Jared Leto Breaks Down His Most Iconic Characters
Released on 02/12/2021
You know, there are two movies now
I have the answers and nobody else does.
Denis told me on Blade Runner,
because I look inside of Harrison Ford's mind,
I'm the only person that knows if he's the replicant or not,
so he said that I can decide.
So I have that secret now, and now with this movie,
I have the secret to Carrie as well.
[up-tempo drum beat]
The Thin Red Line.
Wow, it brings back memories just hearing that name.
I think about Terrence Malick, who is a genius
and he's a guy who made two movies
and disappeared for 20 years, which you just gotta respect.
You gotta respect anybody that's just like,
Eh, I'm gonna go off and pursue some other interests
and kind of just live life.
I mean, I took about six years off,
but I think 20 is, that's real.
I can't say I took six years off.
I was doing other things, I was on tour mostly.
But Terrence Malick is, he's made two of my favorite films,
well many more than two,
but two of the seminal films that he made,
one is called Badlands,
the other one's called Taste of Heaven,
both must-watch films for cinephiles and actors.
And actually I remember the audition for that
and it was maybe the worst audition I ever had.
They, I walked in the casting office
and they had a desk turned on its side
and we were supposed to kind of shoot imaginary bullets
at each other and pretend to be in a war,
which I guess makes sense if you're auditioning
for a war movie, but I just couldn't do it.
I don't know, I just couldn't get with the program,
and I stood up in the middle of the audition
and got sprayed by a thousand imaginary bullets
and I just stopped, and I said, I just can't.
I don't know, I just felt too embarrassed.
I was probably just too naive as an actor
to pull that off in that room.
Maybe I just wasn't good enough or something,
but I stopped in the middle of the audition,
which is unheard of, and I actually just, I tapped out.
I said, I can't do this, I'm not your guy.
And for some reason or another,
Terrence Malick called me up, and I think we had met
actually before that, just kind of on a general meeting,
and he wanted me to play this part in the movie.
We're all gonna tackle the platoon and reserve.
We gotta cross those three folds of ground, you see?
Once we get beyond there, we gotta take that hill.
And the part that he wanted me to play
was to be the first person to die,
and he said, Well if I cast you
and you die really early on,
then everyone watching the movie is gonna know
that no one's safe.
So that, I don't know if he was just kind of being nice
but that was, the role was important for him.
[grass rustling]
[guns shooting]
When I was on set, there were these little leaves
that if you touch them, these plants, they would close up
and I, and I can't remember if it was me
or another character, but I was right there,
we were right near the camera,
and as, I can't remember if it was my character
or someone else, was dying,
I just remember he saw one of those leaves near the frame
and he was like, Just reach out now and touch the leave.
And it closed as the character was dying.
And then he went and shot extreme macro closeups
of the plant or something.
I don't know if it's in the final film
but I just remember how aware he was
of his surroundings, of nature.
Fight Club.
I remember when there was this rumor going around
that they were making this really controversial book
into a movie and David Fincher was directing,
and there was a time there, I didn't realize
it was just a year after Thin Red Line,
but there was a time there
where there were these really special films,
kind of really edgy films that were challenging.
These auteur type directors
that were just doing some incredible work,
so it was one that I really wanted to be a part of
and I lobbied to be a part of,
and I remember bleaching my hair and my eyebrows white.
We did one pass and I think it was Brad Pitt was like,
said something about Billy Idol.
He was like, Blonder, so we went even whiter with it.
I really enjoyed being on that set
because I got to watch Brad, who's incredibly loose
and naturalistic, always does something a little different
take to take and that was interesting to see.
And everybody on it just kind of felt like we were
kind of getting into trouble and doing something
that was potentially special, but on the darker side
of the universe.
Yeah, working with Fincher was just a dream.
[Interviewer] Did you train a lot in fighting
and prepare your body for that role?
Or did you kind of go in and just learn those moves?
No, I don't think we rehearsed very much at all,
from my memory, and it was supposed to be
you're fighting like you would fight.
Not like a professional fighter, I should say,
like the character would fight.
[punches landing]
[crowd shouting]
[punches landing]
The only thing that wasn't real
is that we weren't actually hitting each other,
but you did get hit at times.
It was, it wasn't like it was perfectly choreographed.
