Scott Glenn Breaks Down His Most Iconic Characters
Released on 12/16/2020
I mean, the story of my career
is just the story
of a whole long of real good luck.
My guess is that the best is yet to come
and I have no idea what it is.
Because that's the way
my life has really worked.
Meeting Carol, to becoming an actor
to all of the best things in my life
have been accidents.
Have just happened to me.
And I've had the...
good sense to recognize it.
[upbeat music]
[Narrator] It was an open call.
When I showed up at the sound stage
there were probably
maybe 50 actors there.
And Francis
he picked four guys
and he said, Here's the deal.
You're in a boat
the engine is off, you're floating down the Mekong River
you're having an argument
who the Playmate of the Year should be.
And they begin to have this argument.
Doing great improvisational work
yelling at each other
and I'm sitting there watching it
and I guess at a certain point
I rolled my eyes
kinda like this.
[Narrator exhales]
And Francis stopped the improv.
He said, I saw that, Scott.
These people are doing serious work
I don't need you making a comment on this work.
Why did you do that?
And I said, It wasn't that the work was bad
but these guys are on a boat
with the engine turned off
floating down the Mekong River.
You scream and yell like that
you gonna have a mortar round
in your laps in five seconds.
And Francis looked at me
and turned to his AD
and he said, I want him in my movie.
I got to the Philippines.
It was Friday.
Almost everybody was going back to Manila
to have their weekend
and I decided I'd just stay on location.
That Friday evening, the worst typhoon
to hit the Philippines since 1932 came in.
Typhoon Didang.
Everybody thought we were dead.
For two days, we lost all contact.
We were on an isthmus
that was turned into an island.
We had to sort of organize the place.
There was a woman who was pregnant with twins.
Since I delivered my second daughter myself
I was the only person who had any idea
of how to do that.
So finally, two to three days later
Francis came back on a helicopter.
All of our sets were destroyed.
We obviously had to rebuild things
and start all over again.
We went down to the edge of a stream
that they were gonna shoot on
which was now a whitewater
because of all the water.
And Francis, the insurance adjuster
I think Vittorio Storaro
the DP
and...
three or four guys
got in this boat
and they were gonna go out onto the stream
to take a look at it.
They tied a rope on the back of this boat
and let the boat out onto the stream
thinking if the stream carries it down
downstream very quickly
they could pull it back.
And I'm watching this from about 50 yards away.
I was not that long out of the Marine Corp
always had a knife.
And when I saw what was happening
I just realized
the minute the tide gets that boat
it's gonna snap it straight downstream
and the...
and the rope is gonna pull the boat down
and the boat it gonna sink.
So the minute they let it go
I started running towards the rope
dove at it
cut the rope.
It didn't sink.
Later on that night, Francis said, You saved my life.
And I said, I don't know if I did or not.
I just acted on instinct.
And Francis said, you've helped my out so much
I can write you a better part than you were cast.
Just tell me what you wanna do
and I'll write it right now.
And I said, I wanna be in the end of the movie.
And he said, What?
And I went, Yeah
I wanna be in the part
at the end of the movie
with
Marlon Brando
and Dennis Hopper.
And Francis said, I'm sorry, Scott
that's the only part of the movie
that's completely cast.
There's nothing in it for you
I mean, you could play Captain Colby
the guy that went up the river ahead of Martin
but it's a tiny part, very few lines
But if you wanna do that
I'm good to my word.
And I said, I do.
Colby.
I realized at the time that acting
is serving an apprenticeship.
You really can't learn how to act
in school
or from a book or...
And I was gonna be around, arguably
America's greatest actor
Francis working with him.
So that's how that happened.
[upbeat music]
Carol is laughing right now.
I got called
from my manager
Johnnie Planco
another one of my best friends
who's no longer with us.
But
at the time, he said
Marvel is really interested
in your playing this character Stick.
I didn't know any of those characters at all.
And he said, it's the mentor to the Daredevil
that will be played by Charlie Cox.
And I went, oh.
And I got so angry
because I thought
the mentor.
