After seeing several social media posts and videos extolling the virtues of author Callie Hart’s first book in The Fae & AlchemDo you believe in fate?
After seeing several social media posts and videos extolling the virtues of author Callie Hart’s first book in The Fae & Alchemy series I decided to take the day off from my normal ARC reading/reviewing schedule to give it a read. What can I say? I had bad FOMO. I’ve come to realize that while I’ve been spending most of my time doing trad pub ARC reading, I’ve been missing out on a lot of great releases from the indie publishing world. I decided not to miss out on this one.
I’m so happy I took the day off for Quicksilver. I haven’t felt like this about a romantasy in a long time. Have I loved other romantasies as much as this? Yes, but in a different way. Quicksilver is the type of romantasy I love best: quick-witted, fast-paced, action-packed, spicy, funny, rude, two grumpy and traumatized main characters/love interests, no love triangle, tortured hearts, sexual tension and chemistry for days, protective streaks for days, stubborn and self-sacrificing idiots, and a healthy amount of snark.
I absolutely adored Bewitched, the first book in this series, and Bespelled ensnared me with its charms just as effectively. I’m not the hugest fan ofI absolutely adored Bewitched, the first book in this series, and Bespelled ensnared me with its charms just as effectively. I’m not the hugest fan of straight-up MF romance, but there’s just something about the way Laura writes her lead couples that sucks me every time and causes me to become heavily invested in them and their story. I can’t pinpoint what it is about them yet (yes, even though we’re at the end of the second book) that has me so captivated, but I know there has to be other authors out there that wish they could bottle this particular blend of writing witchcraft.
Bespelled picks up almost right where Bewitched left off, with Selene having been framed for the witch murders by Memnon, because someone’s still stuck on his tour of vengeance. Selene has the memories of her past life back, but it’s kind of hard to focus on anything but being, well, under arrest for crimes she didn’t commit. Luckily, the situation rights itself pretty quickly, and soon we get back to the incredibly charismatic push-pull dynamic between Selene and Memnon as they try and navigate each other, the situation they find themselves in now that Selene can remember the past, and what to do about the ongoing murders.
We get to meet a whole slew of supporting characters, see the overarching plot develop some more, see a new major plotline develop, see the rise and fall of a whole subplot within this book, and have it end with not a cliffhanger but a huge question mark. There’s a ton of magic, a whole bunch of intrigue, a great deal of action and violence, some great swoon-worthy romance, decent spice, and buckets of blood.
A lot happens in this book. I mean, a lot, a lot. Thalassa does a great job keeping the story moving and not letting everything get too tangled together at the same time. There is a pretty large infodump via looking into memories (not by flashback) near the beginning of the book, but I can’t in all fairness call it lazy storytelling in this instance because it falls in line with the way magic works in this series and the way the characters exist. There just wasn’t a better option to get the necessary information across to we readers.
It was a fantastic read and I’m absolutely anticipating the final book!
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
I thought this book was absolutely fabulous. It was like the largest, most decadent mug of paranormal, supernatural, romantic dark fantasy that was thI thought this book was absolutely fabulous. It was like the largest, most decadent mug of paranormal, supernatural, romantic dark fantasy that was then topped with marshmallow-y emotions. Don’t mistake this book for cozy in any way, though, because this is a wicked read in a variety of ways. The one thing it isn’t, though? It’s not spicy. A little steamy, yes, but these two twisted, star-crossed love birds don’t do more than kiss and maybe dirty talk a little. Heck, there’s not even solo play in this book. Guess what? I didn’t care! For once, lil’ ol’ impatient, fast-burn and extra spicy lovin’ me didn’t mind the slow burn. There’s not only a very valid plot reason for it, but it’s also very consistent for the characters of Marlowe and Minnie. Since it makes sense for the story in every way I found myself more than okay with the lack of spice.
This is the first book in a trilogy, and if the story that Lancet starts here is any indication it’s a doozy. A lot happens in this book–more than enough to justify the page length. Some of it is expected. Some of it is unexpected. A lot of it is absolutely fascinating and some of it is tragic. All along the way we’re surrounded by Lancet’s thorough world building, two absolutely fantastic main characters, and some absolutely delightful dialogue.
The story slows down a bit in the second act, but this book never truly slows down enough to be considered slow. The second act really only slows down a little to let Marlowe and Minnie get to know each other as people better and to develop a more solid dynamic before moving onto the events of the third act. That second act is delightful if only for the delightful banter between Marlowe and Minnie and getting to read Marlowe’s intrusive inner narrative (one-third controlling germaphobe, one-third obsessive stalker, one-third possessive tyrant). The “touch her and die” in this book isn’t just a vibe.
There is more than one twist, a bunch of turns, and unexpected fun in this book. I’m really looking forward to the next installment!
I was provided a copy of this title by the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: 5 Star Review/Book Series/Dark Fantasy/Romantasy/Fantasy Series/Forbidden Romance/Kindle Unlimited/Paranormal Fantasy/Romance Series/Supernatural Fantasy ...more
Poison. Death magic. Catacombs. Fantasy fiction used as commentary on the necessity of a wall between church and state. Hannah Whitten. These are the Poison. Death magic. Catacombs. Fantasy fiction used as commentary on the necessity of a wall between church and state. Hannah Whitten. These are the things that drew me to The Foxglove King, and the portents and loose plot threads left dangling at the end of that book (well, and the promise of more Hannah Whitten, always) is what drew me back to read the second book in this series, The Hemlock Queen.
