Bryan Cranston Breaks Down His Most Iconic Characters
Season 2 of Your Honor premieres January 13 on Showtime
Director - Graham Corrigan
Director of Photography - Grant Bell
Editor - Matt Braunsdorf
Talent - Bryan Cranston
Producer - Kristen Rakes
Associate Producer - Sam Dennis
Production Manager - Andressa Pelachi
Production Coordinator - Kevin Balash
Talent Bookers - Mica Medoff, Paige Garbarini
Camera Operator - Lucas Vilicich
Audio - Kari Barber
Production Assistants - Ariel Labasan, Liza Antonova
Groomer - Jamie Taylor
Post Production Supervisor - Rachael Knight
Supervising Editor - Rob Lombardi
Assistant Editors - Billy Ward
Released on 02/23/2023
I am the danger.
A guy opens his door and gets shot.
And you think that of me?
No, I am the one who knocks.
I couldn't find Walter White's emotional core
and I was struggling.
And then all of a sudden it hit me.
It's calloused over.
He doesn't even know what it is.
It's a rock in his soul.
[upbeat music]
Breaking Bad.
You got one part of that wrong.
This is not meth.
I will say this upfront that the lion share
of Walter White was really the imagination
of Vince Gilligan.
He's genius.
And he laid out a beautiful template for me to step in.
I remember going to my wife,
I always get her counsel,
because we're together, whatever I do affects her.
So I wanted to get her input on it.
And I said to her,
Just know that
this show would shoot in Albuquerque, New Mexico
if it were to happen.
And I handed her the script
and she started reading the script.
And I would peek in to see every once in a while
and she was like, boom, boom, boom, boom, boom to the end.
And right when she got near the end,
I came back into the room and,
and she went, shit.
She just said shit and I knew that was her approval.
Chemistry is,
well, technically,
chemistry is the study of matter,
but I prefer to see it as the study of change.
Now, just, just think about this.
I started out that character very meek, very,
submissive and passive, a pushover,
because he didn't know who he was.
Then once I got that, I went, oh,
he should be a little overweight with the love handles.
He should be pasty white.
He should have a mustache that looks like,
either grow one or cut it, one or the other.
And then I called it an impotent mustache.
And I know how to shape an impotent mustache
if anyone's interested.
If a mustache drops below the creases
of the lips, no, that gets badass, that gets nasty.
So you have to make sure that's always
above the crease of the lips.
And you thin it out so you can see skin underneath it.
And it doesn't look as masculine.
It just seems, what's the point?
Well, I was always looking for those what's the point?
And I chose my clothes in conversations
with the costume designer to select clothes that blend
in the wall, beiges, off whites, pastels, soft yellows,
things like that.
Sand color, anything, he didn't, he disappeared.
He was a nobody.
I took all the color highlights outta my hair, which I had.
It was kind of brown with kind of reddish highlights.
Took it all out, just deadened it,
took the color outta my face.
All of a sudden you start to see yourself
and then you put on those clothes and you go,
I know you,
let's go play.
WW.
Who you figure that is, huh?
Walter White.
You got me.
If success and fame and celebrity never came,
I'd be fine because I was making a living.
I was doing what I loved to do, and I had a great family.
So it was okay.
Now all of a sudden this happens.
And you have to learn how to deal
with it because you're not ever taught
how to become a celebrity,
how to handle yourself as a famous person.
It's almost like when you become a parent
for the first time, you just have to trial and error.
Had Malcolm in the Middle been picked
up for an eighth season,
someone else would've played Walter White,
because I would not have been available.
But that summer is when I first read his script,
Vince's script for Breaking Bad.
[upbeat music]
Malcolm in the Middle.
It seems like such a shame to dump this in the trash.
Maybe birds would like to make nests with it
or I don't know, maybe you boys
could use it for school projects.
Arms up.
Dude.
I came up with a philosophy that I,
is the most important thing that I try to extend
to younger generations of actors.
And that is, you're not going
into an audition trying to get a job.