It was all, it was real as, as real fake as you could get,
those fights were.
People are throwing each other all over the place,
but it was a good one, man.
It was really exciting.
It's under control, sir.
Where's Tyler?
Sir, the first rule of Project Mayhem
is you do not ask.
That, right, okay.
I had the prosthetics at the end,
something I had never done before.
I think it was the first time that I've worn prosthetics.
I remember getting super claustrophobic.
I fell asleep while they put this big life cast on me
made out of plaster.
I fell asleep, and then, for two minutes, and then woke up
and I was inside this thing and I didn't know where I was,
so I started ripping it off, running down the street
and had a full on just claustrophobic attack.
Yeah, I avoid those, they're called life casts,
and I avoid those to this day.
Requiem for a Dream.
Yeah, Requiem for a Dream is,
it's a big one for me personally
and made such a big impact on my life and my career.
It was just the 20th anniversary,
which is really hard to believe.
I was talking with Darren Aronofsky about it,
and we just were like,
Wait, did someone get the dates wrong?
This is just impossible.
But yeah, life changing experience.
I remember we knew that there was this young genius in town,
Darren Aronofsky.
He had made a movie called Pie
and there was a script floating around by Hubert Selby Jr
and Darren, and based on Hubert's book,
and it was just absolutely stunning script.
Brutal, just a brutal brutal read and heartbreaking,
but something very very special,
and I fought really hard to be a part of that film,
and Darren took a chance on me
and I'll always be so grateful for that.
But yeah, I remember going to New York
and living on the street and diving deep
and really getting close to some of the folks
that I met there that were living similar lives
to Harry Goldfarb.
Hey, what would happen if we went down and they had a cop?
Are you serious?
Why not?
What the [beep] are you saying?
We supposed to walk up to some mother[beep] room clerk
at some mother[beep] hotel and ask him for a connection?
Get with it.
You're telling me that you can't nose out
some dope when it's around?
Man, we got nothing to lose,
it's wide open and if we get there right away,
we can name our own price and we can sit back
and be cool and have those [beep] fools
scuffle the streets for us.
Jennifer Connolly, one of the greatest,
and Marlon, one of the funniest,
and Ellen, a legend.
It was just really special.
We all felt like, Okay, this is an opportunity to see
what we're made of, to push ourselves really hard.
And I did go through a really intense body transformation
for the role.
My thought was I wanted it, I wanted the character
to be in a place of constant starvation,
of craving, of desire, and food was a great way to do that.
I also just, from my own experience and education,
knew that it would be a good physical representation
of somebody that was living in that world at that time.
Really unique because I think Darren demanded
eight weeks of rehearsal or something,
which is never, you never do.
You're lucky if you rehearse at all on a movie,
and I think he was a little surprised when he thought,
he was encouraging us to all to go deep,
and then when I went deep,
I don't think he expected it to go that far
but it was a beautiful experience.
No.
No?
No, she won't.
She'll come.
No, she [sniffling and crying]
Yeah, I don't think there's,
there's no method in the world
that could make your arm go away.
But, I mean, I guess there is, but yeah,
I think there was a green,
there was a blue or green sleeve on it and,
or there was some kind of a trick, I can't remember,
but effective, I guess.
And it was just like that,
that there were days that were just full of tears and pain
and other days that were full of hope and dreams.
And Hubert Selby would always, I think he would say,
that the book was about the American dream
and how that can be a drug in and of itself.
A harrowing experience.
I remember almost every moment of that film.
It's funny how some things make such an impact on you.
Mr. Nobody.
Mr. Nobody is kind of my secret film.
Most people never even heard of it
but there was a movie I made right before that,
which maybe we should make a little special note of
called Chapter 27.
I played a guy named Mark David Chapman,
who had the distinct badge of taking John Lennon's life,
and I gained 67 pounds, and he was a character study
about this just disturbed and disturbing person,
and a very very big physical transformation.
When I look back at it, I kind of,
I wish maybe someone had stopped me and said,
Hey, no, no, no, no, no, no.
Maybe 20 pounds is good.
Maybe get some prosthetics.
But I went for it and it was fascinating how that,
gaining that 60 something pounds changed the way
that I walked, that changed the way that I talked,
changed the way even that I laughed.
Certainly I was unrecognizable.