The second book in a trilogy gets a raw deal: It’s both expected to be better than the first book but it also needs to carry the heaviest amount of plot and exhibition for the entire trilogy. The Foxglove King gave us the world, its characters, and introduced us to the overarching plot and the basic exhibition. It gave us the cocktail hour and the appetizers. It’s up to The Hemlock Queen to give us the soup, salad, and to start the main course. The meat of what we need to know is here. Is it realistic to expect it to be better than The Foxglove King? It depends on what kind of reader you are, I think, and what you like to read in your books.
I liked The Foxglove King better, if only because Whitten’s strengths are in her world building and magic systems and we got to see her flex those muscles more in that book as opposed to this one. However, in this book we got to see and hear more from this series’ characters, plumb the magic and belief systems more, and explore the intense triangle of emotions between Gabe, Lore, and Bastian. All of these things were important for me to see in this book and I got them. That alone makes this book worth the price of admission. If you add in the events of the third act, I am already waiting on pins and needles for the third book.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: Book Series/Dark Fantasy/Epic Fantasy/Fantasy/Romantasy/Fantasy Series/LGBTQ Fantasy ...more
I’ll admit to not being the hugest fan of the first book in this duology (at least I think it’s going to end up staying a duology). I loved the storylI’ll admit to not being the hugest fan of the first book in this duology (at least I think it’s going to end up staying a duology). I loved the storyline but I wasn’t completely on board with all the monsters present in Fractured Shadows (I’m terrified and grossed out by snakes, if you need a clue) and that affected some of my enjoyment of the book. It’s a little hard to completely enjoy a book where one of the MMCs makes you kind of wanna throw the book out of sheer squick.
I found myself absolutely enchanted by Shadowed Heart. This book was all the storyline and plot I loved from Fractured Shadow, but with more fluff and less squick.
I will go ahead and say, as I do with most of K.A. Knight and Kendra Moreno’s darker co-writes: Please check your TW/CWs. Take care of you.
This book begins almost right where Fractured Shadow left off. You can read these books as standalones, but they are deeply interconnected. I personally don’t recommend reading them as standalones. YMMV. This, of course, means we’re in a very dark and sad place for the FMC of Shadowed Heart, Kai. Kai spent the entirety of Fractured Shadow inside the palace of the evil Gilded King as her sister fought to gain strength and confront the king to rescue her sister. Well, they might have won that battle, but Kai has been through a tremendous amount of trauma and a kingdom in time of transition is always a volatile thing.
Kai finds herself in the Dead Lands, where the monsters dwell. It’s here that she is healed by the first of her eventual mates, and as she spends more time in the now-healing Dead Lands she meets the rest of her mates, learns not all monsters are bad, and grows to love the dark beauty of the place. Then Kai and her mates discover that the Dead Lands are being threatened, and they need to seek her sister’s help to heal the land.
It was really nice to see something sweeter and more subtle from Knight and Moreno. These monsters may be hungry, but they’re conscientious of Kai and her trauma. They nurture her, court her, spend time with her and with each other, and just travel the Dead Lands so we readers can learn to care for the lands as much as the characters do. The spice starts out slow and sweet, but it does grow in heat and intensity so that by the end it’s hitting hard and heavy.
I really loved having the time that can be taken up sometimes by too much spice to get to know more about the MMCs in this book, since they all had interesting backstories. It also allowed for available page space to devote to a few passages from Cora’s (Kai’s sister) POV as the book goes along so we get a peek inside her mind as the plot progresses.
It’s a great read and a great continuation from Fractured Shadow. I highly recommend it.
I was provided a copy of this title by the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you. This review was written without compensation.
I should begin by saying I might be a bit biased because Ava Reid is one of my auto-buy authors. I love everything she has written so far, and I lovedI should begin by saying I might be a bit biased because Ava Reid is one of my auto-buy authors. I love everything she has written so far, and I loved A Study in Drowning, too, even if my love for it is more complicated than the love I feel for, say, Juniper & Thorn.
I’ve seen numerous reviews from people who’ve said this book gives them all the “fall feelings”. Well, then I feel sorry for what you think fall is, because this book made me feel incredibly sad, heavy, and emotional. I felt as weighed down as all of Hireath (the Myrrdin family home mentioned in the book’s blurb) feels in all its waterlogged sorrow. (Interestingly enough, I know the word Hireath from its Welsh origins, and while there is no direct English translation, to the Welsh, it’s a feelings that mixes longing, yearning, nostalgia, wistfulness or an earnest desire for what–or how–something used to be).
Wales plays more than one part in this story, as Emrys Myrddin was the name of Merlin, King Arthur’s court magician, in the oldest known Welsh texts. Sadly, in those old texts, Merlin was just as atrocious a figure as Emrys is in this book, in the worst of ways. Also, notably, A woman named Angharad James was quite a notable poet in Wales from the mid 17th to mid 18th century. Both her son and husband died before her, and she wrote a beautiful elegy for her son. The manuscript survived and you can find it online.
