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Jaylan Salah
Jaylan Salah's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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Boy Kills World (2023) |
It serves as Skarsgård’s introduction into becoming one of the next action heroes but still lacks the proper movie star polishing for his full capabilities to shine. - InSession Film
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| Posted May 08, 2024
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Winnie the Pooh: Blood and Honey II (2024) |
What remains is a hybrid film genre between slashers and senseless violence. Winnie-The-Pooh: Blood And Honey 2 is undoubtedly one of them. - InSession Film
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| Posted Apr 19, 2024
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Asteroid City (2023) |
Asteroid City is a poetic, bright-colored mess, but it’s a mess that attracts people like me, and that’s sufficient. - InSession Film
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| Posted Apr 17, 2024
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Io Capitano (2023) |
Io Capitano has that color palette that would make Sean Baker proud, and that active mise-en-scène very distinctive of Italian cinema, a frame brimming with color and movement, the perfect actor blocking and scene composition. - InSession Film
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| Posted Apr 17, 2024
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Scrapper (2023) |
The Xavier Dolan-esque jump cuts and the intersecting video game sequences are a (satisfying) distraction from the heart of the film, but they are still enjoyable to watch. - InSession Film
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| Posted Apr 17, 2024
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Monster (2023) |
When I want to watch something that encapsulates the heart of the real world, with a touch of tenderness, I run to a Kore-eda Hirokazu movie. - InSession Film
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| Posted Apr 17, 2024
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Showing Up (2022) |
The movie is slow-paced, and nothing much happens on screen, but if someone wants to see a bond blossom between two completely different women in the most tangible of ways, this is their movie. - InSession Film
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| Posted Apr 17, 2024
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Bottoms (2023) |
Seligman's deliberate and catchy directing style takes us into a world... - InSession Film
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| Posted Apr 17, 2024
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Priscilla (2023) |
Coppola’s anti-fairytale was doused in perfume and pink wallpaper to zoom in on a woman at the heart of manipulation, gaslighting, grooming, and possessive love. But it works, a great companion piece to Coppola’s filmography... - InSession Film
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| Posted Apr 17, 2024
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Theater Camp (2023) |
Theater Camp came and reignited that feeling of having a fictional group of friends and supporters. It’s a great film on a rainy day. - InSession Film
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| Posted Apr 17, 2024
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Reality (2023) |
The film is a masterclass in psychological analysis of how an interrogation goes, as well as the work that Sweeney put into having her face in front of a camera throughout the runtime... - InSession Film
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| Posted Apr 17, 2024
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Passages (2023) |
The scene when Adèle Exarchopoulos sings to him is sensual and beautiful, with a sublime connection to Mia Hansen-Løve’s or Claire Denis’s cinema. - InSession Film
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| Posted Apr 17, 2024
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The Holdovers (2023) |
Randolph takes the pain and the imminent grief that her character is feeling to the core, making her chain-smoking adaptation to the situation, while watching the game shows and interacting with the other characters all the more impactful. - InSession Film
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| Posted Apr 17, 2024
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Anatomy of a Fall (2023) |
Graner captures that frustrating childhood perfectly, and I might argue that the scenes in which the camera zooms in on his frail body, shrinking as his parents are torn to shreds in the courtroom are far more impactful than when he breaks down. - InSession Film
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| Posted Apr 17, 2024
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The Iron Claw (2023) |
Efron is a monster. He ruptures the screen, he breaks hearts as Kevin Von Erich, and commands the movie, like the whole family revolves around him, even when his brothers are on their own. - InSession Film
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| Posted Apr 17, 2024
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Ferrari (2023) |
It’s great to see the various manifestations of grief on the screen... - InSession Film
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| Posted Apr 17, 2024
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Past Lives (2023) |
Celine Song’s Past Lives calls out to tired souls. It’s a beautifully made anti-fairytale movie, where the prince and the princess meet at the wrong place and time... - InSession Film
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| Posted Apr 17, 2024
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Poor Things (2023) |
There are not a lot of times where both actor and audience are having fun with a performance. Emma Stone was having the time of her life with Bella Baxter. - InSession Film
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| Posted Apr 17, 2024
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All of Us Strangers (2023) |
What Paul Mescal gets served, he delivers. He might miss in one instance or another, but when on call, he transcends expectations and draws great sympathy from the audience.
- InSession Film
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| Posted Apr 17, 2024
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Killers of the Flower Moon (2023) |
There’s acting and there’s existing in a realm as a performer. Lily Gladstone exists as Mollie Burkhart. She downplays the act, she breathes through the character, patiently waits, exerts power, and navigates a hostile world... - InSession Film
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| Posted Apr 17, 2024
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Saltburn (2023) |
Barry Keoghan steals the scenes. Keoghan plays a doe-eyed sociopath, obsessed, dark, and aloof, with such grounded insanity that it brings to mind his earlier roles in The Green Knight and The Killing of a Sacred Deer. - InSession Film
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| Posted Apr 17, 2024
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