I remember running into Darren Aronofsky at some Oscar party
and I still hadn't shed the weight from the film,
and I walked up to him at a party
and I was face-to-face with him,
and this is a guy who knows my face really well,
having directed it, but he didn't even recognize me.
He said, Can I help you?
And I said, It's me, it's Jared.
And then he just literally fell down on the floor.
He fell down, he slid down the wall onto the floor
with this face in his hands.
He could not believe that it was me,
it was quite a fun party trick.
But anyway, that's Chapter 27,
very very very very challenging, dark movie,
but was a big step, as far as the transformation
and transformative approach to things.
And Mr. Nobody, it's my European movie.
It was made by a really beautiful team of collaborators
in Belgium, but Jaco Van Dormael was the director,
and he's just a terrific talent.
Quite a beautiful experience,
a really beautiful group of people.
That's a film for the thinkers out there,
the philosophers, I think.
It's a heady one.
[Man] Can you tell me how old you are?
I am 34.
I was born February 9th, 1975.
[Man] Who are you?
[Mr Nobody] I'm Mr Nobody, a man who doesn't exist.
I played the oldest man in the world.
120 year old man or 120 something,
and yeah I play a dozen or so versions of the same person,
all on parallel tracks, diverging and crossing,
and when I played the old man, I really felt kind of at home
in a strange way.
It was a full prosthetics piece
that I thought they did a really great job.
It was a team out of Berlin.
Yeah, I really got into playing the old man,
that was quite funny, and he looked a lot
like my grandfather, so I guess they got it right.
It was many many many hours,
and I wouldn't be able to do that again
because I get pretty claustrophobic
and that was full head piece.
I mean, that goes on and you're in it.
You can't pull it off if you wanted to.
So it's, yeah, it makes my palms sweat
just thinking about it.
Dallas Buyers Club.
Well, it had been about five or six years
since I made a movie, I think, and then I got the script
and I was on tour with 30 Seconds to Mars at that point.
I really was so busy and things were going so well,
it was like, Why am I gonna get off this ride right now
to go make a film?
I wasn't in any hurry to make a film.
Not to sound ungrateful,
but my brother and I had worked for so many years.
I mean, we were signed as a band in 1998.
We were making demos and playing music
many many years before that, so we had just finally
started to get some traction.
I think we started playing arenas just a year
or two before that, all over the world,
and it was just like this impossible dream had come true.
So, firmly entrenched in that world and focusing on that,
and then the script comes along and I thought,
I just read it and I just knew
that it was something special.
I fell in love with the character and the opportunity
and the challenge and the ability
to kind of learn new things
and to go on a brand new adventure.
Relax, I don't buy it.
I guess you're handsome,
in a Texas hick white trash dumb kind of way.
Get the [beep] out of here, whatever you are,
before I kick you in the [beep] face.
Deadbeat asshole.
You wanna play cards?
For me, what I remember are the people that were involved.
I remember the time and the places.
I remember being in New Orleans for Dallas Buyers Club.
I remember the people that I met with that helped educate me
and guide me and advise me and teach me
and that support and that love,
I remember all of that as the most.
Of course there's a whole nother phase of that movie
when it came out and it was well-received and we won awards.
That's a whole nother kind of aspect,
but the making of film was, again, immersive, transformative
and Jean-Marc Vallee, just a really brave filmmaker,
and I knew Matthew was in a place
where he was doing just really incredible work,
so I felt happy just to be a small part of it, to be honest.
[coughing]
[Man] Okay, I'm taking you to the hospital.
No no no.
Rayon.
[Rayon] No.
Rayon, trust me, you need
No!
I don't wanna die.
You're not gonna die.
You're not gonna die, now just trust me.
Come on.
[Interviewer] Does it really help to experience
that weight loss and that kind of starvation
and that physical and mental toll
when you're playing those roles?
Yes, definitely.
I don't know how you do it another way,
but everyone has their own method.
I have mine, other people have theirs,
and they, to varying degrees, we all have our methodology,
and I kind of shy away from the term method actor
because it, I think, has taken on negative connotations.
I always think of it's, my approach to acting,
it's my job to do the best I can to help contribute
in a meaningful way and to help tell the story,
help bring a character to life,
to be a pleasure to work with,
to be kind and generous to my other actors.
