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1668011662
| 9781668011669
| 1668011662
| 4.20
| 4,916
| Mar 26, 2024
| Mar 26, 2024
|
really liked it
| Her husband died in the water in 2015, and her son was suffocated with a dry-cleaning bag in 2019.----------------- Her husband died in the water in 2015, and her son was suffocated with a dry-cleaning bag in 2019.--------------------------------------- …this is maybe the one thing I believe in in the whole world: that when it’s your time, you don’t run from it—you stand against it, you keep your eyes open, and you rip and claw your whole way down, hope you can at least be a worthy trophy.Don’t even try to read this unless you have been through Volumes #1 and #2 of the series. There is a lot going on in volume #3. Strap in. [image] Stephen Graham Jones - image from Library Journal Seventeen in what is now called The Independence Day Massacre, having served undeserved time after the most recent mass slaughter, centered on Dead Mill South, now twenty-four, Jade Daniels is back in town. Did her time. Paid her debt to society and has a job as the history teacher in the local school. Her wealthy bff Letha Mondragon’s sponsorship may have something to do with that. She carries scars both physical and emotional from her tribulations in the first two novels of the trilogy. And plenty from before even that. …you know the first one is third person of course, but it’s really tight on Jade. I think when people remember My Heart is a Chainsaw, they always say Jade is a narrator, and that’s always weird to me because she’s like our narrative focus, but she’s not actually the one speaking except for in her “Slasher 101” essays. Then when I figured out I was going to do a sequel and then a trilogy, I realized I’ve got to modulate the delivery throughout these three books.She is our Virgil through the rings of Proofrock hell.We get the take of the ultimate final girl, (although she does not see herself that way) as she tries to figure out what is going on, as the bodycount rises. As part of that we hear her talk with her much-admired, and quite dead, history teacher, Mister Holmes. We are given access to the weekly sessions with her state-mandated shrink, Sharona, in which they both wear ghostface masks and sit on a swing set, as one does. In addition, we are treated to reports from a seemingly omniscient security agency tracking Jade’s every word and action. A dad makes the mistake of hanging out in the local school’s hug-n-go lane, as it turns out to be more of a hug-n-get-decapitated lane. More heads will roll. Kids using VCR tech to produce a piece charmingly titled The Savage History of Proofrock, Idaho are lured to a discovery their friend had made, some long-lost victims. Another student makes use of drone tech to support a documentary, turning up some very interesting shots. Fiction soon gives way to fact. And, oh, there are footprints extending from a grave, which is very suggestive. (although odd only in that the risen dead emerged from a grave and not a lake) Speaking of graves, they play a significant role throughout the tale, as Jade visits her favorite late residents with some frequency. There is another graveyard commemorating a particular sub-set of the lost. And an unwanted commercial repurposing of land considered hallowed. [image] Devery Jacobs - image from Vanity Fair. SGJ could see her playing you-know-who. There are enough bloodbaths in this town that someone could make a killing by opening a place called ProofBaaden, offering free towels, and wet places in which people could conduct unpleasant business. There are forest fires, herds of panic-stricken animals, a mad recluse set on avenging the loss of his wife, and evil dead who will enlist a host to their ranks. There are many ends, loose and otherwise, that need to be tied up in this 465 page novel. There are murder mysteries to be solved and cold cases to be made warm, including the biggest mystery of them all, What the hell is all this killing about? There are many substantive elements that poke their heads up from among the carnage. SGJ pays homage to the slasher genre. Jade is not the only character who sees life through the slasher-mask perspective of an afficionado. Appreciators of the form will find plenty to cheer for here. The third installment of a trilogy always has to up the stakes and kill people we thought couldn’t die. I knew this going in, knew I’d have to do all that. In Chainsaw, Jade was fighting for herself. In Reaper, she was fighting for her friends, for this family she’d cobbled together. In Angel, she’s having to fight for her community—for Proofrock. And of course I had to adhere to Randy’s rules for the third in a trilogy, too. They were very helpful. This is my first time doing this, I mean. I needed a lot of help. - from the Nerd Daily interviewClass comes in for a look, as those who enjoy the advantages of those means are also responsible for much of the destruction that takes place in Proofrock. There is also a very feminist tilt here, as the final girl has always been a hero, but the baddies take on the feminine form as well. There is also an ongoing struggle of ill-treated women fighting back against their abusers. And there is a final twist that will resonate, culturally. For many, there is pleasure to be had in recognizing the references, the many, many references to slasher films. There might actually be references to every slasher film. While I have seen a fair number of these, I am by no means a maven. This made it a bit of a challenge appreciating the shout-outs in the book without having to constantly google the titles, not to mention the stand-alone character citations. The pleasure of this book is traveling along with Jade as she tries not only to survive but to get to the bottom of the entire unholy business, while saving her community. No dead ends here. Final girls rule, whether or not they survive. …justice doesn’t extract itself, you’ve got to pull it bloody and pulsing from the chest of whoever wronged you. Review posted - 08/30/24 Publication date – 3/06/24 Next up from SGJ is The Buffalo Hunters, due out March 2025 I received an ARE of The Angel of Indian Lake from S&S/Saga/Press in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating. [image] [image] [image] [image] [image] [image] This review will soon be cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to Jones’s personal, Twitter and FB pages Interviews -----Paste - Stephen Graham Jones on The Angel of Indian Lake, Slasher Tropes, and Saying Goodbye to Jade Daniels by Matthew Jackson -----Cemetery Dance- The Cemetery Dance Interview: Stephen Graham Jones by Cabriel Hart -----Nerd Daily - Q&A: Stephen Graham Jones, Author of ‘The Angel of Indian Lake’ by Elise Dumpleton -----Library Journal - LJ Talks to Horror Writer Stephen Graham Jones, Author of ‘Don’t Fear the Reaper’ by Becky Spratford – From 2022, but fascinating, by Becky Spratford -----Off Book - Off Book: Stephen Graham Jones - video - 14:58 - at 6:45 There’s probably 12-14 beats of the slasher. You got to have the opening blood sacrifice. You got t have the red herrings, you’ve got to have the third rail body dumps. You’ve got to its like you’re going around a carousel and reaching out and hitting 12 or 14 bells as you go around. You got t hit all those bells for sure. But what I think makes a really good slasher movie is if you’re doing a revenge slasher of a mystery slasher, I guess they get called both, delaying knowledge of who the slasher is. That’s the most pleasurable, such that everything crashes to a head at the reveal when the person pulls their mask off and gives their big speech about I did this because you did this to me, or whatever it is. My reviews of (sadly, only four) previous books by Jones -----2023 - Don’t Fear the Reaper -The Indian Lake Trilogy #2 - -----2021 - My Heart is a Chainsaw -The Indian Lake Trilogy #1 - on Coot’s Reviews -----2020 - The Only Good Indians -----2016 - Mongrels Item of Interest from the author -----CrimeReads - Excerpt Item of Interest -----ScreenRant - Randy’s Rules The rules in Scream are a basic set to survive any horror film: you can never have sex, you can never drink or do drugs, and never (ever, under any circumstances) say “I’ll be right back”. Ironically, Randy explains these rules during a party, with half the attendees already drunk. Still, they hold some truth: Sidney has sex with Billy, and although she’s later attacked, it’s Billy the one who ultimately dies. Tatum (Rose McGowan) goes to the basement to get more beers and is killed there, and Stu says “I’ll be right back” right after Randy explains the rules, and is later killed (albeit in self-defense) by Sidney. In Scream 2, the rules for a horror sequel are: the body count is always bigger, the death scenes are more elaborate (“more blood, more gore”), and the third rule is not explained in the final cut, although it was revealed in the teaser trailer to be “never, ever, under any circumstances assume the killer is dead”....more |
Notes are private!
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1
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not set
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Aug 20, 2024
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Aug 26, 2024
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Hardcover
| |||||||||||||||
1250863856
| 9781250863850
| 1250863856
| 3.10
| 1,302
| Mar 26, 2024
| Mar 26, 2024
|
really liked it
| A woman wearing a CNN shirt tells a man holding a clipboard to find a way to crop the other crews out of the shot. Adjacent to the riser, CNN has s A woman wearing a CNN shirt tells a man holding a clipboard to find a way to crop the other crews out of the shot. Adjacent to the riser, CNN has set up the barstool and the table littered with makeup, brushes, and hair products. Lots of hair products. There’s no riser for Entertainment Tonight’s reporter, but there’s a king-sized mirror secured to a step stool. A thick container rests on the top step. It reminds me of the attache case that travels with the president in doomsday movies. A man clacks open the lock, and pulls out the drawer loaded with shadows, blushes, and lipsticks.-------------------------------------- Attention is the drug of choice in local news.And attention will be paid. Good Evening world. This is Will Byrnes reporting live from my computer. (Well I was live when I wrote that) Our lead (and only) story tonight is breaking news. Phoenix-based TV reporter Christina Estes, has written a whodunit. Set, of course, in The Valley of the Sun. An odious, Rush Limbaugh-radio-talk-show sort has been cancelled with extreme prejudice. Seems he ingested something toxic and went off-the-air for good. Given that he was such a sweet, charming individual, there is no shortage of people who might have wanted to see him gone. [image] Christina Estes - Image from her site Jolene (named for the Dolly Parton song) Garcia is an intrepid TV news reporter looking for the truth and a good story. She is under relentless pressure from her bosses to produce something, anything, that they can put on air. She has an edge, as she had interviewed the happily departed just a few days prior. We follow Jolene as she follows the breadcrumb trail of clues, and comes up against resistance of all sorts, from her competitors, her police contact, and all the suspects. Payload is the real-world information one gleans from fiction. There are two major pieces of that here. In fact, Phoenix counts as a character in the book, as places often do in mysteries. Estes takes us around the place, offering looks at many aspects of Arizona life, and culture, and pointing out many local spots. (Sadly, Chase Field, where the Diamondbacks play, was not among them. But, as Estes is working on sequel, there is still hope. Maybe bring in Arcosanti as well? Or some Cactus League baseball?) Off the Air includes real locations and businesses with special significance. For example, two of my favorite photographers introduced me to Rito's Mexican Food and Harlow's Café. I included Chicago Hamburger Company because the owner allowed me to follow his journey during the first year of the pandemic. He was open and honest during a frightening time, and I appreciated his transparency. Food City chips and salsa are my favorite snack and I made them my main character's favorite. I included the history of the former Phoenix Indian School, which many people may not know about. Three historic buildings remain in what is now Steele Indian School Park. There's a walkway with columns depicting the school's history and a bridge that leads to a garden with Native American poems etched into concrete. It's a jewel in the heart of the city. - from the Los Angeles Public Library interviewThe other non-story major element here is TV reportage. Estes makes excellent use of her two-decade-long career as a TV reporter to inform a depiction of what that life is like. It was one of my favorite elements in the book. One can feel the huge stresses these folks endure with ever-decreasing resources, and ever-increasing demands from management. Film at Eleven. We’ve got film, right? Right? I think some people who have never worked in local news do not understand how much the industry has changed and how challenging it is for journalists who care about their communities to earn a decent living and stay in the business for more than a few years.Jolene is a good egg and easy to relate to, particularly as she faces conflicting demands. She handles all with aplomb. Secondary characters come and go, given enough detail to either laugh at them (this is a satire), be repulsed, or just watch them skip across the stage. Gripes are few. Some attributes noted early on were not utilized later, at least not nearly enough. The secondary characters sometimes felt a bit too secondary. I would have liked a bit more on one or two of them. Jolene follows clue after clue, placing herself into dangerous situations, sometimes very dangerous situations. As with any mystery, there will be red-herrings. Estes’ portrait of the local TV news reporter’s life will give you some reason to sympathize with hard-working TV reporters where you live, and maybe reason to feel scorn for some others. There is a single mystery, and it will be solved. Off the Air is a fun read, perfect for the beach, next to a pool, or maybe lounging in or near a cabin in the woods. Be sure to tune in next week (really two weeks) for the next installment of WB-Reviews. From all of us (that would be me, my wife, the cats, and a dog) here at the news center, goodnight, and stay cool. Review posted - 08/02/24 Publication date – 3/36/24 I received a hardcover of Off the Air from Minotaur Books in return for a fair review. Thanks, folks. [image] [image] [image] [image] [image] [image] This review will soon will be cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to Garcia’s personal, FB, Instagram, Goodreads and Twitter pages Profile - from Criminal Element CHRISTINA ESTES is an award-winning reporter who has spent more than 20 years covering crime, public policy, and business in Phoenix, Arizona. Her reporting has been heard on National Public Radio (NPR) and appeared in the Arizona Republic, Arizona Business Gazette, and Phoenix Business Journal. Christina’s career inspired Off the Air, which won the Tony Hillerman Prize for Best First Mystery Set in the Southwest. Interviews -----Voyage Phoenix - Daily Inspiration: Meet Christina Estes -----Arizona Horizon - Christina Estes releases first book | Arizona Horizon - by Ted Simmons - video – 8:28 -----KJZZ - Reporter Christina Estes debuts 'Off the Air,' her first mystery novel by Lauren Gilger -----Arizona Family - Beyond the Next Chapter Podcast: Christina Estes on her new book "Off the Air" by Whitney Clark – video – 33:56 -----Criminal Element - Q&A with Christina Estes about her mystery debut, Off the Air -----Los Angeles Public Library - Interview With an Author: Christina Estes by Daryl M. - print Item of Interest from the author -----Criminal Element - Excerpt ...more |
Notes are private!
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1
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not set
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Jul 28, 2024
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Jul 31, 2024
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Hardcover
| |||||||||||||||
1250853699
| 9781250853691
| B0C1X7JYZ6
| 4.11
| 31,477
| Oct 24, 2019
| Mar 12, 2024
|
it was amazing
| While she may be capable of functioning several levels into the future, her mind is no crystal ball. She may have the ability to visualize dozens o While she may be capable of functioning several levels into the future, her mind is no crystal ball. She may have the ability to visualize dozens of disparate pieces of information simultaneously, but her brain doesn’t work like in those movies where you see a whole string of letters superimposed on the face of the protagonist as they’re thinking.-------------------------------------- Antonia is afraid of almost nothing, apart from herself. Afraid of life, maybe. After all, she relaxes by imagining for three minutes every day how she could kill herself.The Black Wolf is the second in Juan Gómez-Jurado’s Antonia Scott series. If you have not read the first, Red Queen, I would take a break, read that one, then come back. Also, if you have not read the first book in the series, there are some items in this review that might be spoilerish for you. Caveat lector. Red Queen is a super-secret international anti-crime organization. They specialize in finding and developing a small number of exceptional human beings to become the mental equivalent of super-soldiers, assigned to look into Europe’s worst crimes. Antonia Scott is the Red Queen in Spain. She has an amazing mind, but also some issues, as you might suspect, given the two quotes at the top of this review. She has a pill she takes when it all becomes too much for her. Sometimes she takes too many. Jon Gutierrez is an erstwhile cop from Bilbao who was recruited to assist Antonia with matters of a police sort, and with more baby-sitting types of responsibilities. He is a large man (but not fat) with red hair, and a very good guy. The pair had a nasty adventure in book #1, with a primary villain who remained beyond their reach. [image] Juan Gómez-Jurado - Image from Expansión – photo credit – Luis Malabran We begin with the extraction of a very water-logged body from a river. Antonia wonders if it might be a major nemesis from the prior book, Sandra Fajardo. She has been on the lookout for this baddie ever since. The story continues with an assassination attempt at a shopping mall in Marbella, a city on Spain’s southern coast. A mafioso has been killed. His beautiful wife, Lola Moreno, who travels with a bodyguard, is set upon by a professional assassin or two, but the lady has skills, and manages to escape. She will provide one of the two major story lines of the novel. Antonia and Jon are sent to have a look by their boss, the mysterious Mentor, which made me think of M in the Bond novels We alternate, more or less, between Lola’s flight from henchmen directed by a Russian mafia don, and Antonia’s and Jon’s tracking of clues. This is Antonia’s domain, seeing, or sensing things that others miss. She is somewhere between Sherlock Holmes and Lisbeth Salander of the Millenium series. There will be blood, unpleasantness with cars, an infuriating discovery, close calls, and twists. We get some backstory on both Lola and Antonia, helping explain how they became who they are. And then there is a killer, the famed assassin, the Black Wolf, feared even by other professional killers. [image] Vicky Luengo as Antonia and Hovik Keucherian as Jon - image from Amazon UK Many of the chapters begin with fairy-tale-like recollections. This one is typical. There was once a little girl who grew up in a sad, loveless home where the food tasted of ashes and the future was black, she tells herself as she waits.Jorado offers paralleling of characters. For example, the mob boss Orlov with Mentor, and Antonia with the Black Wolf. It is satisfying to see excellent craft like this on display. He also regularly offers up a collection of interesting foreign words, that describe a particular situation or feeling better than Spanish or English. Here are a couple: Kegemteraan is in Malay. In Malay it would mean "the joy of stumbling". The simultaneous feeling of pleasure and grief when you know that you have done something that you shouldn't.Gomez-Jurado did this in the first book in the series. It is a charming element. [image] Alex Brendemühl as Mentor - image from Amazon UK One thing that irks in tales of this sort is the perpetually stupid local authority. Here the area captain seems to be blaming A&J for the carnage that they are investigating, as if they had somehow caused it. But the author has some fun with this trope, which I will not spoil here. Antonia’s and Jon’s personal relationships come in for examination, enhancing their appeal, but it is kept to a minimum, so adds color without interfering with the story. And the story is great fun. A rock’em sock’em thriller, pitting the best mind against the darkest evil, with plenty of conflict, and lots of clues (and some red herrings) to tease you into guesses and theories. Humanizing of (some of) the baddies combines with offering appealing, quirky, leads and a story that speeds along way over the limit. The Black Wolf is an excellent follow-up to Red Queen, leaving one panting for the third entry in the series. That need will be satisfied on March 12, 2025, with the publication in English of The White King. I can hardly wait. She has a black belt in lying to herself, and only a yellow one in expressing her reality. Review posted - 07/26/24 Publication date – 3/12/24 – in English First published in Spain – 10/24/2019 I received an ARE of The Black Wolf from Minotaur in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating. [image] [image] [image] [image] [image] [image] This review will soon will be cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to Gomez-Jurado’s personal, FB, and Twitter pages Profile – fromWikipedia Born in Madrid, Spain on December 16, 1977, Juan Gómez-Jurado, is a Spanish journalist and author. He is a columnist in "La Voz de Galicia" and "ABC", distributed in Spain, and he participates in multiple radio and TV programs. His books have been translated into 42 languages and he is one of the most successful living Spanish authors, along with Javier Sierra and Carlos Ruiz Zafón. His writing has been described by critics as "energetic and cinematographic". He worked in various Spanish media outlets, including 40 Principales, Cadena Ser, Cadena Cope, Radio España, Canal + and ABC, before publishing his debut novel, God's Spy (Espía de Dios) in 200Interview -----Radio New Zealand - Spanish author Juan Gomez-Jurado on his best-selling - audio – 23:32 – by Kathryn My review of Gomez-Jurado’s prior book -----2023 - Red Queen Music ----- Joaquín Sabina - 19 Days and 500 Nights - Jon listens to this Item of Interest -----Arganzuela Footbridge - appears in Chapter 3 ...more |
Notes are private!