I think my complicated feelings with this book begin with how much I identify with Effy, our female protagonist. It’s in her struggles to be taken seriously in academia, her mental illness issues, and her trauma. (BTW, here is a good place to suggest that you look up a list of TW/CWs before you read this book, if you’re the type of person who wants to know what they’re getting into before they start a darker book). For Effy, books have been her only friends and her only escape for her whole life, and I feel that sentiment in my bones. Books never leave like people do. Books never die. Books never physically harm you. Books are reliable, a portal out of here. And Effy, well, Effy has needed something to rely on her whole life because she’s had no one else to rely on. The only problem is she ended up relying on a single book to hold onto everything for her.
This book has a lot to say about misogyny, r@pe culture, victim blaming, grooming, the theft of women’s intellectual property for the sake of putting a man’s name on the work, prejudice against women in academia, philosophies behind what you believe and what you know, unwanted children, folklore, mythology, the younger generation changing the power structures, and more.
But what I find I enjoy more than anything when I read an Ava Reid book is the writing itself. The prose. The atmosphere. The imagery. The sentence structure. The way you can almost smell the sea, feel the ocean spray, shiver in the cold, smell the damp, feel the wood flooring bow beneath your feet, see the termite holes in the baseboards. Her books are immersive and evocative. You can feel the heavy doors and freezing water. You can see the trees flying through the air and the curving roads. And this is why I can’t help but love Ava Reid: her writing, just pure and undiluted, is magical all on its own.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: 5 Star Review/College Romance/Dark Academia/Dark Fantasy/Disability Rep/Romantasy/Gothic/Standalone Novel/Spice Level 1/Women’s Fiction/YA Fantasy/YA Fantasy Romance
Merged review:
I should begin by saying I might be a bit biased because Ava Reid is one of my auto-buy authors. I love everything she has written so far, and I loved A Study in Drowning, too, even if my love for it is more complicated than the love I feel for, say, Juniper & Thorn.
I’ve seen numerous reviews from people who’ve said this book gives them all the “fall feelings”. Well, then I feel sorry for what you think fall is, because this book made me feel incredibly sad, heavy, and emotional. I felt as weighed down as all of Hireath (the Myrrdin family home mentioned in the book’s blurb) feels in all its waterlogged sorrow. (Interestingly enough, I know the word Hireath from its Welsh origins, and while there is no direct English translation, to the Welsh, it’s a feelings that mixes longing, yearning, nostalgia, wistfulness or an earnest desire for what–or how–something used to be).
Wales plays more than one part in this story, as Emrys Myrddin was the name of Merlin, King Arthur’s court magician, in the oldest known Welsh texts. Sadly, in those old texts, Merlin was just as atrocious a figure as Emrys is in this book, in the worst of ways. Also, notably, A woman named Angharad James was quite a notable poet in Wales from the mid 17th to mid 18th century. Both her son and husband died before her, and she wrote a beautiful elegy for her son. The manuscript survived and you can find it online.
I think my complicated feelings with this book begin with how much I identify with Effy, our female protagonist. It’s in her struggles to be taken seriously in academia, her mental illness issues, and her trauma. (BTW, here is a good place to suggest that you look up a list of TW/CWs before you read this book, if you’re the type of person who wants to know what they’re getting into before they start a darker book). For Effy, books have been her only friends and her only escape for her whole life, and I feel that sentiment in my bones. Books never leave like people do. Books never die. Books never physically harm you. Books are reliable, a portal out of here. And Effy, well, Effy has needed something to rely on her whole life because she’s had no one else to rely on. The only problem is she ended up relying on a single book to hold onto everything for her.
This book has a lot to say about misogyny, r@pe culture, victim blaming, grooming, the theft of women’s intellectual property for the sake of putting a man’s name on the work, prejudice against women in academia, philosophies behind what you believe and what you know, unwanted children, folklore, mythology, the younger generation changing the power structures, and more.
But what I find I enjoy more than anything when I read an Ava Reid book is the writing itself. The prose. The atmosphere. The imagery. The sentence structure. The way you can almost smell the sea, feel the ocean spray, shiver in the cold, smell the damp, feel the wood flooring bow beneath your feet, see the termite holes in the baseboards. Her books are immersive and evocative. You can feel the heavy doors and freezing water. You can see the trees flying through the air and the curving roads. And this is why I can’t help but love Ava Reid: her writing, just pure and undiluted, is magical all on its own.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: 5 Star Review/College Romance/Dark Academia/Dark Fantasy/Disability Rep/Romantasy/Gothic/Standalone Novel/Spice Level 1/Women’s Fiction/YA Fantasy/YA Fantasy Romance...more
Please Note: This review is for a sample excerpt of Empire of the Damned, NOT the full novel.
Obviously, this review won’t be long, because I want to Please Note: This review is for a sample excerpt of Empire of the Damned, NOT the full novel.
Obviously, this review won’t be long, because I want to avoid as many spoilers as possible.
I loved Empire of the Vampire. It was one of the first ARCs I was approved for when I first started reading and reviewing back in the summer of 2021, and I’ve been dying waiting for this sequel to come out. I can assure right, straight out of the gate, that I was just as enamored with Empire of the Damned as I was its predecessor, if not more so.