All of that's part of the same bucket
and different people just have different approaches,
and I think it's up to everyone just to do
what they're comfortable doing
to contribute in a meaningful way.
I mean, people work so hard on movies, directors, writers.
20 years, that guy had the script for Dallas Buyers Club,
and the producers and the studio,
the people that invest the money, the crew.
When you show up, I always think,
Wow, this is, I better not let anybody down.
I do remember the process though.
I did lose so much weight.
People started treating me different,
which was good for the character and interesting,
and also surreal.
Even off the set, people, I guess I looked
like I was really ill or probably looked like I was dying,
and it was interesting to see
how people would deal with that.
So that was, that's something that you don't,
you can't really imagine.
You just have to experience it.
Suicide Squad.
Stepping into the Joker's shoes is,
it's an incredible opportunity.
I guess it's this generation's version of taking on
a infamous Shakespearian character.
Lots of people played the part before,
lots of people play it in the future,
so you really, it's an opportunity to kind of,
to do something new and to explore challenging territory,
and we had a lot of fun with it, but it's also interesting
how this stuff all takes on a life of its own.
But I never gave Margot Robbie a dead rat.
That's just, that's not true.
I actually gave her a lot of, I found this place in Toronto
that had great vegan cinnamon buns,
and that was a very common thing.
What do we have here?
I did everything you said.
I helped you.
You helped me?
By erasing my mind what few faded memories I had?
Oh, you left me in a black hole of rage and confusion.
Is that medicine you practice, Dr Quinzel?
What are you gonna do?
You gonna kill me, Mr J?
What?
I remember walking the streets of Toronto at night
and rehearsing my lines and going over things,
and there's a lot of pressure when you are a part
of those big movies.
Not even, just forget the character for a second,
when you're a part of these giant movies,
they inherently come with even maybe more responsibility,
it feels like.
Maybe it shouldn't, and that's maybe my fault
to not try to filter that out,
but I've done mostly smaller movies.
I mean, Dallas Buyers Club was a $4 million movie,
it's an experimental film in a lot of ways.
Same with Mr. Nobody, it was a small
independent European film.
So that was, I gotta step into a whole new world,
but it was a lot of fun and there was a,
just a mutual kind of respect and support on the set,
and just the feeling of comradery.
I stay a little bit separate
because I felt like my character was a little bit separate,
but I really, it was great to always hear
all the laughter and the comradery that was
in abundance on the set.
Blah, blah, blah, blah, blah, blah, blah, blah, blah.
All of that chit chat's gonna get you hurt.
Oh my God!
And the other thing I loved on that set
was a lot of times I play dark, I'm in darker films
and I played darker characters.
Certainly in Requiem, there wasn't a ton of laughter
on the set probably, but what was fun with the Joker
was he said such outlandish things all the time.
I can often hear the crew stifling laughter
or the camera which was on the shoulder would be shaking
'cause people would be laughing,
and that was really fun,
just to kind of entertain the troops and play with humor,
and that experience kind of, I think,
it's something that I carried with me
in some of the other stuff that I've done.
Blade Runner 2049.
Ridley Scott in Blade Runner, the original Blade Runner,
I mean, one of my top films for me, just a genius movie.
I fell in love with that movie on VHS as a kid
and watched it over and over,
and it just taught me a lot about cinema and acting
and set design and creativity.
I remember getting the call, Niander Wallace,
and I was like, Okay.
As soon as I saw that name on the script,
I thought, Wow, this is, where do we go from here?
This is amazing.
But I can't believe I got to be in Blade Runner.
I mean, for me, that's like, it just,
now I know I'm living in a simulation for sure.
Yeah, just incredible.
To preserve the clay is fascinating.
Before we even know what we are.
I had these contacts made that were opaque,
so I couldn't see, which was actually kind of great
because I didn't have to get confronted with the problem
of acting like I couldn't see, I actually couldn't see,
And I had a really wonderful teacher,
a guy named Chris, who was, who is blind
and an amazing coach, and we actually modeled my eyes
in the film after his eyes in real life.
And he was just a really special person,
he is just a really special person,
and there's a lot of him in that kind of,
in the physicality of that performance.
I have wanted to meet you for so very long.
You are a wonder to me, Mr. Deckard.
Working with Harrison Ford again, a dream.