Yeah, I'm gonna play some old guy
who sits behind a desk
and sends
young actors out to do all kinds of fun interesting stuff.
This is going to be a pain in the butt
and I don't even think I wanna do it.
And I got
I got stupidly angry.
There's a hike south of here
that's very steep
and in furor well I...
ran up the side of this mountain.
It was so steep and I was, you know
so full of myself, stupidly
with my big dumb ego
that I jammed my hip coming down.
Got home
and they had sent the script.
And I started reading the script and I went
whoa!
This is a blind assassin
who's an expert with swords and knives
and comes out of this incredible dark crazy background
and has adopted this kid.
I've never even played blind, how do...
And all of a sudden I felt stupid
because I went from hating the idea of the part
to loving the actuality of the part.
[breathing deeply]
Nice catching up.
I remember when I met the stunt coordinator.
He said, Do you know anything about martial arts?
And I went, Yeah, a little bit.
And he said, What about martial arts
with knives and swords?
And I said, Yeah, a little bit.
He said, well, how long have you been doing this stuff?
And I said, Kind of since I was 10 years old.
And I remember he had a couple of fake rubber
they were all knives.
And I said, Why don't we...
Wanna spar a little bit?
And he said, Sure.
So we started.
We were knocking over racks of dresses
and after about
probably two minutes
he just stopped in the middle of it.
You can do all this stuff better than me.
I'm not gonna double you with any of this.
And at the time, I had just met a guy
who has become my Sifu, Dan Anderson.
His dojo is Broadway and Canal.
And so when I wasn't doing the TV show in Brooklyn
I was at Anderson's
just playing with knives and swords
and stuff like that.
[upbeat music]
I was in Europe
and I got a package in the mail
and it was from Larry Kasdan.
He said, Here, I wrote this part for you
what do you think?
And I read Silverado
and I yelled
Yahoo!
And threw the script up in the air
and danced around the hotel room
I was so happy.
So Larry wrote that...
Wrote that sucker for me.
You men
stay with your wagons and your families.
Get rolling, keep your eyes peeled.
[Black Coat Man] Wait a minute.
Even if you do get the money.
How do we know you'll come back?
Well, if we don't you can keep my brother.
[horses neighing]
[Narrator] First thing
he said is there anyone here
who can't ride a horse?
And Danny Glover and I took one big step forward.
And everyone else didn't.
I always consider it
to be unwise
to pretend you do something you can't.
Danny and I were given, by the wranglers
horseback riding lessons
everyday
up until when we began shooting.
About four days before we began shooting
Larry Kasdan picked the horses he wanted
each one of us characters to ride.
And for me, it was a huge Quarter Horse
the size of a Clydesdale
but a pure Quarter Horse
gray, named Ajax.
And he told the wrangler, Freddy
has someone got on that horse?
And Fred said, No
that's my own horse.
Stunt riders can't even ride that horse
just turned five so he's very young
and he's already two times world steer roping champion.
If you get near this horse with a pair of spurs on
he's gonna kill you.
And I...
said, You know what?
Why don't you saddle the horse
and let's see
if the horse tries to kill me or not.
So as I was walking out
towards this big horse
I remember an animal trainer
a woman named Barbara Woodhouse
saying
that horses communicate with each other
by blowing into each others noses.
So I'm walking out
and I walk up to this big horse
and he kind of looks at me.
And I said, To begin with Ajax
I'm supposed to tell I'm the boss.
Guess what?
I'm not.
You're way bigger than me
you're way stronger.
I don't know anything about riding horses.
I'm talking to the animal.
I said, So you're in charge.
You're the boss.
And he brought his nose
right up to my face.
So when he did, I...
Blew in his nose
and he...
blew back at me
and hit me with a word of snot
the size of a snot ball
like right in my face
I wiped it off
and he just stood there.
I put my foot in the stirrups
got up on
and set the saddle.
He didn't move.
I'm like...
[Narrator clucking]
He starts walking.
I'm thinking
I don't even feel myself
motion into the left.