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1
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not set
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Jul 18, 2024
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Jul 24, 2024
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Kindle Edition
| |||||||||||||||
0593727142
| 9780593727140
| 0593727142
| 4.44
| 214
| unknown
| Feb 06, 2024
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it was amazing
| The GOP is a threat to your freedom, health, wealth, and safety. If they gain control of the federal government they plan on passing a national abo The GOP is a threat to your freedom, health, wealth, and safety. If they gain control of the federal government they plan on passing a national abortion ban, gutting Medicare, destroying Obamacare, raising taxes on working families, and stealing a lifetime of YOUR Social Security money.--------------------------------------- Partisanship creates a convenient shortcut that low-interest and low-information voters can rely on to make their vote decisions, and it colors our entire perception of the political world.There are two things that should never be discussed in polite company, religion and politics. Well, presuming you, gentle reader, to be a reasonably polite person…sorry. Rachel Bitecofer is a PhD in political science and international affairs. In 2017 she wrote The Unprecedented 2016 Presidential Election, a book analyzing the 2016 US elections. She made her reputation by being one of the few political analysts who correctly predicted Biden’s 2020 victory with impressive specificity, and the size of the Blue Wave in 2018. She has come to some conclusions about why Democrats so frequently lose to Republican candidates whose interests are in opposition to those of their constituents. In order for Dems to make inroads with voters, they will have to take some pages from the GOP campaign playbook. Hit ‘Em Where It Hurts lays out what the other side is doing, and extracts from that lessons to be learned to improve outcomes. [image] Rachel Bitecofer - image from The Telegraph - credit Christopher Newport University What is it that they do? Well, demagoguing issues and playing the politics of division, lying relentlessly and repeating their lies ad nauseum, of course. Not news. But Bitercofer digs into the specifics of how the GOP goes about this. She also offers analysis of voting groups, with an eye to how one engages different populations. Ordinary people hate losing, or losing out on things we like or think we might like--with more intensity than we like gaining those things. A simpler way to put it is losing makes us feel twice as bad as winning makes us feel good.Instead of the usual Democratic campaign of demonstrating to voters why a candidate is better able, better prepared, and maybe a better person, Bitecofer urges Dems to engage in impactful criticism of their opponents. Or, why the other candidates will be bad for you, applying the blame of truth not just to the down-ballot candidates, but to the party as a whole. Voters may or may not recall a candidate’s name, but they’re likely to remember how they feel about Rs and Ds. Where I live, for example, it is not just GOP senatorial candidate Dave McCormick who is a terrible person with terrible plans, it is the entire Republican Party. Frankly, it is not a tough case to make. Not to the exclusion, of course, of promoting better ideas and humans, but with maybe a shifting of campaign resources from all positive to more attack-mode. When, at the 2016 Democratic convention, Michelle Obama first said, "When they go low, we go high," it was a rousing moment which spoke to people being and becoming their best selves. Good values matter. But from a tactical perspective it is self-defeating. In basketball, these days, it is called undercutting (back when I was a terrible player, it was called low-bridging), when a defender hits an airborne shooter, causing a dangerous crash to the floor. Going high when the opposition is spending millions going low is a surefire way to ensure a broken back or a losing campaign. There are two things that low information, and low interest voters (and they are legion) rely on in deciding who to vote for. Most important is party affiliation and second is their familiarity with the names of candidates. So, as a rule, a Republican will vote for the Republican on the ticket, regardless of the candidate’s merits. We can, for example, fully expect that, in addition to his core supporters, Donald Trump will receive tens of millions of votes from people who simply do not care about his 34 felony convictions, his attempt to stage a coup, his stealing of classified documents, his relentless lying and his considerable hostility to democracy. Nope. If he’s got an “R” next to his name, he’s our guy. To be fair, there are some Dem voters would vote for a cheese sandwich if it was on the ballot with a “D” next to its name, but I expect fewer than the “R” non-MAGA voters or leaners. Core voters for both parties will support their team. But there is a middle ground, comprised of voters who lean and the truly unaffiliated, a small number. This is where the battle is engaged. Campaign ads must portray not only the candidate of the opposing party, but the party he/she represents, in a bad, but honest light. And do it relentlessly. She calls this Negative Partisanship. Instead of proclaiming only the virtues of our candidate, we must also portray the darkness of our opposition, something that has worked quite well for Republicans, but which has met with resistance from many Democratic candidates. Also, this should not be limited to the candidate in a given election, but applied across the board to the Republican Party. It is the party that will see to it that our rights and freedoms are pared back, while the rich get richer, not just the candidate. This has the benefit of being a worthy broad brush, as all Republican pols do whatever their Dear Leader wants. There are barriers to Democrats progressing in political warfare tactics, primarily money. The right has a well-funded, (by billionaire oligarch sorts like the Koch brothers and mahor corporations like the big oil ) well-oiled machine for spreading their message. Think tanks provide academic cover for nonsensical or dark policies. Check out the Heritage Foundation’s Project 2025 for maybe the best example of this, certainly the most alarming, and probably the most dangerous. The American Legislative Exchange Council (ALEC) is a central clearinghouse for the creation of rightist legislation. It is no accident that the same text is used in state bills across the nation. Dems do not have a comparable entity. Neither do we have Fox News, the primary purveyor of political misinformation, even if it does cost them the odd billion dollars or so in court settlements. It is an uneven playing field. In the absence of that sort of infrastructure, Dems must rely on improving messaging, making it more pointed. When it comes to public policy, the majority of voters side with Democratic positions, on sensible gun control, abortion rights, the inviolability of Social Security and Medicare, and more recently on the need for Obamacare. It is important, Bitecofer says, to point out to voters just what they are in danger of losing, highlighting the differences between Dems and Republicans. What are they trying to take from you? Pretty easy re SS and Medicare, which have huge national constituencies. Republicans are eager to gut both. People are more likely to respond to a campaign that points to Republicans trying to take away your medical choices, your literal freedoms, than they are to a detailed message about how a religious belief should not be made into public policy. How about the safety of your children? Are they likelier to come home from school in one piece if we allow military grade weapons to be bought by just about anyone? Are you ok with schools having to run active-shooter drills? It is not necessary to get into the corruption of the NRA or point out that that organization has become a funnel for Russian money to right-wing politicians. Simplify, show contrasts, and point out potential personal losses. In most political books the analysis of why we are where we are is all fine and dandy, but what does it mean for addressing it, given that the dark side has, effectively, limitless funding to spread their lies, the mainstream media has shown itself to be highly resistant to calling out liars, and most voters simply do not give a shit? Are we doomed to relentless right-wing propaganda and spin through their pervasive media capture, aided of course by Putin and other foreign allies of American fascists? What can be done to get people to recognize the existential threat posed to our democracy? Turns out there are some things we can do. This is what makes Hit ’Em Where It Hurts different from most political analyses, and a must read for anyone engaged in political campaigns. This is not unplowed earth in which Bitecofer toils. There have been plenty of books written about political tactics. Rick Wilson’s wonderful 2020 book, Running Against the Devil, offers advice on how to go about campaigning against Trump. One book that stands out the most for me is Saul Alinsky’s look at how to organize a movement for change, a community organizer guide, based on his decades of experience. In the 1970s many progressive and liberal activists studied his now classic 1971 political strategy book, Rules for Radicals. The benefit of these, and surely many other books is that they offer specifics re how to move forward. While Bitecofer’s book differs in focus from Alinsky’s the intention of both works is to show people how to seek and gain power over their own lives through democratic means. Bitecofer’s Hit ‘Em Where it Hurts is a Rules for Radicals for the 21st century. We have already seen some application of her approach in current and recent campaigns, whether inspired by her or someone else. The tactics she espouses have found their way into the real world and we will see in 2024 if candidates are willing to accept her counsel and do what it takes to win. I truly hope that most of them do. think of all elections, big and small, as battles in a much larger and far more consequential electoral war, whose victors will determine the future of this nation.Review posted - 07/12/24 Publication date – 02/06/24 [image] [image] [image] [image] [image] [image] This review is cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to the Bitecofer’s personal Substack, Threads, FB, Instagram, and Twitter pages Profile - from SALT Senior Fellow, Elections, The Niskanen CenterInterviews -----CSPAN - Washington, DC – Prose & Prose bookstoreHit 'Em Where It Hurts - How to Save Democracy by Beating Republicans at Their Own Game by Adam Parkhomenk – video – 1:04:00 -----Salon - Rachel Bitecofer's tough-love lesson for Democrats: Time to fight dirty by Paul Rosenberg -----The Al Franken podcast - Democratic Strategists Rachel Bitecofer and Justin Barasky on Democratic Messaging - video – 48:00 -----Morning Joe - Democrats Seek to Recreate Midterm Success in 2024 “Roe is a concrete way to show people you have a right and the Republicans stole it from you” Items of Interest from the author -----ResearchGate - A list of her publications from January 2018 to January 2023 -----Web site for the book Item of Interest -----PoliticalCharge.org - An Elections Specialist You Should Get to Know by Tokyosand ...more |
Notes are private!
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not set
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Jul 07, 2024
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Jul 09, 2024
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Hardcover
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9798989689200
| B0CT3WNLGQ
| 4.43
| 7
| unknown
| Jul 02, 2024
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it was amazing
| Harmony thought about cats as she rolled out of bed and staggered to the bathroom. Her favorite cat was the one that used to get stuck on top of a Harmony thought about cats as she rolled out of bed and staggered to the bathroom. Her favorite cat was the one that used to get stuck on top of a telephone pole in front of the house where she grew up. At least once a month in the warm weather, she’d hear the neighbor kids yelling, “Cat’s on a pole!” as they gathered around to taunt the poor thing.-------------------------------------- When he was forty-three, he met Judy. By then, construction work had taken second seat to massage therapy, where he discovered he had a gift.Harmony and Joshua have special abilities. You might even call them superpowers. As with most such talented people, that has not necessarily led to them being happy. Joshua makes a living running healing classes at his own studio. He has always had what seems a pheromonic gift for attracting women. Woof! But commitment has never been a strong suit. Until he married Judy and they had a baby, Emily. Still, it is tough to resist all those longing gaze from his students and assistants. [image] Betsy with pooch - image from her site Harmony is forty-something, works at a gardening magazine, is of uncertain ethnicity, having been adopted and having no real memory of her birth parents, and is different from the rest of us. She sees colors around people, auras, and has a sense of smell that allows her to tell about a person’s health, among other things. It is understandable that being in a relationship can be tough if you can pretty much read the other person’s thoughts and feelings. Insightful? Yes, very literally. She thinks of it as being about energy, hers, others, an experiential milieu no stranger to her than seeing the usual colors or hearing the sounds of the world are for most of us. But can you live through every day seeing, sensing the world like that? Harmony is in mourning for her best friend, her late pooch and beloved companion of 18 years, Delilah. Each believes they are unique, and are destined to remain that way. It is pretty clear that these two crazy kids are destined to get together in one way or another. In this magical rom-com, they meet cute on a Manhattan bus, and we are off to the races. The story centers on their relationship, which, surprisingly, never gets truly physical. Maybe metaphysical? With or without physical touching it is intensely sexual. They are both, because of their abilities, outsiders. Joshua manages by running a school, trying to help people find the abilities they have, but do not recognize. He is able to direct his energy to healing as well. ”We all have this capacity,” says Robinson in her video promo for the book. She has been involved for a long time with spiritual psychology and healing arts, so brings an interesting perspective to Joshua and Harmony’s capacities. [In therapy] I was talking about how I reacted to various people in the office. There was one guy there who wanted an office wifey. I couldn’t stand this guy. Every time he would approach me it was like I was getting slimed with ectoplasm. Etheric gunk would come over me. I wanted to take a shower.Harmony gets more ink of the two, with a large piece of that her interactions with her therapist, Doctor Thompson. These are fabulous. Spectral beings are also a considerable presence. Ghosts? Angels? Something else? Like Julie Jordan in the musical Carousel, Harmony’s favorite musical, both Joshua and Harmony see or sense presences, which sometimes become active to the point of issuing directions. Keep an eye out for mirrors, an image that pops up multiple times. Can you actually see yourself? Or does truly getting to know yourself require another person? There are a few cockroach POV scenes that are hilarious, even to a native of NYC who had to contend with them for a lifetime, sometimes in large numbers. Lord knows, those of us who have spent much of our lives in city apartments can well attest to their persistence, and share Josh’s frustration at their ability to mockingly skitter away from our attempts to extinguish them. Robinson is a funny writer, so there are plenty of LOLs throughout the novel, not all related to bugs. Cats on a Pole is a moving story about people searching for…something, love, companionship, understanding, truth, connection, release. There will be tears as well as laughs. The novel also offers a deeper perspective on spirituality and the meaning of death. It all builds up to a surprising climax, so buckle in. These cats may be stuck atop a pole, (or multiple poles?) getting some temporary safety, but they also gain a broader view of the world, and so will you. What was extraordinary were her colors—raw red and orange energy around her torso, a deep indigo, bluer than the bottom of the ocean with radiant purple wafting through it vibrating so fast above her head it made him feel faint just to watch it. But watch it he did. How could he not? Her desire was direct and raw. Review posted - 07/05/24 Publication date – 07/02/24 I received an eBook version of Cats on a Pole from the author in return for a fair review. Thanks Betsy. [image] [image] [image] [image] [image] [image] This review is cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to Robinson’s personal, Twitter and FB pages (Partial) Profile – from her site Betsy Robinson was raised an atheist and went on to make her living as a writer and editor of spiritual subject matter: as managing editor of Spirituality & Health magazine for six and a half years and as an editor of spiritual psychology and books about shamans and traditional healers.She is or has been an actor, a playwright, an essayist, an editor, a freelance writer, messenger, paralegal, legal secretary, chambermaid, IHOP hostess, fortune cookie writer, novelist, and more. Cats on a Pole is her third novel. Plan Z was published in 2001 and The Last Will & Testament of Zelda McFigg came out in 2014. Interviews ----- Ectoplasmic Inspo + Publisher at 73: Betsy Robinson - mostly on becoming a publisher ----- Why Publish "Cats on a Pole" and "The Spectators" Now? self-interview - video – 4:25 My review of an earlier book by the author -----The Last Will & Testament of Zelda McFigg Songs/Music from Carousel – Harmony buys a CD of the 1987 revival It does make one wonder if Harmony’s last name was an homage to the composer. -----What’s the use of Wond’rin -----The Carousel Waltz -----You’ll Never Walk Alone -----If I loved You Items of Interest from the author ----- Her promo video -----Book trailer -----Betsy reads from the book ...more |
Notes are private!