The book starts with a very much-needed Dramatis Personae, which I was very grateful for. It’s very thorough, not simply reminding us readers of who people are but also their context in the story. It was helpful enough to me that I didn’t need to go back to EotV and do a re-read to completely get my bearings. Considering the depth and breadth of the story contained in EotV’s pages, I think that’s fantastic.
The Marquis Jean-Francois sits down with Gabriel once more to continue recording history, which has now moved beyond simply Gabriel’s history and has intertwined with the history of the grail. We see great tragedy, hear of great horrors, meet terrible evils, and there is a betrayal. I was absolutely absorbed by what I read. Some passages in the book made me laugh out loud and some were absolutely insane, which is refreshing when the terror bites down. The illustrations were as gorgeous as in the first book.
I can’t wait until the full book is released. I know I’ll be preordering it. I have space on my bookshelf reserved for it.
I was provided with a copy of the excerpt from this novel by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. This review was written without compensation. Thank you.
Immortal Pleasures is a fantastical take on what might have happened to one of history’s most divisive and mysterious figures: La Malinche, the Nahua Immortal Pleasures is a fantastical take on what might have happened to one of history’s most divisive and mysterious figures: La Malinche, the Nahua woman who rode and stood at Hernan Cortez’ side as he conquered Mexico. She grew up a trafficked girl in the Tabasco region but had an aptitude for languages, so she ended up with Cortez to serve as an interpreter. To this day opinions are mixed as to whether or not she was a traitor to her own people, but her ability to speak multiple languages and a penchant for diplomacy helped save lives on both sides of the conquest. Mysteriously, no one knows what happened to La Malinche when all was said and done. Immortal Pleasures offers a visceral, titillating, dark, romantic, and angry scenario in which La Malinche (now known as Malinalli) is turned into a vampire a few years later after Cortez has sent her away to live in Spain.
I have to say I’m feeling absolutely spoiled with the horromance lately! Isabel Canas (Vampires of El Norte) has been going on and on about how Horror Romance absolutely needs to be its own genre, just like Fantasy Romance, and I couldn’t agree more. Immortal Pleasures is a prime example of horror romance: Heck, it even has a HEA. The blurb for this book seems to be trying to sell us a love triangle, but that’s really wishy-washy. There’s no triangle to speak of.
What this book does so well–what Castro does so well–is world building. Her research is extensive and her knowledge is vast and she puts it to work so exquisitely to craft these impeccable horror novels based in Mesoamerican mythology. I loved the repatriation of ancient artifacts aspect of the story and I loved how the villains just found new and more miserable ways to exploit people (proving that slavers and colonizers truly have no conscience whatsoever).
It was absolutely wonderful. This lush, decadent, and immersive novel is going to stick with me.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: Dark Fantasy/Historical Fantasy/Horror Romance/Horromance/Urban Fantasy/Vampire Fiction ...more
Disciples of Chaos is the fast-paced second book in M. K. Lobb’s Seven Faceless Saints duology. I read Seven Faceless Saints in December 2023 and likeDisciples of Chaos is the fast-paced second book in M. K. Lobb’s Seven Faceless Saints duology. I read Seven Faceless Saints in December 2023 and liked it so much I immediately preordered this title even though I had the eARC. I just knew it was going to be good and I was going to want to own it. Lobb created a world here where blind faith and the worship of the divine are the root of evil. Religion is a tool of the system and it only benefits the privileged. While not a new idea in fantasy, it’s something uncommon enough that an atheist like me takes special notice when books like these pop up.
Disciples of Chaos picks up almost right where Seven Faceless Saints left off, which I felt was a good narrative and artistic choice for Lobb to make for both the story and the readers. The consistency of the story arc from book to book is so smooth it almost feels as if Lobb wrote this duology as one huge tome and then had help editing it into two smaller tomes and the only thing that truly mattered was finding the exact right place to divide the two. As a result, Disciples of Chaos is more plot-heavy than Seven Faceless Saints, which was more heavy on world building and characterizations.
Disciples of Chaos runs at a fast clip, with a lot of action, plot development, relationship developments between Roz and Damian, a ton of inner angst for Damian, and a good amount of political intrigue (which I’m such a sucker for).
While I liked the first half of this duology more, I can honestly say this entire story is entirely worth the hype.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: Book Series/Dark Fantasy/Fantasy/Romantasy/Fantasy Series/YA Fantasy/YA Romantasy ...more
…And the reward for the longest novel I devoured in record time this month (that wasn’t a spicy romance) goes to The Witchwood Knot, which is my first…And the reward for the longest novel I devoured in record time this month (that wasn’t a spicy romance) goes to The Witchwood Knot, which is my first Olivia Atwater book and certainly won’t be my last because it simply hit every single one of my cozy gothic fairy tale buttons while maintaining a certain sense of style and panache that you don’t see too often when it comes to the cozier tales. That flair sets this story apart from so many cozier gothics that can often cause me to drift off in the second act. Not this book. This book kept me captivated from the start.
(Note please that there is an author’s note at the beginning of this book regarding TW/CW when it comes to sexual harassment of both woman and child. Take care of you.)