You're going there to do a job.
Hold your power and then give it to them
and allow them to take it and do what they will with it.
Those decisions about who might get a job
are not for you to decide.
So don't waste an ounce thinking about that.
I was testing for three pilots, all comedies.
I had this philosophy, so I wasn't worried.
And then another one comes up
for Fox called Malcolm in the Middle
Who wants to make five bucks?
How?
I need someone to take the fall.
[Woman] Oh my God.
Make it 10.
Done.
Oh my God!
You're a good son.
I got him honey.
The distinction here for Hal, playing off of this bombastic
aggressive woman, Lois, don't compete with her.
Do not try to match her.
So I started to think what would be a complimentary
characteristic for Hal would be perhaps the opposite of her.
What is she lacking?
Oh, she's lacking subtlety, softness, sweetness, quiet.
She's, so I went, oh, she's fearless.
So I'm fearful of everything.
And I just started putting these
out and I went, oh, that's a character.
I'm developing a character here.
So I just let it all sit within him.
And the last bit was,
no one wants to see a person who's indifferent
to their family,
who can care less or whoever's doing whatever.
So I made a distinction
that Hal was not disinterested in his family.
He was distracted by things.
And I love the fact that we were a married couple
and my character was madly in love with his wife.
That was a nice thing to see on television.
[upbeat music]
Well, I was naked and covered in blue paint.
I was strapped to the front of a moving bus.
I was hung upside down and tortured.
I had 10,000 honey bees on me at one time.
So it just went on and on and on.
They said, what would you do?
I learned how to roller skate
and did a roller skating episode.
It was just a glorious time because who gets to do that?
I got to play.
I went to work to play.
I first proposed the idea of a reunion movie.
The creator of the show, Linwood Boomer, is warming to it.
If we come across an idea
that all of us feel is really valid, not just,
I have no interest to keep busy or pick up a paycheck,
I want to do something that, man, that's a great idea.
And we get to see these people 20 years later.
All the boys are now in their, at least in their thirties,
they're all grown men, married, children,
it's just an extraordinary situation for me.
I was, in fact, a couple of 'em
are nearing the age I was when
I played the dad of those kids.
[upbeat music]
[Bryan] Seinfeld.
Is it Jerry Seinfeld?
Hey, he didn't come with us.
Tim, the pencil.
Jerry. Hey, Tim.
Jerry, I didn't think you'd show
Did you say,
Jerry I didn't think you'd show?
Or Jerry, I didn't think you'd show?
The audition for Seinfeld was great.
Did it first for the casting director, Meg Lieberman.
And then for the callback, Jerry was in the room
and the goal of any actor is to, man,
if I can get him to laugh, that's the thing.
And I got him.
That was funny.
And then they called me back and they called me back
and again and again and again and again.
And pretty soon you're,
you have a recurring role on that.
And I looked different on each episode
because I went off and did other things.
And so I had a beard.
I didn't have a beard.
I had long hair.
I had short hair.
I had a crew cut.
I had a mustache.
You know, it's fun.
The life of an actor.
And they never bothered explaining,
why does Whatley look so different every time we see him?
The precision in which Jerry and Larry would craft a joke
or a moment, a beat, was just awe inspiring.
And of course, Julia and Jason
and and Michael were brilliant, brilliant comedians.
And so no matter who was acting
in any scene at any given time, I'm watching brilliance.
So even if I only had two scenes in something,
I'm watching the rest of the show all through rehearsal,
all through taping nights, just to be there to soak it up.
[upbeat music]
Your Honor
Where have you been, counselor?
I'm sorry, your honor.
Sure, but you were also late yesterday morning.
So what's the answer to my question?
I have a problem.
Getting out of bed in the morning?
Your Honor, is something that got me
with the concept of the first season
which was as a parent myself,
being asked what would you do
to save the life of your child?
And the answer that any parent would answer
as far as I know, is anything, I would do anything.
The follow up question as I started to get
into the character was, would I become a criminal
if I really felt that by doing so, I would protect my child?