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Jun 20, 2024
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Jul 2024
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Jul 04, 2024
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Paperback
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059344938X
| 9780593449387
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| 3.66
| 1,957
| Mar 01, 2019
| Feb 27, 2024
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really liked it
| History doesn’t allow itself to be rewritten that easily.-------------------------------------- One single night: A house burned down in Tolarp. History doesn’t allow itself to be rewritten that easily.-------------------------------------- One single night: A house burned down in Tolarp. There was someone inside, on the kitchen floor. One instant, a before and after: the stillness before the spark appeared, and the inferno that followed. One single event: That was all it took to redirect the path of a life. Like the filament of a root moving through time.Or, in this case, two lives. How do you deal when the thing that obsesses you interferes with your life? Isak Nyqvist is seven years old in 1994. Vidar Jörgensson is a young cop, four years in the police. We will follow them through the next twenty-one years. Both their lives are largely defined by the fire that takes place on a cold night in November. A young woman is found dead inside a torched house. It was not the fire that killed her. [image] Christoffer Carlsson - image from Frankurter Rundschau – credit Emelie Asplund Isak loves his uncle Edvard, 25, who has spent a lot of loving time with him, but Edvard has a history of rage, much of it provoked, and a lot of it ascribed to him because his father was a violent person. He had been dating Lovisa Markstrom, was seen leaving the scene of the crime on the night of the fire, and is presumed to have been the one who killed her. There is circumstantial evidence supporting that belief. The town is certain of it, given his family history. The person who had seen him that night was Vidar. But Vidar has his doubts, or will. Vidar has many local connections and uses those to help his investigation. Isak’s family is known by everyone, not in a good way. Gramps was known as a violent person. Isak’s uncle Edvard was also painted with that same brush, so it is easy to believe that he killed his girlfriend. Isak is only 7 when the murder take place but local biases, and bullies pile on Isak, assigning to him the snap-judgments that were affixed to his uncle The story is told in three parts, the first being when the death occurred, 1994, the second in 2003 and the third in 2015. Even though Isak has doubts, he still cannot believe his loving, kind uncle could be responsible for a murder. Vidar becomes aware of some problems with the evidence, sees alternate explanations for the crime and becomes obsessed with it for the rest of his police career and beyond. It even threatens his marriage (Wait, didn’t she know this about him when they got together?) The trope of the investigator’s non-understanding significant other gets on my nerves. Isak is impacted both internally, wondering if Edvard really was a killer, and wondering if genetics are destiny, and externally, as bullies constantly remind him that his uncle is serving time, and provoking him to violence. (Why are provoking bullies never held to account? Is the world really that dumb? Don’t answer that.) The long expanse of the tale gives us insight into the main characters, how they feel and behave in the world, and what has gone into creating those feelings and behaviors. It is both heart-breaking and illuminating. The parallelism of Isak and Vidar works well, showing how history ripples forward into the future for both of them, albeit in very different ways. Carlsson offers many specific ways in which their paths run in the same direction. Both their lives are crap, in a way. Both have boxes of clues to their mysteries. Vidar’s wife’s assumptions and lack of understanding re Vidar mirrors the community’s view of Erik. Vidar imagines himself as a child, akin to a dream of Isak’s In Carlsson’s previous novel (at least as far as USA release dates go) Carlsson had used a similar structure, with Vidar’s father tracking a crime from 1986 to 2019, stopping off at several intermediate years to track the characters and advance our understanding of the very cold case. This original Swedish language book was released in 2019, before Blaze Me a Sun (2021). Vidar Jörgensson features in this one. But in the later book, it is Vidar’s father who stars, with Vidar being introduced later in the tale. I do not know if Under the Storm was intended as a prequel, or maybe was written later but published earlier. I read the pair in the order in which they were published in the USA, #2, then #1. There is a third, which was released in Sweden in 2023, Levande och döda (The Living and the Dead). I do not know when an English translation will be available. Family is a major concern, as it was in Blaze Me a Sun. How does the cop’s obsession (or deep commitment to truth) impact his friendships, his work life, his marriage? (“You seem so far away sometimes,” she said at last.) How does Isak’s affection for and connection with a much-loved uncle affect his ability to have a normal social life, to have a family life? How is the rest of Edvard’s family impacted by his travails? As with Blaze Me a Sun, there is mention of a local superstition. That one had to do with fortune, good or bad, being caused by how one saw a particular bird. Here it is a place where a legendary rich man is buried, a place where ghostly apparitions are said to appear. Under a bridge in Anarp is where The Old Man sleeps, a boogie man who is death to anyone who meets his ghost. Non-superstition-based history is also addressed, as Carlsson tracks town history back to sundry events, like the introduction of manufacturing in the town, its loss and attempt to revive it. A persistent motif throughout is secrecy, as one might expect in a procedural murder tale. Vidar and Isak, while not alone in this, are robust practitioners. Isak keeps two things to himself from the night of and a short time after. It is never particularly clear why he fails to tell what he knows in time to have an impact. Vidar does not tell his boss what he is working on in the latter parts of the novel. Schtupping a local married lady is also kept on the down-low. Talking separately to Edvard and Isak while not informing either of them of his contact is another. Vidar keeping secret a challenging work-based relationship also requires deceit. The noir atmosphere gets jiggy when a major hurricane, Gudrun, blows through. Homes are destroyed, people displaced. This was a real storm that caused major damage in Sweden. Details of the experience of such a beast are chilling. Maybe not the same as the assassination of the Prime Minister in the psyche of the nation, but it had a real impact. A heat wave also adds to the tension. Carlsson succeeds in presenting both detailed character portraits and in giving us a sense of what life was like in this area, a place in which he grew up. He is a PhD criminologist for his day job, publishing papers and teaching. He grew up around things criminal, as mom was a police dispatcher. It is clear that a lot of the conversation on which he eavesdropped at home as a kid made an impact. He knows crime, both real and fictitious, and writes with authority about it. This is a procedural, however lengthy the duration of the investigation. You will enjoy Vidar picking up on clues and following through, as he spends a lifetime attempting to find out the truth about that night. In the beginning it is a hot, fiery case that becomes a cold-case in the following parts of the novel. (In Sweden are all cases cold cases?) But not to Vidar. He is a flawed guy, but is determined to find out what really happened that night. Under the Storm is a triumph of the genre, tickling your brain with the mystery, engaging you emotionally with the characters, and offering up informed looks at a place and time, well, times. As a smart, accomplished example of Swedish noir, Under the Storm is out of this world. The world had shown what it was truly capable of. As if a lifeline was suddenly severed, it could take your loved ones away. The world watched without blinking as you fell.Review posted - 06/28/24 In Sweden - 3/1/2019 English Translation - 2/27/24 I received an ARE of Under the Storm from Hogarth in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating. [image] [image] [image] [image] [image] [image] This review will soon be, cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to the Carlsson’s Instagram and Twitter pages Profile - from Penguin Random House Christoffer Carlsson was born in 1986 on the west coast of Sweden. He holds a PhD in criminology from the University of Stockholm and is one of Sweden’s leading crime experts. Carlsson is the youngest winner of the Best Swedish Crime Novel of the Year, voted by the Swedish Crime Writers’ Academy, and has been a finalist for the prestigious Glass Key award, given to the best Scandinavian crime novel of the year.Interview -----The Occasional Bookwitch Christoffer Carlsson – neither pink nor fluffy - It’s close to where he grew up, where he and his brother used to play. And then, halfway through writing the book, his parents sold up and moved away from his childhood home, moving into a flat in town, enjoying their new life on the 13th floor with marvelous views. ‘The novel became some sort of farewell. It was pretty hard. It’s as if part of my past has moved out of reach.’My review of another book in this series -----Blaze Me a Sun Item of Interest from the author -----With the Dead - this is a must-read item, as Carlsson details how he became a writer. You will see how his books incorporate elements of his life. Item of Interest -----Cyclone Gudrun ...more |
Notes are private!
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not set
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Jun 20, 2024
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Jun 19, 2024
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1250288347
| 9781250288349
| 3.63
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| Feb 2024
| Feb 20, 2024
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really liked it
| Nerd Nite is an event usually held at a bar or other public venue where usually two or three presenters share about a topic of personal interest or ex Nerd Nite is an event usually held at a bar or other public venue where usually two or three presenters share about a topic of personal interest or expertise in a fun-yet-intellectual format while the audience shares a drink. It was started in 2003 by then-graduate student (now East Carolina University professor) Chris Balakrishan at the Midway Cafe in the Jamaica Plain neighborhood of Boston. In 2006 Nerd Nite spread to New York City, where Matt Wasowski was tasked with expanding the idea globally. - from Wikipedia-------------------------------------- Be There and Be Square - Nerd Nite logoThere was a nerd magazine in 2012, a Youtube presence, and occasional podcasts. This is the first Nerd Nite book. Misophonia can attach itself to any repetitive sound, but the most common ones are things, like chewing, breathing, sniffing, and throat clearing. It can be hard for sufferers to talk about because of how difficult it can be to tell someone politely that the sound of them keeping themselves alive is repulsive to you.There are 71 entries, taken from live presentations done by the authors of each piece. (TED talks for those with short attention spans and a need for alcohol?) Nerd Nites have been held in over 100 cities across the globe. The material here covers eleven scientific areas. (see below) All the entries are brief, so if one does not appeal to your mental tastebuds hang on a couple of minutes for the next one, or just skip past. [image] Chris Balakrishnan and Matt Wasowski - editors - image (from some time ago) from Facebook You can digest this book a few morsels at a time, and not have to worry about the fate of a fictional hero or put-upon victim. Nope. The heroes here are the scientists, the presenters. One of the great failings of popular science books, IMHO, is the absence of humor, or poor attempts at it. Not here. There are many moments in this one, and humor in almost all of them. That made me very happy. Of the 71 pieces, almost all are very pop-sciency, understandable by most readers, even me. There were only one or two that made my head hurt. It makes an excellent bed-side read. It was an upstairs book for me, to be read before nodding off, hopefully. Sometimes that takes a while. This is not an all-inclusive list of the articles, but lets you know what might be in store in its eleven sections 1 - Creature Features - on weird animals 2 - Mmmm...Brains - strangeness with how we learn and adapt 3 - Bodily Fluids - on things like coping with poo in space. (In space, no one can hear you fart?) 4 - Doing It - like it suggests, on sex, human and non-human, (no, not with each other. Don't be weird.) 5 - Health and (un)Wellness - human smells (See Paul Giamatti in The Holdovers) - on therapeutic maggots, adolescent medicine, et al 6 - Pathogens and parasites - on birds, bacteria in birds, zombies, the scotch tape test (don’t ask), viruses 7 - Death and Taxes - mass extinction, cancer, algae 8 - Space, the Big and the Beautiful - ignorance, asteroid avoidance and use, life on Europa?, artificial gravity, studying a pristine meteorite, Webb telescope 9 - Tech (High and Low) - GMOs, dating app, human powered flight, cyborging humans, domesticating bacteria, nuclear fusion 10 - Math is fun - a seminal experiment, the math of gossip, the golden ratio, infinity, cryptography 11 - Careers – things removed from dogs, useless inventions, myths about death, animals CSI, amputations, fermentation, flames. there are approximately 100 trillion microorganisms (mainly bacteria), representing as many as 30,000 different species, living in every crevice, nook, and mucosal cranny of your body that you can imagine.I would include a list of my favorite articles, but it would wind up as long as the parts list above. But ok, because I have the sense of humor of a twelve-year-old, the one that made me laugh the most was To Boldy Go: Dealing with Poop and Pee in Space. Apollo 10 astronauts were gifted with the visual, and no doubt olfactory, treat of a turd meandering about in their capsule. This begins a talk about how one handles bodily waste in zero G. Another on bladder control, or the absence thereof, was sidesplitting. Others, on camel spiders and hangovers, generated a fair number of LOLs. Some were fascinating, like one having to do with making a brain on a chip. (Can it be served with Salsa?) The pieces on bacteria and their importance to human life, heck, to all life on Earth, were fascinating. There is plenty of weirdness, about diverse forms of milk, the proper use of maggots in healing, zombie parasites, asteroids, artificial gravity, and here we go with another bloody list. Sorry. Take my word, there is a wealth of material here that will broaden your knowledge base, and serve up plenty of conversational hors d'oeuvres for cocktail party chatter. It worked quite well for me. There is a downside, though. Because all the articles here are very short, one is often left hungry for more. On the other hand, that limitation might provoke you to sate that desire with a bit of extra research, which is always a good idea. So, never mind. If science piques your curiosity, if learning new and diverse things makes your heart race, or if you like to laugh, then this book is for you. How to Win Friends and Influence Fungi is a very filling read, one nibble at a time. Review posted - 06/14/25 Publication date – 02/01/24 I received a hardcover of How to Win Friends and Influence Fungi from St. Martin’s Press in return for a fair review. Thanks, folks. [image] [image] [image] [image] [image] [image] This review will soon be, cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Author/Editor links Chris Balakrishnan - Program Director at the National Science Foundation - His personal and FB pages A list of his articles Matt Wasowski - Director of New Business and Product Development, Events at SAE International – His FB, LinkedIn and Twitter pages Items of Interest from the authors (really editors) -----Soundcloud - excerpt - 5:01 -----Birdsong: How the Twittering Set Learns to Speak -----"Nerd Nite Published a Book!" by Matt Wasowski - Nerd Nite Austin 155, January 2024 ...more |
Notes are private!