This book simply wouldn’t work without our FMC, Winifred, exactly as she is. She’s a terrific female protagonist, made just the way I like them: full of spite. Let’s just say I identify. She’s also intelligent, cunning, deceitful, and careful. I absolutely love her. She’s had to learn some hard lessons, both mundane and arcane, to get where she is today, and that makes her unique. Her unique outlook on life and on everything faerie is the framework for everything we readers see and understand of this story for a good long while, so it’s marvelous that she’s as intriguing and engaging as she is.
Likewise, the flip-side of Winifred is our MMC, Mr. Quincy, the mysterious and vexing “butler” of Witchwood Manor. He’s everything Winifred is, save he’s full of frustration and anger instead of spite. He’s trapped within Witchwood Manor, bound to an oath he can’t undo, and is almost as alone as is possible. He hides behind cruelty and illusions, but is filled with fear.
Atwater has an unmistakably lovely way with charming, lovely prose and with the elegant and polite dialogue of the Victorian period. Reading the dialogue exchanges between Winifred and Mr. Quincy are like an amped-up version of Elizabeth and Mr. Darcy, if Elizabeth carried a knife with her at all times and Darcy were willing to turn her own fears on her. When they aren’t exchanging witty repartee and they drop the social mores, these two melt so deliciously it’s like milk chocolate.
I love Atwater’s use of faerie lore. It’s amazing. Most of it is well known, but it’s the little stuff that means so much, you know? Like how important the number three is to faeries. How the scent of bayberry is associated with protection from evil (and that it’s easier to carry bayberry perfume while traveling than to carry candles of it). The way some believe mirrors are portals to the other side. It’s these touches that always impress me when it comes to worldbuilding. I love it when authors do their research and do it well. When it comes to historical fantasy, an author must do double duty by ensuring the historical and fantastical aspects both are accounted for and Atwater has done exactly that.
It’s a simply wonderful novel. I can’t recommend it enough.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. This review was written without compensation. Thank you.
File Under: 5 Star Review/Book Series/Dark Fantasy/Fairy Tale/Fantasy/Romantasy/Fantasy Series/Gothic Fiction/Historical Fantasy ...more
I will admit one thing first: I was totally overtaken by Shiny Cover Syndrome when I went to request this book. I did like the sound of the blurb, butI will admit one thing first: I was totally overtaken by Shiny Cover Syndrome when I went to request this book. I did like the sound of the blurb, but I couldn’t take my eyes off the pretty cover. So, truth be told, had I known this was the first book in a series, I wouldn’t have requested it because the last thing I need right now is to get invested in another series.
But! I can tell you that I actually ended up really liking this book, even though if it weren’t for the cover I probably wouldn’t have given it a try right now.
This Dark Descent isn’t the best fantasy novel out there right now. It isn’t even the best fantasy novel with Jewish folklore woven into it out there right now. However, it is a really entertaining and well-written book. The plot is fairly straightforward, which you’ll be thankful for, because there’s so many other things going on in this book that the last thing you need is a really complicated plot.
Josephson made this book very character-driven, which is where I suspect the comparison with Six of Crows comes from. The book is told from two POVs: that of horse racer Mikira and that of unlicensed enchanter Arielle. To round out a set of core four characters we add in Damien, a member of a noble house, and Reid, his best friend. These characters are very richly drawn, all with complete background stories, different motivations, different goals, and all kinds of problems. And don’t forget the trauma. There’s definitely trauma. Combine our core four with a great supporting cast made up of characters of all shades of gray and the tapestry of the book also begins to feel a little like All of Us Villains, too.
Now, where this book falls short, in my opinion, is in worldbuilding. It just isn’t weak in explaining the actual world around Mirkira and Arielle, it’s also a problem in explaining the magic system. Josephson leaned just a little too much on the Jewish folklore when the majority of magic practiced in the world the book is set in doesn’t practice magic that stems directly from Jewish folklore (please note that I say “folklore” because in this book the author uses what we would know as Jewish terms but the people who would be considered “Jewish” in this book are called “Kinnish”).
Surprisingly, I found that the horse races in this book were weak points in the story as well. They weren’t as well-written as they could’ve been, with rather weak fighting choreography to them. I had looked forward to these scenes but they ended up being rather secondary to everything else going on in this book.
As an endnote: If you are triggered by animal violence, you may want to take care while reading this book.
Altogether, it’s a really solid read, and if you’re in the mood to start a new YA book series that’s on the darker side, then I recommend it.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, ideas, and views expressed herein are mine and mine alone. Thank you.
File Under: Book Series/Dark Fantasy/Fantasy Series/Romantasy/Supernatural Fantasy/YA Fantasy/YA Fantasy Romance ...more
Fifty Beasts to Break Your Heart is a stellar collection of 13 stories (and one incredible bestiary–more on that later) from the spectacularly creativFifty Beasts to Break Your Heart is a stellar collection of 13 stories (and one incredible bestiary–more on that later) from the spectacularly creative and brilliant mind of GennaRose Nethercott, who wrote the equally spectacular novel Thistlefoot.
I don’t think I’ve read a collection by a single author where I loved so many stories to the extent I loved the stories in this one. With one exception (Fox Jaw), I ate every story in this book up with a really sharp grapefruit spoon and then licked the bowl clean.