He goes to the left.
I do to the right.
He moves to the right.
I touch him with my heels.
Now this is a world champion steer Roper.
I touched him with my heels.
He goes from a walk to a straight out hard gallop.
But I'm comfortable on him
and at one point
we go to the left
we go to the right.
It's like being on a sports car
at one point, I think I want him to stop.
I dropped my heels and say, Whoa
this horse is used to jerking the steers on their butts.
So he...
does like that.
I go over his head
and land in the ground
luckily I didn't break anything.
But the minute I landed on the ground
Ajax, trotted over to me
put his big nozzle on my face
and started rubbing me with his head.
He fell in love with me.
People see that movie now
and they think I'm an expert rider.
I'm not, I still really don't know how to ride horses.
It's just that this...
monster, phenomenal athlete
love me.
[upbeat music]
I had a part in the Western called
The Great North-field Minnesota Raid
directed by Phil Kaufman.
I had to go to Universal to...
to meet the...
the producers
and just get to know them.
And the producers
walked in.
Phil said, this is Scott Glenn
he's going to be playing this part.
And he said, great, great
we just want to meet you great.
So we'll see you on location.
I hop on my motorcycle.
I drive back to Venice where we're living.
The phone is ringing.
I pick it up.
It's just Phil Kaufman.
He said, I couldn't let an agent
or someone else tell you this Scott.
You're not gonna be in my movie.
You're half an inch too tall.
And I remember saying, I'll wear moccasins.
I'll drop my knees down a little bit
a half an inch.
He said, I'm sorry
It's not gonna work.
But the next time I have a film where I have real control.
I'm gonna send you the script
and you get to pick your part.
I get said the right stuff.
I called Phil Kaufman up
and I said, I know what I wanna play.
And he thought I was going to say
Chuck Yeager
or maybe John Glenn.
And I did not.
I said, I wanna...
I wanna do Alan Shepard
and there was a long pause.
And he said, Alan Shepard?
Well that's kind of a comedic part.
And I said, yeah, yeah
it's funny.
That's right.
That's what I wanna to do
I wanna be the IC commander.
Dear Lord
please don't let me fuck up.
I didn't quite copy that.
Say it again please.
I said, everything is okay.
[Narrator] And he said, I'm good to my words Scott.
You wanna be Alan Shepherd.
You are Alan Shepherd.
Would you like to meet him?
And I said, absolutely not.
I'm a home movies
of him
as far back in his life as possible.
Everything I can see recorded about him
but I don't wanna meet the guy himself because
if you play somebody and...
they know that their image
is going to be exploded on a screen
the size of a four-storey building.
They will...
even without intending it
edit themselves.
And I didn't want that.
I wanted
Alan Shepherd
the inside of Alan Shepard to be my creation.
Mr. Glenn, You are way out of line.
Each man here is volunteered to do a job
and doing many things
above and beyond the strict call of duty.
such as bringing girls up to your room
in the middle of the night.
And foregoing any semblance of an orderly family life.
And Mr. Glenn
as long as a man uses good sense.
What he does with his zipper or is his wreck
is his own business.
My favorite review I've ever gotten in my whole life
was after we finished the film
then Admiral Shepard
wrote a note to Phil Kaufman
and he said, please show this to Scott Glenn.
He said, Mr. Glenn
you got me
almost perfect.
I have no criticism.
You only missed one thing.
And that is...
you ain't anywhere near
as good looking as I am.
[Narrator laughing]
[upbeat music]
Jonathan Demme
was a good friend of ours.
He called me up and...
asked me to come to New York.
There's this part
and I want you to play it in Silence of the Lambs.
I'm going to send you to Washington.
So I went and I spent a period of time
sitting in on cases, case studies
still have bad dreams
about some of the stuff that I was exposed to.
And I haven't led a very sheltered or easy life so...
this stuff I was privy to
the human condition
had a degree of darkness
I never knew existed.
So it was rough in that way.
[Scott] And you are to tell him
nothing personal Starling.
Believe me, you don't want Hannibal left inside your head.