Just, I couldn't see him, but that voice,
and I remember reaching out and I had to hold his hand
for a minute and that was great.
I know you know something.
Help me and very very good things can come to you.
You don't have children, do you?
Oh, I have millions.
I'll tell you a quick anecdote from that.
So we finished up the scene, long shoot day, very intense,
in this cavernous office, you could hear your voice
echoing off the walls.
And we did the scene bunch of times, bunch of times,
and it was my first day on set.
We're finished up and they kind of brought me,
shuffled me off to the side, the AD did,
and I was standing there alone
and someone comes up to me and wraps their arms around me
and gives me this huge hug, very emotional hug.
I'm not sure because I couldn't see,
but I felt like there may have been tears flowing
and it was Harrison Ford,
and it was a really special and beautiful moment.
And I think that he went somewhere really special
in that scene, and I was so happy to be there with him
as he was putting such great work on the screen.
The Little Things.
Well, good old Albert Sparma.
I'd be really happy if I saw someone dressed up
as Albert Sparma for Halloween,
that would be a fun one, right?
[Man 1] You must really like my car.
[Man 2] I do.
[Man 1] How's the trunk space?
Again, it was incredibly transformational.
It was a different eye color, different nose.
I had some other prosthetics.
I had different teeth.
There was a walk and there was a different way of speaking,
and I really just wanted to bring to life
a character that that people hadn't spent time with before,
and I felt like Albert Sparma,
from the name itself, you knew he was someone different.
He's an outsider, bit of a dark horse,
and I wanted to explore that territory
and just dove in deep.
[string music]
How's the trunk space?
I was so thrilled to be working with one of my heroes
in Denzel Washington, the master, the GOAT.
He is just terrific.
And Rami Malik was just a phenomenal partner in this.
I think the three of us felt
like there was an opportunity here
and we all just jumped in the ring with one another
and it was explosive.
Starring: Jared Leto
Paul Bettany Revisits His Most Iconic Characters
Hank Azaria Runs Through His Iconic ‘Simpsons’ Voices and Movie Roles
Hugh Grant Has More Iconic Characters Than You Do
Terry Crews Breaks Down His Favorite Iconic Characters
Evan Peters Breaks Down His Most Iconic Characters
Simon Pegg on His Most Iconic Characters
Ethan Hawke Goes Back in Time to Visit His Most Iconic Characters
Mark Wahlberg on His Most Iconic Characters
Jason Bateman on His Most Iconic Characters
Sissy Spacek Revisits Her Most Iconic Characters
Adam Devine Breaks Down His Most Iconic Characters
Eric Idle Revisits His Most Iconic Characters
Lucas Hedges Tells GQ About His Iconic Roles
Michael Peña Bases His Characters Off People He Knows
Jeff Bridges Breaks Down His Most Iconic Characters
Greg Kinnear Breaks Down His Most Iconic Characters
Sarah Jessica Parker Breaks Down Her Most Iconic Characters
Eddie Redmayne Breaks Down His Most Iconic Characters
Jonah Hill Breaks Down His Most Iconic Characters
Oscar Isaac Breaks Down His Most Iconic Characters
Alexander Skarsgard Breaks Down His Most Iconic Characters
Claire Foy Runs Us Through Her Iconic Characters
Ben Mendelsohn Breaks Down His Most Iconic Characters
Hiro Murai Breaks Down His Most Iconic Music Videos
Zedd Breaks Down His Most Iconic Tracks
Jennifer Lopez Breaks Down Her Most Iconic Characters
Andy Serkis Breaks Down His Most Iconic Characters
Ken Jeong Breaks Down His Most Iconic Characters
Willem Dafoe Breaks Down His Most Iconic Characters
St. Vincent Breaks Down Her Most Iconic Songs
Andrea Bocelli Runs Us Through His Iconic Tracks
Serena Williams on How She Became Serena Williams