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not set
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Jun 08, 2024
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Jun 11, 2024
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Hardcover
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0063014734
| 9780063014732
| 0063014734
| 4.03
| 1,909
| Mar 26, 2024
| Mar 26, 2024
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it was amazing
| The oldest monsters are unnamed. Unnamed monsters, Dennis learned before he even knew his own name, were the worst kind of all. When you gave a mon The oldest monsters are unnamed. Unnamed monsters, Dennis learned before he even knew his own name, were the worst kind of all. When you gave a monster a name, you had it in hand. There, that one was anger. Rage. Sexual abuse. Dennis learned the names of all these before he was four, as items the child psychiatrists crossed off on their checklists. They were looking for answers. They were looking for monsters to blame.-------------------------------------- …all the boys here were throwaways. It was like being in a giant wastebasket filled with dirty tissues. You knew you were lost.The road to hell is paved with good intentions. - Aphorism, origin unknown [image] Renee Denfeld - image from her site Rene Denfeld, author of several novels (see links in EXTRA STUFF) dealing with criminal justice, and in particular the abuse of children, has returned to familiar territory, with a story about a boy ill-treated by the child-protection system, the torturous methods used to control him and others, and the impedimenta of foster care secrecy laws, designed to protect, but often used to cover up. The idea for the scene depicted on the cover came during a trip to an Oregon beach for a mental health day when she spotted a little boy charging into the water - from the Spokesman (print) interviewIn Chapter One, we are introduced to nine-year-old Dennis Owen as he races toward the ocean, a frothy, treacherous body of water bordering Oregon, a place not conducive to family outings. [image] Mist struck his face with force, and the wind tore at the institutional shirt he wore…Behind him, signs littered the dunes by the beach road: WARNING: TREACHEROUS CURRENTS. WARNING: HIGH TIDE. WARNING: SHARP DROP-OFFS AND SNEAKER WAVES.Dennis plunges into this perilous Pacific, pursued by a man. The novel looks back at the boy’s meager life and at that of the man who had been chasing him. The backstory will eventually explain all. As part of that, we see Dennis from age four. Already having been bounced from foster home to foster home, he is relegated to Brightwood, a place with a new director, Martha King, fresh off directing another group home in Arizona. Think Nurse Ratched of One Flew Over the Cuckoo's Nest or Delores Umbridge from the Harry Potter series. Killing you with kindness. She has ways to be mean where everyone around her stands up and claps. That’s the worst kind of meanness, son. The kind where everyone says it’s for your own good.Martha’s ability to be everywhere and see everything is too extreme to be believed, but suspend that disbelief, as her awfulness provides a strong counter to Dennis’s strength and character and the kindness of others. Renfeld does give Martha a backstory that explains, while not forgiving, her dark behavior. It seems likely that Martha King was named for Martha Welch, author of a book on Holding Time. “Holding time” is a draconian, punitive method of treatment that sounds nicer than it is. It’s basically a physical and psychological torture that’s designed to break children down to the point of psychological collapse by physically restraining them. Some children have actually suffocated to death by this treatment. The idea is that children will somehow “start fresh” afterward, like rebooting a computer, which of course is not how humans work. If you destroy someone psychologically, they’re not reborn. They’re destroyed. Holding time has been thoroughly rebuked by scientists, and yet somehow it’s still used. - from the ZED interviewThe methodology of the novel is a contemporary investigation twenty years after Dennis disappeared, by his sister. Amanda Dufresne, adopted as a child, now twenty-six, had survived the foster care system much better than had her brother, whose existence she only recently discovered. She works as a keeper to an orphaned polar bear (Molly) at the Oregon Zoo. She is smart and dogged in trying to find out what had happened to her brother. Denfeld brings her real-world skills as an investigator to this tale, yet again, giving Amanda’s quest plausibility. She gets a boost from a retired detective, Larry Palmer, who is still living in Eagle Cove, even though his wife, who had been the one to move them here, had passed. Helping Amanda gives him a sense of restored usefulness, and a daughter figure to nurture and protect. It was important to Denfeld that her prime investigating character not be a detective, but an everyday person in search of the truth. Amanda does take the lead, but Larry helps considerably more than the prototypical police expert who helps the leads in cozy mysteries. This is a world Denfeld knows all too well, both as an abused kid, homeless at fifteen, and as a loving foster and adoptive mom. The novel features a strong cast of supporting characters, among them employees and other children at Brightwood, residents of Eagle Cove, and the local constable. She also offers a side-mystery. There is something hinky with the story of how Molly found her way to the zoo. Amanda conducts her solo investigation of that, because of her love for the bear. No Larry involved in that. It is a heart-warming tale, paralleling the human investigation, and will leave you in need of tissues. [image] The Blythe intaglios were created on the desert floor hundreds if not thousands of years ago by Native people for an unknown reason. - Image from AZcentral Denfeld is a master of imagery. The story takes Amanda and Larry to Arizona, where they learn of a remarkable (real) local feature. In the novel, sleeping giants are massive stone age carvings…But the real sleeping giants are the secret, hidden pains, and anger inside us that can come out in misdirected rage. In my experience, when these sleeping giants are awakened with a cause—especially one driven by white supremacy, misogyny, or other biases— a permission slip to commit harm is signed, sealed, and delivered. - from the Crimereads articleThey might also be the fierce waves into which Dennis plunges. Renee Denfeld will break your heart. By page six, I was already feeling a welling up. Thankfully, I am not faced with the sort of sorrow Larry must endure, having retired to a remote, coastal town, and then losing his wife. My spouse is doing quite well, thanks, and is likely to be around long after I am gone, but Denfeld so captures the sadness of loss that it is no trick to summon the feelings, the awful mourning that accompanied the passing of my sisters. It makes me wonder what Larry would do with his pain. She will also bring you to tears of rage at the treatment Dennis experiences at Brightwood, and feel affection for him as human being with no control over his life. She then tugs your heartstrings again as Molly’s story is revealed. There is a core intention in this novel of raising consciousness about the plight of thousands of children in the foster care system, (Renfeld estimates that there are over 20,000 children who have gone missing) and the legal limitations that make it so hard to help, find them, or even know that they are missing Sleeping Giants is a masterwork by one of our finest novelists. It took her several years to write this one, a longer stretch than is usual for her. It has been worth the wait. For a book that comes in under three hundred pages, it is a giant of a read. Most crime fiction focuses on the outliers—the outright, obvious sociopaths, usually unexplainably brilliant—or else criminal underworlds, like gangs or drug cartels. This is all interesting stuff. But I think it has the effect of othering violence. It assumes there is a world full of normal people who are blameless, who couldn’t fathom the idea of committing harm even if you suggested it. This creates a false dichotomy, an us vs them that is troubling and honestly, kind of disingenuous. Review posted - 06/7/24 Publication date – 3/26/24 I received an ARE of Sleeping Giants from Harper in return for a fair review. Thanks, folks. [image] [image] [image] [image] [image] [image] This review will soon be cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF The author’s personal, Twitter, Instagram and Facebook pages Profile - from her site Rene's novels are influenced by her work as a licensed death row investigator. She is the past Chief Investigator for a public defenders and has worked hundreds of cases, including exonerations and helping rape trafficking victims. The survivor of a difficult background, Rene regularly speaks on social justice issues, as well as writing and overcoming trauma.Previous Denfeld books I have read and reviewed -----2019 - The Butterfly Girl (Naomi Cottle #2) -----2017 - The Child Finder (Naomi Cottle #1) -----2014 - The Enchanted Interviews -----The Spokesman-Review - Rene Denfeld hopes to inspire change, reflection with new book ‘Sleeping Giants’ by Emma Epperly -----The Spokesman-Review - -Northwest Passages Book Club: Author Rene Denfeld, "Sleeping Giants" - by Stephanie Oakes – Video – 47:23 -----ZED – The Zoomer Book Club - Rene Denfeld Reveals the Sad Truth About American Foster Care in ‘Sleeping Giants’ by Rosemary Counter -----Beyond with Jane Ratcliffe - Addressing Harm, Helping Others, and Embracing Hope: A Conversation With Rene Denfeld - there is a pay wall here Items of Interest from the author -----Crimereads - WHEN GOOD PEOPLE DO BAD THINGS: EXPLORING EVERYDAY EVIL IN CRIME FICTION - 3/27/2024 -----Ravishly - Born Again: Rene Denfeld on the Birth of Love - 10/25/2019 -----Washington Post - After a childhood of wishing for a new family, I found my dream in adulthood - 8/30/2017 – on her challenging upbringing -----NY Times - Four Castaways Make a Family - 8/11/2017 Items of Interest -----Wiki on Holding Time - Attachment Therapy -----AZCentral - Blythe Intaglios: The 'sleeping giants' of the desert by Michael Chow and Thomas Hawthorne -----Wiki on One Flew Over the Cuckoo's Nest -----Harry Potter Wiki on Delores Umbridge ...more |
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Jun 2024
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1250830850
| 9781250830852
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| Feb 13, 2024
| Feb 13, 2024
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liked it
| I had the unpleasant feeling that I was riding straight down a giant throat.-------------------------------------- …the woods of Gallacia are as I had the unpleasant feeling that I was riding straight down a giant throat.-------------------------------------- …the woods of Gallacia are as deep and dark as God’s sorrow.T. Kingfisher, nom de plume of Ursula Vernon, introduced Alex Easton, the Sworn Soldier of the series title, in her 2022 novella, What Moves the Dead. Easton is a native of the fictional nation of Gallacia, a place with its own language, nasty weather, and plenty of reasons to stay away. Alex travels with Angus, erstwhile batman from military days, and overall assistant these days. It is the late 19th century. The pair managed to survive the creepy challenges offered in the first book in the series, a particularly original and alarming take on Poes’s, The Fall of the House of Usher. They are looking forward to a holiday at Easton’s hunting lodge. But they do have a penchant for finding the unusual and unpleasant. [image] T. Kingfisher, aka Ursula Vernon - image from Edubilla.com Easton invited Eugenia Potter to be a guest at the lodge. Potter is Beatrix’s aunt, a personage from the prior book, and a love interest for Angus. Easton is hoping that the lodge has been well maintained, as a local had been hired to see to that, but had proven unreachable. Is the place ready? Is it even standing? Who knows? The focal point on the spectral scale in this volume is an obscure regional spook. According to wiki, a moroi is a phantom of a dead person which leaves the grave to draw energy from the living, so, not a paying guest. Vacation plans are foiled, in fact, replaced with mortal perils The initial volume in the series introduced Alex Easton as a person with female physical attributes who is established in a traditionally male role. The author even takes on pronoun-ing in the created culture that incorporates such a person into the extant culture. It was an interesting element in the first volume, but is only lightly addressed here. Kingfisher has fun setting the creepy stage with grim descriptions of Gallacia, and the particularly dreary part of it in which Alex and company find themselves. For examples, see the two quotes at the top of this review. But she also peppers the tale with humor. …I recognized the smell of livrit, our beloved national paint thinner, made from lichen, cloudberries, and spite. No Gallacian soldier would be without a bottle, in case we ever need to remember what we’re fighting for. (Mostly the opportunity to be somewhere that has better liquor.)-------------------------------------- The greatest city in Gallacia is fine, I suppose, but I didn’t feel the need to linger. Imagine if an architect wanted to re-create Budapest, but on a shoestring budget and without any of the convenient flat bits. While fighting wolves.And Potter butchering the local patois is quite fun. Alex and company try to figure out what is going on, then how to address the problem. The local woman, whom they hire to take care of the household, should come with a surgeon general’s warning. The most interesting element in the story is the fuzzing of the lines between reality and the dreamworld. Are battles fought in an unconscious state still deadly? The struggle for self-control, for self-awareness is as significant as the physical (or is it spectral) harm that is risked, and even suffered. But frankly, this one was a bit of a dud for me. Only occasionally scary at all. I always enjoy a bit of humor and Kingfisher offers up a fair bit here. But there seems far less richness to this book that there was to its predecessor. An enjoyable read but far from a compelling one. It has the benefit of being a short one, a novella, not a full novel, so you can inhale it in a sitting. Kingfisher/Vernon has a third Sworn Soldier volume in the works, set in the USA, and featuring Dr. James Denton from What Moves the Dead. Hopefully the digging she has been doing for that project will yield a motherlode of fun and horror. The silence didn’t feel peaceful. It felt thick. Like a layer of fuzz on your tongue after a hard night of drinking, which you can’t see or touch but you can damn well taste. There weren’t even any birds singing. Review posted - 04/19/23 Publication date – 02/13/23 I received an ARE of What Feasts at Night from Tor/Nightfire in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating. [image] [image] [image] [image] [image] [image] This review will soon be cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to Kingfisher’s personal, Goodreads, and Twitter pages Profile - from the Fantasy Hive T. Kingfisher is the adult fiction pseudonym of Ursula Vernon, the multi-award-winning author of Digger and Dragonbreath. She is an author and illustrator based in North Carolina who has been nominated for the Ursa Major Award, the Eisner Awards, and has won the Nebula Award for Best Short Story for “Jackalope Wives” in 2015 and the Hugo Award for Best Novelette for “The Tomato Thief” in 2017. Her debut adult horror novel, The Twisted Ones, won the 2020 Dragon Award for Best Horror Novel, and was followed by the critically acclaimed The Hollow Places. My reviews of earlier books by Kingfisher -----2022 - What Moves the Dead -----2023 - Thornhedge Items of Interest -----Wiki on moroi -----Stone Soup - The Mess That the Editor Fixes: What Feasts at Night by T. Kingfisher - really only so-so ...more |
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Apr 06, 2024
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| 3,951
| Jan 30, 2024
| Jan 30, 2024
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| A forty-minute drive from the volcanic Mount Etna, Becchina should have been alive. A forty-minute drive from the volcanic Mount Etna, Becchina should have been alive.-------------------------------------- A low scritching noise caught his attention, and he swung the flashlight beam down to the right, where the natural tunnel and the man-made wall formed a dark and jagged corner. Tiny, putrid-yellow eyes glittered in the shadows.A deal that is too good to believe. Ownership of an abandoned hilltop house in a Sicilian town (Becchina, a made-up town, - buh-kee-na) for a single euro, as long as you agree to live there for five years and invest 50K euros fixing it up. What could possibly go wrong? Tommy and Kate Puglisi see this as a once-in-a-lifetime opportunity. A chance for a much better future than they could ever afford in Boston. [image] Christopher Golden - Image from MichelleRLane.com The world seemed to be unraveling every day. American culture seemed to be rotting from the inside out, manipulated by an amoral oligarchy whose worst enemy was young people who didn’t want to play their game, and Kate and Tommy were happy to be counted in that category. The irony had not been lost on them, that the nineteenth and twentieth centuries had been defined by people leaving the so-called Old World to seek their fortunes in the New World, and now she and Tommy were doing the opposite, seeking new life in the Old World. But they both believed that earlier generations had it right—a slower life, a smaller circle, a focus on home.That Tommy's family had come from Becchina gave it an additional draw, a chance to spend time with his grandparents, whom he loved and very much wanted to see lot of in their final years. The importance of that is magnified by the fact that both of Tommy’s parents are dead. Tommy and Kate are on extended time off from work, so can attend to getting things fixed up before returning to their jobs, remote jobs, which allows them the freedom to live anywhere. And they do not yet have children. Of course the house comes with some unadvertised extras. The book opens with: The rats are like fingers.Uh oh. Squatters. Toss in being within commuting distance of Mount Etna to shake things up. Oh, and that lady down the hill who is always staring daggers at them whenever they pass by. And the family, who is warm and welcoming but not altogether forthright about the history of the town or the house. On the other hand, there is a group of other new arrivals, lured by the same opportunity. They call themselves The Imports. It’s fun seeing Tommy reconnect with famiglia. He and Kate slowly get to know the town and some of its residents, make friends, and come up with a plan to boost the local economy. Can-do Yanks in action. But things keep happening. Kate thinks she sees someone in the house, but did she really? A tremor arrives soon after they do. There is a part of the house that the R/E agent somehow managed to overlook when showing the place. A door that was locked, but then is mysteriously open. Golden makes generous use of Gothic fiction features (see abbreviated list in EXTRA STUFF) to give you chills. Tommy and Kate are actually a happy couple. Many horror books use spectral events as manifestations of underlying relationship problems. Not the case here. This is also not a case in which better-off sorts gentrify an old area, forcing out the locals. Instead, they are trying to save, replenish, and reconstruct, infusing new life into a withered, crumbling, forgotten town. The houses The Imports bought were already abandoned. The newbies are looking to build up not just the houses they occupy but the community as well. So, the dark forces here are not cutouts for obvious social criticism. They are pretty much straight up malignancy coming at you in sundry ways. One way is our visceral reaction to vermin. The rats that feature in the opening lines persist throughout, gaining in their power to induce fear and loathing. It was a specific choice. In the Book Nook interview, Golden talks about how he believes we mortals have a race-memory fear of rats, the result of plagues that wiped large portions of humanity from the planet multiple times, akin to the natural fear most of us have of snakes, from the days when they were in our immediate environment and posed a mortal threat. Rats give us the creeps. What you get in The House of Last Resort is a likable pair in peril, with a plentiful supply of scary, a cauldron of creepy, and a shipload of shivers. If you think your basement is a mess, you have no idea. There are nifty twists, some local color and action aplenty to keep you turning the pages. Depending on your susceptibility to such books, you may get a sleepless night or two out of this one. A fun read, a pure entertainment, uncluttered by larger sociopolitical concerns, a fabulous summer read. But probably a bad idea to take this along if you plan to visit Sicily. A voice crying out. Tommy frowned, wondering if that had been a dream or if it had been what woke him. Review posted - 04/05/24 Publication date – 01/30/24 I received an ARE of The House of Last Resort from St. Martin’s Press in return for a fair review, and some DNA samples. Thanks, folks, and thanks to NetGalley for facilitating. [image] [image] [image] [image] [image] [image] This review will soon be cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to Golden’s personal, FB, Instagram, and Twitter pages Profile Golden is a monster of an author who got started, and found success, very early. He has a gazillion publications to his credit and an army-size host of teleplay credits from his years writing for Buffy with Joss Whedon, and plenty more. And then there are the comics. You may have heard of Hell Boy, among those. Here is a list of what he has published, from Fiction DB. I personally think he has elves, or more likely, goblins, chained to computers in his basement helping him crank out such volume. My reviews of Golden’s two prior books ----------2022 - Road of Bones ----------2023 - All Hallows Interviews -----Paul Semel - Exclusive Interview: “The House Of Last Resort” Author Christopher Golden ----- WYSO - Book Nook - ’The House of Last Resort,’ by Christopher Golden by Vick Mickunas – audio – 50:04 Checklist – Partial Characteristics of the Gothic Novel See my review of While You Sleep for more of this sort Setting - castle or old mansion - oh, Yeah Secret passages or creaky doors - of course Atmosphere of mystery or suspense - fuh shoo-uh Ancient prophecy or legend - sort of Omens, portents, visions - tremors, hints from neighbors and family Supernatural or otherwise inexplicable events - ghost sightings? High, overwrought emotion - you betcha Women in distress - actually not so much. Both Tommy and Kate are beset Women threatened by powerful, tyrannical male - see above ...more |
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Mar 31, 2024
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Apr 01, 2024
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Kindle Edition
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164009606X
| 9781640096066
| 164009606X
| 3.35
| 553
| Jan 09, 2024
| Jan 09, 2024