Just do your job
but never forget what he is.
[Narrator] When we did the table read
the description of me and Jody when we meet.
It said
the relationship between these two people is strange.
Are they father and daughter?
Mentor and student?
Boyfriend and girlfriend?
Jonathan at the time as we were reading
he said, forget all that guys.
You can't play that.
There's no way you can play that complicated
or relationship.
Okay, cut to...
two or three weeks into shooting the film.
There's a scene when Jody is coming out of her office
getting on the limo
to go to West Virginia.
She had a hard time getting in the limo.
I opened the back door
and I took her arm
to help her into the...
into the limo.
And Jonathan yells, cut cut cut.
He comes running up to us.
He says, Scott
please don't.
I don't want you to touch Jody.
And Jody said
yeah I mean, he was just being polite.
Jonathan said, remember when we did the table reading
and I told you guys
there's no way in the world
you can play that relationship.
Guess what?
I've been looking at dailies
and that relationship is exactly there already.
And Scott
I know if you physically touch her
it's all gonna be blown.
I only want you to touch Jody
twice in this whole movie.
when she's gone through the experience
of dealing with this serial killer
and someone has died in her hands.
I want you to walk out of that house
and put your arm over her shoulder
at the very end of the film
I want you to shake her hand
and that can shape will be so lovely.
That's what a great director is all about.
Great directing
is having that kind of sensitivity
and being able to make those kind of calls.
[upbeat music]
Carol and I had moved
up here to Idaho.
Driving back
we stopped off at paramount
to see Jim Bridges
who directed me in the first movie I'd ever done
Something called Baby Maker.
He looked at me and said, Oh my God
this is unbelievable.
I'm doing a movie
that you're perfect for the bad guy.
Stick around town for three days
meet the producers, meet the...
star who has cast approval.
And I think we'll make this happen.
And I...
Said
no.
I came up here.
Two weeks later, the phone rings
and it's Jim Bridges again.
And he's...
he said, okay now
I'm on location in Houston.
Paramount doesn't want you to do this part.
They don't know who you are.
Come down to Houston
and we can make this thing happen.
I hop in my...
my pickup, on my way to Houston.
I stopped outside of Huntsville prison
because I know the character I'm playing.
And as I'm parked there
these two guys
who I know from another time in my life.
Who were friends of Freddy Fender's
Baldemar Huerta.
And these guys are pistoleros.
The real thing.
And one of them
walks up to me
in my truck and he said, Hey [indistinct]
what are you doing here?
Are you doing a movie?
What do you play in?
I said bank robber and they go
Hey our buddy
he's a gringo.
A bank robber, he's getting out today.
You wanna meet him?
I mean, my God
what a gift.
So I hung out with these guys for about a day.
And then I...
I got rid of them because
I wanted to go try to get a movie
not wind up in jail.
Drove down to Houston.
Irving Azoff.
Who wanted me to do the part
Debra winner
who wanted me to do the part.
Jim bridges
who wanted me to do the part
and John of all them, God bless him.
He also wanted me to do the part.
So kind of over
Paramount's objections.
They said, yes
and I started one of the three parts in my life
that really played me.
Mexicans say
you eat the worm
you're going to see visions.
Visions of what?
I don't know
I heard the whole mess in my nursing vision.
I sure feel good.
I talk about being lucky.
I've got her a bull in the Huntsville prison rodeo.
I was just going to sit on the bull
and...
then they were gonna cut and a stock rider
was gonna actually get on the bull
ride in the long shore.
I'm sitting on this bull
and I don't know where the camera is.
I think, you know
how close are they?
So when I take a rap.
I take what's illegal in PRC
but
all the cons do at the Huntsville Prison Rodeo
which is called suicide rap.
Instead of just wrapping the rig around your hand once
you put lighter fluid and rolls in on your glove
and then you thread it
between your little finger and your ring finger.
You take the leather glove.
Pound it down.
Now you're locked in.
The bad part about that is
if both
throws you and you have a suicide wrap
what they call hung up.