Yep, yep.
I would become a criminal.
And that's the story of Michael Michael Desiato
in Your Honor.
And actors in general are novices
at everything except playing other people.
So whenever we start a a character,
it's always outside of us.
And you need to trust that through work
and through your ability and through your imagination
and your availability of your emotional treasure chest,
you'll be able to put it all together.
First season ended tragically.
So the second season, we flip it and it becomes
about a man exploring despair.
When tragedy strikes, it has a ripple effect
on many people around,
not just the immediate family,
but that first inner circle,
then the second and third people that you work with.
If you worked with someone who lost a child,
that relationship is gonna change.
And I hope that when people watch this who are
experiencing that particular condition
or have maybe perhaps,
they're curious to see how one person
handles it and make adjustments
in their life to see if there is a life beyond tragedy.
[upbeat music]
[Bryan] Drive.
Director wants to see a rollover.
You okay with that?
Remember, if you don't feel good, just abort the shop.
There's no shame in that, all right?
You're doubling for the start.
You're not like a day player or anything.
And I got you 500 more, huh?
Of course we split that.
You okay?
Ready to go?
All right.
Ryan's character as a, he was a thoughtful man
and an expert driver, and he wasn't very talkative.
And so I thought, well,
I think it would be kind of interesting
to counter that, that I'm a bit too talkative.
And also it made sense
because a person who's too talkative often talks themselves
into trouble, says something they shouldn't have said,
does something they shouldn't have done.
And that's what my guy was.
You kind of wanna slap him and go,
just shut the hell up sometime.
Calm down.
I can build a car in six months and in six seconds
these jerks, write it off as a stunt,
that won't even make it into the movie.
See, all I need is a hard use stock car.
That's all.
Now I figure we start
off with small town circuit and we work our way up.
Stunt coordinators and stunt men
in general are rough and tumble.
They're a bit crazy.
And they'll probably even tell you that themselves.
To do what they do, the broken bones,
the abrasions, the contusions that they get
in doing their work every single day.
And so I thought, I thought this guy was a tough kid,
probably a kid who jumped off his roof being a spaceman,
jumped off balconies
into pools when he was a teenager, things like that.
He was the guy, watch this, he's that guy, you know?
And so I said, I think he's from a Midwestern town,
so I made him from, the Chicago area
and I put the hard R in there,
and he's just one of those guys.
It said he had a limp
and I wanted it,
to make it germane
to his life.
And so I pitched that Ron Pearlman character
that he did it to me, make it specific.
So we have to deal with him again.
And he's, I don't like this guy.
Take a fucking hike.
I want to talk to my partner.
I'm just fucking with you.
How you doing, Shannon?
How's the fucking leg?
I paid my debt.
I'll think about it.
The character that Albert Brooks played,
he and I loved each other too.
He really had an affinity for me.
I think in the original script.
He came behind me with a garroting wire and choked me.
That's a very violent death to be choked, right?
Just like, ah, it's you know, it's,
you have to have someone behind you.
And it's like, you have to have this aggressive move
and there's something that just didn't,
it just didn't feel right.
And it was bugging me.
I'll let it go.
I let it go.
And one night I had this dream and I woke
up in the middle of the night going, oh my God.
I got it, I got it, I got it.
Oh my god, oh my god, oh my god.
You know where the handshake came from.
The handshake came from showing you have no weapon.
I show you, we may not know each other,
but I show you we have no weapon.
And out of that came the clasp to say
I don't have a weapon either.
And two men with no weapons can say,
okay, truce, peace right?
I said, what if I see him in my garage?
And we're like, oh.
And I'm not quite sure.
But he's talking very casually and he's talking like,
I'm sorry this worked out this way.
It just didn't, it didn't work out that,
it's the way it goes, but hey, I hope you,
I wish you well, kind of thing.
And he holds out his hand and I'm like,
oh, maybe he is gonna let me go.
Oh, great.
And that handshake, and as soon as I touch his hand,
he turns my wrist,
with his other hand, comes out a knife,
and he slices my arm and I'm in shock.