A quick summary of my thoughts on the remaining stories:
Sundown at the Eternal Staircase - Spectacularly eerie, fascinating, and great symbolism on how some people are just heading in different directions in life.
A Diviner’s Abecedarian - Tween girls can be mean as hell when not in possession of the sight. Give them the sight and that’s just horrifying.
The Thread Boy - Poignant, emotional, and magical story about a life well-lived even though there was pain.
The War of Fog - I read in a book coming out soon that war is a place, not a time. This story reminds me of that. War is endless and eternal and you’re stuck there.
Drowning Lessons - Cynical, sad, but neat story about what it’s like to be responsible for a sibling’s well-being.
The Autumn Kill - This one is angry, visceral, and vengeful. I loved the ending.
A Lily is a Lily - This one is hard to sum up in little words. Let’s just say it’s a haunting story about what can happen when we build people up in our minds so much they take up our entire existence.
Dear Henrietta - Provocative, creepy, and downright wicked. Dude, this one is good.
Possessions - Don’t mess around with sketchy witchcraft books you find at thrift stores. This one is hard to describe but it’s beautifully written.
Homebody - Awful to read, awful to describe, awful to think about. It’s sad and tense and made me want to punch something.
A Haunted Calendar - Funny, horrific, and imaginative.
The Plums at the End of the World - This was incredible. It’s heartbreaking, evocative, and all about how people fear anything different.
My last note is on the titular “story”, Fifty Beasts to Break Your Heart. It isn’t a story so much as a bestiary and it’s the crown jewel of this collection. Complete with eerie, creep-tastic sketches, each beast is named and described with short, incredible paragraphs. They’re utterly fantastic in every way. I couldn’t get enough of them. The bestiary is practically worth the price of admission.
This collection isn’t to be missed.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
If you’re looking for a literary epiphany you won’t find it in this book, but you will still find a very solid first entry into a fantasy series with If you’re looking for a literary epiphany you won’t find it in this book, but you will still find a very solid first entry into a fantasy series with great world building and atmosphere.
To Kill a Shadow is the first book in (from what I can find) author Katherine Quinn’s Mistlands series, which reminds me of such series as Defy the Night by Brigid Kemmerer and a touch of Shadow and Bone by Leigh Bardugo. The blurb makes this book seem a lot darker than it actually is with all of its horror references, since the allusions to both The Mist and The Evil Dead are both mostly glancing askance instead of embracing the horror wholly.
I found this book a touch confusing at first because I thought it might be an age-gap romantasy and I just missed the memo, but it’s not. (Though that would’ve been a cool surprise had it not taken the book entirely out of the YA genre). I did love our two MCs, Jude and Kiara. They have a natural chemistry on page, with terrific dialogue that snaps and crackles with emotion. While their relationship evolves rather fast compared to other romantasy series of the same genre, I didn’t mind it because I’m not a lover of slow-burn. This series makes a huge point of Kiara being a woman who knows her own mind and that both she and Jude know how fleeting life can be in their world, so maybe it’s not too hard to imagine when someone reaches a hand out you take it.
The plot? Well, it’s rather transparent. That’s the thin point here. The plot is rather derivative of several other YA romantasy series and is very predictable (at least it is to me). The saving grace to this book is the comfort feel of a solid fantasy read, the characters, the dialogue, and the world building.
A good first entry into a new series, so I recommend reading this if you’re looking to get into a new series.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. This review was written without compensation. Thank you.
File Under: Book Series/Dark Fantasy/Fantasy Series/LGBTQ Fiction/Supernatural Fantasy/YA Fantasy/YA Romantasy...more
Laura’s is Carmilla, even though Laura never set out to have a nemesis at all and certainly never meant it to be Carmilla“Everybody’s got a nemesis”.
Laura’s is Carmilla, even though Laura never set out to have a nemesis at all and certainly never meant it to be Carmilla, a girl who burns with incandescence and whom Laura wants with an obscene passion. Every time Carmilla sneers at her Laura only wants to pin her to a wall and see her become pliant.
Carmilla’s nemesis is definitely Laura and she’ll tell you so. Laura’s been her nemesis since the very first evening she walked into Ms. De Lafontaine’s poetry seminar and showed her up. Carmilla’s used to enemies and backstabbing, though. She doesn’t know what to do with, or about, Laura.
And Ms. De Lafontaine? Well, she’s electric, enigmatic, enthralling, and possessive.
These are the most basic facts at the heart of An Education of Malice, and if the book just stopped there I would’ve loved it. But author S. T. Gibson took this concept of power imbalance between a possessive lecturer and her talented poetry students, a needy and obsessive student with no mother and an absentee father, and a earnest but erotic freshman student with a way with words and elevated it. Ms. De Lafonatine becomes a parasite, feeding on the lifeblood and youth of her needy student who longs for a mother figure of any kind. The needy and obsessive Carmilla is pushed and pulled between her admiration and thrall for Ms. De Lafontaine and her passion and fascination for the erotic and earnest Laura. Laura is torn between her all-consuming erotic desire for Carmilla and her pursuit of becoming a member of the Episcopalian clergy. Steadily events spiral and spin out of control.