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| Falling into friendship, with Edith was also, for Lacey, inextricable, with falling in love with the northern summer. Never had she woken to birds Falling into friendship, with Edith was also, for Lacey, inextricable, with falling in love with the northern summer. Never had she woken to birdsong, or plunged headfirst into cool water on a blazing day, or listened to the whispers of the oaks as a thunderstorm, swept in. Never had the sun felt so warm and golden, or rain soaked her so completely. The shrill of crickets, alarming at first, began to soothe her to sleep at night. A toad hunched by a log was so intensely ugly she cried out in shock, while a fox, slipping through the pines, looked like the tip of a paintbrush dipped in orange. Her hands and legs became tan and useful. She could tie three kinds of sailor knots, and she could kick her way up a river current. Her face in the spotty cabin mirror was freckled, it also looked rounder and full. She was gaining weight back, and when one night Edith observed, “You’re not coughing anymore,” Lacey realized it was true."When the stranger returned to the city..." are the opening words of Goldenseal, or could be of a fun Western. The description that follows is pure delight, set in 1990 Los Angeles, as Maria Hummel shows off her poet's gift for description. In The Rumpus interview she talks about having to tone that element down to spend more focus on moving the story forward. A loss for the likes of me. Edith Holle left Lacey, and Los Angeles forty-four years ago. She is back now on a mission known only to herself. I was interested in creating a novel that had an allegorical Western feel. The stranger comes back to this city for the first time in forty-four years; “the stranger comes to town.” That’s the beginning of the classic Western, and Westerns play an important role throughout the story, as both subject and backdrop, especially in regard to gender. Because in the classic Western, the “stranger” is male, right? But here, it’s Edith, an old woman in a wrinkled skirt and sneaker boots. - from The Rumpus interviewIn addition to the western genre references, there is a mystery afoot here, well, a few. What was the nature of Edith's connection to Lacey? Why did she leave? Why is she back? [image] Maria Hummel - Image from her site We get an up close look at Lacey’s discomfort, wondering what Edith is up to, stressing over what to wear, as if her sartorial selections might provide a layer of armor, but Lacey is also clearly dying to see her. Once the waiting is done, we get on with the bulk of the story. It is told in two time lines. First is an ongoing conversation between the two women, the frame. Second is the history they recount within it. Lacey Crane was born in Prague, her parents fleeing before, but not because of, the future Nazi invasion. Middle class, they were able to experience success in the hotel business. We get a look at the impact of the Holocaust on her parents, particularly her Jewish mother. As girls, Lacey and Edith meet at a California camp, where Edith is a bit of a loner, the daughter of the camp caretaker, special for her talent at stage performance, among other things, but seen as too lower class for most of the privileged girls. Not for Lacey. They become instant besties. (see quote at top) Edith's home life is challenging, and Lacey wants to take her away from all that. We follow the development of their friendship, and of their lives, together and apart. It is events in adulthood that split them, a final, dramatic schism. Dirty laundry is pulled from their memory bags, and held up for close inspection. Some garments are left unaired. The contemporary conversation functions as a way for them to both examine the lives they have led. It also illuminates some of the changes women experienced in the 20th century. The novel germinated over a protracted period, until all the elements finally came together. First was the Biltmore. When she and her husband moved there in the early aughts, Hummel was smitten with the LA hotel culture, particularly that hotel. [This] combined with a book that I read that came out in American translation in 2001 called Embers …originally published in 1942, is a story about two old friends, males, an old general and a soldier, meeting in a castle in the Carpathians for the first time in forty years. They're also weighing out friendship. When I read that book, I thought, this is such a great treatise on friendship, but it's about male friendship. Female friendship is different. Wouldn't it be great to use this structure but set it in an American castle? There it is. Then the third piece was, as we all experienced, we lived like recluses, particularly for me, the academic year that was 2020/'21. I thought, I know how to write this character now, this person who's basically a hermit who lives in the hotel and never goes out and is locked in her tower. - from the Moms Don’t Have Time to Read Books interviewUnderneath it all is that primal bond, forged in childhood, hardened in adulthood but seriously damaged. We are waiting for the high noon moment when the women unholster their revelations and take aim. The Lacey-Edith intersection is, in a way, where Old World meets New. Lacey having been born middle class in Europe. Edith living a much more frontier-type of existence in the American far west. Lacey is relatively well-to-do, while Edith is a bit of a Cinderella character, responsible beyond her years, kept as something of a household slave by an unfeeling parent. Maybe Lacey can fit her up with a glass slipper, get her a carriage ride to something better? There are medical remedies from both the Old World and the New that present the strengths of both cultures. Familial tragedies echo across the divide. Do we care? Each girl faces challenges at home. And both are portrayed as decent kids, so it is not hard to feel for them. The tale of their early friendship is incredibly charming and engaging, a major strength of the novel. The bond between these two is palpable and we want it to be eternal. Each girl finds relief from her personal stresses in having someone with whom to share. We get glimpses of their time together later, as teens, but these are fleeting, and lack the immediacy and impact of their camp days. Their time as adults is also presented in brief glimpses, stroboscopic flashes of events. Sure, there is angst, pain, heartbreak, betrayal, and disappointment, but having stepped back from Lacey and Edith, the impact is dulled. It is not a bad thing to leave readers wanting more of a character but it seemed to me that we got a bit short-changed and should not have needed that much more. The narrative flow works quite well, switching back and forth between the contemporary and historical. But in a latter section of the novel, the conversation became much less...conversational, transforming into almost straight up exposition. I found this distancing, and thus off-putting. There is a lot going on in Goldenseal. Thematically, it offers a trove of genre touches, coming of age, mystery, western, domestic drama and probably others. Hummel writes beautiful descriptions. I wish there had been even more of that. She gets us to care about her leads. And offers a persuasive explanation at the end, for most questions. It is a good read for sure, but maybe a Silver Seal instead of a Golden One. Review posted - 03/29/24 Publication date – 01/09/24 I received a hardcover copy of Goldenseal from Counterpoint in return for a fair review. Thanks, folks. [image] [image] [image] [image] [image] [image] This review will soon be cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to Hummel’s personal and Twitter pages Profile – from her website Maria Hummel is a novelist and poet. Her books include Goldenseal, Lesson in Red, a follow-up to Still Lives, a Reese Witherspoon x Hello Sunshine pick, a Book of the Month Club pick, and BBC Culture Best Book of 2018; Motherland, a San Francisco Chronicle Book of the Year; and House and Fire, winner of the APR/Honickman Poetry Prize… Hummel worked for many years as an arts editor and journalist, and as a writer/editor for The Museum of Contemporary Art, experience that informed Still Lives and Lesson in Red. She also taught creative writing at Stanford University and Colorado College, and is now a full professor at the University of Vermont. She lives in Vermont with her husband and sons....more |
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Mar 25, 2024
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Mar 27, 2024
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Hardcover
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1646221354
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| B0C1B7YQKD
| 3.78
| 306
| Jan 02, 2024
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really liked it
| …deer…occupy a middle zone between …extremes of domestication and wildness. Far from tame, they are nonetheless experts at living with people, and …deer…occupy a middle zone between …extremes of domestication and wildness. Far from tame, they are nonetheless experts at living with people, and in many ways, they actually prefer to share habitat with us. All across North America, as in many other parts of the world, we exist in intimate proximity to deer.-------------------------------------- The FAA considers white-tailed deer more hazardous to U.S. civil aircraft than any other animal.Many images might pop to mind when we think about deer. I am sorry to say that the first one in my tiny mind is the sad vision of road kill. The second is the sheer joy of spotting wild deer in woods, or yards, or, more grandly, in national parks, whether the white-tail native to my part of the world, the mule deer and caribou more prevalent in the west, and even moose. I cannot say I have seen reindeer in the wild, unfortunately. Many visits to the Bronx Zoo introduced me to a much wider range of cervids, the family to which deer belong, including the diminutive muntjacs. [image] Erika Howsare - image from her site Erika Howsare has had more of a connection to deer than, I expect, most of us. She grew up in western Pennsylvania in a family that hunted. In fact, the Monday after Thanksgiving is an unofficial holiday in our state, with most schools, and many businesses closed due to expected high absenteeism. This is one of many foci of interaction between deer and people. I’d had an inkling, even before writing the book proposal, that deer were involved in all manner of controversies, contradictions, and human strivings. That was what got me interested in them. But I didn’t know too many specifics. When I started researching, one of the first things I did was to set up news alerts on deer and several other related terms.Thankfully, Howsare, a published poet, offers a lot more than the daily deer chyron. I did start the book from a fairly cerebral place where I thought, “Oh yeah, great subject. Like, this will bring up all kinds of great questions, and I’ll be able to go down all these roads in terms of the research and make these points, and it’s gonna be a really great opportunity to dig into these intellectual questions.”And a wondrous opportunity it proved. You will learn a lot about the human/deer connection, and a bit about deer behavior as well. [image] White tailed deer - image from PennVet – University of Pennsylvania One thing to consider is just how long deer and humans have been interacting. Pretty much as long as there have been people, judging by the content of ancient cave art. They appear in all cultures, and are a rich presence in mythology worldwide. As our first-hand experience of deer is usually liminal, many have come to see deer as ambassadors of the wild world, crossing from theirs to ours, and maybe offering a route away from the world of living humans. Of course, for many of us there is an UR deer image that has been burned into our brains. Really, can you name any other deer this side of Santa’s team? [image] Bambi - image from Disney via KRCA.com They are beautiful and offer us an image of wildland innocence. But for many they have become pestiferous. Consider having spent months planting and tending your beautiful back yard garden, only to wake one day to find that real-life Bambis and their kin have laid waste to all your work. There is also the carnage caused not just to deer but to people and their vehicles from collisions with deer. There are folks whose job it is to collect the bodies. Howsare spent time with one of them. Deer have been a crucial source of food for people across the millennia, but also of a wide range of materials. Howsare gets trained in earth skills to find out how to make buckskin, and many other useful items formed from deer parts. We usually think of reintroduction of wildlife having to do with trout, or other finned creatures. You may have heard of attempts to reintroduce predators, like wolves in Yellowstone. But the largest and most successful reintroduction in US history occurred in the early 20th century when deer, which had been driven near to extinction, were reintroduced in many parts of the nation. [image] Sweet Tooth - image from Netflix via BBC Ok, this was not at all included in the book but I kinda hoped it would gain at least a mention, as it does speak to the closeness of our species. Factlets abound. Did you know that deer can suffer from a chronic, deadly disease that we usually associate with cattle, chronic wasting disease? Or that maybe the notion of adorning rulers with crowns was a way of imitating the stag rack? You will gain an appreciation for the use of deer-based imagery in the film Get Out. There are plenty more. One of the main points to be gained is seeing how deer are actually quite adaptable, and have managed to carve out an ecological niche at the perimeters of human population. [image] Moose - image rom Britannica A survey course on cervid-sapiens connection makes for an entertaining, informative read on its own. But Howsare incorporates a personal journey into her narrative. Never a hunter, at least not one who shoots anything, she has enough personal connection to folks who do, relations, to want to gain a better understanding of the hunting culture and the rationales of those who kill deer. She looks at her own feelings about deer and hunting. Not all who hunt actually shoot. Hunting can be a group activity, with a diversity of roles, very reminiscent of our prehistoric ancestors. One very appealing element of this learning curve for Howsare was becoming more comfortable with being still, settling into a place and letting herself experience the environment, the moment, fully, a form of meditation almost. She looks at some of the outrages associate with hunting as well. Like releasing or breeding deer in fenced areas to be killed by people fond of killing things, but not much interested in doing all the research and preparation that serious hunters undertake. Think Dick Cheney hunting quail. My only gripe about the book is a petty one. I find that science/nature books always go down easier when the information is spiced with a bit of humor. No danger of that here. So, past my personal preferences, The Age of Deer is an easy thumbs up. You will learn a lot and gain a far greater understanding of the relationship between humans and cervids throughout history and our interactions today, finding yourself saying, whether aloud or internally, “I never knew that.” In the Anthropocene, it seems that far too much of humanity has assumed the position of the prototypical you-know-what frozen in place as the headlights of global doom approach at increasing speed. Deer, at least, have an excuse for such behavior, as their woodland-creature-instinct, however misguided it might be on a paved road, is to become very still so an approaching predator might not see or hear them. Given their abundance on the planet, it is a strategy that has worked out well for them, despite the roadside carnage, as deer remain the last large wild animal in most places. The roaches and rats will not be alone after we are gone. Deer, icons of woodland beauty, are adaptable. They are survivors, and will be keeping them company. If the American project was, in part, to make a pastoral landscape out of a wilderness, deer benefited from that project in a cultural sleight of hand. We thought of them as part of the wild, but we had misconceived them. Their secret was that they, like us—like squirrels, corn, apple trees, clover, ands sparrows—would flourish in our human garden. Review posted - 03/22/24 Publication date – 01/20/24 I received a hardcover of The Age of Deer from Catapult in return for a fair review. Thanks, folks. [image] [image] [image] [image] [image] [image] This review will soon be cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to the author’s personal, FB, Instagram, and Twitter pages Profile – from Catapult ERIKA HOWSARE holds an MFA in literary arts from Brown University and has published two books of poetry. She also worked in local journalism for twenty years, covering culture and environmental issues. She teaches writing and contributes reviews and essays to various national outlets. A native of Pennsylvania, she lives in rural Virginia. Interviews -----Poets & Writers - Ten Questions for Erika Howsare by staff -----Flyleaf Books - Erika Howsare presents THE AGE OF DEER -Howsare reads from the book then takes questions – the sound quality is poor -----Phoebe Journal - Hungry Deer and Pissed off Gardeners: An Interview with Erika Howsare by Ashlen Renner Items of Interest from the author -----The Atlantic - An Incurable Disease Is Coming for Deer - an excerpt - but requires a subscription -----Orion - Skin to Skin with a Deer - excerpt -----Virginia Audio Collective - If You See a Deer - a four-episode companion podcast -----Lithub - Erika Howsare on Finding Inspiration in Headlines Items of Interest -----Be vewy, vewy quiet. - Mister Fudd may be hunting a different species, but his approach applies to deer as well My review of Stephen Graham Jones’s - The Only Good Indian - a wronged elk on the warpath -----My review of Elizabeth Marshall Thomas’s - The Hidden Life of Deer: Lessons from the Natural World -----Gutenberg - The Yearling by Marjorie Kinnan Rawlings ...more |
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Mar 18, 2024
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| 166802568X
| 3.86
| 16,180
| Nov 07, 2023
| Nov 07, 2023
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really liked it
| The road to ruin is paved with certainty. The end of the world is only ever hastened by those who think they will be able to protect their own from The road to ruin is paved with certainty. The end of the world is only ever hastened by those who think they will be able to protect their own from the coming storm.-------------------------------------- Love is the mind killer.So what would you do if your super-secret software gave you the alert? End times are afoot. Time to scoot! If you are like most of us, you might seek our your nearest and dearest to see the world out together. But what if you are one of the richest people on the planet? Well, in that case, you would have prepared a plan, an escape, a plane, supplies, a bunker somewhere safe. Buh-bye, and off they go. The they in this case includes three billionaires, the heads of humongous tech companies, some years in the not-too-distant future, Lenk Sketlish, Zimri Nommik, and Ellen Bywater. They were definitely not inspired by anyone specifically who could sue me for everything I’m worth and barely notice it…They are composite characters made up of some of the ridiculous and awful things that tech billionaires have done and some of it just made up out of my head. But of course the companies are inspired by real companies. - from the LitHub interviewWhat if you were the number one assistant to one of these folks, or the less-than-thrilled wife of another, or the ousted former CEO and founder of a third one, maybe the gifted child of one? You might have been spending your time trying to see what you could do to mitigate the vast harm these mega-corporations have done to the planet. These are Martha Einkorn, Lenk’s #2, Selah Nommik, Zimri’s Black British wife, Alex Dabrowski, founder and former CEO of the company now headed by Ellen, and Badger, Ellen’s son. “Margaret [Atwood] has very much covered how bad it can get, so we don’t need a lesser writer doing that,” Alderman says. “I’m interested in the most radical ideas about how we can make things better, and what are the avenues we can pursue.” - from the AP interviewBTW, Atwood mentored Alderman. What if you were attending a conference in Singapore, having recently met one of group B above for an interview, and gotten entangled in an unexpected way, but now find yourself in the vast mall in which the conference is being held, being chased and shot at by some psycho, probably a religious nut? Lai Zhen is a 33yo refugee from Hong Kong, an archaeologist and well-known survivalist influencer. She had met someone she thinks may be The One, but her immediate survival is taking up all available mental space. Thankfully, she has help, but will it be enough? [image] Naomi Alderman - image from The Guardian The action-adventure-sci-fi shell encasing The Future is a dystopian near-future that takes an if-this-goes-on perspective re the road we are currently traveling toward planetary devastation, global warming, the increasing greedification of the world economy, and concentration of wealth, at the expense of sustainability and human decency. But Alderman has done so much more with it. The Future has a brain and a heart, to go along with the coursing hormones, and some serious mysteries as well. Did I mention there is a romance in here also? Good luck shelving this thing. You probably will not have much luck putting it down once you start reading. Well, take that advisedly. I did find that it took a while to settle in, as there is a fair bit to get through with introducing all the characters, but once you get going, day-um, you will want to keep on. While offering a look at survival post everything, Alderman tosses in some fun high tech and BP-raising sequences. And she gives readers’ brains a workout, providing considerable fodder for book club discussions. To bolster the thematic elements, Aldermen provides plenty of connections to classic tales, biblical and other, that offer excellent starting points for lively discussions. Martha was raised in an apocalypse-concerned cult, led by her father. As an adult she gets involved in on-line exchanges about questions like what might be learned from the experience of a biblical apocalypse survivor, Lot. Alderman was raised as an Orthodox Jew, studying the Torah in the original, so knows her material well. (God was about to firebomb Sodom when Lot’s kindness to a couple of god’s emissaries earned him and his family a get-out-of-hell-free pass.) In addition, she finds relevance in Ayn Rand, The Iliad, The Odyssey, and more. She brings in a discussion of the enclosure act in the UK, how the stealing of public land by the wealthy has a mirror in the theft of public space of different sorts in the 20th and 21st centuries. But the biggest issue at work here is trust. In fact, Alderman had intended to title the book Trust. But when Herman Diaz’s novel, Trust, won a Pulitzer Prize, she had to find an alternative. Can Zhen trust her new love interest. Can she trust the AI that is supposedly helping her? Can she trust any of the oligarchs? Can she trust people she has known for years on line, but never met in person? This is a core concept, not just on a personal, but on a societal level. Civilizations are built on trust. It is an issue that touches everyone. The wealthier you are, the less you have to ask people things and the less you ask people for things, the less you have to discover that you can trust and rely on them. Eventually, that erodes your ability to trust. Then, you’re sunk. - from the Electric Literature interviewConsider a concern that is immediate in early 2024. Can American allies, whose alliances have kept the world out of World War III since the end of World War II, trust the US intelligence services with their secrets, when our next president might give, trade, or sell it to our enemies? Can you trust that the person you are communicating with on-line is being honest with you. (As someone who has met people through Match.com, I am particularly aware of that one.) If you are stuck on a survival island, can you trust that the other people there will not do you in, in order to improve their chances of gaining power once things begin to return to some semblance of global livability? In today’s culture, technology, particularly social media, “encourages us not to really trust each other,” Alderman explains. “The ways that we use to communicate with each other have been monetized in order to make us as angry at and afraid [of one another] as possible.” And while the internet can all too often amplify “absolute hateful stupidity” to feed our distrust of one another, the author continues, “It can also demonstrably, again and again, multiply our knowledge and capacity to understand.” - from the Shondaland interviewZhen’s is our primary POV through this, although we spend a lot of time with Martha. She is an appealing lead, a person of good intentions, and reasonably pure heart. She is wicked smart, able, and adaptive. It is easy to root for her to make it through. But, noting the second quote at the top of this review, if Love is the mind killer, might it impair her clarity of thought, her maintenance of necessary defenses? Of might it impair that of the person she is love with? The concern with dark forces is a bit boilerplate. Two of the oligarchs are cardboard villains; another has some edges. But it is the conceptual bits that give The Future its heft. Oh, and one more thing. Woven throughout the 432 pages of this book is minor crime, Grand Theft Planet. It should come as no surprise that an author who has had great success with her previous novels, and who has spent some years writing video games, would produce a fast-paced, engaging read, replete with dangers, anxieties, fun toys, and wonderful, substantive philosophical sparks. I cannot predict the future any better than 2016 presidential pollsters, but my personal AI suggests that should The Future will find its way to you, you will be glad it did. Imagining bad futures creates fear and fear creates bad futures. The pulse beats faster, the pressure rises, the voice of instinct drives out reason and education. At a certain point, things become inevitable.Review posted - 3/8/24 Publication date – 11/7/23 I received an ARE of The Future from Simon & Schuster in return for a fair review, and the password to my super-secret software. Thanks, folks, and thanks to NetGalley for facilitating. [image] [image] [image] [image] [image] [image] This review is cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to the author’s personal, Instagram, GR, and Twitter pages Profile - from Simon & Schuster Naomi Alderman is the bestselling author of The Power, which won the Women’s Prize for Fiction, and was chosen as a book of the year by The New York Times, The Washington Post, the Los Angeles Times, and was recommended as a book of the year by both Barack Obama and Bill Gates. As a novelist, Alderman has been mentored by Margaret Atwood via the Rolex Arts Initiative, she is a Fellow of the Royal Society of Literature, and her work has been translated into more than thirty-five languages. As a video games designer, she was lead writer on the groundbreaking alternate reality game Perplex City, and is cocreator of the award-winning smartphone exercise adventure game Zombies, Run!, which has more than 10 million players. She is professor of creative writing at Bath Spa University. She lives in London.Interviews -----Professional Book Nerds - Dystopian Futures with Naomi Alderman - video, well, mostly audio, with no real video – 41:59 -----Toronto Public Library - Naomi Alderman | The Future | Nov 13, 2023 with Vass Bednar - 45:05 - there is a nice bit in here on tech as neither bad nor good, but a tool which can be used for good or evil. -----Literary Hub - Naomi Alderman on Creating a Fictional Tech Dystopia by Jane Ciabattari -----Shondaland - Naomi Alderman Is Still Finding Hope in Humankind by Rachel Simon -----AP- Naomi Alderman novel ‘The Future’ scheduled for next fall by Hillel Italic -----Electric Literature - Dystopian Future Controlled by Technology by Jacqueline Alnes -----Independent - How We Met: Naomi Alderman & Margaret Atwood - by Adam Jacques – Atwood mentored Alderman in 2012 – a fun read Item of Interest from the author -----BBC Sounds - audio excerpt - 1.0 – The End of Days – 15:47 Items of Interest -----Tristia by Ovid – Zhen reads this prior to a trip to Canada -----The Admiralty Islands -----inert submunition dispenser - a kind of cluster bomb -----Wiki on the enclosure act ...more |
