We Used To Live Here is very hard to describe because it’s a patchwork of influences and genres that ends up making a fast-paced and completely intrigWe Used To Live Here is very hard to describe because it’s a patchwork of influences and genres that ends up making a fast-paced and completely intriguing quilt of vibes that ends up being a terrifying and entertaining read. It’s part House of Leaves (but not quite as gonzo), part Backrooms (but not as desolate), part “Parasite” (like the blurb says, but make it even creepier), and add some gothic sprinkles on top for extra atmosphere.
(If you don’t know what Backrooms are, just look it up on Wiki. Seriously intriguing Creepypasta stuff).
What do you end up with? A book that managed to freak me all the way out (few books do that) and kept me completely engaged all the way from start to finish. I can completely see why this is being made into a film because it’ll make a great one.
It’s not perfect. I felt there were a couple of plot holes and I wasn’t completely satisfied with the ending, but I could live with the ending as it is. I loved the LGBTQ couple versus the traditional couple aspect and I wish that theme had been explored more, but not exploring it didn’t detract from my enjoyment of the book as a whole.
It’s a freaky fun time and I think if you want your brain bent for about 320 pages, this is the book you want right now.
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
Cuckoo is one of those books that makes me wish I had: a) Worked out how to actually build my website that I paid for so I could write a long essay abCuckoo is one of those books that makes me wish I had: a) Worked out how to actually build my website that I paid for so I could write a long essay about this book and all its themes and other stuff; or, b) Wish I still wrote really long book reviews that I then had to slice and dice in order to fit them into my social media spaces. In my opinion it’s really that good, that captivating, and that intelligent.
It’s giving me Stephen King’s IT, but make the protagonists all queer in one way or another. It’s giving me “Invasion of the Body Snatchers”, but make it body horror to the extreme. It’s giving me cosmic horror, but putting it in the form of brood parasitism (which is a real behavior of cuckoo birds, leading to the metaphor “cuckoo’s egg”).
Why do I love this book other than it’s a queer conversion camp cosmic horror? It comes down to Felker-Martin’s writing, really. Her writing seems to come at you from all sides, all at once, with no quarter given. It’s a full-on assault to your brain in the best way: brutal, gory, inelegant, raw, terrifying, visceral, sensual, erotic, emotional, romantic, heartbreaking, nauseating, and more. When I was reading this book it sometimes felt like I was on an emotional and reactional ride, being carried away with the words on the page almost without consent (but it’s not like I’d have fought the tide anyway).
This was just a terrific read I know I’m going to be recommending forever.
(Be sure to check your TW/CWs thoroughly before reading if you think you’ll need to.)
I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: 5 Star Review/Cosmic Horror/Horror/LGBTQ Horror/OwnVoices ...more
Q: What was your favorite television show as a kid?
If you’re one of those people who’s ever been completely incensed when a television show has been wQ: What was your favorite television show as a kid?
If you’re one of those people who’s ever been completely incensed when a television show has been working for seasons towards putting a queer couple together only to have one (or both!) of those characters killed off or suddenly being magically straight as a plank, then you might completely identify with Misha, the protagonist of Chuck Tingle’s speculative fiction novel Bury Your Gays.
Yes, you read that correctly: speculative fiction novel. This novel is marketed as both horror and science fiction, but that’s a spectacular indicator a book is likely to end up in that nebulous category called speculative fiction. When you throw genre fiction into a blender and add a dash of, “What if we add in this variable here?”, then I consider that to be speculative fiction. I hate pigeonholing books like this further because I believe it lessens their appeal and reach. If you like body horror, over-the-top violence, poorly-veiled Hollywood references that were likely written that way on purpose, a protagonist who starts out the book righteously angry and just keeps on getting more justifiably angry, mysterious Hollywood execs who are only worried about money to an inhuman degree, Hollywood caricatures and stereotypes, coming out stories, award show shenanigans, horror villain origin stories, seeing the true damage of AI on the environment and on Hollywood manifested, and love an easter egg, then you’ll dig this.
Did I like it as much as Camp Damascus? No. I find Camp Damascus to be the better of the two novels, but that’s not down to Tingle’s talent as a writer. That’s all about my tastes as a reader. I have a harder time with books that have male protagonists just in general, and I also had expectations this book would lean further into body horror than it did. Combine that with me correctly guessing a good chunk of what happens in the back half early on and it just affected my overall enjoyment. Tingle is a really effective story plotter and has a great sense of energy, imagery, and atmosphere.
It’s a great novel and a lot of fun. You’ll enjoy getting to be as mad at Hollywood as Misha is and cheer him on as he fights to write what he wants.
TWs for: Child abuse/neglect, homophobia, hate speech, gore, very violent deaths, blood
I was provided a copy of this title by Netgalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.
File Under: Body Horror/Horror/LGBTQ Horror/LGBTQ Fiction/Science Fiction/Speculative Fiction
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