This book gripped me from page one, with its late 1960s all-women’s small liberal arts college setting (my favorite fashion era, btw), sapphic gothic novella retelling cellular structure, original poetry excerpts, quoted poetry excerpts, and the almost cultish fervor that follows elite lecturers and the most brilliant darlings of smaller college campuses. The word choices are sublime, the imagery is gorgeous, and the sentence structure is immaculate. I enjoyed every single page. Best book I’ve read so far this year.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
I don’t know if it’s because I’m an oldest child or because I’m the self-sacrificing type or because I somehow was born with a mutation that makes me I don’t know if it’s because I’m an oldest child or because I’m the self-sacrificing type or because I somehow was born with a mutation that makes me say, “I’m sorry,” for things that aren’t even my fault, but it’s been a long time since I’ve identified with a protagonist in a fantasy series as much as I found myself identifying with Hellevir Andottir in The Gilded Crown.
Did that make loving this book easier? Of course it did. Consider this, however: I truly dislike the love interest in this book and I still loved this book enough to give it five stars. That’s how much I liked this book.
The Gilded Crown has one thing I really dislike (slow burn) and a bunch of stuff I love. The slow burn in this book is tolerable only because it’s completely keeping in tone with the characters and the world of the book. There are a great many personal, physical, and cultural barriers that get in the way of any kind of intimacy (physical or emotional) between the love interests in this book, and so the slow burn is absolutely understandable. I can be reasonable when it comes to steam and spice, I’ll have you know.
Beyond that. Marianne Gordon has written a book absolutely stuffed with stuff I adore: Political intrigue, pagan religion versus organized religion, death personified, a female protagonist who has had to grow up too fast, a whole bunch of morally grey characters, a good amount of queer characters in the main cast, and animal companions (nature talks!).
This is a dark and emotional story that made me angry and made me cry more than once. I’m really looking forward to the next book.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alo\ne. Thank you.
File Under: 5 Star Review/Book Series/Dark Fantasy/Fantasy/Romantasy/Fantasy Series/Folk Fantasy/LGBTQ Fantasy ...more
I love a good space opera. You add on LGBTQ+ to space opera and you can guarantee I’m going to be interested in reading it. But there’s something thatI love a good space opera. You add on LGBTQ+ to space opera and you can guarantee I’m going to be interested in reading it. But there’s something that needs to be said about novels that claim to be space operas: They need to be operatic. Redsight obviously wants to be operatic, but it just isn’t.
Redsight is a good book, but it’s not a space opera. It’s just a really solid sci-fi/fantasy novel about a space war between…well, that’s another thing. It starts out as a war against a pirate in a dangerous and uninhabited part of space. Then the message gets muddied and never quite gets completely back on track.
The thing is: This book is fun. We’ve got three orders of space witches with really cool powers, all following their own cultures and customs. There’s an enemies-to-lovers sapphic romance subplot that’s angsty-cute. There’s a ton of blood, gore, pain, and torture–and some of it is inflicted with consent or self-inflicted for the sake of magic. (Oh, btw, you might want to find a list of CW/TWs for this book).
A chunk of the plot of this book deals with faith and choices you make because of it. What you give up. What you endure. What you bear witness to. What secrets you hold. Who you lose. Who you choose to survive when the time comes to choose. When do you close your eyes and leap?
Had this book followed through on a few of the loose threads left dangling at the end of the book I would’ve liked it a lot more. As it is, it’s a pretty good read and a great standalone.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: Dark Fantasy/Romantasy/LGBTQ Fantasy/Sapphic Romance/Science Fiction/Standalone ...more
Ideally, I like to give any ARC I read about 25% of its length to impress me before I either decide to DNF the book or to soldier on and see if I can Ideally, I like to give any ARC I read about 25% of its length to impress me before I either decide to DNF the book or to soldier on and see if I can complete it, despite knowing it’s going to be a slog and I’m not going to enjoy it much. Such was the dilemma I felt at the 25% mark of The Carnivale of Curiosities. I chose not to DNF it and to continue on, hoping for some sort of redemption in the rather one-dimensional characters that seemed plucked from some sort of B plot in a Six of Crows spinoff or a pick up in the plodding pace of a sagging plot.
Really, neither happened for me.
For a book that had a really great opening sentence to hook the reader, the book itself seems like a mish mash of Six of Crows, The Night Circus, movies like the Prestige and tv shows like Penny Dreadful or Carnival Row. Fantasy just on its own stands on the shoulders of giants because it’s genre fiction; in the case of historical fantasy writers need to be even more careful because they have that historical, real world ephemera that’s floating around their world building and plot too. You can’t stray too far outside the bounds of what really happened unless you want to classify your book as Alternative Earth fiction (think Steampunk or Gaslamp).
I just ended up thinking this book moved too slow, was too predictable, the characters were just not given the care and attention they should have been, and it really shouldn’t take until you’re into the second act of the book for the inciting event to happen, no matter how long the book is.