Sugar Ray Leonard Breaks Down His Most Iconic Fights
Lionel Richie Takes GQ Through All His Hits
Kid Cudi Breaks Down His Iconic Tracks
Kyle MacLachlan Breaks Down His Most Iconic Characters
Nicolas Cage Revisits His Most Iconic Characters
Paul McCartney Breaks Down His Most Iconic Songs
Join Will Arnett on a Journey Through His Storied Career
Rob Schneider's Been Making You Laugh for Decades
Wiz Khalifa Breaks Down His Most Iconic Songs
Bill Hader Breaks Down His 9 Most Iconic Roles
Tim Roth Breaks Down His Most Iconic Characters
Caleb Landry Jones Breaks Down His Most Iconic Characters
Pedro Pascal Breaks Down His Most Iconic Characters
Ralph Fiennes Breaks Down His Most Iconic Characters
Seth Rogen Breaks Down His Most Iconic Characters
Sir Ben Kingsley Breaks Down His Most Iconic Characters
Alec Baldwin Breaks Down His Most Iconic Characters
Jon Hamm Breaks Down His Most Iconic Characters
Jake Gyllenhaal Breaks Down His Most Iconic Characters
Alan Cumming Breaks Down His Most Iconic Characters
Kevin Bacon Breaks Down His Most Iconic Characters
John Goodman Breaks Down His Most Iconic Characters
Gerard Butler Breaks Down His Most Iconic Characters
Sarah Paulson Breaks Down Her Most Iconic Characters
DMX Breaks Down His Most Iconic Tracks
Cillian Murphy Breaks Down His Most Iconic Characters
Forest Whitaker Breaks Down His Most Iconic Characters
David Copperfield Breaks Down His Most Iconic Illusions
Arnold Schwarzenegger Breaks Down His Most Iconic Characters
Edward Norton Breaks Down His Most Iconic Characters
Al Pacino Breaks Down 4 of His Most Iconic Characters
Tim Blake Nelson Breaks Down His Most Iconic Characters
Mark Ruffalo Breaks Down His Most Iconic Characters
Ray Liotta Breaks Down His Most Iconic Characters
Octavia Spencer Breaks Down Her Most Iconic Characters
Pedro Almodovar Breaks Down His Most Iconic Films
Danny DeVito Breaks Down His Most Iconic Characters
Jack Black Breaks Down His Most Iconic Characters
Diego Luna Breaks Down His Most Iconic Characters
Ben Affleck Breaks Down His Most Iconic Characters
Martin Freeman Breaks Down His Most Iconic Characters
Guy Pearce Breaks Down His Most Iconic Characters
Nick Offerman Breaks Down His Most Iconic Characters
Jeffrey Wright Breaks Down His Most Iconic Characters
Martin Short Breaks Down His Most Iconic Characters
Nicholas Hoult Breaks Down His Most Iconic Characters
Justin Roiland Breaks Down His Most Iconic Characters
Russell Crowe Breaks Down His Most Iconic Characters
Michael K. Williams Breaks Down His Most Iconic Characters
John Cusack Breaks Down His Most Iconic Characters
Gabourey Sidibe Breaks Down Her Most Iconic Characters
Vince Vaughn Breaks Down His Most Iconic Characters
George Clooney Breaks Down His Most Iconic Characters
Jude Law Breaks Down His Most Iconic Characters
Scott Glenn Breaks Down His Most Iconic Characters
Casey Affleck Breaks Down His Most Iconic Characters
Jared Leto Breaks Down His Most Iconic Characters
Bob Odenkirk Breaks Down His Most Iconic Characters
Salma Hayek Breaks Down Her Most Iconic Characters
Tom Hiddleston Breaks Down His Most Iconic Characters
David Harbour Breaks Down His Most Iconic Characters
Wes Studi Breaks Down His Most Iconic Characters
Sean Penn Breaks Down His Most Iconic Characters
Elijah Wood Breaks Down His Most Iconic Characters
Tony Leung Breaks Down His Most Iconic Characters
Matt Damon Breaks Down His Most Iconic Characters
Adrien Brody Breaks Down His Most Iconic Characters
Jeff Daniels Breaks Down His Most Iconic Characters
The Lox Break Down Their Most Iconic Tracks
Henry Cavill Breaks Down His Most Iconic Characters
Jeremy Renner Breaks Down His Most Iconic Characters
Jeff Goldblum Breaks Down His Most Iconic Characters
Djimon Honsou Breaks Down His Most Iconic Characters
Big Boi & Sleepy Brown Break Down Their Most Iconic Tracks