And then immediately he starts to put me at ease,
to assuage my fears, to not let me drop,
but lower me down, caress my head against the bumper,
not let me hit it.
And just kind of comfort me.
It's gonna be okay.
It's gonna be okay.
And I pitched that
and Nicholas is going, that's in the movie.
We're gonna do that.
That's in the movie.
Because he had the thought
of making Albert Brooks's character
a knife collector anyway.
And he said, this is so perfect
for him to do in his milieu, his way of doing it.
And that's how, that's how I died.
[upbeat music]
Saving private Ryan.
These two men tonight, Normandy,
this one Omaha Beach, Sean Ryan,
this man at Utah.
Peter Ryan.
This man was killed last week in New Guinea.
Daniel
Ryan.
Well, whenever you get an opportunity to work
for an auteur, an artist,
the level of Steven Spielberg, you don't hesitate.
You accept that call and you do whatever they want.
And my arm was straight down
in my pants when it was shooting from behind.
And when it was shooting from front,
it was, I held it like that, even rehearsing.
And so I had no movement here.
I can't pull it out because the uniform,
we're doing take after take.
So I just kept my hand confined.
You have to experience what that's like.
So I was well prepared.
I took a Demitasse cup and saucer
and the saucer fit right in there.
And I had a Demitasse spoon that I would stir my coffee
and I poured it.
I picked it up, I stirred my coffee, dink dink,
taped the edge of it, put it on the saucer itself,
rotate the hand
to hold the saucer
and then put it down on my desk all without looking.
And I was so excited.
And finally we're gonna shoot my scene.
Steven and the whole crew comes in and I go,
Steven, I have an idea.
He goes, you do?
I said, yes.
I said, and I showed him the whole thing,
and I poured the coffee, put it down,
interested in this document.
This is really important stuff here.
And I picked up the thing and put a sugar in,
sir, stir, ta, ta, boo.
And he was like amazed.
He went, Oh my God, that's really good.
I can't use it.
And I said, Whoa.
And I said, Oh, really?
He goes, Yeah.
He said, because at this moment we know what's happened.
We've gotta get the news up the ranks
to the general to make the decision.
So as soon as the scene starts
I'm following the captain who's got this paper,
we've gotta get private Ryan out.
And he's coming right to me, and right to my desk.
And I read it and I go, where'd you get this?
And, you know, and we gotta see the general
we get up and go see the general.
It's not a loss.
I got a chance to act.
I got a chance to create a moment,
even though the moment was never filmed.
[upbeat music]
All The Way
Oh, I have.
I would've given gladly not to be standing here today.
The greatest leader of our time
has been struck down.
I went down to the Johnson Library
in Austin Texas
two different times
and had access to whatever I needed.
And my own personal security guard.
Libraries closed to everyone else.
And they said, just when you wanna leave
he'll open it up and lock it.
And it's like, Oh, great.
So I'm just absorbing as much as I can.
So I was most interested
in trying to see if I can understand the 36th president
of the United States, Lyndon Baines Johnson.
And it took a long time to come in.
So I was fo hyper-focused on that.
And for some reason, I just thought, oh yeah,
I'll get to the lines and stuff at some point.
And I felt like I started to get him.
I got a sense of him.
I got his cadence down and his draw down
and his sensibility
and his heart and his meaning, and his ambition
and his relation to, oh, ah, I got, got got, again,
it was starting to feel really good and really confident.
Oh, I have to get going now
because we have three weeks to rehearse.
It's a three hour play.
And my character speaks for almost all of it.
Now we're making history here, Everett,
and you have to decide how you want history to remember you.
I'm off stage, maybe a total of four minutes.
The rest of the three hours is me speaking.
And all of a sudden we did a table read and I panicked.
I made
a calculable error.
And that was,
oh my God, I neglected the logistics
the balance
of learning lines
to the point I even fantasized about someone jumping me,
in my lowest of low.
Someone jumped me and beat me up.