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Mar 05, 2024
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Mar 06, 2024
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1957224231
| 9781957224237
| 1957224231
| 4.13
| 1,600,889
| Jun 1890
| Nov 06, 2023
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it was amazing
| There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful.------------------------ There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful.-------------------------------------- “How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June.... If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that—for that—I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!”Be careful what you wish for. [image] Oscar Wilde - image from Wikipedia Man sells soul to the devil in return for…something, in this case a body encased in eternal youth, while a portrait takes on the outward manifestation of his aging and his sins. It ends badly, as deals with the devil usually do. This is hardly a unique tale. In fact, it is a bit of a trope, a Faustian bargain. There is a lovely listing here of examples new and old. Absent, of course, is the most famous, and least successful example of a soul-selling, really more of a soul-buying, from Matthew 4:1-11, when the devil made Jesus an offer he actually could refuse. Don Corleone would have been very disappointed. But it is a bit more complicated than that, as these things often are. It is always a challenge and an adventure to read a classic. Books become regarded as a base part of our culture for reasons. They can establish motifs, or ways of seeing the world that resonate with their contemporary audiences (well, not always) and future generations. They can offer us a portrait of a time and place, a culture, a class, a social or political issue. They can illuminate moral questions, deal in universal themes, offer insight into human motivation, whether individually or en masse. And we come to see them in particular ways. In The Strange Case of Dr. Jekyll and Mr. Hyde, the prior re-pub in this Gravelight series, what one finds in the original is not quite what one might expect, given how popular culture has transformed the story by bleaching out important nuance. That is less the case with Dorian Gray, at least in part because there appears to have been fewer iterations of the tale in popular entertainments. But, nonetheless, our understanding of the story is generally of the bare bones sort. There is plenty of flesh to give those bones some added heft. [image] Jeffrey Keeten - they came to take his furniture, but the only way they will take his books is from his cold dead hands - image from his site The history of a book matters. Keeten’s introduction offers an excellent take on how Dorian was received at publication. It generated quite a bit of attention on its release. There were many who were not amused. That may have contributed to the fact that The Picture of Dorian Gray is singular in being the sole novel published by Oscar Fingal O'Flahertie Wills Wilde. The subject matter was considered a big no-no in 1890. The Dorian of the title is a man of many tastes, and apparently insatiable appetites. He manages to bring ruin to both men and women. It was not, in particular, the ruination of women that caused a storm. The periodical in which it was first published was withdrawn from bookshops due to the outrage. Wilde was a very popular writer of the time, wearing his sexuality like a badge. A tough stance to assume in a culture that preferred to sate it appetites and interests discretely. His novel was a shocker for the time in portraying homosexuality in interest, if hardly in action. The painter of Dorian’s portrait is clearly smitten with him, dazzled by his physical beauty, which he sees also as representative of an underlying perfection. For all the shock of its homosexual content, there is no physical contact of that sort in the pages. (an earlier version may have been more direct) All is insinuation, suggestion, hinting. It is the same technique that has worked quite well for ages in the horror genre. Shadows, rattling chains, creaky doors, unsourced moans. Sometimes we are offered the shocker scene in which the monster is revealed. The Opera Phantom’s mask is pulled off to reveal the horror of his face. Hyde’s deformity is revealed as the window into Jekyll’s soul. And so it is here. Dorian’s true nature is revealed. The “I’m shocked, shocked” reaction of contemporary critics suggests more about what they were projecting onto the novel than what was actually there. [image] The portrait, used in the 1945 film by Ivan Le Lorraine Albright - image from Wikipedia So, what is the horror that is on display? It is the hedonism of the late 19th century English upper class, sashaying about in the interesting, entertaining, appealing drag of philosophy. Henry argues for the unashamedly sybaritic life. Art need have no meaning, no being other than itself. Apply to humans. Is art, is beauty the highest value? When beauty is left to dangle free, disconnected from any higher value, what is its impact on the world? Actions have no moral content. It is in fact a positive good to live a life dedicated to the primitive accumulation of sensation, through the arts, through physical pleasures, not just of sex, but of sight, smell, sound and touch, to experience beauty in all its forms. Try everything. Art for art’s sake in the guise of human experience. Some people have an amazing ability to come up with excuses for their excesses, explanations, some reason for why they shouldn’t be held accountable for their actions. Like the poor and taxes, we will always have the morally challenged, the malignant narcissists, the sociopaths with us. beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won’t smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible....But if this was on the up and up, there would have been no need to keep one’s behavior secret. It is clearly a place where freedom crosses the line into license. The practitioners of such a “philosophy” knew they were up to no good. They merely wanted to hide from the responsibility. Dr Jekyll was quite happy to have an alter-ego he could let loose on the world, to have the sorts of fun he could not have as himself in public view. They knew, not just that their behavior was wrong, not just that it ran afoul of extant mores, but that their reasoned explanation was taffeta thick. [image] Hurd Hatfield as Dorian in the 1945 film - image from Wikipedia It is not the barely latent bisexuality of the novel that marks Dorian as fallen, it is that he had ruined peoples’ lives, men and women, not by having sex with them, (which is suggested, but never acted out on the pages) but by corrupting them in various ways, by causing them to become as self-centered, as pleasure-seeking as he was. A person can get away with this if he or she is wealthy enough. Paying off porn stars to keep quiet about an extramarital fling certainly fits into such a scenario. Dorian manages to keep his scandals at bay with the use of his wealth. It is as true today as it was when Wilde was writing this book, the selfishness, the hedonism, the amorality of the wealthy feeds on the blood and life forces of those they exploit, few of whom can afford to fight back directly. (You go, E. Jean!) I imagine this is a core of what Wilde was getting at, and the real reason his critics were so angry at him. Dorian does not come to his corruption unaided. He arrives as a beautiful young man, who is seen as being as pristine inside as he is on the surface. The Victorians were very concerned with exteriors, believing that they served as personal screens displaying to the world a person’s character. But then he is introduced to Lord Henry Wotton. Henry proceeds to emit a torrent of nonsense, albeit amusing nonsense, mocking the morals of the time. Wilde, speaking through Henry, is cattier than my living room when I shake a container of treats. Henry offers a torrent of false, cynical aphorisms, suitable material to be printed on small pieces of paper and tucked inside poisoned fortune cookies. Were he opining today, Henry would be posting outrageous clickbait opinions on Twitter. Here are a few examples. They are legion, and will sound familiar in tone to characters from Wilde’s 1895 theatrical triumph, The Importance of Being Earnest …beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid.It is the cynical Henry who finds in the gullible Dorian the raw material with which to cast the young man into a representative of his very hedonistic view of life. Dorian offers the plasticity of the young to the dubious molding of the amoral. The young man is all ears. He even takes time away from the painter, Basil Hallward, to learn at Wotton’s feet. . To a large extent the lad was his own creation. He had made him premature. That was something. Ordinary people waited till life disclosed to them its secrets, but to the few, to the elect, the mysteries of life were revealed before the veil was drawn away. Sometimes this was the effect of art, and chiefly of the art of literature, which dealt immediately with the passions and the intellect. But now and then a complex personality took the place and assumed the office of art, was indeed, in its way, a real work of art, life having its elaborate masterpieces, just as poetry has, or sculpture, or painting.We are offered a bit of background on Dorian, to help explain his vulnerability to Lord Henry’s dark influence. And are even given a bit of theatrical brimstone to explain how the deal with the devil is achieved. Neither really matters much. [image] Angela Lansbury as Sibyl Vane in the 1945 film - image from Wikipedia Early on, Dorian is smitten with a beautiful young actress, Sibyl Vane, who considers him her Prince Charming. It is Sibyl’s appearance, her elevated acting performances, in addition to her beauty, that attracts Dorian. But when her dazzling talent on stage suddenly vanishes, she can no longer offer Dorian the thing he most admired, and he dumps her, cruelly. It is the first crime to which we are witness, the first time his painting changes. The pursuit of beauty and sensation above all else has claimed its first victim. There will be many more, but most of those bad behaviors take place off screen. Wilde put all of himself into this novel “Basil Hallward is what I think I am: Lord Henry is what the world thinks me: Dorian what I would like to be.”Unlike Lord Henry, and Basil Hallward, though, Wilde acted on his urges. Unlike Dorian, Wilde was imprisoned for his actions. Unlike Henry’s and Dorian’s depraved indifference to the harm they caused others, it is not clear that Wilde was a cruel person. Dorian is clearly a corrupt individual. Whether he arrived there unaided or had a push is of secondary importance. Lord Henry is clearly corrupt as well, even though we do not see him engage in any physical acts of treachery. Perhaps the corruption of youth, pulling Keeten goes into some detail on the derivation of the name Dorian Gray. Why not Loki? There are reasons. In fact, there is a lot you will enjoy learning when you check out his introduction. It is rich with detail about the author, the book, and the controversy that surrounded its publication. It also looks at the lasting impact Wilde has had on modern culture. It will definitely increase your appreciation of this wonderful novel. I suppose there might be a modern version in which Gray and his portrait are linked by quantum entanglement, or one should be made if it does not already exist. The battle between inner self and outer manifestation is certainly an eternal literary theme. For the second time, a sojourn down the Gravelight illuminated alley of classic horror has proved stimulating and enlightening. From Keeten’s smart, incisive intro to the chance to see what the original of a household-name classic was really on about, The Picture of Dorian Gray offers a richly rewarding reading experience, clever, funny, dark, shocking, intelligent, satirical, and satisfying. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful. Review posted - 02/23/24 Publication date – 11/6/23 I received copy of The Picture of Dorian Gray from Gravelight Press in return for a fair review. [image] [image] [image] [image] [image] [image] This review has been cross-posted on Coot’s Reviews =============================EXTRA STUFF Links to Keeten’s personal, FB, and Instagram pages Prior reviews for books intro’d by J. Keeten ----- Exhumed: 13 Tales Too Terrifying to Stay Dead – edited by David Yurkovich ----- The Strange Case of Dr. Jekyll and Mr. Hyde – edited by David Yurkovich Items of Interest -----Les Cent Nouvelles - a book of coarse French stories referenced in Chapter 4 -----Margaret of Valois -----Manon Lescaut - an 18th C. novel in which young lovers live a life of sexual and social freedom, while giving morality little thought – referenced in chapter 4 -----The St. James’s Gazette - referenced in chapter 10 -----Elephantis - author of a sex manual in Classical Greece – noted in Chapter 11 -----Against Nature by Joris-Karl Huysmans – cited in the introduction – Dorian’s reading of this 1884 celebration of sensory gluttony contributes to his corruption -----Wiki Deals with the devil in popular culture ...more |
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Feb 17, 2024
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| 0593537572
| 3.06
| 3,868
| Oct 24, 2023
| Oct 24, 2023
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really liked it
| A scream suddenly pierces the air. Startled glances are exchanged on the porch, a drink is spilled, a baby begins to cry, and your muscles tense; y A scream suddenly pierces the air. Startled glances are exchanged on the porch, a drink is spilled, a baby begins to cry, and your muscles tense; you sense this is one of those plot leaps that writers use to punctuate and propel the narrative, like those bursts of biological creativity that scientists claim shock evolution into action. But you are unsettled; just pages into the book, is it too early? Should a mystery unfold in a more demure fashion? Aren’t the suspense and anticipation the real secret thrill of the book, rather than (let us be honest) the all-too-often disappointing dénouement, the magician turning over his cards for an audience that realizes, bitterly leaving the theater, that they’ve been had?-------------------------------------- Other people’s secrets are easy. It’s our own that are hardI am not particularly a fan of video games, the large immersive, role-playing ones. Nothing against them. They are simply outside my experience for the most part. But I do know that a lot of the experience, the joy of these games, lies in figuring things out. If I do this, what happens? What if I do that? Where might secret intel reside? How can I get to it? It strikes me that for many readers, particularly for readers of detective stories, the experience is comparable, however different the physical approaches might appear. The internal processes are quite similar. Reading West Heart Kill is a bit like having a game designer walking you through the construction of the game as you play it, reminding you of the usual rules, and teasing you a bit about whether you will actually figure things out or not, suggesting tricks and traps that writers (or game designers) employ to keep you off base, while remaining entertained. I am a bit obsessive when I read mysteries, keeping lists of characters with their attributes, keeping track of timelines, locations, motives, et al, so am primed for such things. The game here is an overt one. The author is challenging you to figure out whodunit. If you accept the challenge you need to figure things out before the final reveal, otherwise it is game over for you. It is not that you finish the book with no points. Figuring out the mystery, the how, why, when and where, may be the top prize, but a skillful writer will offer plenty of rewards along the way, whether you succeed or fail. I did not figure out ahead of time the large murder questions, but I did suss out some of the lesser puzzles, and there was at least some whoo-hoo!-figured-it-out satisfaction to be had in that. There are further benefits to be had. [image] Dann McDorman - image from the NY Times – shot by Maansi Srivastava The West Heart of the title is a private club (membership fees are exorbitant), high on wealth (well, presumed wealth, at least), and low on morals. Secrets abound, as one might expect. The residents, many of whom spent their summers there as children, have considerable difficulty with marital vows, in particular, and then, of course, with that whole thou shalt not kill thing. Adam McAnnis is a thirty-something private investigator who has been hired to hang about, keep his eyes open, and see if he spots anything off. His connection is with an erstwhile classmate, from whom he manages to wheedle an invitation. The place is isolated, and will become more so as an expected storm seems likely to close off roads and cut off communications. Sound familiar? Many of the elements that make up this very meta novel will, particularly as McDorman lays them out for us, addressing readers directly. The weary detective is one: How often is he both lonely and alone, suspicious of everyone, accepting betrayal as the rule, not the exception? The deceits that begin to unfold the moment the client walks through his office door. Nights spent in parked cars watching illicit silhouettes behind shaded windows, receipts pulled from dripping trash bags, a five-dollar bill waved between two fingers before a junkie’s fixed gaze . . . the debased work of hundreds of cases, a file cabinet full of tragedies and comedies and tales too ambiguous to categorize.Or one particular character type: As a general rule, in murder mysteries, the least likable character is the most likely to die. But devious writers can anticipate your knowledge of this cliché and thrust a character like Warren Burr into early prominence to surprise you, later, with an entirely different victim. Or, perhaps, more devious still, circle back and kill him off in a double bluff—destined to die all along, exploiting and perverting your expectations from the start. Of course, some writers, among them not the least skilled, use much the same trick to mask and unmask their murderers . . .These permeate the story, as McDorman pokes you to figure things out. He even provides lists of characters and clues to help you along. It does not take too long for first mortality to occur. McAnnis takes on the role of investigator, publicly this time. We tag along as he interviews each of the suspects in turn. McDorman has a bit of fun, even concocting one interview with a dead person. We are treated to small essays on this and that, methods of killing people, for example, or an etymology of the word Murder, or on Agatha Christie’s mysterious disappearance, or on well-known writers using pseudonyms, or on the rules for mysteries, or on unresolved literary murders, and more. These are small, delightful diversions. Voice is handled differently from the norm here. The novel takes place over a long July 4th holiday weekend —Thursday to Sunday — and so I had the idea of writing each day from an additional different perspective: “he”... “I”... “we”... etc. Thus, each section is stamped with its own particular identity. And of course, the “you” voice explores why the perspective suddenly shifts, and how that plays into the intrigue of the plot… - from the Bloomsbury interviewIn fact, this works to keep one off-balance a bit. But there was some ambiguity even within the voice, at times, that I found off-putting. For example, there are sections in which the resident population is represented by a sort-of “we” voice. Then it mixed with an omniscient narrator. While there was certainly a purpose to it, it came across as jumbled to me. Asked what drew him to the 1970s as a time in which to set his novel, McDormand said, The superficial reason is that it was fun! The hairstyles alone defy belief. Some of the most entertaining hours I spent “working” on the novel involved paging through mid-70s clothing catalogs; that led directly to an entire paragraph early in the book that is just a listing of the trademarked (and fabulously named) artificial fabrics worn by the characters: Acrilan®, Fortrel®, PERMA-PREST®, Sansabelt®, Ban-Lon®… More substantively, the zeitgeist of the 1970s felt intensely familiar to me. We’d lost trust in institutions and in each other; the old solutions didn’t work; the new ones seemed inadequate; a creeping disillusionment had overtaken the best of us, while the worst seemed full of passionate intensity. As an era, the 1970s seems extraordinarily relevant to writers and readers today. - from the Bloomsbury interviewThere are plenty of suggestive atmospherics, like a part of the considerable property that is used for hunting (hunting what, exactly?), or a traditional bonfire that might be used for the destruction of evidence, (or maybe eliminating a pesky witness?) primitive maps, hidden paths, mysterious people seen at a distance on ill-lit trails, a dark and stormy night. All great fun. Of course, there is another traditional element in the mystery novel. Be sure to bring along your fishing pole. There are red herrings aplenty to land. I found this to be an entertaining read, but there were bits that did not sit well. There is an event that happens near the end, which I will not spoil, that created a bit of a vacuum, that space being filled in a way that, while very creative, still felt forced and unnatural. Certain scenes are written as plays, which seemed cutesy. Not saying these were not entertaining, but why? Many of us who read Stephen King continue to do so because there is pleasure to be had in the reading, the engagement, the flow, the scares, even though many readers often find his final reveals to be unsatisfying. In a similar vein here. There is much in West Heart Kill that is great fun, that engages us and prods our brains to kick into gear when a less meta approach might just leave us to cruise through the read in a straight line. It encourages us to play, rather than just watch. That is worth a lot. The elements that bugged me made it less than a five-star read, but it will certainly stand out from the pack for seasoned readers of crime novels for its interactive approach. Game on. Review posted - 01/26/24 Publication dates ----------Hardcover – 10/24/23 ----------Trade paperback - 9/3/24 I received an ARE of West Heart Kill from Knopf in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating. [image] [image] [image] [image] [image] [image] This review is cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Author links – well, McDorman’s social media links definitely remind one of the time in which he located his novel. He did have a Twitter account at some point, but has not posted anything for years. Nada on FB. Here is his GR profile page. Interviews -----NY Times - When a Book Deal Feels Like ‘Winning the Middle-Age Lottery’ by Elizabeth A. Harris – nothing on the book itself, solely on his unlikely situation of getting a first novel published. -----Bloomsbury - “In the end, both the detective and the killer must make a choice, whether to act from hate, or from love” -----Crimereads - DANN MCDORMAN ON EXPLORING LITERARY HIJINKS AND META MYSTERY by Jenny Bartoy -----BookBrunch - Q&A: debut novelist Dann McDorman by Lucy Nathan Items of Interest -----Publishers Weekly - Knopf Bets on 'West Heart Kill' -----Wiki on Angela Atwood - referenced in Chapter 1 ...more |
Notes are private!