Christopher Lloyd Breaks Down His Most Iconic Characters
Robert Pattinson Breaks Down His Most Iconic Characters
Behind The Scenes with Cover Star Robert Pattinson
John Cena Breaks Down His Most Iconic Characters
Francis Ford Coppola Breaks Down His Most Iconic Films
John Turturro Breaks Down His Most Iconic Characters
Michelle Yeoh Breaks Down Her Most Iconic Characters
Kiefer Sutherland Breaks Down His Most Iconic Characters
Marlon Wayans Breaks Down His Most Iconic Characters
Mike Myers Breaks Down His Most Iconic Characters
Seth MacFarlane Breaks Down His Most Iconic Characters
Jerry Bruckheimer Breaks Down His Most Iconic Films
Andy Garcia Breaks Down His Most Iconic Characters
Chris Hemsworth Breaks Down His Most Iconic Characters
John Lithgow Breaks Down His Most Iconic Characters
Ewan McGregor Breaks Down His Most Iconic Characters
Taika Waititi Breaks Down His Most Iconic Characters
Yunjin Kim Breaks Down Her Most Iconic Characters
The Russo Brothers Break Down Their Most Iconic Marvel Films, Arrested Development & More
Rae Sremmurd Break Down Their Most Iconic Tracks
Neil Patrick Harris Breaks Down His Most Iconic Characters
Karl Urban Breaks Down His Most Iconic Characters
Ralph Macchio Breaks Down His Most Iconic Characters
Pierce Brosnan Breaks Down His Most Iconic Characters
Christian Bale Breaks Down His Most Iconic Characters
Paul Dano Breaks Down His Most Iconic Characters
Daniel Radcliffe Breaks Down His Most Iconic Characters
Mahershala Ali Breaks Down His Most Iconic Characters
Javier Bardem Breaks Down His Most Iconic Characters
Brendan Fraser Breaks Down His Most Iconic Characters
James Cameron Breaks Down His Most Iconic Films
James McAvoy Breaks Down His Most Iconic Characters
Director Alejandro González Iñárritu Breaks Down His Most Iconic Films
Director Rian Johnson Breaks Down His Most Iconic Films
"Weird Al" Yankovic Breaks Down His Most Iconic Tracks
Danny Trejo Breaks Down His Most Iconic Characters
Don Cheadle Breaks Down His Most Iconic Characters
Giancarlo Esposito Breaks Down His Most Iconic Characters
Bryan Cranston Breaks Down His Most Iconic Characters
Donnie Yen Breaks Down His Most Iconic Characters
Paul Rudd Breaks Down His Most Iconic Characters
Sir Roger Deakins Breaks Down His Most Iconic Films
Donald Glover (Childish Gambino) Breaks Down His Most Iconic Characters
Chris Tucker Breaks Down His Most Iconic Characters
John Leguizamo Breaks Down His Most Iconic Characters
Dave Matthews Breaks Down His Most Iconic Tracks
Liev Schreiber Breaks Down His Most Iconic Characters
Ludacris Breaks Down His Most Iconic Tracks
Danny Elfman Breaks Down His Most Iconic Scores (Tim Burton Edition)
Mads Mikkelsen Breaks Down His Most Iconic Characters
Michael Cera Breaks Down His Most Iconic Characters
Chris Evans Breaks Down His Most Iconic Characters
Martin Scorsese Breaks Down His Most Iconic Films
Paul Giamatti Breaks Down His Most Iconic Characters
Barry Keoghan Breaks Down His Most Iconic Characters
Kurt Russell Breaks Down His Most Iconic Characters
Sam Rockwell Breaks Down His Most Iconic Characters
Clive Owen Breaks Down His Most Iconic Characters
Josh Brolin Breaks Down His Most Iconic Characters
John Malkovich Breaks Down His Most Iconic Characters
Eugene Levy Breaks Down His Most Iconic Characters
Michael Keaton Breaks Down His Most Iconic Characters
Danny McBride Breaks Down His Most Iconic Characters
Trent Reznor & Atticus Ross (NIN) Break Down Their Most Iconic Tracks
Zack Snyder Breaks Down His Most Iconic Films
Kevin Costner Breaks Down His Most Iconic Characters
Walton Goggins Breaks Down His Most Iconic Characters
Cate Blanchett Breaks Down Her Most Iconic Characters
M. Night Shyamalan Breaks Down His Most Iconic Films
J. K. Simmons Breaks Down His Most Iconic Characters