And I got put into the hospital
which delayed the opening of the, that's how bad it was.
I was so nervous.
I was so scared because I was not going to be ready.
My dear friend Bill Timoney, an actor,
great in his own right.
I hired him to come and stay in the second bedroom
and drill those lines in me, just over and over,
morning, noon and night several times I'd wake
up and there'd be sheets of dialogue,
just in my face.
Bill gave me some great wisdom.
He said, Just, here's the bottom line.
He said, On opening night, you are going to be
on that stage and you are going to do this play.
So up until that point, we just keep working.
And I was like,
I needed to hear that.
Once you get it.
And I did.
I was on stage and I never missed a performance.
And eight shows a week, three hours per day,
it's like, wow, man, bang, bang, bang.
Doing theater from an actor standpoint is far
more exhausting than doing long hours
on a movie or a television show.
It was in the bones by then.
It was in the bones
by the time we made the movie all the way.
Starring: Bryan Cranston
Paul Bettany Revisits His Most Iconic Characters
Hank Azaria Runs Through His Iconic ‘Simpsons’ Voices and Movie Roles
Hugh Grant Has More Iconic Characters Than You Do
Terry Crews Breaks Down His Favorite Iconic Characters
Evan Peters Breaks Down His Most Iconic Characters
Simon Pegg on His Most Iconic Characters
Ethan Hawke Goes Back in Time to Visit His Most Iconic Characters
Mark Wahlberg on His Most Iconic Characters
Jason Bateman on His Most Iconic Characters
Sissy Spacek Revisits Her Most Iconic Characters
Adam Devine Breaks Down His Most Iconic Characters
Eric Idle Revisits His Most Iconic Characters
Lucas Hedges Tells GQ About His Iconic Roles
Michael Peña Bases His Characters Off People He Knows
Jeff Bridges Breaks Down His Most Iconic Characters
Greg Kinnear Breaks Down His Most Iconic Characters
Sarah Jessica Parker Breaks Down Her Most Iconic Characters
Eddie Redmayne Breaks Down His Most Iconic Characters
Jonah Hill Breaks Down His Most Iconic Characters
Oscar Isaac Breaks Down His Most Iconic Characters
Alexander Skarsgard Breaks Down His Most Iconic Characters
Claire Foy Runs Us Through Her Iconic Characters
Ben Mendelsohn Breaks Down His Most Iconic Characters
Hiro Murai Breaks Down His Most Iconic Music Videos
Zedd Breaks Down His Most Iconic Tracks
Jennifer Lopez Breaks Down Her Most Iconic Characters
Andy Serkis Breaks Down His Most Iconic Characters
Ken Jeong Breaks Down His Most Iconic Characters
Willem Dafoe Breaks Down His Most Iconic Characters
St. Vincent Breaks Down Her Most Iconic Songs
Andrea Bocelli Runs Us Through His Iconic Tracks
Serena Williams on How She Became Serena Williams
Sugar Ray Leonard Breaks Down His Most Iconic Fights
Lionel Richie Takes GQ Through All His Hits
Kid Cudi Breaks Down His Iconic Tracks
Kyle MacLachlan Breaks Down His Most Iconic Characters
Nicolas Cage Revisits His Most Iconic Characters
Paul McCartney Breaks Down His Most Iconic Songs
Join Will Arnett on a Journey Through His Storied Career
Rob Schneider's Been Making You Laugh for Decades
Wiz Khalifa Breaks Down His Most Iconic Songs
Bill Hader Breaks Down His 9 Most Iconic Roles
Tim Roth Breaks Down His Most Iconic Characters
Caleb Landry Jones Breaks Down His Most Iconic Characters
Pedro Pascal Breaks Down His Most Iconic Characters
Ralph Fiennes Breaks Down His Most Iconic Characters
Seth Rogen Breaks Down His Most Iconic Characters