You're
with the bull
wherever it goes...
probably will kill you
or jerk your arm literally out of your body
who knows.
But I thought, God forbid
some ex-con
sees this movie and sees
I didn't take a suicide rap.
because my biggest critics
are always the people that actually do the job.
So anyway, I took the suicide rap.
None of us had figured
that the bulls are used to being in roll out gate.
A matter of seconds before they go.
This was like 15 minutes
while they were lighting the shot.
And finally, the bull on camera decided
I'm leaving whether the gate is open or not
and just charge
up out of the deck.
If I hadn't had a suicide rap
I would've slipped down behind its butt
and probably been kicked to death.
Everything literally went into slow motion.
I mean, I had all the time in the world
and I looked up
I grabbed the tail
I popped it loose.
we went down the bull went forward.
I hit the ground
with a chipped collarbone
and concussion.
[audience shouting]
I don't really remember this
but what I actually did
was dropped right back on my feet
climb back on the lead up gate
jumped back on the bull
and I saw blood all around the wood of the gate
and I said
is that my blood, is that my blood?
And it wasn't.
It was like one of the stock handlers
had reached in to grab me
and try to save my life
had been hit
with the bull's horn
and shattered his cheek.
And it was his blood all over the place.
And I said, is that my blood?
And they said, no Scott, it's not your blood.
I said, you don't understand
if it is
you got to get hair makeup here
cause it's got to match to shot.
It's got to match the shot. I...
I don't remember any of that.
[upbeat music]
The leftovers
was the single best acting experience
I've ever had in my life.
Doing a no small part
to Damon Lindelof.
Three times in my life.
I've had parts that played me
and...
in my job was just to get out of the way.
One was Urban Cowboy.
One was a play
I did off Broadway called Killer Joe.
And the third was The Leftovers.
Where the writing was so deep inside me.
when I woke up in the morning
I just say to myself
Scott, your job today
is just stay out of the way.
The other great blessings
I had aside from Damon
Mimi Leder as a director
and Justin Theroux
as the star.
And I love
those three people
without them
there would have been no performance for me.
[Old man] If you're asking me
when I started losing my shit
contrary to the professional opinion of others
I maintain
my ship remains intact.
[Narrator] I remember where the longest monologue
Damon told me, he said
it's the longest speech I've ever written in my life.
I said, what is it, a couple pages?
He said no, actually it's seven pages.
When it came time to do that scene
and we were in the Outback in Australia.
Mimi was going to do it in cuts
and I said, you know I think I know this whole thing.
Can we just...
do the whole thing?
She said sure, we'll do it once
and see
what you miss.
So we went through the whole
I didn't miss any of it.
[Blond old Man] I used to hear voices.
They started about five minutes after it happened
after people disappeared.
So they put me in an institution.
We went through the whole thing and Mimi said
that was great, Scott.
Remember when you picked up the tape recorder
and you almost started crying
when you were listening to your son talk.
And I said
no, this is what it mean.
I said, I remember picking up a tape recorder.
She said, what do you remember from the scene?
I said
not much.
I remember you saying action
and...
saying cut.
So you weren't directing yourself at all?
And I'm like [shaking his head]
she said, would you be willing on the second take
so that a little bit of you
could hang laugh and watch it
because if you can't direct yourself
I can't direct you either.
I can't say
at this point
would you be willing to do that?
And I said, no.
I said,I actors lived their whole life.
Not just actors, artists
for these moments when it does you
and I'm not willing to do that.
She said, what do you suggest we do?
And I said, just a lot of texts.
She said, it'll wear you out.
And I said, no.
So we did, I don't know
six, seven takes something like that.
Mimi, rather than trying to take control one way
just let me go until she saw what she wanted.
And the whole experience of doing that show was that way.
[Blonde Old Man] I believe
the rains will come
and with them
a great flood.
I have to sing to make it stop.
It did me in such a profound way.
I still
I miss it a lot.
I miss all those people.
Wish the show was still on the air.
[upbeat music]
Roughly it's a disaster film.