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not set
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Jan 19, 2024
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Jan 25, 2024
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Hardcover
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1948226391
| 9781948226394
| B0BT91B76L
| 3.61
| 237
| unknown
| Oct 17, 2023
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it was amazing
| What makes a person the same person over time? Is it our consciousness, the what-it’s-like to be us? Is consciousness like a light that’s either on What makes a person the same person over time? Is it our consciousness, the what-it’s-like to be us? Is consciousness like a light that’s either on or off?-------------------------------------- What remains of a person once they’ve died? It depends on what we choose to keep.Amy Kurzweil is a long-time cartoonist for The New Yorker. If the name sounds a bit familiar, but you aren’t a reader of that magazine, it may be because her father is Ray Kurzweil. He is a genius of wide renown. He invented a way for computers to process text in almost any font, a major advance in making optical character recognition (OCR) a useful, and ubiquitous tool. He also developed early electronic instruments. As a teenager he wrote software that wrote music in the style of classical greats. No gray cells left behind there. He happened to be very interested in Artificial Intelligence (AI). It helps to have a specific project in mind when trying to develop new applications and ideas. Ray had one. His father, Fred, had died when he was a young man. Ray wanted to make an AI father, a Fred ChatBot, or Fredbot, to regain at least some of the time he had never had with his dad. [image] Amy Kurzweil - Image from NPR - shot by Melissa Leshnov Fred was a concert pianist and conductor in Vienna in the 1920s and 1930s. A wealthy American woman was so impressed with him that she told him that if he ever wanted to come to the USA, she would help. The Nazification of Austria made the need to leave urgent in 1938, so Fred fled with his wife, Hannah. (He had actually been Fritz in Austria, becoming Fred in the states.) He eventually found work, teaching music. Artificial: A Love Story is a physically hefty art book, a tale told in drawings and text. Amy traces in pictures her father’s effort to reconstruct as much of his father’s patterns as possible. To aid in the effort there was a storage facility with vast amounts of material from his life both in Austria and in America. She joins into the enterprise of transcribing much of the handwritten material, then reading it into recordings which are used to teach/train the AI software. It is a years-long process, which is fascinating in its own right. She also draws copies of many of the documents she finds for use in the book. [image] Ray Kurzweil with a portrait of his father - image from The NPR interview - Shot by Melisssa Leshnov But there is much more going on in this book than interesting, personalized tech. First, there is the element of historical preservation. I always understood my father’s desire to resurrect his father’s identity as being connected to two different kinds of trauma. One is the loss of his father at a young age in a common but tragic scenario, with heart disease. The other trauma is this loss of a whole culture. Jewish life in Vienna was incredibly vibrant. Literally overnight it was lost. The suddenness of that loss was profound, and it took me a while to appreciate that. My great-aunt Dorit, who died this past year at 98, said they were following all the arbitrary protocols of the Nazis to save all this documentation. Saving documentation is an inheritance in my family that is a response to that traumatic circumstance. - from the PW interviewKurzweil looks at three generations of creativity, (Fritz was a top-tier musician. His wife, Hannah, was an artist. Ray was also a musician, but mostly a tech genius. Amy is a cartoonist and a writer.) using Ray’s Fredbot project as the central pillar around which to organize an ongoing discussion of concepts. In doing so, she offers up not merely the work of the project, but her personal experiences, showing clear commonalities between herself and her never-met grandfather. This makes for a very satisfying read. Are the similarities across generations, this stream of creativity, the impact not just of DNA, but of lived experience? Nature or nurture, maybe the realization of potential brought to flower by the influence of environment whether external (living in a place that values what one has to offer) or internal (families nurturing favored traits)? [image] Image from the book - posted on The American Academy in Berlin site One could ask, “what makes us what are?” The book opens with a conversation about the meaning of life. But life is surely less determinative, less hard-edge defined than that. A better question might be what were the historical factors and personal choices that contributed to the evolution of who we have become? [image] Image from the book - it was posted in the NPR interview Existential questions abound, which makes this a brain-candy read of the first order. Kurzweil looks at issues around AI consciousness. Can artificial consciousness approach humanity without a body? What if we give an AI a body, with sensations? Ray thinks that we are mostly comprised of patterns. What if those patterns could be preserved, maybe popped into a new carrier. It definitely gets us into Battlestar Galactica territory. How would people be any different from Cylons then? Is there really a difference? Would that signal eternal life? Would we be gods to our creations? If we make an AI consciousness will it be to know, love, and serve us? The rest of that catechistic dictat adds that it is also to be happy with him in heaven forever. I am not so certain we want our AIs remaining with us throughout eternity. As with beloved pets, sometimes we need a break. Are we robots for God? Ray thinks such endless replication is possible, BTW. Kurzweil uses the image of Pinocchio throughout to illustrate questions of personhood, with wanting to live, then wanting to live forever. [image] Every Battlestar Cylon model explained - image from ScreenRant Persistence of self is a thread here. As noted in the introductory quotes, Kurzweil thinks about whether a person is the same person before and after going through some change. How much change is needed before it crosses some line? Am I the same person I was before I read this book? My skin and bones are older. But they are the same skin and bones. However, I have new thoughts in my head. Does having different thoughts change who I fundamentally am? Where does learning leave off and transition take over? Where does that self go when we die? Can it be reconstructed, if only as a simulacrum? How about experiences? Once experienced, where do those experiences go? These sorts of mental gymnastics are certainly not everyone’s cuppa, but I found this element extremely stimulating. Kurzweil remains grounded in her personal experience, feelings, and concerns. The book has intellectual and philosophical heft, and concerns itself with far-end technological concerns, but it remains, at heart, a very human story. As one might expect from an established cartoon artist who has generated more smiles than the Joker’s makeup artist, there are plenty of moments of levity here. Artificial is not a yuck-fest, but a serious story with some comic relief. It is a book that will make you laugh, smile, and feel for the people depicted in its pages. Amy Kurzweil has written a powerful, smart, thought-provoking family tale. There is nothing artificial about that. I used to wonder if I could wake up into a different self. For all I knew, it could have happened every morning. A new self would have a new set of memories.Review posted - 01/12/23 Publication date – 10/17/23 I received a hard copy of Artificial: A Love Story from Catapult in return for a fair review. [image] [image] [image] [image] [image] [image] This review is cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to the author’s personal, FB, Instagram, and Twitter pages Profile – from Catapult AMY KURZWEIL is a New Yorker cartoonist and the author of Flying Couch: A Graphic Memoir. She was a 2021 Berlin Prize Fellow with the American Academy in Berlin, a 2019 Shearing Fellow with the Black Mountain Institute, and has received fellowships from MacDowell, Djerassi, and elsewhere.Interviews -----NPR - Using AI, cartoonist Amy Kurzweil connects with deceased grandfather in 'Artificial' by Chloe Veltman -----Publishers Weekly - Reincarnation: PW Talks with Amy Kurzweil by Cheryl Klein -----PC Magazine - How Ray Kurzweil and His Daughter Brought A Relative Back From The Dead By Emily Dreibelbis ——LitHub - Amy Kurzweil on the Open Questions of the Future by Christopher Hermelin Songs/Music -----The Jefferson Airplane - White Rabbit- referenced in Chapter 6 Items of Interest from the author -----Artificial: A Love Story promo vid -----The New Yorker - excerpt -----New Yorker - A List of Amy Kurzweil’s pieces for the magazine Items of Interest -----Ray Kurzweil on I’ve got a Secret -----A trailer for Transcendant Man, a documentary about Ray Kurzweil -----WeBlogTheWorld - Amy interviews Ray in a Fireside Chat at NASA – sound is poor. You will need to ramp up the volume to hear – video – 23:07 -----Wiki on Battlestar Galactica ...more |
Notes are private!
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1
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not set
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Jan 08, 2024
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Jan 11, 2024
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Hardcover
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0374600309
| 9780374600303
| 0374600309
| 3.96
| 61,781
| Jun 08, 2023
| Aug 15, 2023
|
it was amazing
| In the next town over, a man had killed his family. He’d nailed the doors shut so they couldn’t get out; the neighbours heard them running through In the next town over, a man had killed his family. He’d nailed the doors shut so they couldn’t get out; the neighbours heard them running through the rooms, screaming for mercy. When he had finished he turned the gun on himself.-------------------------------------- For months now she has been having the same dream Of a flood that sweeps through the house Carries off clothes from the wardrobes Toys from the cupboards Food from the table In the dream she is trying to stop it She is wading around, pulling things out of the water But there’s too much to hold in her arms and it overcomes her The current grows stronger Pulls away the appliances the kitchen island tiles from the floor paint from the at the edge of the water watching her go Staring down as she’s swept past In their eyes she is old Her youth is gone too It has all been washed away by the waterThe Barnes family is having their problems. It is 2014 in small-town Ireland. We follow Dickie, Imelda, his wife, PJ, their son, and Cass, a high school senior, through a range of travails. Leo Tolstoy’s Anna Karenina opens with, Happy families are all alike; every unhappy family is unhappy in its own way. Guess which category the Barnes family fits into. PJ is almost a teen, so will have a lot of growing-up to do, but he is faced already with challenges that are plenty daunting. Coping with bullies at school is no fun, if a particularly usual checklist item in coming-of-age stories. But he is also beset by the thug teen child of one of his father’s customers, who feels his family has been cheated by Dickie. Beatings happen, and more are promised if he does not pay up. And these are the lesser of the challenges he faces. On the upside, he likes spending time hanging out with his father, working on a project in the woods behind their house. [image] Paul Murray - image from the Hindustan Times - shot by Lee Pelligrini Cass has teen-angst aplenty, coping with her social status, her newly-ripening sexuality and her attraction to a promiscuous friend. She is trying to define who she is. (which is not exactly a wonderful person when we meet her.) A part of that is seeing herself as separate from her family. She would definitely not want to be associated with those people. She is particularly hostile to her father, blaming him for the demise of the family business, and the collateral social impact that is having on her. She is not a stunner like her mother, which does not help. The prospect of heading off to college in Dublin offers a concrete escape route, the sooner the better. She is besties, I guess, with Elaine, who is as amoral and unfeeling as she is beautiful. Imelda came from a working-class family. Rough around the edges would be a kind description. But she was born a knockout. It was always going to be her ticket out. She falls in love with the town’s football superstar, Frank. They are to be wed. Frank stands to inherit a successful family business, and should be able to provide nicely for her. Problem is a literal crash and burn, and buh-bye Frank. She winds up marrying Frank’s older, smarter, but not-golden-boyish brother, Dickie. Dickie had the brains for college, and attended, for a few years, until an unfortunate event derailed his collegiate career and he headed home. He may have been the smarter of the brothers, but Frank had the gift of salesmanship, and was a better fit to take over the car dealership. But when Frank dies, it falls to Dickie to step in. He manages, but it is not work he exactly loves. These days, he is spending time in the woods behind their home, building a defense against Armageddon, spurred on by a troll-like employee who exhales conspiracy theories and seems to be looking forward to the coming end-times. He has a lot of time on his hands. The car-dealership is in the crapper. Along with plenty of other businesses, suffering not only from a global economic downturn, but massive flooding in the town. Dickie’s father, Maurice, retired, but still the owner, swoops in to try to fix things, blaming Dickie for the difficulties. Dickie is not entirely faultless here. But there are serious complications with him. We follow these four for over six hundred pages, getting to know them intimately. We learn their secrets, see them change, see them cope with relentless stressors, see them grow, or not. This is the greatest power of the novel. Each is faced with decisions, moral choices, that define their character, that define their changes, maybe their failures. If that were all, it would be an outstanding piece of work, but Murray offers a very rich palette of content as well, raising it to another level. There are many notions that run throughout The Bee Sting’s considerable girth. Space has been reserved to handle them all. The core, of course, is family. Not exactly the most functional, the Barnses. Parents who have been raised to hide their emotions have no natural ability to make a happy home. You couldn’t protect the people you loved – that was the lesson of history, and it struck him therefore that to love someone meant to be opened up to a radically heightened level of suffering. He said I love you to his wife and it felt like a curse, an invitation to Fate to swerve a fuel truck head-on into her, to send a stray spark shooting from the fireplace to her dressing gown. He saw her screaming, her poor terrified face beneath his, as she writhed in flames on the living-room carpet. And the child too! Though she hadn’t yet been born, she was there too. All night he listened to her scream in his head – he couldn’t sleep from it, he just lay there and sobbed, because he knew he couldn’t protect her, couldn’t protect her enough…On top of which, secrets abound. They are all trying to find a way out, except for PJ, who is mostly interested in seeing things returned to the way they were before the dealership miseries began, and radiated outward. Murray shows how dysfunction and damage can carry forward from one generation to the next, the brutality of Imelda’s family, the emotional absence of Dickie’s. But all has not been destroyed. When Dad was fun everything was fun. Not just holidays, not just Christmas. Going to the supermarket! Cutting the grass! At bedtime they had pyjama races, they read Lord of the Rings cover to cover, they put a torch under their chins and told each other ghost stories…Family connection is important, mostly in the desire of most to sever it. Dickie was desperate as a young man to get away, get an education, do something other than sell cars for the rest of his life. Imelda came from a toxic family (not all of them) and also struggles with her connection to the family she is in, for current-day part of the story. Cass wants out, ASAP. Tethers are cut, but some are also sewn. The tension between these struggles is fuel for the story. Murray looks at the impact of the environment on peoples’ lives. The story is set at the tail end of the recession from the Celtic Tiger boom that had preceded. The economic environment was still pretty tough and we see how this impacts the family. It will come as no shock that a major, unusual, flood impacts Dickie’s already sinking business, with talk of liquidation, that a water leak in the Barnes house carries omens, and that Imelda dreams of being washed away, as she is forced to cope with losing the luxury level lifestyle to which she thinks her incredible beauty entitles her. Cass’s collegiate prospects and social standing are endangered. Other players in the story are challenged as well. PJ is fast out-growing all his clothing, but does not want to be a burden on the now-struggling family, so keeps quiet and castigates his feet for growing too much. There is a stream involving the presence of gray squirrels in Ireland. They are an invasive species, as of a century back, and carry a disease that is fatal to the native red squirrels. Are they the only locals in danger of being wiped out? Another stream is the notion of returning, coming back from the dead, in particular. Some people might say that the key problem is with coming back from the dead specifically. Because obviously death is a pretty serious step with all kinds of long-term effects that you’re not going to just shake off. But lately you’ve noticed it with other things too, that even though they never actually died, when they came back from where they’d gone they were still completely changed.Imelda keeps looking for the ghost of Frank to show up at her wedding to Dickie. Dickie is definitely not the same after returning from Dublin. Same for Cass and PJ. Other characters, a maid, a mechanic, a patriarch, return as well, with mixed results. …is it worth taking the risk? Sometimes? If you could still sort of see the person they were and you thought maybe there was still enough time, if you knew what to do or say?Bees get a bit of attention, if a bit less than expected. The bee sting of the title is inflicted on Imelda, on her way to her wedding to Dickie. Her face was in no condition to be seen, so every wedding picture of her is through her veil. There is another passage about the mating habits of bees. It does not end well for the males. …the pesticide the farmers use on plants contains a neuro-toxin that destroys their memory so they forget their way home, can’t make it back to the hive where they live, and that’s why they’re dying out. When they looked in the hives they found them not full of dead bees, but mysteriously empty. Maybe that’s what happened to Cass, you think. Maybe air pollution in the city has damaged her brain and now she’s forgotten her home. Though really you know it started way before she came here.The impact of stinging on the stinger is also considered. There is even a bit of magic as Imelda’s Aunt Rose has a