Sir Ben Kingsley Breaks Down His Most Iconic Characters
Alec Baldwin Breaks Down His Most Iconic Characters
Jon Hamm Breaks Down His Most Iconic Characters
Jake Gyllenhaal Breaks Down His Most Iconic Characters
Alan Cumming Breaks Down His Most Iconic Characters
Kevin Bacon Breaks Down His Most Iconic Characters
John Goodman Breaks Down His Most Iconic Characters
Gerard Butler Breaks Down His Most Iconic Characters
Sarah Paulson Breaks Down Her Most Iconic Characters
DMX Breaks Down His Most Iconic Tracks
Cillian Murphy Breaks Down His Most Iconic Characters
Forest Whitaker Breaks Down His Most Iconic Characters
David Copperfield Breaks Down His Most Iconic Illusions
Arnold Schwarzenegger Breaks Down His Most Iconic Characters
Edward Norton Breaks Down His Most Iconic Characters
Al Pacino Breaks Down 4 of His Most Iconic Characters
Tim Blake Nelson Breaks Down His Most Iconic Characters
Mark Ruffalo Breaks Down His Most Iconic Characters
Ray Liotta Breaks Down His Most Iconic Characters
Octavia Spencer Breaks Down Her Most Iconic Characters
Pedro Almodovar Breaks Down His Most Iconic Films
Danny DeVito Breaks Down His Most Iconic Characters
Jack Black Breaks Down His Most Iconic Characters
Diego Luna Breaks Down His Most Iconic Characters
Ben Affleck Breaks Down His Most Iconic Characters
Martin Freeman Breaks Down His Most Iconic Characters
Guy Pearce Breaks Down His Most Iconic Characters
Nick Offerman Breaks Down His Most Iconic Characters
Jeffrey Wright Breaks Down His Most Iconic Characters
Martin Short Breaks Down His Most Iconic Characters
Nicholas Hoult Breaks Down His Most Iconic Characters
Justin Roiland Breaks Down His Most Iconic Characters
Russell Crowe Breaks Down His Most Iconic Characters
Michael K. Williams Breaks Down His Most Iconic Characters
John Cusack Breaks Down His Most Iconic Characters
Gabourey Sidibe Breaks Down Her Most Iconic Characters
Vince Vaughn Breaks Down His Most Iconic Characters
George Clooney Breaks Down His Most Iconic Characters
Jude Law Breaks Down His Most Iconic Characters
Scott Glenn Breaks Down His Most Iconic Characters
Casey Affleck Breaks Down His Most Iconic Characters
Jared Leto Breaks Down His Most Iconic Characters
Bob Odenkirk Breaks Down His Most Iconic Characters
Salma Hayek Breaks Down Her Most Iconic Characters
Tom Hiddleston Breaks Down His Most Iconic Characters
David Harbour Breaks Down His Most Iconic Characters
Wes Studi Breaks Down His Most Iconic Characters
Sean Penn Breaks Down His Most Iconic Characters
Elijah Wood Breaks Down His Most Iconic Characters
Tony Leung Breaks Down His Most Iconic Characters
Matt Damon Breaks Down His Most Iconic Characters
Adrien Brody Breaks Down His Most Iconic Characters
Jeff Daniels Breaks Down His Most Iconic Characters
The Lox Break Down Their Most Iconic Tracks
Henry Cavill Breaks Down His Most Iconic Characters
Jeremy Renner Breaks Down His Most Iconic Characters
Jeff Goldblum Breaks Down His Most Iconic Characters
Djimon Honsou Breaks Down His Most Iconic Characters
Big Boi & Sleepy Brown Break Down Their Most Iconic Tracks
Christopher Lloyd Breaks Down His Most Iconic Characters
Robert Pattinson Breaks Down His Most Iconic Characters
Behind The Scenes with Cover Star Robert Pattinson
John Cena Breaks Down His Most Iconic Characters
Francis Ford Coppola Breaks Down His Most Iconic Films
John Turturro Breaks Down His Most Iconic Characters