And the disaster is...
a comment is headed for the earth.
First they think it's gonna be a near miss.
And then the...
the people of the trucktors then figured
Oh, whoops, no
it's gonna hit.
It's going to be the kind of...
event that killed the dinosaurs.
So the defense department decides to grab
a group of I don't know, 50 people.
Bring these people
into these bunkers in Greenland
to restart
civilization all over again.
And it's essentially a family
that are in some kind of crisis with themselves.
So we track
their journey trying to get to Greenland.
I play someone who is a widower
who
deeply misses his wife
to the extent where he's not really concerned
with living or die
but very much loves this family.
That's coming by.
My Mary went to heaven in this place.
And when the good Lord is ready for me to join her
I'm going to be right here in this place too.
Bags packed.
That's what excites me now about this film
and also...
a little shout out to
Ric Waugh
the director
who did a phenomenal job of directing this film
and directing me in the film.
Little shout out to him.
Thank you all
for once again
watching me
and these characters that I play
that are iconic
really a lot more because of you
and because of me.
Starring: Scott Glenn
Paul Bettany Revisits His Most Iconic Characters
Hank Azaria Runs Through His Iconic ‘Simpsons’ Voices and Movie Roles
Hugh Grant Has More Iconic Characters Than You Do
Terry Crews Breaks Down His Favorite Iconic Characters
Evan Peters Breaks Down His Most Iconic Characters
Simon Pegg on His Most Iconic Characters
Ethan Hawke Goes Back in Time to Visit His Most Iconic Characters
Mark Wahlberg on His Most Iconic Characters
Jason Bateman on His Most Iconic Characters
Sissy Spacek Revisits Her Most Iconic Characters
Adam Devine Breaks Down His Most Iconic Characters
Eric Idle Revisits His Most Iconic Characters
Lucas Hedges Tells GQ About His Iconic Roles
Michael Peña Bases His Characters Off People He Knows
Jeff Bridges Breaks Down His Most Iconic Characters
Greg Kinnear Breaks Down His Most Iconic Characters
Sarah Jessica Parker Breaks Down Her Most Iconic Characters
Eddie Redmayne Breaks Down His Most Iconic Characters
Jonah Hill Breaks Down His Most Iconic Characters
Oscar Isaac Breaks Down His Most Iconic Characters
Alexander Skarsgard Breaks Down His Most Iconic Characters
Claire Foy Runs Us Through Her Iconic Characters
Ben Mendelsohn Breaks Down His Most Iconic Characters
Hiro Murai Breaks Down His Most Iconic Music Videos
Zedd Breaks Down His Most Iconic Tracks
Jennifer Lopez Breaks Down Her Most Iconic Characters
Andy Serkis Breaks Down His Most Iconic Characters
Ken Jeong Breaks Down His Most Iconic Characters
Willem Dafoe Breaks Down His Most Iconic Characters
St. Vincent Breaks Down Her Most Iconic Songs
Andrea Bocelli Runs Us Through His Iconic Tracks
Serena Williams on How She Became Serena Williams
Sugar Ray Leonard Breaks Down His Most Iconic Fights
Lionel Richie Takes GQ Through All His Hits
Kid Cudi Breaks Down His Iconic Tracks
Kyle MacLachlan Breaks Down His Most Iconic Characters
Nicolas Cage Revisits His Most Iconic Characters
Paul McCartney Breaks Down His Most Iconic Songs
Join Will Arnett on a Journey Through His Storied Career
Rob Schneider's Been Making You Laugh for Decades
Wiz Khalifa Breaks Down His Most Iconic Songs
Bill Hader Breaks Down His 9 Most Iconic Roles
Tim Roth Breaks Down His Most Iconic Characters
Caleb Landry Jones Breaks Down His Most Iconic Characters
