sora videos as a professional is that animation is an iterative process, especially when working for a client. Maybe AI animation can replace the millions of crappy videos on YouTube, but AI simply isn't capable of providing a client with a budget and expectations, the umpteenth reworked version of client back-and-forth that can change the whole project. Sure, Sora's videos look promising, but what customer would want that? #AI #sora #animation #video #openai
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