particular gift, sees things that others cannot, says sooths, a family thing, but not one that Imelda has ever manifested. Murray writes in differing styles. Most of the book is presented as third-person omniscient, describing the actions and peering inside to reveal the characters’ thoughts and feelings. Standard stuff. The final section, The Age of Loneliness, is written in the second person. We alternately assume the POV of the main characters, as each races toward the stunning climax. Imelda gets a breathless, minimally formatted structure. There is a sample in the second quote at the top of this review. I wrote Imelda’s section, and I knew she was on her way to this dinner… I wrote that first line like she, well, she needs to use the bathroom really urgently. And I put commas in and a full stop. And it did not feel right at all. The only way to write it was without the punctuation, and I wanted it to feel like you’re in her head. She doesn’t parse things in the same educated way that Dickie or indeed the kids would do. She just thinks in this much more immediate, intensive way. When you go from the kids’ sections into Imelda’s section, I wanted it to feel like, woah, there’s a change in gear here. Like there’s something’s going on that hasn’t been apparent up until now. At this moment in her life, but maybe at every point in her life, everything feels extremely precarious. She’s on this knife edge, all the time. She always feels like everything’s going to collapse, the floor is going to disappear from under her and she’s going to just tumble down into the past with her abusive dad and the poverty and the grimness and stuff. - from the. Hindustani Times interviewIt would not be a Paul Murray novel if you did not come away from the reading without a few more laugh lines in your face. He takes the most liberty with this in the teens’ sections, the most reminiscent of the grand, rude humor of Skippy Dies to be found here. For example Nature in her eyes was almost as bad as sports. The way it kept growing? The way things, like crops or whatever, would die and then next year they came back? Did no one else get how creepy that was?You get the idea. Love this stuff. So what’s not to like? Nothing, nothing at all. This is a wonderful, engaging, risk-taking, funny, moving, horrifying, engaging, biting, human triumph of a novel. You may feel stung by elements in this great tale, but you will come away with a literary trove of honey. Ireland is a place where people are very good at talking. People are so funny and have such brilliant stories, and it’s a way to disguise what you’re actually feeling. The reason, I think, is because this is a place where very terrible things have happened and the way we deal with them is by not addressing them. So I feel like the ghosts are alive and they’re active. The past is affecting what you’re doing in a very real way. And if you don’t address the issues, then the darkness just grows, and the damage gets passed down from one generation to the next, like in the book. – from the Guardian interview Review posted - 12/8/23 Publication dates ----------Hardover – 8/15/23 ----------Trade paperback - 5/2/24 The Bee Sting was short-listed for the Booker Prize I received an ARE of The Bee Sting from FSG in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating. [image] [image] [image] [image] [image] [image] This review is cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to Paul Murray pages on Wikipedia and Goodreads Interviews -----Hindustani Times - Paul Murray – “Climate change is something I worry about all the time” by Saudamini Jain – READ THIS ONE ----- The Guardian - Paul Murray: ‘I just dumped all my sadness into the book’ by Killian Fox -----The Booker Prizes - A Q&A with Booker Prize 2023 shortlisted author Paul Murray - video – 4:08 My review of an earlier book by Murray -----Skippy Dies – one of the best books EVER! Items of Interest from the author -----New York Magazine – 3/15/23 - Who is Still Inside the Metaverse? -----The Guardian - Paul Murray: ‘How the banks got rich off poor people would be a painful read without comedy’ on The Mark and the Void -----Boston College Libraries – Fall 2022 - How to Write a Novel - video – 1:20:05 - Paul from 7:45 - On the book from 18:25 – well, sort of - Largely about why it took so long between novels – and his experience with screenwriting - Wicked funny, too. -----Outlook India - Excerpt ...more |
Notes are private!
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1
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not set
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Nov 27, 2023
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Dec 04, 2023
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Hardcover
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1250624517
| 9781250624512
| 1250624517
| 4.12
| 7,675
| Feb 01, 2022
| Aug 15, 2023
|
really liked it
| … a chemical is not intrinsically, good or bad, it’s just a chemical. What differs is the intent with which the chemical is used: either to preserv … a chemical is not intrinsically, good or bad, it’s just a chemical. What differs is the intent with which the chemical is used: either to preserve life – – or to take it.-------------------------------------- Within the annals of crime, murder holds a particularly heinous position. And among the means of killing, fewer methods generate such a peculiar morbid fascination as poison. Compared with hot blooded spur of the moment, murderers, the planned and cold calculations involved in murder by poison, perfectly fit the legal term malice aforethought. Poisoning requires planning and knowledge of the victim’s habits. It requires consideration of how the poison will be administered. Some poisons can kill within minutes; others can be given slowly, over time, gradually accumulating in the body, but still leading inexorably to the victim’s death.If you are a fan of True Crime, if you are a fan of TV procedurals, if you are a fan of murder mysteries, A Taste for Poison is a must read. You will be much better prepared to keep up with the medical examiners in all venues when you can recognize the victims’ symptoms, at least if the book or show gives you a chance to try figuring it out for yourself before the truth is revealed. Neil Bradbury grew up fascinated by murder mysteries and poisons. He is a graduate of the University of St. Andrews in Scotland, and the University of Wales School of Medicine, with degrees in Biochemistry and Medical Biochemistry. Although he grew up in the UK, he now lives and works in Illinois, USA, where he’s a scientist, teacher and writer. He also gets to play with nasty chemicals every day (during scientific experiments of course). - from his site[image] Dr. Neil Bradbury - image from his site He has carefully mixed his interests and profession to produce a fun, informative look at poisons through the ages. One might wonder if he wrote the book using a poison pen. I wouldn’t, but some might. He includes looks at the following: Aconite, Arsenic, Atropine, Chlorine, Cyanide, Digoxin, Insulin, Potassium, Polonium, Ricin, and Strychnine. None would qualify as pretty, although cyanide does gift its victims with a lovely ruddy complexion. One of the primary themes of the book is that poisoning is the misapplication of healing pharma to dark purpose. Think water. Necessary for human survival, comes in many forms. These days it forms a base layer for a surface layer of every imaginable flavor, nifty literary tool too, right? But water-boarding, or tsunami? Not so much. Bradbury goes through the medically helpful aspects of multiple poisons, then shows how they have been used to kill, who used them, on whom they were used, how the crimes were figured out and prosecuted, and what happened to the poisoners. In doing this he provides us with a history of when it became possible to diagnose (detect) each poison as a murder weapon, (of particular interest in historical mystery dramas) and details the biology of how each works its dark arts inside the human body. Sadly, for those with a poison-based homicidal urge, the subjects of Bradbury’s reporting, for the most part, were tried and convicted. And today, in the absence of governments protecting state-sponsored poisoners, very few such crimes go unpunished. You are unlikely to recognize the names here, at least the names of the killers, attempted killers, and victims, but as with many in the history of medicine, that is not unusual. Nevertheless, the details are here, as many crimes are examined. Bradbury offers a fun collection of historical odds and ends, like how the telegraph, newly in service, foiled the escape of one poisoner. Or how one particular poison may have been at the root of vampire mythology, or how strychnine was used as a pick-me-up in the early 20th century, or the surprising cost of manufacturing polonium, and even a new take on some Van Goh masterpieces. The only downside for me was that I tended to get a bit lost in the sections detailing the biological and chemical workings of these substances inside the body. I would not say they are extremely technical. I would say that I was always complete garbage at chemistry, and not a whole lot better at biology, so may have nurtured a disaffection that is unlikely to affect you the same way. There is some humor in the book, but not a whole lot. Still, As a consumer of a considerable amount of crime-based entertainment, I was particularly drawn to this book. The how-dun-it often is as important as the who, and by detailing victim symptomology as well as poisoner and investigator methodologies, we can all get a greater appreciation for the challenges entailed. I may not have had the right chemical receptors for the scientific details, but there is plenty of intel in here that will enhance your engagement in crime shows, and teach you a bit about the history of these substances, many of which exist in common parlance. So, it may or may not be for you. I guess you will just have to pick your poison. …in France in the late 1600s, the effectiveness of arsenic and disposing of wealthy relatives who had the temerity to remain alive, was so widespread that it gained the name Poudre de succession, or “inheritance powder.” Review posted - 11/17/23 Publication dates ----------Hardcover - 2/1/22 ----------Trade paperback – 8/15/23 I received a paperback of A Taste for Poison from Griffin in return for a fair review. I am happy to report that the tingling feeling in my hands, which began after I first began to read the book, soon abated. Thanks, folks, and thanks to NetGalley for facilitating. [image] [image] [image] [image] [image] [image] This review is cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to the author’s personal and Goodreads author pages Alas, as far as I was able to find, Bradbury’s on-line presence is slender, limited to his personal site and GR author page. Maybe laying low after having taken care of some personal rivals? Interview -----Murder & MayhemTalking Poisons with Dr. Neil Bradbury Items of Interest -----Listverse - Top 10 Remorseless Poisoners That History Almost Forgot by Radu Alexander -----Philadelphia Inquirer -A Pennsylvania nurse is accused of killing 4 patients, injuring others with high doses of insulin by Bruce Shipkowski and Brooke Schultz, Associated Press -----Wikipedia - List of Poisonings through history – from 399 BC to 2021 – a nifty list ...more |
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Nov 15, 2023
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Nov 13, 2023
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1250272416
| 9781250272416
| 1250272416
| 3.71
| 83
| unknown
| Aug 08, 2023
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really liked it
| I had no idea my experience was so different from other people’s. Now I’m convinced that everybody has their own unique holographic experience of t I had no idea my experience was so different from other people’s. Now I’m convinced that everybody has their own unique holographic experience of the sensory world.”-------------------------------------- Synesthesia has been incorrectly defined, in my humble opinion, as “crossed wires in the brain” or “mixed-up senses.” In fact, synesthetes have the same primary response to a stimulus as neurotypical people do. If the numeral 5 appears in newsprint, I know that it is black on a white (well, somewhat beige) background. However, simultaneously, I see navy blue around that number and above that number it, like an aura. Therefore, I’ve created what I believe is a much better definition: Synesthesias are traits in which a sensory stimulus yields the expected sensory response plus one or more additional sensory responses.For myself, I have always been on the lower end of the taste/smell sensitivity bell curve, presuming there to be such a thing. I have always attributed this to the DNA luck of the draw. Some of it, though, might be a product of my homemaker mother’s abilities as a cook. There were a few things she made that were mouth-watering, but for the most part, it was said of Mom that she had a close relationship with Chef-Boyardee. Thus, it is no shock that my appreciation for cuisine exists in a narrow range. As smell is closely associated with taste, the two have traveled this low experiential road together. But maybe there is some hope for me and for folks with limitations like mine Maybe there are ways to expand the range of flavors and aromas we can detect and enjoy. (Make real friends with our taste buds?) That possibility is one of the points that Maureen Seaberg makes in her new book, Fearfully and Wonderfully Made. There are several others. [image] Maureen Seaberg - image from Amazon Seaberg is a synesthete, gifted with abilities beyond the average. Even within that, she is a tetrachromat, proud possessor of four sets of visual cones to our usual kit of three. She has used this extra-sightedness to help a cosmetics firm produce more pleasing hues. She is also a mirror-touch synesthete, which means that she can feel your pain, really. Patricia Lynne Duffy, a member of the United Nations Staff 1 Percent for Development Fund committee, was safely ensconced in her Manhattan office, but when she read the proposals before her, she felt the pain of the world’s most fragile people.She is the author of multiple books on her personal experience as a sensory anomaly, and others looking into the science of what makes us different. Among these are Tasting the Universe, Struck by Genius, and The Synesthesia Experience. While highlighting the differences in human capacity, Seaberg argues that we are all potentially synesthetes, but that our acculturation has defined limits to what our senses regard as the human range. She says we are capable of much more, and cites sundry studies to show our surprising range. One shows that we can detect light down to a single photon. Is it that we are all, or most of us, or many of us, capable of experiencing, sensing much more of our world that we have to date? Are these tools in our toolbox that we have merely never been trained to use? Seaberg uses the examples of many people who are either synesthetes, or who have naturally enhanced capabilities to argue that we could be experiencing much, much more than we do. She also notes people who, through traumatic events, (a mugging in one case) have subsequently displayed enhanced capacities, supporting the notion that we all may have considerable untapped potential. One surprising element here is her reporting on the benefits of the Montessori teaching method, which encourages multi-sensate learning. She suggests we incorporate into our psychological and medical frameworks the notion of a Perception Quotient, or PQ. Just as we have for our rational processing with the intelligence Quotient, or IQ, and EQ for Emotional abilities. Seaberg spends some time with the question of transhumanism, the notion that people can evolve beyond our current biological constraints by incorporating connections (merging?) with technology. She argues against such, contending that our realized and latent capacities can take us a lot further than we have gone, without the need for electronic enhancement. There’s plenty of evidence that humans are adapting to, even passing, machines by using their senses. Just look at the mind-meld young people have with their personal devices and the manual deftness with which they use them compared to older generations. Maybe the singularity moves in two directions, and we meet somewhere along the way. There’s a human-based component not yet considered. And since we’ve recently learned that human sensory potentials are far greater than we knew, perhaps we have a little more time to think about the value of being Homo sapiens.In a related vein, she notes that there are mirror-touch synesthetes who blur those lines. A very small subset of the neurological outliers known as mirror-touch synesthetes have extreme empathy for machines. They are sometimes able to feel the mechanisms in their own sensitive bodies. I call them machine synesthetes or machine empaths.She touches on some even more esoteric subjects, like the remote viewing program sponsored by the USA military from the 1970s into the 1990s, and the possibility of consciousness permeating more of our biosphere than we may have realized. If you are looking for a how-to re expanding your sensate horizons I would look elsewhere. The prompts offered for that here are introductory at best. Seaberg does offer some other places to go for that. This is more a treatise on the possibility of capacity expansion, not a manual for expanding ourselves. If we are indeed the architects of our own reality, it is clear that some of us have been gifted with a superior toolkit for interpreting what we see, hear, smell, taste, and touch, in that construction process. Maybe for the rest of us there are some tools in the basement or shed that have been gathering dust all our lives, tools that can be cleaned off, greased up, and maybe even powered up. It may or may not be a widespread opportunity, but it is certainly a hopeful and very interesting one. In trying to make sense of senses, Maureen Seaberg has written a fascinating, accessible work on human possibility that should stimulate your curiosity, whether or not you experience collateral sounds, colors, scents or other incomings. Checking this book out would definitely be sensible. “We genuinely experience scent as the emotion we have attached to it,” one sensory educator said. “Our hearts lift at the aroma that reminds us of a happy day at the beach, or our hearts break a little when we smell the aroma of a long-dead relative’s soap.” Review posted - 10/20/23 Publication date – 8/8/23 I received an ARE of Fearfully and Wonderfully Made from St. Martin’s Press in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating. [image] [image] [image] [image] [image] [image] This review is cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to the author’s personal, Instagram, LinkedIn, and Twitter pages Interviews -----Audacy - The Science of Synesthesia and Super Sensors - audio - 30 min -----PSIfest 2023 – Curious Realm - Maureen Seaberg @PSIFest 2023 - Video – 27:01 Songs/Music -----Rollingstones - She’s a Rainbow - maybe another form of synesthesia Items of Interest -----Untapped Cities - THE SECRET COLORS OF NYC: HOW MAC’S NEW COLOR TALENT SEES THE CITY DIFFERENTLY THAN YOU by Owen Shapiro -----Charlotte McConaghy’s wonderful novel, Once There Were Wolves, offers a fictional look at someone with mirror-touch synesthesia -----Wiki - Montessori Method -----Wiki - The Stargate Project - remote viewing by the military -----Wiki - Transhumanism -----Optimax - Tetrachromacy: Do you have superhuman vision? ...more |
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