Pedro Pascal Breaks Down His Most Iconic Characters
Ralph Fiennes Breaks Down His Most Iconic Characters
Seth Rogen Breaks Down His Most Iconic Characters
Sir Ben Kingsley Breaks Down His Most Iconic Characters
Alec Baldwin Breaks Down His Most Iconic Characters
Jon Hamm Breaks Down His Most Iconic Characters
Jake Gyllenhaal Breaks Down His Most Iconic Characters
Alan Cumming Breaks Down His Most Iconic Characters
Kevin Bacon Breaks Down His Most Iconic Characters
John Goodman Breaks Down His Most Iconic Characters
Gerard Butler Breaks Down His Most Iconic Characters
Sarah Paulson Breaks Down Her Most Iconic Characters
DMX Breaks Down His Most Iconic Tracks
Cillian Murphy Breaks Down His Most Iconic Characters
Forest Whitaker Breaks Down His Most Iconic Characters
David Copperfield Breaks Down His Most Iconic Illusions
Arnold Schwarzenegger Breaks Down His Most Iconic Characters
Edward Norton Breaks Down His Most Iconic Characters
Al Pacino Breaks Down 4 of His Most Iconic Characters
Tim Blake Nelson Breaks Down His Most Iconic Characters
Mark Ruffalo Breaks Down His Most Iconic Characters
Ray Liotta Breaks Down His Most Iconic Characters
Octavia Spencer Breaks Down Her Most Iconic Characters
Pedro Almodovar Breaks Down His Most Iconic Films
Danny DeVito Breaks Down His Most Iconic Characters
Jack Black Breaks Down His Most Iconic Characters
Diego Luna Breaks Down His Most Iconic Characters
Ben Affleck Breaks Down His Most Iconic Characters
Martin Freeman Breaks Down His Most Iconic Characters
Guy Pearce Breaks Down His Most Iconic Characters
Nick Offerman Breaks Down His Most Iconic Characters
Jeffrey Wright Breaks Down His Most Iconic Characters
Martin Short Breaks Down His Most Iconic Characters
Nicholas Hoult Breaks Down His Most Iconic Characters
Justin Roiland Breaks Down His Most Iconic Characters
Russell Crowe Breaks Down His Most Iconic Characters
Michael K. Williams Breaks Down His Most Iconic Characters
John Cusack Breaks Down His Most Iconic Characters
Gabourey Sidibe Breaks Down Her Most Iconic Characters
Vince Vaughn Breaks Down His Most Iconic Characters
George Clooney Breaks Down His Most Iconic Characters
Jude Law Breaks Down His Most Iconic Characters
Scott Glenn Breaks Down His Most Iconic Characters
Casey Affleck Breaks Down His Most Iconic Characters
Jared Leto Breaks Down His Most Iconic Characters
Bob Odenkirk Breaks Down His Most Iconic Characters
Salma Hayek Breaks Down Her Most Iconic Characters
Tom Hiddleston Breaks Down His Most Iconic Characters
David Harbour Breaks Down His Most Iconic Characters
Wes Studi Breaks Down His Most Iconic Characters
Sean Penn Breaks Down His Most Iconic Characters
Elijah Wood Breaks Down His Most Iconic Characters
Tony Leung Breaks Down His Most Iconic Characters
Matt Damon Breaks Down His Most Iconic Characters
Adrien Brody Breaks Down His Most Iconic Characters
Jeff Daniels Breaks Down His Most Iconic Characters
The Lox Break Down Their Most Iconic Tracks
Henry Cavill Breaks Down His Most Iconic Characters
Jeremy Renner Breaks Down His Most Iconic Characters
Jeff Goldblum Breaks Down His Most Iconic Characters
Djimon Honsou Breaks Down His Most Iconic Characters
Big Boi & Sleepy Brown Break Down Their Most Iconic Tracks
Christopher Lloyd Breaks Down His Most Iconic Characters
Robert Pattinson Breaks Down His Most Iconic Characters
Behind The Scenes with Cover Star Robert Pattinson
John Cena Breaks Down His Most Iconic Characters
Francis Ford Coppola Breaks Down His Most Iconic Films