That being said, Gibbs is an excellent writer when it comes to setting a scene and when it comes to prose. I think that some better editing would have made this book shine. I hope to see more from her in the future.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you. As per personal policy, this review will not be posted to any social media or bookseller website due to receiving a rating of three stars or lower. ...more
Hansel and Gretel is one of those scarce few fairy tales I love seeing retellings, interpretations, and story continuations of. I am an unabashed loveHansel and Gretel is one of those scarce few fairy tales I love seeing retellings, interpretations, and story continuations of. I am an unabashed lover of the movie “Hansel & Gretel: Witch Hunters”, simply because I think it’s kind of cool to see the two of them grow up to fight what once tried to kill them (and yes, I totally love how corny it is). That’s why I was so quick to request Kell Woods’ debut novel when I saw it was a continuation of the same fairy tale (and besides, look at the pretty cottage core cover!).
This is, at heart, far more fairy tale than dark fantasy with a healthy dose of historical fantasy, seeing as historically accurate wars, rulers, religion, and politics are all mentioned in the book. The setting is a small village in Germany’s Black Forest in 1650, two years after the end of the Thirty Years War and the signing of the Treaty of Westphalia. Troops and mercenaries that have fought on both sides of the war are returning either home or to work as sell-swords for the next buyer with coin enough to pay them for their services.
It’s here that we find Hans and Greta, all grown up, both unmarried and living together in their childhood home in the woods. They’re constantly broke because Hans keeps gambling their money away. The only way they can stay afloat and not starve to death is because Greta bakes the most wonderful gingerbread cookies in the whole village to take to market every week. But then mercenaries come to town and stir up some trouble, Hans is deeper in debt than Greta thought, all of a sudden taxes have been raised above what anyone in the village can afford, and she keeps having these visions…
As a fairy tale, this book is great. As a witchy, spooky, read, it’s okay. The plot isn’t entirely as cohesive as I’d like because there’s a whole lot of time dedicated to character development and ensuring character interactions don’t feel forced as well as the romantic and familial subplots. Some part of me feels like this book was almost rushed: If it had been even 50 pages longer there might have been time to let the time spent with our antagonist(s) bloom instead of it feeling so compressed like it felt to me.
It’s a great debut effort and well worth the read. I’m a fan.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: Dark Fantasy/Fairy Tale/Folklore/Historical Fantasy/Romantasy ...more
This would’ve easily been a five star read for me if there hadn’t been a love triangle (of all the godforsaken tWhy? Why a love triangle? Why why why?
This would’ve easily been a five star read for me if there hadn’t been a love triangle (of all the godforsaken things) in this book. I can’t stand love triangles. The only thing I hate more than a love triangle (and not even a well-handled one, at that) is a surprise pregnancy. Do you know how much I hate the surprise pregnancy trope? It’s literally my least favorite trope.
The characters in this book are old enough to know better and mature enough to handle their emotions better and I… ugh. I just can’t handle love triangles. This love triangle is especially vexing because it was so transparent and poorly written in a book that was excellent in every single other way.
That’s the rub here: Curious Tides–when you pull out the love triangle–is some of the most imaginative and interesting fantasy I’ve read this year. It kind of feels like a mix of Rachel Griffin’s imagery mixed with Erin Morgenstern’s writing style. In case you’re wondering, that’s a really sincere and great compliment coming from me, because Morgenstern is one of my favorite writers of all time and Griffin is a writer I think is at the top of the game when it comes to writing imagery that contains natural elements like water (see Bring Me Your Midnight, which is fantastic).
The dark academia vibe is truly there and isn’t just a “vibe”. Dark academia is supposed to be a perversion of the academic system in some way. Here in Curious Tides, it’s in how disinformation about a certain class of students has been demonized and how disinformation has been sown about them for the sake of oppression out of fear and greed. It’s not just in the environment or the look of the school–it’s a systemic problem. That’s true dark academia and I’m living for it.
I’m eagerly waiting for the second half of the duology no matter what, because I need to know. I really, really do.
All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
If Rebecca Ross and Erin Morgenstern had a child and they wrote a debut portal romantasy with a dark edge, I think The City of Stardust would be the rIf Rebecca Ross and Erin Morgenstern had a child and they wrote a debut portal romantasy with a dark edge, I think The City of Stardust would be the result.
I had coffee with a lit professor (who was also an author) once and he said, in his opinion, every story told was essentially just The Odyssey retold in an infinite number of ways. The City of Stardust definitely has that flavor: From character names to a protagonist that sets off on a long journey from home only to return and find it changed from what she once knew, this novel had me captivated from the start.
Georgia Summers has a lovely way with prose. The sentence structure is very reminiscent of Morgenstern, while the imagery feels closer to Ross. While the book definitely lacks the experience of both of those writers it doesn’t suffer overmuch for it. I loved the world building for how it felt both Gaiman-esque and for how it reminded me of my favorite novel, The Starless Sea. The plotting felt impeccable and the pacing was steady.
The whole cast of characters was great. An antagonist worth despising and understanding, protagonists you can both identify with and love, and a large supporting cast that feels distinct and contributes considerably to the entire story without feeling extraneous.
The underlying themes of parental neglect, abandonment, family, secrets, cages, debts, adventure, stories, and the pursuit of knowledge are all well-explored and layered in myriad ways throughout the book and it makes for an excellent tapestry when all is said and done. I loved how the book wrapped up too. Not too neat, not too messy. It was wonderful.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: 5 Star Review/Dark Fantasy/Fantasy/Romantasy/LGBTQ Fantasy/Standalone/Urban Fantasy...more
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