Michelle Yeoh Breaks Down Her Most Iconic Characters
Kiefer Sutherland Breaks Down His Most Iconic Characters
Marlon Wayans Breaks Down His Most Iconic Characters
Mike Myers Breaks Down His Most Iconic Characters
Seth MacFarlane Breaks Down His Most Iconic Characters
Jerry Bruckheimer Breaks Down His Most Iconic Films
Andy Garcia Breaks Down His Most Iconic Characters
Chris Hemsworth Breaks Down His Most Iconic Characters
John Lithgow Breaks Down His Most Iconic Characters
Ewan McGregor Breaks Down His Most Iconic Characters
Taika Waititi Breaks Down His Most Iconic Characters
Yunjin Kim Breaks Down Her Most Iconic Characters
The Russo Brothers Break Down Their Most Iconic Marvel Films, Arrested Development & More
Rae Sremmurd Break Down Their Most Iconic Tracks
Neil Patrick Harris Breaks Down His Most Iconic Characters
Karl Urban Breaks Down His Most Iconic Characters
Ralph Macchio Breaks Down His Most Iconic Characters
Pierce Brosnan Breaks Down His Most Iconic Characters
Christian Bale Breaks Down His Most Iconic Characters
Paul Dano Breaks Down His Most Iconic Characters
Daniel Radcliffe Breaks Down His Most Iconic Characters
Mahershala Ali Breaks Down His Most Iconic Characters
Javier Bardem Breaks Down His Most Iconic Characters
Brendan Fraser Breaks Down His Most Iconic Characters
James Cameron Breaks Down His Most Iconic Films
James McAvoy Breaks Down His Most Iconic Characters
Director Alejandro González Iñárritu Breaks Down His Most Iconic Films
Director Rian Johnson Breaks Down His Most Iconic Films
"Weird Al" Yankovic Breaks Down His Most Iconic Tracks
Danny Trejo Breaks Down His Most Iconic Characters
Don Cheadle Breaks Down His Most Iconic Characters
Giancarlo Esposito Breaks Down His Most Iconic Characters
Bryan Cranston Breaks Down His Most Iconic Characters
Donnie Yen Breaks Down His Most Iconic Characters
Paul Rudd Breaks Down His Most Iconic Characters
Sir Roger Deakins Breaks Down His Most Iconic Films
Donald Glover (Childish Gambino) Breaks Down His Most Iconic Characters
Chris Tucker Breaks Down His Most Iconic Characters
John Leguizamo Breaks Down His Most Iconic Characters
Dave Matthews Breaks Down His Most Iconic Tracks
Liev Schreiber Breaks Down His Most Iconic Characters
Ludacris Breaks Down His Most Iconic Tracks
Danny Elfman Breaks Down His Most Iconic Scores (Tim Burton Edition)
Mads Mikkelsen Breaks Down His Most Iconic Characters
Michael Cera Breaks Down His Most Iconic Characters
Chris Evans Breaks Down His Most Iconic Characters
Martin Scorsese Breaks Down His Most Iconic Films
Paul Giamatti Breaks Down His Most Iconic Characters
Barry Keoghan Breaks Down His Most Iconic Characters
Kurt Russell Breaks Down His Most Iconic Characters
Sam Rockwell Breaks Down His Most Iconic Characters
Clive Owen Breaks Down His Most Iconic Characters
Josh Brolin Breaks Down His Most Iconic Characters
John Malkovich Breaks Down His Most Iconic Characters
Eugene Levy Breaks Down His Most Iconic Characters
Michael Keaton Breaks Down His Most Iconic Characters
Danny McBride Breaks Down His Most Iconic Characters
Trent Reznor & Atticus Ross (NIN) Break Down Their Most Iconic Tracks
Zack Snyder Breaks Down His Most Iconic Films
Kevin Costner Breaks Down His Most Iconic Characters
Walton Goggins Breaks Down His Most Iconic Characters
Cate Blanchett Breaks Down Her Most Iconic Characters
M. Night Shyamalan Breaks Down His Most Iconic Films
J. K. Simmons Breaks Down His Most Iconic Characters