John Turturro Breaks Down His Most Iconic Characters
Michelle Yeoh Breaks Down Her Most Iconic Characters
Kiefer Sutherland Breaks Down His Most Iconic Characters
Marlon Wayans Breaks Down His Most Iconic Characters
Mike Myers Breaks Down His Most Iconic Characters
Seth MacFarlane Breaks Down His Most Iconic Characters
Jerry Bruckheimer Breaks Down His Most Iconic Films
Andy Garcia Breaks Down His Most Iconic Characters
Chris Hemsworth Breaks Down His Most Iconic Characters
John Lithgow Breaks Down His Most Iconic Characters
Ewan McGregor Breaks Down His Most Iconic Characters
Taika Waititi Breaks Down His Most Iconic Characters
Yunjin Kim Breaks Down Her Most Iconic Characters
The Russo Brothers Break Down Their Most Iconic Marvel Films, Arrested Development & More
Rae Sremmurd Break Down Their Most Iconic Tracks
Neil Patrick Harris Breaks Down His Most Iconic Characters
Karl Urban Breaks Down His Most Iconic Characters
Ralph Macchio Breaks Down His Most Iconic Characters
Pierce Brosnan Breaks Down His Most Iconic Characters
Christian Bale Breaks Down His Most Iconic Characters
Paul Dano Breaks Down His Most Iconic Characters
Daniel Radcliffe Breaks Down His Most Iconic Characters
Mahershala Ali Breaks Down His Most Iconic Characters
Javier Bardem Breaks Down His Most Iconic Characters
Brendan Fraser Breaks Down His Most Iconic Characters
James Cameron Breaks Down His Most Iconic Films
James McAvoy Breaks Down His Most Iconic Characters
Director Alejandro González Iñárritu Breaks Down His Most Iconic Films
Director Rian Johnson Breaks Down His Most Iconic Films
"Weird Al" Yankovic Breaks Down His Most Iconic Tracks
Danny Trejo Breaks Down His Most Iconic Characters
Don Cheadle Breaks Down His Most Iconic Characters
Giancarlo Esposito Breaks Down His Most Iconic Characters
Bryan Cranston Breaks Down His Most Iconic Characters
Donnie Yen Breaks Down His Most Iconic Characters
Paul Rudd Breaks Down His Most Iconic Characters
Sir Roger Deakins Breaks Down His Most Iconic Films
Donald Glover (Childish Gambino) Breaks Down His Most Iconic Characters
Chris Tucker Breaks Down His Most Iconic Characters
John Leguizamo Breaks Down His Most Iconic Characters
Dave Matthews Breaks Down His Most Iconic Tracks
Liev Schreiber Breaks Down His Most Iconic Characters
Ludacris Breaks Down His Most Iconic Tracks
Danny Elfman Breaks Down His Most Iconic Scores (Tim Burton Edition)
Mads Mikkelsen Breaks Down His Most Iconic Characters
Michael Cera Breaks Down His Most Iconic Characters
Chris Evans Breaks Down His Most Iconic Characters
Martin Scorsese Breaks Down His Most Iconic Films
Paul Giamatti Breaks Down His Most Iconic Characters
Barry Keoghan Breaks Down His Most Iconic Characters
Kurt Russell Breaks Down His Most Iconic Characters
Sam Rockwell Breaks Down His Most Iconic Characters
Clive Owen Breaks Down His Most Iconic Characters
Josh Brolin Breaks Down His Most Iconic Characters
John Malkovich Breaks Down His Most Iconic Characters
Eugene Levy Breaks Down His Most Iconic Characters
Michael Keaton Breaks Down His Most Iconic Characters
Danny McBride Breaks Down His Most Iconic Characters
Trent Reznor & Atticus Ross (NIN) Break Down Their Most Iconic Tracks
Zack Snyder Breaks Down His Most Iconic Films
Kevin Costner Breaks Down His Most Iconic Characters
Walton Goggins Breaks Down His Most Iconic Characters
Cate Blanchett Breaks Down Her Most Iconic Characters
M. Night Shyamalan Breaks Down His Most Iconic Films
J. K. Simmons Breaks Down His Most Iconic Characters